Tatooine

Ben Kenobi: Desert Father

Theory: Rey is the granddaughter of Obi-Wan Kenobi.

Since The Force Awakens hit theaters, the idea that Rey is related to Obi-Wan  has picked up quite a bit of steam among pockets of Star Wars fans. I’ve not only seen this theory show up across the interwebs, but I have a handful of close friends who are pretty adamant that Rey is directly related to Kenobi. On the surface of things, I’m really not surprised by this theory. If one doesn’t believe Rey is a Skywalker, Obi-Wan Kenobi does feel like he should be the next likely choice. Plus, it is a rather easy leap to go from Skywalker to Kenobi, particularly since Kenobi makes an auditory appearance during Rey’s Force Vision sequence in The Force Awakens. At one point during the Vision, we hear Kenobi say “Rey” while, at the end of the Vision, Kenobi can be heard saying “These are your first steps.”

What could Kenobi’s words to Rey mean!?!?! What do they imply about his relationship with this curious orphan from Jakku? Only time will tell, but for some people his words to Rey are at least partial proof that she is directly related to the former Master of Anakin Skywalker and guardian of Luke Skywalker.

But here’s the thing: I don’t buy it. Actually, not only don’t I buy it, I think it would be a massive mistake for Obi-Wan to be Rey’s grandfather. Do you hear me Lucasfilm – IT WOULD BE A MASSIVE MISTAKE!!! 

Listen, I’m fine with all types of speculation and theories, and say more power to ya if you believe Rey is directly related to Obi-Wan. But keep this in mind: if Kenobi has a granddaughter, that means he had a son or daughter of his own, which means he had sex. I don’t know about you, but I have a hard time believing Obi-Wan Kenobi, during his nineteen years in exile on Tatooine, took the time to flirt with someone, let alone have sex with anyone. A relationship of any kind, be it a committed affair or a one-night stand just doesn’t fit who Kenobi is – a Jedi Master, sworn member of his Order and devoted follower of the Light Side of the Force, with a moral obligation to protect the child of his former padawan at all costs.

In fact, in those moments when he was not actively watching over or protecting Luke, Kenobi-in-exile on the desert world of Tatooine should always be viewed as a hermit.

Granted, it is easy to overlook Kenobi’s religious isolation since his early life was massively expanded by the Prequel Trilogy and The Clone Wars animated series. The Obi-Wan who comes to mind for many a Star Wars fans is undoubtedly the younger, more active (and attractive) Jedi Knight/Master who battled Darth Maul and fought in the Clone Wars, not the wizened old man living a life of poverty and spiritual contemplation as he watches over a young boy. Yet, it is important to remember that it is the older Kenobi that informs all of his other iterations. While the stories about his younger life provide interesting and exciting depth to his character, it is his introduction in A New Hope that sets the tone for how we are to view him, and at least in part, how we should view the Jedi Order. 

When the mysterious old “wizard” named Ben first appears in A New Hope, elements of hermitic life bleed off of him. He wears simple and unassuming robes, lives in solitude on the edge of Tatooine’s Western Dune Sea, and he speaks about his devotion to the mystical and mysterious energy field known as “the Force.” For all intents and purposes, Kenobi is meant to be a pop culture re-imagining of a Desert Father.

Beginning their religious practices in the late 3rd Century CE, the Desert Fathers (and Mothers) of Early Christianity were ascetics who lived in seclusion – some as hermits, others in small communities – primarily in the deserts of Egypt. Believing it necessary to withdraw from society, these monastics lived austere lives, believing the harsh desert environment would teach them to eschew the need for material possession and tame their ego. As well, the Desert Fathers engaged in numerous spiritual practices – to name a few: recitation of scripture, interior silence and prayer, kindness and hospitality – all with the hope of becoming closer to and united with God.

Menas

Now in the Louvre, this icon of Jesus (right) with St. Menas (left) is from the sixth century and is one of the oldest in existence. That Ben Kenobi happens to look a bit like this depiction of Menas, a desert father, is coincidental, though the resemblance is striking.

