The Phantom Menace

Fiction’s Fearless Females: Queen Amidala

Standing behind the doors leading into the royal hanger, the Queen of Naboo, surrounded by her loyal handmaidens and advisers, must make a choice. One path will keep the teenage monarch on Naboo, with her people, risking capture and death at the hands of the invading Trade Federation. The alternative path will take her off-world, traveling with the two Jedi escorting her, running the Trade Federation blockade above her world in the hopes of reaching Coruscant, the capital of the Republic, to plead for help directly to the Senate.

“Either choice presents great danger, to us all,” the Queen says as she turns her head and looks at the handmaiden standing next to her.

“We are brave, your Highness,” the handmaiden responds, calmly speaking for herself and the other handmaidens.

To be brave is to be fearless, to stand firm and unflinching when confronting danger. Either path the Queen takes includes the risk of death, to herself and her retinue, but these handmaidens will face the risk with fearless poise standing side-by-side with their monarch.

But there is something else at play here, another layer hidden in the dialogue between a Queen and her assistant. In this scene from The Phantom Menace, the Queen we see is not the real Queen. No, she is actually a handmaiden, a loyal bodyguard charged with protecting the Queen by serving as a decoy dressed in royal attire. And the real Queen, Padmé Amidala, she is the handmaiden who has spoken.

This truth will not be revealed until later in the film when standing before the Gungan Boss Nass this handmaiden, Padmé, will confidently step forward, risking her own safety, and declare that she is Queen Amidala. Even though this revelation takes place late in the movie the gravity of the revelation reverberates through the entire film. It is possible then to add an interpretation to the statement “We are brave” by considering that Padmé, as Queen-in-disguise, is using the royal “We” when she speaks. And by viewing the term through this lens one can easily believe that Padmé Amidala is not only affirming the bravery of the handmaidens, but she is subtly but confidently affirming, as the true sovereign of the Naboo, that she is fearless.

Amidala's Reveal
Stepping forward, Padmé reveals that she is Queen Amidala.
Photo Credit – Star Wars Episode I: The Phantom Menace

Again and again we see Amidala model her bravery, in word and deed, simultaneously as handmaiden/Queen throughout The Phantom Menace. This is obvious when she reveals her identity to Boss Nass. Begging for help as she gets down on her knees – an act of pragmatic and diplomatic submission – Queen Amidala places herself and her party at the grace the Gungans. It pays off as her act of fearless humility convinces Boss Nass that Gungans and the Naboo can be friends and allies.

The Queen’s courage is also obvious when she and her retinue travel to the planet Tatooine.

Their vessel damaged as it ran the Trade Federation blockade surrounding Naboo, the two Jedi accompanying the royal entourage must identify a location that is free from Federation control to perform repairs. Jedi Padawan Obi-Wan Kenobi chooses a locale: the desert planet Tatooine. The head of the Queen’s guard, Captain Panaka, inquires how the Jedi know their Federation enemy is not present on the world to which Qui-Gon Jinn answers, “It’s controlled by the Hutts.” “You can’t take her royal Highness there! The Hutts are gangsters,” Panaka declares, immediately raising his concerns. Never-the-less, Tatooine, a lawless world on the fringe of the galaxy, remains their destination.

Upon landing in the desert Qui-Gon Jinn, accompanied by the astromech droid R2-D2 and the Gungan Jar Jar Binks, will head towards Mos Espa to seek out the parts they need to repair the damaged vessel. But as they head off Captain Panaka will stop them. With him is the handmaiden Padmé who remains silent as Qui-Gon and Panaka speak:

“Her Highness commands you to take her handmaiden with you,” the Captain explains.

“No more commands from her Highness today, Captain,” Qui-Gon responds, “the spaceport is not going to be pleasant.”

“The Queen wishes it. She is curious about the planet,” Panaka retorts.

“This is not a good idea,” Qui-Gon warns. “Stay close to me,” he tells the handmaiden as the group continues towards Mos Espa.

Padme joins the Group
The “handmaiden” remains silent while Captain Panaka and Qui-Gon Jinn discuss whether she should join the group.
Photo Credit – Star Wars Episode I: The Phantom Menace

The exchange may not seem like much but it serves a clear purpose: to account for Padmé being part of the group heading into Mos Espa. Fair enough, but narratively this should not be necessary. If the handmaiden was part of the group to begin with we would think nothing of it. She would just be someone else who is seeking the parts for the damaged hyperdrive. So why bother briefly pausing the plot to account for the handmaiden tagging along with the party? Because Padmé is no ordinary handmaiden. Armed with the knowledge that “her Highness” IS the handmaiden, this exchange is no longer a narrative curiosity but a narrative necessity, a way of demonstrating, and reinforcing, that behind the veil of “handmaiden” resides a formidable monarch who is exercising her power and displaying her strengths.

Captain Panaka, as noted, expressed his reservation to the Jedi about taking “her royal Highness” to Hutt-controlled Tatooine. While we do not see it, we can presume he shared these reservations with the Queen herself. But now, in a surprising twist, the Captain has escorted the Queen, dressed as a commoner, into the hot desert to join the repair party. Why does he do this? Because “Her Highness” has issued a “command.” She has used her authority and given an order which the Captain is duty-bound to follow.

The command she has given – for a handmaiden to join the party – is a clever trick on the part of Amidala, a way to insert herself while maintaining anonymity. This does not come without risk. Captain Panaka is not wrong that Tatooine, being controlled by galactic gangsters, is a dangerous world. Qui-Gon Jinn acknowledges this as well, admitting that “the spaceport is not going be pleasant.” The Queen does not flinch. Instead, she is putting words into action, showing “We are brave” by placing herself in an unpredictable and potentially precarious situation.

Granted, this decision does seem ill-advised. Being fearless is laudable, but it is difficult to justify being reckless. “This is not a good idea,” Qui-Gon explains, a clear indication that he does not want anyone else to be put in danger, even a young handmaiden (although, for the record, I believe he knows Padmé is the Queen but that is a conversation for another time). Were something to happen to Amidala in Mos Espa – a run in with the Hutts, for example – the consequences could imperil not only her safety but the safety of the planet Naboo. So how can one justify her decision to join?

For starters, we can think about why she is joining the group. As Captain Panaka explains, the Queen “wishes” for the handmaiden to go with Qui-Gon Jinn because “she is curious about the planet.” Thus, we are explicitly told that the Queen is inquisitive, a quality which demonstrates her desire to lead effectively, gaining new insights and perspectives which will inform future decisions. Stuck on Tatooine for the time being, Queen Amidala chooses to step out of the comfort of her royal yacht so she might gain firsthand knowledge about her galaxy. Notably, this is exactly what happens when she meets Anakin Skywalker, a precocious 9-year-old boy, and is shocked by the revelation that he is a slave. The Queen was clearly under the impression that the abominable institution did not exist. In turn, after meeting Anakin’s mother Shmi, the Amidala learns that the Republic’s anti-slavery laws do not extend to every planet. A sobering truth that challenges her understanding of the Galactic Republic’s legal and moral reach, this discovery foreshadows the truth she learns a short time later about the ineffectiveness of the Senate and the Supreme Chancellor.