Now, it is absolutely worth pointing out that the above paragraph only scratches the surface of the Desert Fathers and their place in Early Christianity. Then again, my intention is not to write an academic treatise on them and the way they influenced Christian monasticism (here is a link to book if you are interested in learning more about them). Rather, my brief description of these ascetics is to highlight the obvious: Obi-Wan Kenobi shares a number of similarities with them, similarities that are clearly present in George Lucas’ seminal film. Again, that Kenobi lives on a desert world is one thing, but that he is also a hermit, a member of once grand religious order, lives an austere life, and is devoted to his “god” (the Force) is reason enough to view him as the Star Wars equivalent of a Desert Father. And, as such, it is imperative that this fact not be undercut by Kenobi’s going off and having “relations” that would take him away from his moral duty of safeguarding Luke Skywalker and, as was added in the 2005 film Revenge of the Sith, his spiritual aspiration of learning to preserve his life force upon physical death. Both are religious commitments which Kenobi is wedded to on Tatooine, duties that he, as a character, would not shun out of a desire for companionship or sexual enjoyment.

The First Droids

When this month’s Star Wars ComLINKS topic – Favorite Droid – was announced over at Anakin and His Angel, my mind initially went blank…for days. As I thought about the topic, about what droid in Star Wars is my favorite, I just couldn’t come up with an answer. I really wanted to contribute to the topic, to give my two cents on which droid I love the most, but the harder I thought about it, the more difficult it actually became to settle on one.

This difficulty really boiled down to a rather basic dilemma. Basically, I have never given the topic of “favorite droid” much thought before writing this piece. While droids are an indelible part of the Star Wars universe, my personal enjoyment of droids has rarely gone deeper than surface level appreciation. This isn’t to suggest I never engage in any thoughtful contemplation of droids and their role(s) in the canon of Star Wars stories. Nor am I suggesting that I don’t have any especially fond appreciation for individual droids. As a matter of fact, I really love Chopper’s attitude, the absurdity of WAC-47, the adorableness of BB-8, would be thrilled to have my own battalion of battle droids, and am particularly fond of HK-47 and his penchant to”burn holes through meatbags…”  Rather, all I am saying is that I don’t get as excited about droids as other fans of the franchise (check out The Astromech Journal to see what I mean), and because that’s the case, no one droid really stands out above any other.

Nevertheless, there is a caveat: R2-D2 and C-3PO occupy their own, special status in my personal “droidom.” While I could have chosen them as my favorite droids, for me these two transcend the confines of mere favoritism. Artoo and Threepio will always and forever occupy the pinnacle of my fascination with Star Wars droids, a pinnacle that no other droid can ever hope to reach. And the reason for this is obvious; Artoo and Threepio were the first droids we ever met in the franchise, setting the bar high for all other droids  (especially those with independent personalities like BB-8 and Chopper). But there is more to this fascination and love. Brought to life in A New Hope by Anthony Daniels (C-3PO) and the late Kenny Baker (R2-D2), these two droid companions are also the very first characters we meet in all of Star Wars, a fact that often feels overshadowed by the endless cacophony of Star Wars stories. For the greater part of A New Hope‘s opening act, Artoo and Threepio drive the film forward, they are the main characters and are, at times, the only “beings” present on screen. Taking us on a journey that begins in space and descends to a desolate, wind and sand-swept planet, the two droids – who add a bit of humor through their bickering –  will only pass off the “main character torch” when they arrive at a lone homestead where a young man named Luke lives with his Aunt and Uncle. And, well, from there you know the rest.

r2-and-3po-desert
R2-D2 and C-3PO stranded on a desolate world.
Photo Credit – Star Wars Episode IV: A New Hope

The first droids we ever meet in Star Wars, the first characters we ever meet in Star Wars. And yet, what truly stands out about Artoo and Threepio, what cemented these two in my heart and mind as a young Star Wars fan, is that until we finally meet Luke Skywalker these two droids are the hope represented in the film’s title. Again, with the cacophony of Star Wars stories in circulation, this is easy to overlook  but necessary to remember. For the better part of A New Hope‘s first act, R2-D2 and C-3PO are the “only hope” for a galaxy terrorized by a galactic empire. While it is obvious that the young Skywalker is the hero of the film, the “new hope” for the galaxy, so too are all those who willingly or unwillingly, consciously or unconsciously, work for the common goal of destroying the Empire’s Death Star. In this way, A New Hope is not a film solely about one young man who will become a hero, but is a collection of individuals – humans, aliens, and yes, even droids – who through their actions radiate a message of hope not only to the galaxy, but more importantly, to you and I. 


This post is part of the Star Wars ComLINKS series. Check out more Star Wars ComLINKS over at Anakin and His Angel.

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Hutt Profile: Gardulla

The very first time we “meet” Gardulla the Hutt is when she is referenced by Anakin Skywalker in The Phantom Menance. Specifically, the young slave boy explains to Padmé Amidala that he and his mother were originally owned by the female Hutt, but that Gardulla had lost them in a bet to their current owner, Watto. From there, the scene moves on and Gardulla’s small shout-out fads into the background of the film. That is, of course, until she actually appears next to Jabba the Hutt just before the Boonta Eve Classic gets under way!!! While the race announcers proclaim the arrival of Jabba, unfortunately they do not announce that Gardulla is also with him. In fairness, it makes sense that the  Jabba’s  entrance is announced since he is hosting the Classic. Plus, giving Jabba the Hutt a brief cameo in The Phantom Menance was, realistically, the point to this scene.

Gardula the Hutt
Gardulla the Hutt

Photo Credit – Star Wars Episode I: The Phantom Menace

However, since the announcers don’t mention Gardulla’s presence at the Classic, I spent a long time after the release of The Phantom Menance having no idea who the mysterious, female Hutt actually was. It wasn’t until a handful of years later, at some point in the early 2000s, that I finally learned that the unknown Hutt was Gardulla, the former owner of Shmi and Anakin Skywalker. While this small fact didn’t dramatically change the way I view/experience The  Phantom Menace, it was pretty cool finding out the identity of the mysterious Hutt. And it does, at the very least, add an interesting layer to the Boonta Eve Classic, the fact that young Skywalker’s former master was present to watch him win the race. Well, that is if she didn’t fall asleep like Jabba.

Following the release of The Phantom Menace, Gardulla went on to make several appearances in the Expanded Universe (EU). While I won’t recap all of her stories from the EU, it is worth mentioning that in the Star Wars: Bounty Hunter video game, Gardulla is shoved into the arena that houses her pet krayt dragon and is subsequently eaten. However, Gardulla survived “the swallowing” because the krayt dragon – according to Story Group member Leeland Chee – found her indigestible.

Otherwise, with the EU no more, Gardulla’s only appearances  in Star Wars (not counting reference books) have come in The Phantom Menace and The Clone Wars Season 3 episode “Hunt for Ziro.” In this episode, the Hutt Council – the body that governs the Hutt Clan – convenes in Gardulla’s palace on Nal Hutta, the Hutt homeworld. While Gardulla is not one of the five Hutts on the Council (the Databank wrongly states she is), she none-the-less presides over the meeting, acting/speaking on behalf of the absent Jabba. For this reason, I think it is safe to say that Gardulla is the Council’s “sixth Hutt,” having just as much (if not more) wealth and power than some of the other Hutts on the Council.

Still, it is disappointing that Gardulla is not an official member of the Hutt Council for one very specific: –  Gardulla is a female Hutt, one of the only female Hutts in the canon. She is a Hutt with incredible influence, a crime lord whose reach most certainly spreads far beyond her palace on Nal Hutta or her dealings on Tatooine. True, she may not be on par with Jabba, but Jabba clearly trusts her to represent his interests on the Council. Most importantly, what this shows is that Gardulla has worked her way into the upper echelon of the Hutt Clan, an upper echelon that is dominated by male Hutts.