Padme and Anakin
Padmé meets Anakin Skywalker and learns a harsh truth: he is a slave.
Photo Credit – Star Wars Episode I: The Phantom Menace

Like her fearlessness, Amidala’s inquisitiveness is laudable. Yet, it does not entirely justify her decision to risk danger in the spaceport. Except, it does if we view it not solely as a pursuit for galactic knowledge. Rather, it should be interpreted as an example of the Queen’s strategic thinking. While Mos Espa is “not pleasant” and dangerous, given the situation it is also the safest place Queen Amidala can possibly be, a fact she must be aware of since she has given the command to “take her handmaiden.” Think of it like this: if the Trade Federation does track them down, discovering the royal yacht on the outskirts of Mos Espa, Amidala will not be there. Instead, the enemy will find the decoy Queen, along with the other handmaidens, the captain of the royal guard, and even a Jedi protector.

Meanwhile, Queen Amidala will be blending into the crowded streets of the unpleasant spaceport as the handmaiden Padmé. She will be fearlessly hiding in plain sight, as she does throughout The Phantom Menace, with no one the wiser.


Fiction’s Fearless Females is in it’s second year!  Yay!  The series runs for the month of March and along with myself will feature posts by Nancy and Kathleen of Graphic Novelty2, Kalie of Just Dread-full, Rob of My Side of the Laundry Room, and Mike of My Comic Relief.  Be sure to follow each of these blogs (as if you don’t already!) and to check out all of the Fearless Females in the series. Just follow these links:

The Doctor

Barbara Gordon (Batgirl/Oracle)

Dani from Midsommar

Sarah Connor

5 Fearless Cartoon Females of the 80s

Star Wars: On the Front Lines (Review)

Ever since it was published in 2017 I had my sights set on Star Wars: On the Front Lines. I am a sucker for Star Wars reference books, having spent countless hours of my life immersing myself in the minutiae of the Star Wars universe found in these source books. But I did not buy On the Front Lines when it first came out, instead opting to wait to purchase it. Recently, though, the book was gifted to me and needing something new to read I decided to dig in. And, I am happy to report, On the Front Lines definitely did not disappoint. 

Primarily detailing battles from The Clone Wars and the Galactic Civil War, but also one from the Age of Resistance, On the Front Lines takes readers quite literally to the front lines of some of the most important engagements in Star Wars. While author Daniel Wallace limits the number of battles that are explored – a perfectly reasonable decision considering how many battles are in Star Wars – he never-the-less chose one battle to examine from every live-action and animated Star Wars story to date. In fact, the only notable exception is Star Wars: Rebels, with no engagement from that series being discussed. Here is a list of battles that the author examines:

The Battle of Naboo (The Phantom Menace)
The Battle of Geonosis (Attack of the Clones)
The Battle of Christophsis (The Clone Wars movie)
The Battle of Ryloth (The Clone Wars animated show)
The Battle of Coruscant (Revenge of the Sith)
The Battle of Scarif (Rogue One)
The Battle of Yavin (A New Hope)
The Battle of Hoth (The Empire Strikes Back)
The Battle of Endor (Return of the Jedi)
The Battle of Jakku (Various Sources)
The Battle of Starkiller Base (The Force Awakens)

That Wallace chooses well-known battles from the Star Wars saga, battles that we have actually seen in film and on television, makes it easy for both casual and die-hard fans to digest and enjoy this book. Interestingly though, the clash I found myself most interested in reading about was the Battle of Jakku. As you can see from the list above, this is the only engagement discussed in the On the Front Lines that has never been depicted on-screen. Putting his penmanship and imagination to work, Wallace pulls from multiple sources (novels such as Lost Stars and Aftermath: Empire’s End) to piece together details about this relatively unknown fight. In doing so, he presents a vivid picture of the final battle in the Galactic Civil War, a brutal slugfest between the New Republic and Imperial Remnant that leaves wreckage and bodies littering the sandy dunes of the remote world.

Jakku-Starship_Graveyard-The_Force_Awakens_(2015)
Want to know how all those derelict Star Destroyers ended up on the surface of Jakku? On the Front Lines provides some context.
Photo Credit – Star Wars Episode VII: The Force Awakens

While I found myself intensely fascinated by Wallace’s presentation of the Battle of Jakku this does not mean I found the other battles any less interesting. Far from it! In every chapter, Wallace draws on the source material available – movies, television shows, books, comics, etc. – to craft a unique and fairly comprehensive picture of each engagement. Granted, there are points where Wallace does leave out information, or gives details only a cursory glance. For example, the space battle which takes place above Naboo in from The Phantom Menace is only briefly mentioned, with the focus instead being entirely on the ground battle between the Gungans and the Trade Federation’s Droid Army. As well, the space battle over Ryloth, depicted in The Clone Wars Season 1, Episode 19 (“Storm Over Ryloth”), where Ahsoka Tano uses a Marl Sabl maneuver to defeat the Separatist blockade, is entirely ignored. For some die-hard fans of Star Wars, these and other omissions may prove annoying but for this die-hard fan, I found myself enjoying what was in the book rather than brooding over what was not.

That being said, I can admit that I wish the book had even more in it. This is not a criticism, though. Rather, it is an acknowledgment that I really enjoyed the way each battle is presented, with a combination of big picture information, such as why the confrontation took place and how it unfolds, along with more focused detail on things like armor, weaponry, vehicles and tactics. Every chapter also offers little asides about individuals from each engagement, specific commanders from both sides, and a handful of soldiers and/or pilots who displayed incredible courage during the fight. And, to top it off, every chapter is loaded with captivating and wholly unique images courtesy of four superb illustrators (Adrián Rodriguez, Thomas Wievegg, Aaron Riley, and Fares Maese).

Finally, I would be remiss if I failed to mention that On the Front Lines contains a lot of information that I never knew about, or had never even considered,, about each of these Star Wars battles. In closing, then, I thought I would pick just one bit of of insight that I learned from this book. And what comes to mind immediately is a detail about The Battle of Christophsis. Or rather, aftermath of Christophsis. As we see in The Clone Wars movie, towards the end of this fight, Jedi General Obi-Wan Kenobi tricks the Separatist General Whorm Loathsom into believing that the Jedi intends to conditionally surrender his clone forces. However, this is a ruse, done with the hope of giving Anakin Skywalker and Ahsoka Tano more time to deactivate the Separatist deflector shields. Kenobi succeeds in his plan, and actually captures Loathsom moments later, but as Wallace writes,

“General Kenobi’s false surrender at Christophsis was a boon to the Separatist-controlled media, who viewed the incident as clear evidence of the Republic’s duplicity. Almost no conditional surrenders were offered by either side for the remainder of the war” (pg. 31).