GardullaPalace
Gardulla’s Palace on Nal Hutta

Photo Credit – Star Wars: The Clone Wars Season 3, Episode 9 – “Hunt for Ziro”

And yet, she is not a formal member of the Hutt Council because…well, in all honesty, the show runners of The Clone Wars didn’t make her one. Still, I am glad she was included in “Hunt  for Ziro,” and that her dominating presence is felt, albeit briefly, in the episode. Moreover, Gardulla could easily be elevated to full-member given the events of The Clone Wars episode “Eminence.” In the episode, Sith apprentice Savage Opress creates an opening on the Council when he kills Oruba the Hutt, and there is no Hutt more deserving than Gardulla to take Oruba’s place. Granted, another member of Oruba’s family should technicaly take the deceased Hutt’s place on the Council, but I have a feeling Jabba could use his influence to secure the spot for Gardulla.

Regardless, Gardulla is also deserving of far more attention in the Star Wars canon, and  I want to know what happened to her after we see her in “Hunt for Ziro.” Her elevation to Council Member after Oruba’s death is one way to do this, but I’m also interested in knowing, if nothing else, how she reacted to the death of Jabba. The novel Aftermath establishes that the Hutt Council, months after his death, had not yet filled the seat on the governing body left vacant by Jabba’s demise, and I can definitely picture a scenario in which Gardulla would jockey to be the leader of the body. This doesn’t mean, though, that I think she would also maneuver to steal away the power and wealth Jabba left behind. While I have no doubt a number of Hutts would try to soak up what was left behind by the late crime lord, Gardulla just feels like the type who would be far more interested in ensuring the Hutt Clan survived their leaders death. Besides, given her close ties to Jabba, I can also imagine Gardulla watching over and mentoring the rightful heir to the the late Hutt’s criminal empire – Jabba’s son, Rotta.

My general musings aside, I really would be thrilled to see Gardulla the Hutt make some more appearances in the Star Wars universe, whatever that may entail, and I don’t think I am alone in this wish. At least, I don’t think I am, right? Would you like to see more of Gardulla Besadii the Elder in the Star Wars canon? Leave a comment below and let me know what you think about Gardulla. 


Check out these other Hutt Week posts:

The Imperial Talker Presents: Hutt Week

Hutts: Galactic Gangsters

Hutt Week: “Cute” Jabba the Hutt Merchandise (by Jenmarie from Anakin and His Angel)

Jabba the (CGI) Hutt

Why Ziro’s  My Hero (by Andrew – @AndrewinBelfast)

A Man in Debt to a Hutt (by Michael Miller)

Hutt Haiku Poems

The Hutts of Mataou

Heir to a Criminal Empire

Hutt Week: A Conclusion

A Man in Debt to a Hutt

Guest Talker: Michael Miller

In the lead up to Hutt Week, Jeff (The Imperial Talker) and I were having a discussion about a Hutt-related issue that has always confused me.  It’s not directly a Hutt thing but it’s certainly Hutt adjacent.  It’s the type of thing I try not to think about, lest it keep me up at night, struggling in vain to find a workable answer.  Try as I might, I can’t.  The question is simple – Why doesn’t Han just pay Jabba what he owes him? 

Jeff’s already discussed the Hutt crime organization this week so there’s no need for me to go back over the whole structure when it’s a handy hyperlink away.  But here’s the basic rundown of the plot that ties Han Solo to Jabba the Hutt, culminating in the first act of Return Of The Jedi.  Han smuggles for Jabba.  Han dumps his shipment at the sign of Imperial cruisers.  Jabba’s (understandably) a little upset about this.  Jabba wants his money…or he wants Han dead.  Han (also understandably) would rather not die.  So he needs some money.