Kenobi may have been successful in that moment, but his “false surrender” was not without long-term consequence. As the Clone War intensified, it would be the clones themselves, the actual soldiers doing the fighting on the front lines, who would pay the price for Kenobi’s actions.

TC-14: The Federation Protocol Droid

While the 3PO-series protocol droid is the most common and recognizable protocol droid in Star Wars, thanks in no small part to C-3PO, other series of protocol droids do exist. The TC-series protocol droid is one such example, although you would be forgiven if you confused a TC unit with a 3PO unit because they look nearly identical. Having the same manufacturer, Cybot Galactica, the TC-series can basically be thought of as an upgraded version of the 3PO-series.

We meet a TC-series protocol droid for the first time in The Phantom Menace. A Trade Federation protocol droid with silver plating and feminine programing serving aboard the Lucrehulk-cargo freighter Saak’ak, TC-14 greets Qui-Gon Jinn and Obi-Wan Kenobi when the two Jedi arrive to negotiate with the Federation. Leading them to a conference room, TC-14 promptly leaves to inform Viceroy Nute Gunray, leader of the Trade Federation, that the two Republic ambassadors are Jedi Knights. Shocked by this news, Gunray and the captain of the Saak’ak, Daultay Dofine, decide to send TC-14 back into the room with refreshments while they figure out what to do. Moments later, after the conference room is filled with dioxin gas, TC-14 will walk out of the room and encounter waiting battle droids, “excusing” itself and exiting before the two Jedi go on the offensive. 

And, yeah, that is it. TC-14 is only on-screen for a handful of moments at the outset of Episode I. What happens to “her” after leaving the conference room is a mystery, your guess being as good as mine (although she isn’t destroyed during the Battle of Naboo as the Saak’ak is NOT the Droid Control Ship). Never-the-less, TC-14’s introduction and brief role in The Phantom Menace set the stage for more TC-series protocol droids to appear in other Star Wars stories, and I will discuss some of those droids in future posts. 


Check out these other posts about random protocol droids in Star Wars:

U-3PO: The Other Protocol Droid

K-3PO: The Dead Protocol Droid

E-3PO: The Rude Protocol Droid

TC-70: The Hutt’s Protocol Droid

R-3PO: The Red Protocol Droid

AP-5: The Singing Protocol Droid

4A-R2: The Pirate Protocol Droid

4-LOM: The Bounty Hunting Protocol Droid

The Trials of Nute Gunray

It is, for all intents and purposes, a statement in Attack of the Clones that is meant to inform and nothing more. Speaking with Senator Padmé Amidala (the former Queen of Naboo) and Jedi Padawan Anakin Skywalker, Governor Sio Bibble of Naboo expresses his annoyance that “…after four trials in the Supreme Court, Nute Gunray is still the Viceroy of the Trade Federation.” As a viewer, we know why the Neimodian Viceroy was put on trial: for blockading and invading the planet Naboo. Yet, ten years following the Naboo Crisis depicted in The Phantom Menace, Bibble’s remark gives us a brief and to the point reason for Gunray’s freedom.

While the quote ensures that we have information about Nute Gunray as Attack of the Clones continues – a helpful bit of insight given that Gunray re-emerges later in the film as part of the Separatist cause – I often find myself wondering why, when Bibble references the four trials, that the Viceroy was able to avoid punishment for his crimes. In fact, this curiosity was was amplified recently when I read E.K. Johnston’s Queen’s Shadow, a novel which explores Padmé Amidala’s transition from Queen of Naboo to Senator. In the book, the trials are mentioned but details about the proceedings are scarce. Just as Attack of the Clones leaves us wondering what transpired during the court proceedings, Queen’s Shadow does the same, forcing us to fill in the blanks ourselves.

If, then, we put our minds to work filling in those blanks, we can certainly imagine, and even assume, that it was Supreme Chancellor Palpatine (aka Darth Sidious), working behind the scenes, who manipulated the trials to ensure Gunray’s liberty. After all, it was Sidious who held influence over Gunray, convincing the Neimodian to attack Naboo and assuring the Viceroy, when questioned about the invasion’s legality, that he would “make it legal.” Never-the-less, even working under the assumption that Gunray received aid from his Sith benefactor, I cannot help but desire a story – probably in novel form, but I would even take a short-story  – which would highlight how the trials unfolded and the way(s) Palpatine manipulated the outcome of each proceeding to make the invasion “legal.” Additionally, such a story would have the added benefit of exploring the relationship between Palpatine and Gunray prior to The Phantom Menace, offering insight into why the Sith Lord chose the Viceroy and his Trade Federation as a tool in his galactic scheme.

Gunray and Sidious
Nute Gunray speaks to Darth Sidious.
Photo Credit – Star Wars Episode I: The Phantom Menace

In turn, we can add another layer to Palpatine’s machinations by including Count Dooku. Becoming Sidious’ new apprentice following Darth Maul’s “death” in The Phantom Menace, Dooku (aka Darth Tyranus) acknowledges in Attack of the Clones that Nute Gunray came to him for help following the Naboo Crisis. Thus, we can assume that Dooku, working in tandem with his Sith Master, participated in the defense of Gunray as the four trials unfolded, offering support both openly and behind-the-scenes. But what Dooku’s support looked like is, again, another reason that the trials of Nute Gunray are worthy of narrative exploration.

At this juncture, I will readily admit that I am probably one of the few Star Wars fans who would be interested in a story of any type about Nute Gunray in general, and his trials specifically. Gunray is not a “sexy” Star Wars character, and is otherwise a pretty straight-forward villain. Never-the-less, as I have noted, I believe there is value in a story about Gunray’s trials, offering perspective and background on his relationship with Palpatine and Dooku, respectively. More importantly, what such a story could offer is insight into an element of Star Wars that is rarely explored with any real depth: the legal  and judicial system of the Old Republic.

While legal and judicial elements are mentioned at times throughout Star Wars stories (such as in Attack of the Clones and Queen’s Shadow) these and related elements are rarely developed with any meaningful depth. As a result, while fans have some basic understanding about laws, courts, judges, etc. in Star Wars, this information tends to be shallow and underdeveloped. For example, we know there was a Supreme Court thanks to Bibble’s comment about Gunray’s trials, but how many justices sit on the Supreme Court, and how they are nominated/confirmed, remains a mystery. In turn, while we know there were four trials in total, we do not know what charges were brought against Gunray, a point worthy of exploration that could shed light on whether the Republic had laws governing double jeopardy.

These are but a few thoughts which come to mind when I personally think about the legal and judicial system of the Old Republic. And, again, I believe a story about Gunray’s trials could shed light on a wide-range of topics regarding that system. Even more critically, though, shedding light on the ins-and-outs of the Republic’s legal system is necessary in further understanding why the Galactic Republic ultimately collapsed. While we know Palpatine ascended to the mantle of Supreme Chancellor, and was subsequently given emergency powers by the Senate at the outbreak of the Clone War – powers which gave him far-reaching control over the Republic and its bureaucracy – what we also know is that Palpatine was able to gain control over the courts. It is Jedi Master Mace Windu who tells us as much when, speaking to Anakin Skywalker in Revenge of the Sith, he exclaims that Palpatine “…has control over the Senate and the courts!”

Star Wars has, for the most part, done a good job of showing how Palpatine controlled the Senate as Supreme Chancellor, using his authority and powers to erode the institution. Attack of the Clones, Revenge of the Sith, The Clone Wars animated series, countless books/comics, and more have tackled this topic from multiple angles, showcasing Palpatine’s tyrannical takeover of the Republic’s governing body. However, what Star Wars has not done very well is show exactly how he came to control the courts, using the authority and powers of his Chancellorship to dominate the legal/judicial system of the Republic. This is precisely where a story about Nute Gunray’s trials before the Supreme Court become a necessity. Such a tale would lay out critical details not only about the Republic’s legal system (i.e. – the number of justices on the Supreme Court) but would also show how, as he methodically took control over the levers of power in the legislative branch, Palpatine used the trials of Nute Gunray as a stepping stone towards his insidious transformation of the judicial branch to fit his evil agenda.

Favorite Star Wars Music (by Film)

A long time ago…in 2017…I wrote a piece detailing why “The Imperial March” is my absolute favorite musical score in the Star Wars franchise. This admission came as little surprise to many of my trove of followers/readers as I have often professed my cultish admiration for The Empire Strikes Back (ESB) on this site. It stood to reason that The Imperial March would top my list considering the fact that the iconic anthem for the Galactic Empire/Darth Vader was first introduced in Episode V. Plus, given my “Casterfoian” obsession with the Empire, it stood to reason that I would likewise adopt the score as my all-time favorite.

While my unadulterated affection for all things ESB stands firm, and “The Imperial March” continues to receive constant replays on my Spotify account, there are never-the-less many other pieces of Star Wars music that have been elevated to the top of my musical mind. Hardly a shock – I am positive you can say the same if you happen to be a Star Wars fan – I wanted to take the opportunity to share a musical composition from each Star Wars film that I hold near and dear to my heart. For the sake of brevity, I have only chosen one from each film and decided to forgo long-winded explanations detailing why I love each piece, in large part because music is so damn personal it would take some of the fun out of it. Still, I may do a post for each at some point if the Force moves me to do so. We shall see.

Enjoy and be sure to comment with your own “faves” list!


A New Hope  “Tales of a Jedi Knight/Learn About the Force”


The Empire Strikes Back – “Yoda’s Theme”

While my heart will always be dedicated to “The Imperial March,” I decided to share another score from ESB in this particular list to mix things up a bit.


Return of the Jedi – “Leia’s New/Light of the Force”


The Phantom Menace – “The Droid Invasion and the Appearance of Darth Maul”

**Surprise! You were expecting “Duel of the Fates” weren’t you? Here is the deal: I love “Duel of the Fates” with a crazy passion but I likewise love “The Droid Invasion and the Appearance of Darth Maul.” I had to pick one and so I went with my gut. Besides, just listen to how the piece shifts when Maul is introduced! Holy frick that is haunting!!!!


Attack of the Clones – “Across the Stars”


Revenge of the Sith – “The Birth of the Twins and Padmé’s Destiny”


The Clone Wars – “Battle of Christophsis”


The Force Awakens “The Jedi Steps”

**I don’t care much for sentimentality but I readily admit that this piece gives me the feels. Like “Tales of a Jedi Knight/Learn About the Force”, “The Jedi Steps” packs an emotional punch by forcing me to imagine the Jedi Order, now a dying remnant, who once served and protected the galaxy far, far away. Between hearing this piece, and watching Rey literally walk the steps of the ancient Jedi, I was brought to tears in my first viewing of The Force Awakens.**


Rogue One“Your Father Would Be Proud”


The Last Jedi – “The Spark”


Solo: A Star Wars Story – “Savareen Stand-Off”

*Leave a comment with your thoughts about my list or share your own favorites!!!*

Talkerverse: Snoke Goes Solo

In my previous post – Going Solo: Darth Maul – I considered Darth Maul’s (very) brief cameo in Solo: A Star Wars Story. I don’t want to spend a lot of time recapping that post, but I will note that in it I mentioned that his cameo, while certainly intriguing, left open the possibility of confusion for fans who had no idea he had cheated death in The Phantom Menace. I mentioned how in the lead up to his reveal in Solo, I really thought the mysterious figure behind the scenes of the Crimson Dawn criminal organization was going to be Snoke, the Supreme Leader of the First Order. While I was surprised by Maul’s cameo in the film, and otherwise enjoyed it, I cannot help but imagine the possibilities that might have been if Snoke had appeared instead of Maul.

Allow me to paint you a picture with my imagination brush…

Following the death of Dryden Vos, his lieutenant Qi’ra — who is also Han Solo’s friend/romantic interest —  contacts the mysterious figure coordinating the activities of Vos’ Crimson Dawn crime syndicate. Shrouded by a hood, the figure inquires why it is Qi’ra, and not Dryden Vos, contacting him. In reply, Qi’ra responds…

“Dryden Vos is dead.”

“Vos was a fool and deserving of death. Tell me Qi’ra, what of the coaxium?”

“Stolen from Vos by Tobias Beckett.”

“An unwelcome setback.”

Momentarily pausing, the mysterious figure continues…

“I sense conflict within you, young one. There is more to your story.”

“Beckett had an accomplice…someone I knew from my youth.”

“Is that so? And who was this accomplice?”

“A man by the name of Han Solo.”

Removing his hood, the figure in the hologram now reveals himself to be Snoke. Leaning forward, Snoke responds by repeating the name: “Han. Solo.”

“He means nothing to me,” Qi’ra quickly responds. “He is a remnant of my past.”