In the original version of A New Hope, Han fries poor Greedo and then gets the hell out of Dodge, with plans to pay Jabba back after his easy charter to Alderaan. In the Special Edition, we see Han and Jabba talk it out first – Han promises Jabba a little more money and Jabba’s fine with it…as long as Han delivers.  And then he skips town for his easy charter.  As fate (of the Force) would have it, there’s nothing easy about the run.  Han Solo and Chewbacca end up in the heart of the rebellion against the Empire, rescuing Princess Leia, and helping Luke Skywalker in the assault against the Death Star.  Victory ensues and medals are awarded…and then we jump to the beginning of The Empire Strikes Back.  The classic exchange on the Hoth Base goes like this:

Han Solo – General, I’ve got to leave.  I can’t stay anymore.
General Rieekan – I’m sorry to hear that.
Han Solo – Well, if I don’t pay off Jabba the Hutt, I’m a dead man.
General Rieekan – A death mark’s not an easy thing to live with.  You’re a good fighter Solo, I hate to lose you.
Han Solo – Thank you, General.

You don’t mess around with the Hutts, especially Jabba.  I get that.  But here’s what troubles me…didn’t Han get a reward for saving Leia?  Didn’t we see Han and Chewie loading several crates of credits on board the Falcon at the end of A New Hope?  Even if Han had given his heart and his soul to the Rebellion (or a certain Princess…), why didn’t he take a short detour to Tatooine to pay off Jabba with the money he had?  The Expanded Universe gave us an answer that involved a gambling problem and some Ocean’s Eleven-style high jinks (thank you Timothy Zahn!) but we all know that’s not canon anymore.  And even if it was, even if Han lost all the money doing something stupid, if he’s such an asset to the Rebellion why wouldn’t they help him with the debt??

The Rebellion, by the very nature of an organization like this, has to have decent cash reserves.  They need to maintain their fleet, bases, equipment, and spy network at the very least.  Why wouldn’t they divert a little money to help Han out, especially if it meant they got to keep Han Solo, Chewbacca, and the fastest ship in the fleet?

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Han didn’t pay Jabba, so Han becomes a wall decoration in Jabba’s palace. Seems fair to me.

Photo Credit – Star Wars Episode VI: Return of the Jedi

It should be a very simple equation.  Like I said, you don’t mess with Jabba the Hutt or you die.  Han has messed with Jabba the Hutt and is going to die.  Han does not want to die so he needs money.  Han gets money/the Rebellion has monetary reserves.  Han uses his/the Rebellion’s money to pay off Jabba, thus appeasing the Hutt and preserving his life.  Except it all gets a little wonky…  The equation ends up going, Han doesn’t want to die so he needs money.  Han (and the Rebellion) just wait around until a bounty hunter grabs him. Then Luke, Leia, Chewie, Lando, and the droids (some of the Rebellion’s most important assets) have to devote a lot of side time trying to rescue Han.

This has always vexed me.  And unfortunately, this short little post isn’t going to offer any brilliant insights or observations to get us out of this little funk.  Because, quite frankly, I have none. If you do, there’s a lovely little comment section below.  You’d be doing me a HUGE favor if you can put my mind at ease and explain this.  Lacking any sort of logical answer to this question, I’ve found it best to just not think about it!  Is that avoiding the problem?  Yes, but I’ve plenty of other things to occupy my mind as I try to fall asleep – like what did Han do with all that money?  Does he have a gambling problem?  Oh poor Chewbacca…


Check out these other Hutt Week posts:

The Imperial Talker Presents: Hutt Week

Hutts: Galactic Gangsters

Hutt Week: “Cute” Jabba the Hutt Merchandise (by Jenmarie from Anakin and His Angel)

Jabba the (CGI) Hutt

Why Ziro’s  My Hero (by Andrew – @AndrewinBelfast)

Hutt Haiku Poems

The Hutts of Mataou

Hutt Profile: Gardulla

Heir to a Criminal Empire

Hutt Week: A Conclusion

Crossing the Threshold

The scene in A New Hope when Luke enters the Mos Eisley Cantina is,  in many respects, one of the most important scenes in the film.  In fact, I would even put it close to the top of the list (perhaps AT the top). You see,  Luke’s entrance into the Mos Eisley Cantina quite literally represents the crossing of a threshold, the moment he, as the hero of the movie, enters an entirely new, foreign realm and truly leaves his past life behind him. One of the stages in what mythologist Joseph Campbell dubbed the Hero’s Journey, “Crossing the Threshold” is the moment where the burgeoning hero puts his/her past life behind them. Life will truly never be the same again for the individual in question, and they must now begin the process of adapting to this new, unexplored territory.