Snoke’s eyes linger on the woman, pausing to consider her words before he speaks…

“When I found you I saw raw, untamed power, a connection to the Force unlike any I have felt before. I pulled you from the gutters of Corellia, saving your from the life of a scumrat. And yet, my care is rewarded by the naïve feelings of child.”

“The fault is mine, Master. I beg your forgiveness.”

Sitting back in his chair, Snoke replies: “Indeed, the fault is yours. Return to me and I will break the chains of your…feelings…for Han Solo. “

Before delving into the “why” of the conversation I crafted between Qi’ra and Snoke, allow me to point out an obvious thought residing on the surface of my mind. I believe that Snoke should have been the mysterious figure in Solo: A Star Wars Story precisely because he was given no backstory in either The Force Awakens or The Last Jedi. While the need to know every detail of Snoke’s pre-Sequel Trilogy life is not entirely necessary, the desire to know more about Snoke is hard to ignore. That desire is precisely why, following The Force Awakens, individuals started creating theories about Supreme Leader Snoke, attepting to piece together who he might be. Unfortunately, this fun-filled theorizing was met with childish mockery from a the self-proclaimed “elites” of the Star Wars fandom when they chose to insult fan theories with the phrase “Your Snoke Theory Sucks” (I counter this petty derision in my post Your Snoke Theory Doesn’t Suck). But I digress…my base desire, wishing Snoke had appeared in Solo rather than Darth Maul, is a desire to have been given just a small glimpse into Snoke’s backstory, a tiny morsel that fans could run with in their theories.

On this point, Snoke’s presence could have created a connection between Solo: A Star Wars Story and the Sequel Trilogy which “film-only” fans could have more fully understood. As I noted in Going Solo: Darth Maul, the possibility exists (and is true in the case of my neighbors) that fans who only watch the Star Wars films would have a difficult time understanding how Darth Maul is alive since he so obviously died in The Phantom Menace. Instead of this unnecessary confusion, Snoke would have created an enticing connection between Solo and the Sequels Trilogy. Solo: A Star Wars Story could have been even more important, more relevant and necessary, with a brief cameo by the future Supreme Leader of the First Order, a cameo that would have created a connection through presence alone.

But this connection would have been blown wide open with Snoke’s conversation with Qi’ra, especially if the conversation echoed Snoke’s conversations with Kylo Ren. You will notice that in the dialogue I crafted Qi’ra mentions that “Han Solo” meaning nothing to her, an intentional parallel to Kylo Ren telling Snoke that Han Solo, his father, “means nothing to me.” In turn, the same form of parallelism exists in Snoke’s comment that when he found her, he saw raw, untamed power within Qi’ra, a similar statement he makes to Kylo Ren in The Last Jedi. Likewise, he insults Qi’ra, calling her a child, just as he insults Kylo Ren as “a child in a mask.”

Emilia Clarke is Qi’ra in SOLO: A STAR WARS STORY.
Han Solo’s childhood friend/lover: Qi’ra.

Photo Credit – Solo: A Star Wars Story

On one hand, these small dialogical parallels serve to solidify the way(s) in which Snoke manipulates individuals under his guidance, doing so by breaking them down and ensuring they understand that he is in control. But on the other hand, these parallels also, intentionally, link Qi’ra and Kylo Ren as Force-sensitive proteges of Snoke. In this regard, Snoke’s cameo would not have been the only surprise, but it would have included the added shock that Qi’ra can use the Force. In turn, as an added way of tying her to Kylo Ren, Qi’ra could have gone on to become the very first Knight of Ren, the Master of the Knights of Ren. And, in taking the mantle of title of Master for himself, Kylo Ren could have ripped it away from her when he killed her years later. Oh, the possibilities…

But there is one other angle worth considering in regards to Snoke and his imagined cameo in Solo: A Star Wars Story, and that is the fact that Han Solo’s life would play out with Snoke as a presence in the background. Through the manipulation of Snoke, Ben Solo became Kylo Ren and committed an act of patricide, killing Han Solo and freeing himself, albeit only in part, of his familial burden. Snoke’s relationship with Qi’ra could have served a similar fashion, functioning as a catalyst for events in Han’s life which would ultimately end with the smuggler’s death. Consider:

Han and Qi’ra were friends and lovers on Corellia. Han escaped Corellia but Qi’ra did not. Snoke found Qi’ra, freed her from the planet, trained her, and she became the first Knight of Ren. Years later, Ben Solo would become a protégé of Snoke, ripping the title of “Master” away from Qi’ra by killing her and completing his conversion to the Dark Side as Kylo Ren. In turn, as Kylo Ren, the former Ben Solo would end his father’s life on Starkiller Base.

From beginning to end, Han Solo’s fate, his story in Star Wars, would have been pre-determined and framed by the menacing actions of Supreme Leader Snoke.


The “Talkerverse” is my imagined Star Wars canon where I explore different angles on the galaxy far, far away by altering aspects of the Star Wars canon to fit my own wants and desires. Check out these other “Talkerverse” posts to delve even deeper into my Star Wars mind:

Talkerverse: Vader Kills Maul

Going Solo: Darth Maul

Before writing my previous post – Talkerverse: Vader Kills Maul – my intention had been to write this post. Wanting to discuss (spoiler!) Darth Maul’s incredibly brief cameo in Solo: A Star Wars Story, I sat down to write but my brain had other intentions. Acquiescing to my train of thought, I ran with my imagination and wrote about how I think Vader should have killed Darth Maul in Revenge of the Sith. You can go read all about that (click HERE) but for now let’s chat about that surprising Solo cameo…

Soooooo, yeah, Darth Maul makes an appearance in Solo: A Star Wars Story. How about that? I dunno about you, but I DID NOT see that coming. As I watched the film, and it started to become clear that the film’s antagonist, Dryden Vos, was working on behalf of some shadowy figure, I was thinking it would end up being Snoke. Even up to the moment of Maul’s reveal, when he is contacted by Han Solo’s childhood friend Qi’ra, I believed we would be met by the face of the one-day First Order Supreme Leader. Never-the-less, seeing Darth Maul – and actor Ray Park reprising the character he brought to life in The Phantom Menace – definitely caught me off-guard.

As a die-hard Star Wars fan who has kept up with Star Wars stories across all mediums, it made complete sense that Darth Maul was the shadowy figure who instilled fear in the criminal Dryden Vos. After all, The Clone Wars animated show resurrected Maul from his bifurcated death and elevated him to the status of underworld crime lord. In The Clone Wars, as many of you may know (but some may not), Darth Maul unified a coalition of terrorists and criminal organizations under his authority, in turn using his nefarious organization to take control of the planet Mandalore. Maul’s actions – with the assistance of his brother Savage Oppress – launched him into galactic relevance, making it necessary for the Jedi, and his former Sith Master (Darth Sidious), to take him seriously as a threat. Following The Clone Wars, the four-part Son of Dathomir comic continued his Clone Wars era story-arc, while E.K. Johnston’s Ahsoka novel showed that Maul’s grip on the planet Mandalore was strong even at the wars end. As well, Maul once again re-emerged in Star Wars Rebels, a menace to the Lothal rebels with his life finally coming to end on Tatooine when he confronts, and is killed by, Obi-Wan Kenobi.

maul
A very broken Darth Maul in The Clone Wars. I discuss how he survived his death in my post Cheating Death: The Dark.

Photo Credit – Star Wars: The Clone Wars Season 4 Episode 21, “Brothers”

While I was surprised to actually see Maul onscreen, I was otherwise unsurprised he was the “phantom menace” directing the actions of Dryden Vos. Having kept up-to-date with Maul’s story-arc, and knowing his criminal dealings, it really made complete sense. That being said, following my first viewing of Solo, I could not help but ask myself: for someone who is more of a casual Star Wars fan, who is only interested in the movies, were they surprised, or perhaps even confused, to see Maul? After all, for those individuals, their experience of Darth Maul would have begun and ended with his introduction and death in The Phantom Menace.

Luckily, I was able to ask two of those “movie-only” Star Wars fans, my neighbors, when I got home from my first viewing of Solo. As I stood outside chatting with them, I asked for their thoughts and they acknowledged that they left the movie theater feeling confused by Maul’s appearance. As I explained that the Sith Lord was resurrected in The Clone Wars, and noted that his story has continued beyond that, one of my neighbors (Sara) said something which caught me off-guard: that she is less likely to watch Star Wars movies in the future if the story is just going to be changed in tv shows, books, and comics. 

While her feelings are specific to her experience, I could certainly, sympathize and understand what she was saying. While I really like Darth Maul’s post-resurrection storyline (…with the exception of his demise in Star Wars Rebels…) I can also admit that I was incredibly annoyed by his resurrection in The Clone Wars. Even though Darth Maul is only in a small amount of The Phantom Menace he was never-the-less an exceedingly important part of the story. We knew, in the film, that Maul was serving Darth Sidious, executing the machinations of his Master. While Sidious had to stay behind the scenes – he is “the phantom menace” – Darth Maul revealed himself to the Jedi as a threat they were clearly unprepared to face. And, when he is sliced-in-half by a young Obi-Wan Kenobi – making it pretty damn obvious that Maul was killed – the Jedi are left to wonder: which Sith Lord died, the Master or the Apprentice?

Maul's Death in TPM
The face of a Sith Lord who was just bisected. It’s reasonable to think he just died.

Photo Credit – Star Wars Episode I: The Phantom Menace

As it turns out, neither died.

While I have since grown to appreciate Darth Maul’s post-resurrection arc, and definitely understand his cameo in Solo: A Star Wars Story – knowing as I do all the nuances and baggage that goes with it – I can also understand and appreciate why my neighbor felt confused and unhappy. For her, and certainly for many others, the Star Wars films represent the pinnacle of Star Wars. For them, the movies, and only the movies, are what matter. Period. Full stop. They are uninterested in TV shows, comic books, novels, video games, precisely because Star Wars is a series of films. And, as a result, suddenly seeing a character you thought was dead – without any explanation what-so-ever regarding how he survived being cut in half – is undoubtedly annoying and off-putting. Which leads me to this:

I really believe that cameo should have been Snoke, not Darth Maul. The connections that could have been made between Solo and the Sequel Trilogy with a small cameo by Snoke would have been incredibly profound and forward-thinking, while simultaneously ensuring that movie-only fans like my neighbors were not left scratching their heads. But I will hold off on offering my “Snokey” thoughts in any greater detail for now, and you can just wait for my future post on the topic – Talkerverse: Snoke Goes Solo

Leave a comment and tell me what you think about Darth Maul, his story-arc, and his cameo in Solo: A Star Wars Story. AND, be sure to check out all of my other Darth Maul posts (just put his name into the search bar). 

Talkerverse: Vader Kills Maul

I have always held the opinion that Darth Maul should have survived his confrontation with Obi-Wan in The Phantom Menace, and that his story-arc should have reached its finale in Episode III. Disregarding entirely that Darth Maul DOES survive, that he was resurrected from the dead in The Clone Wars animated series and has since made appearances in a number of post-Prequel stories, my belief that Maul should have been a menacing presence in every Prequel film is built upon a rather simple premise. In short, Anakin/Darth Vader should have been the one to kill Darth Maul.

Allow me to paint you a picture with my imagination brush. Darth Maul is still alive and in Revenge of the Sith, and takes full-command of the Separatist cause after the death of Count Dooku and General Grievous. Safeguarding the leaders of the Confederacy on Mustafar, a small Jedi fighter arrives on the volcanic world and Maul goes out to meet this foe. The Sith Lord instantly recognizes the individual: it is the Jedi Knight Anakin Skywalker. We know the truth – Anakin Skywalker is no more, the man before Maul is the newly minted Sith named Vader and he has been ordered by Darth Sidious, his new Master, to kill the Separatist leaders as well as Maul. It is a test for Vader: kill your rival and take his place, or perish. Vader is up for the challenge.

Darth Maul leaps into action, his double-bladed saber viciously slashing and hacking at Vader. Deflecting the violent blows with his blue lightsaber, Vader is at first caught off-guard by the rage-filled attack. Gathering himself, anger swelling within him, the new Sith Lord goes on the offensive. Now Darth Maul staggers backwards. He has fought and killed Jedi before – Padawans, Knights, and Masters – but Maul has grown complacent throughout the Clone War. He has been such a menacing presence to Jedi that he has left his flank unguarded against a Dark Side for. Darth Sidious knew this, could see that Darth Maul was in need of a true challenger. If he survives this fight, if he kills Vader, then Maul will be a newly sharpened weapon which Sidious can use.

The battle of blades comes to a momentary pause, Maul and Vader alike unable to land a killing stroke. Starring each other down, it is Maul who  speaks first:

“I sense the darkness within you, Jedi. Tell me, has my Master chosen you to test me?”

“I am no Jedi…” Vader responds with scorn “…and he is my Master now.”

Amused and laughing, Maul replies with obvious derision: “You are naïve, young Jedi, if you believe you will replace me.”

Turning his back to Vader, Maul pauses to looks out at the hellish landscape before he speaks again. 

“Do you remember what I did to your first Master? To that fool Qui-Gon Jinn?”

Anger obviously swelling within Vader, rage contorting his face, Maul confidently continues his mocking tone:

“I should have slaughtered him sooner…on Tatooine. I should have slaughtered him…and his Padawan…and you, Ani. And then…”

Reigniting his blue blade, the rage within Vader ready to spill out, Maul speaks one last time:

“….and then I should have slaughtered Amidala.”