And that new, unexplored territory is precisely the galaxy that Luke will encounter once he leaves Tatooine. The Cantina, then, serves as a small microcosm of the galaxy-at-large, a cross-section of intriguing and frightening beings he may (and will) come across as he ventures forth. Very quickly, though, Luke discovers, and we along with him, that this realm, with all of its fascinating strangeness, is also incredibly dangerous. Only moments after his entrance into the Cantina, Luke is accosted by two individuals, Dr. Evazan and Ponda Baba, who wish him harm because they “don’t like him.” In fact, Dr. Evazan will even level a death threat at the young Skywalker.

Star-Wars-Evazan
Dr. Evazan threatens Luke while Ponda Baba looks on. 
Photo Credit – Star Wars Episode IV: A New Hope

Nothing says “Welcome to the Real World” like your life being threatened.

Of course, we can feel bad for the poor kid receiving the threat, but this danger is also necessary for Luke, even if it seems sudden and extreme. More dangers await Luke in the future and, frankly, he has to start growing up at some point, leaving his boyish immaturity behind. Metamorphosis is necessary for the hero, and transformation will only happen as one encounters the realities of this new realm.

Yet, while it may be that Luke physically enters the Cantina and begins to encounter this new, unchartered territory, he is not the only one who crosses the threshold. We also cross it with him. Luke’s crossing is our crossing, the moment when we are also introduced to a number of the strange creatures and mysterious sounds of the Star Wars galaxy. Even though we have, up to that moment in the film, encountered some of the exciting wonders of the Star Wars, these moments were limited in scope. Now, as Luke enters the Cantina, that universe rapidly expands for him and us.

But what makes this all the more interesting is that writer/director George Lucas intentionally allows you and I to experience the sights and sounds BEFORE Luke. It is, in a sense, as if we descend into the Cantina ahead of the young Skywalker and then turn around to see his expression.

And what we experience, what Luke experiences a moment after us, is anything but subtle, overwhelming the ears and eyes.

Cantina Band
The Cantina Band (they are Bith).
Photo Credit – Star Wars Episode IV: A New Hope

The iconic music of the Cantina band begins playing immediately as the scene begins, music that is nothing like the orchestral sounds we have heard up to this point in A New Hope. Plus, this music is diegetic, coming from the strange looking band in one corner of the establishment. What we are hearing is exactly what Luke  will hear, and  what the other patrons of the Cantina  hear.

And speaking of those patrons,  we are introduced to them as the band plays. In shot-after-shot, we get to meet these new, and quite literal, alien creatures. Having crossed the threshold into the Cantina with Luke, our old ways of describing reality, and Luke’s, are left behind, and we must now begin to formulate new terminology and definitions going forward. These beings push our limits of conceptual understanding, we simply have no words to adequately describe them.

Duros in Cantina
A pair of Duros sit in the Cantina.
Photo Credit – Star Wars Episode IV: A New Hope

Of course, today, we DO have names for the numerous alien species that inhabit are in the Cantina. Plus, many of those species  have appeared in a number of other parts of the Star Wars canon (and Expanded Universe). But knowing that there is a Duros, Bith, Devaronian, Ithorian, and Aqualish in the Cantina should not distract us from the original purpose of  the Cantina scene: as a physical representation of his crossing the threshold into the unknown, introducing both him and us to a handful of the strange, fascinating, and terrifying mysteries that the galaxy (and Star Wars universe) offers.