Both hands on the hilt of his saber, Vader launches into a vicious assault and Maul greets it head-on. The clash is unlike the choreographed acrobatics of their fight from moments before. There is no twisting of bodies or twirling of sabers. Now, their battle is purely driven by a desire to destroy the other, their blades being used not as elegant weapons but as bludgeons. Hacking and chopping, deflecting and countering, the two raged-infested Sith give no ground, take no footsteps backward. They are locked in a stalemate, unwilling to give an inch, frozen in a battle of wills against the backdrop of a volcanic, smoked-filled landscape.

Frozen, that is, until Vader finally lands a blow, slicing downward across Maul’s face and chest. Staggering backwards, scars glowing from the heat of Vader’s saber, the demonic-looking Zabrak attemps to recover but Vader moves in. Sidestepping and moving past Maul’s desperate strike, Vader reverses the direction of his saber and drives it upwards into Maul’s back, the tip coming out of the Dark Lord’s chest. Lingering for a moment, Vader yanks the blade from his foe, allowing Maul – agony and the recognition of death on his face – to sink to his knees. Turning as his blade is extinguished, Vader kneels behind Darth Maul, leans in, and softly speaks:

“You have been replaced.”

Rising, Darth Vader walks around the dying Sith Lord and, we can assume, towards the facility beyond, on his way to kill the Separatist leaders within. But the camera lingers on Maul – the landscape of Mustafar behind him – and we watch as the Sith Lord slumps forward and dies.

Killing the Devil, Replacing the Devil

There is obvious religious symbolism in Star Wars and perhaps one of the most obvious forms of symbolism is in the form of Mustafar. Essentially, Mustafar is meant to symbolize Hell. When Vader travels to the volcanic world in Revenge of the Sith, he is descending to Hell, a descent which visually captures his internal descent into darkness. While his conversion to the Sith Order took place in the ecumenopolis of Coruscant, he is baptized in this Mustafarian Hell, transformed by eternal fire and subsequently reborn in his iconic suit of armor. And yet, I have always felt one element was missing on Mustafar: the Devil.

Lava on Mustafar
Mustafar = Hell
Photo Credit – Star Wars Episode III: Revenge of the Sith

There is obvious religious symbolism in Star Wars and perhaps one of the OTHER obvious forms of symbolism is Darth Maul. Darth Maul looks the way he does – horned head, red and black face, intense yellow-eyes, black robe – because he is a visual representation of evil. He looks like the Devil because he IS the Devil. And, as such, I have always believed Vader should have descended into Hell with the distinct intention of killing the Devil. While his massacre of the Separatist leaders is violent and shows that he is continuing down his dark path, the added layer of Vader killing the Devil in the Devil’s own lair would have added incredible weight to Anakin Skywalker’s descent into Darkness. 

But this added weight is not solely based on Vader’s killing a character serving as an archetype and personification of evil. Killing the Devil is certainly profound in and of itself but Vader would have also been replacing the Devil, becoming the new archetype and personification of evil. It would not have been out of goodness of heart, or a willingness to safeguard the galaxy, that he traveled into Hell to vanquish the Devil. No, he would have killed the Devil precisely because he wanted to become the Devil. Only by descending into the darkness could he make his ascension, earning his title, position, and power as Dark Lord (of the Sith) by violently ripping it away from his adversary.

That is, after all, the nature of the Sith and the Dark Side of the Force.

Epilogue

Darth Sidious steps out of the shuttle, surveying the Mustafarian landscape. He can sense Darth Vader, feel the pain and agony bleeding off of the badly injured Sith. As he moves down towards the end of the large landing platform, he passes the Jedi Starfighter which Vader had taken tot he world, and the body of Maul comes into view beyond it. Sidious walks up to the body, pauses, and looks down. Reaching out with his right hand, he uses the Force to call the double-bladed saber to him. Now in his hand, he crushes it, the broken pieces falling onto the broken body of Maul. Opening his hand and a red crystal sits on his palm. Laughing to himself, Sidious closes his fist and moves on to find his new Apprentice. 

Later, after Darth Vader has recovered, and is entombed in his suit, Sidious will hand him the crystal and give him a single order: “Construct a new lightsaber.”

Love for the Lucrehulk

I have said it once and I will say it again: my love of Star Wars – especially my love of specific elements within Star Wars – is based in large part on my experiences with the franchise as a kid. That very obvious and totally unnecessary first sentence out of the way, I’m just gonna get straight to the point:

I absolutely love the Lucrehulk-class Battleship.

Growing up, I always had a deep fascination for capital ships in Star Wars, with the Star Destroyer taking the obvious top spot in my list of favorites. While the iconic backbone of the Imperial fleet gets the gold medal from me, other capital ships have never-the-less stolen my heart. And that is precisely the case with the Lucrehulk.

Introduced in The Phantom Menace, the Lucrehulk-class Battleship is the backbone of the Trade Federation fleet. As a 14-year-old Star Wars fan watching Episode I in 1999, seeing the Lucrehulk blew my mind to pieces. Blockading the planet Naboo, the fleet of Federation battleships instantly captivated me and my imagination. Up to that point, at least on the big screen, we had only ever seen two types of Star Wars fleets: the Imperial Fleet and the Rebel Fleet. But this changed in the opening scene of The Phantom Menance with the introduction of the Trade Federation and their own capital ships. Now, a third fleet of ships existed, a fleet that could hold a world hostage over something as trivial as “taxation of trade routes.”

Ever since that first viewing of The Phantom Menace, ever since I encountered the Lucrehulk in the opening of the film, these battleships have held a special place in my Star Wars heart. Aesthetically these vessels were unique, neither having the angular form of the Star Destroyers or the obvious length of ships like Home One (the Rebel Flagship) or the Nebulon-B Frigate (the Medical frigate). Instead, the battleship is massive while also being compact, its circular outer body used for cargo, broken at the front, surrounding a bulbous core. Looking so fundamentally different from other Star Wars capital ships, the Lucrehulk, it’s curious but intriguing design, invaded my mind like the Federation invading Naboo, taking over without any resistance.

On a rational level, there is no reason the Lucrehulk should captivate me in the way it does. There are other ships that one could argue deserve more attention, and perhaps they are right. But then again, I’m not arguing from a place of rationality. My love for the Lucrehulk is entirely nostalgic, going back (at this point) 19 years to a formative moment in my youth. This is precisely why, while I DO have rational reasons for some aspects of Star Wars I love, and those that I don’t, I would never impose my rationality on the formative nostalgia of others. Someone very well might hate the Lucrehulk. They might hate the design, hate the Trade Federation, even hate The Phantom Menace. I won’t argue with them because I flipping love the Lucrehulk and that is all that matters to me.

And so, to articulate in some other way just how profound my feelings are when it comes to this vessel, consider this: I have watched and rewatched The Clone Wars episode “Storm over Ryloth” an absurd number of times because a Lucrehulk is the center piece of the Confederate blockade of Ryloth in that episode. This isn’t to say the battleship is the only reason I enjoy this episode of The Clone Wars animated show, but I constantly drawn back to “Storm over Ryloth,” at least in part, by the imposing circular giant in orbit over the Twi’lek home world. Besides, it looks really REALLY cool when Anakin crashes his Jedi Cruiser into the battleship.

Battle of Ryloth
A burning Jedi Cruiser (foreground) speeds towards the flagship of the Confederate blockade over Ryloth, a Lucrehulk-class Battleship (distant).

Photo Credit – Star Wars The Clone Wars (Season 1, Episode 19), “Storm over Ryloth”

Haikuesday: Coruscant

Traffic and Traffic
and Traffic and Traffic and
Traffic and Traffic

Traffic and Traffic
and Traffic and Traffic and
Traffic and Traffic

Traffic and Traffic
and Traffic and Traffic and
Traffic and Traffic

Traffic and Traffic
and Traffic and Traffic and
Traffic and Traffic

Traffic and Traffic
and Traffic and Traffic and
Traffic and Traffic

Traffic and Traffic
and Traffic and Traffic and
Traffic and Traffic

Traffic and Traffic
and Traffic and Traffic and
Traffic and Traffic

Sorry for the wait,
I’ve been sitting in traffic
for-flippin-ever!

Was gonna write these
at home but I have time now
since we aren’t moving


Rakata Owners.
30,000 BBY.
Legends are the best.


Planet: Coruscant.
From: Heir to the Empire.
Lucas liked the name.


Entire planet,
an Ecumenopolis,
“just one big city.”


Traffic and Traffic
and Traffic and Traffic and
Traffic and Traffic


An onscreen debut
in Return of the Jedi
Special Edition.


A distant Temple.
Crowds pack streets celebrating
an Emperor’s death.


The Phantom Menace.
The Republic Capital.
Corruption Galore!


Corellian Run
and Perlemian Trade Route.
Region: the Core Worlds.


Places you should see:
The Senate building of course!
Jedi Temple, too.


Manarai Mountains.
NOT an urbanized landscape.
Still canon to me.


Need something to eat?
You should try Dex’s Diner.
Tasty Jawa Juice.


Traffic and Traffic
and Traffic and Traffic and
Traffic and Traffic


I wonder what the
planetary accident
rate happens to be.


Zillo Beast Terror!
Malastare to Coruscant.
Palpatine’s problem.


Honor Salima,
Coruscant Home Defense Fleet.
She is in command.


Coruscant below,
a Venator on patrol
as fire rages.

Seppie Invasion!
The Battle of Coruscant.
Massive engagement.

Invisible Hand:
Grievous’ dreadnaught, flagship.
Anakin “lands” it.


Republic dissolved.
Galactic Empire born.
Capital remains.

Official name change.
 Now: Imperial Center.
Thanks to Palpatine.


Super construction.
Buried beneath big buildings.
Dreadful Lusankya.


Deadly Krytos trap!
Isard unleashes virus
after the Rogues win.


Great Hyperspace War!
Sadow attacks Coruscant.
The Jedi rally.


Yuuzhan Vong control,
27 ABY.
Time to terraform!


The Jedi Temple,
sitting on a “Sithy” spot,
says James Luceno.


Traffic and Traffic
and Traffic and Traffic and
Traffic and Traffic


Hold up for a sec:
Do we ever see the dark
side of Coruscant?


The Koros Trunk Line,
from Koros to Coruscant.
Grievous and Sadow.


Grand plan: Asteroids.
Thrawn lays siege to Coruscant
using some space rocks.

Haiku Addendum:
The rocks are invisible.
Damn, Thrawn is brilliant!


Coruscant terror!
Grievous sends cleaning droids armed
with bombs to the world.


Sheev and Anakin.
Galaxies Opera House.
Performance: Squid Lake.


Clone Commander Fox
leading the Coruscant Guard
during the Clone Wars.


Darth Krayt’s Empire.
Capital for the One Sith.
Hardly a surprise.


Rising First Order.
Hosnian Cataclysm.
Lucky Coruscant.


Traffic and Traffic
and Traffic and Traffic and
Traffic and Traffic


The Outlander Club.
Kenobi and Skywalker
track an assassin.


Thrawn, Ciena,  Eli,
Nash, Thane, Kendy. Jude, Kallus.
Academy grads.


Coruscant rebels.
The Anklebiter Brigade.
CoCo born youngsters.


Ahsoka and Plo,
descent to the underworld.
Mythic adventure.


Coruscant haiku.
Dizzying, overwhelming.
Just like the city.


Traffic and Traffic
and Traffic and Traffic and
Traffic and Traffic

Traffic and Traffic
and Traffic and Traffic and
Traffic and Traffic

Traffic and Traffic
and Traffic and Traffic and
Traffic and Traffic

Traffic and Traffic
and Traffic and Traffic and
Traffic and Traffic

Traffic and Traffic
and Traffic and Traffic and
Traffic and Traffic

Traffic and Traffic
and Traffic and Traffic and
Traffic and Traffic

Traffic and Traffic
and Traffic and Traffic and
Traffic and Traffic

Traffic and Traffic
and Traffic and Traffic and
Traffic and Traffic

Ugh, seriously!!!!!!!!
They should rename Coruscant
“Stuck in Traffic World”

Why did I move here!?!?!
I spend my time sitting in
these jam packed sky lanes.

Screw it, I’m moving.
I’ll find some backwater world
and settle down there.

Coruscant is the
bright center but I’ll find the
planet farthest from.

Traffic and Traffic
…if I can get home and pack…
Traffic and Traffic


Haikuesday is a monthly series on The Imperial Talker, a new post with poetic creations coming on the first Tuesday of each month. The haiku topic is chosen by voters on Twitter so be sure to follow @ImperialTalker so you can participate in the voting. Now, check out these past Haikuesday posts:

Droids (February 2017)

Ahsoka Tano (March 2017)

Darth Vader (April 2017)

The Battle of Scarif (May 2017)

The Truce at Bakura (June 2017)

Queen Amidala (July 2017)

Ryloth (August 2017)

Cloud City (September 2017)

General Grievous (October 2017)

Millennium Falcon (November 2017)

Poe Dameron (December 2017)

The Battle of Umbara (January 2018)

Hondo Ohnaka (February 2018)

Jyn Erso (March 2018)