This is also precisely why I suggest newcomers to Star Wars begin with A New Hope. In doing so, they will not only cross the threshold of the Cantina with Luke, but will cross over into the Star Wars galaxy in the same way so many of us have also done.

Cantina Creature
An Arcona in the Mos Eisley Cantina.
Photo Credit – Star Wars Episode IV: A New Hope

Star Wars: Kenobi

“Obi-Wan Kenobi. Obi-Wan… Now, that’s a name I’ve not heard in a long time. A long time.” – Ben Kenobi in A New Hope

In my last post, I presented a small picture of what I feel a movie dedicated to Master Yoda could look like. In this post, I want to take my movie-making imagination in the direction of Obi-Wan Kenobi, our favorite desert hermit. The tone and presentation here will be starkly different than the Yoda film, though. Instead of painting you a picture of the progression of the film like I did with Yoda, I am, instead, going to drive home a few key elements that I feel are necessary in a Kenobi film.

Photo Credit: MARVEL Comics - Star Wars Issue #007

Photo Credit: MARVEL Comics – Star Wars Issue #007

Now, I want to mention a few things before jumping into my ideas. First, there has been a lot of speculation about the possibility that the third anthology movie is going to be about Obi-Wan. In fact, Ewan McGregor, who played Obi-Wan in the prequels, has stated his interest in returning to play Obi-Wan. Personally, I would LOVE to see McGregor return to his role as the Jedi. Who knows, perhaps his recent movie, Last Days in the Desert, where he portrays Jesus, is a preview of what’s to come.

Moving along, I also wanted to point out that Issue #007 of the Star Wars comic series focuses exclusively on Obi-Wan. In it, Kenobi’s story is presented in journal form, with Luke reading an entry about Obi-Wan’s time in exile. While I was not overly wowed by the story, the overall tone and feel of the comic does work well, and I would be interested in experiencing more of these journal entries in the future. Plus, it would be cool to SEE Kenobi writing the journal in a film!

The cover for Star Wars: Kenobi (the EU novel) Photo Credit - LucasBooks

The cover for Star Wars: Kenobi (the EU novel)
Photo Credit – LucasBooks

Lastly, there is, as a lot of you may already know, a novel devoted to Kenobi that takes place in between Episode III and Episode IV. Written by John Jackson Miller, it is part of the Expanded Universe (Legends) and, therefore, not canon. Chances are if Miller had written this novel after the dissolution of the Expanded Universe, it would easily be part of the canon (with a few tweaks here and there). Even though it isn’t, it is worth reading.

Now, your feature presentation…

Star Wars: Kenobi

First thing first, there is not a shadow of doubt in my mind that a Kenobi film will be made. Like I already said, McGregor is interested and it just makes sense in my mind to bring a prolific actor like him back into the fold. If I was in charge at Disney/Lucasfilm, I would pay the man anything he wants to get him to reprise the role.

I will talk other actors in a moment.

Now, in terms of time period, the film would take place between Revenge of the Sith and A New Hope. There is a 19 year gap between those movies so a lot of things could certainly happen with Kenobi in that time. The downside, really, is that Alec Guinness, the actor who played Kenobi in the original trilogy, died a number of years ago. This would really limit McGregor to portraying Obi-Wan in the earlier years of exile.

Alec Guinness as Obi-Wan in A New Hope Photo Credit - Star Wars Episode IV: A New Hope

Alec Guinness as Obi-Wan in A New Hope
Photo Credit – Star Wars Episode IV: A New Hope

Speaking of his exile, the film MUST take place entirely on Tatooine. The reason is simple and two-fold. Most importantly, he is watching over Luke during those 19 years. In Star Wars #007 above, a situation arises with Luke that necessitates Obi-Wan intervening.

Number two, Kenobi, along with Yoda, are in exile for a reason – they are hiding from Sidious and Vader until the time to reappear is the right one. For the safety of the child, and for his own safety, Kenobi has to ensure the utmost discretion and this would mean staying in one place and keeping a low profile.  Again, in the comic, this is presented really well when, in the opening scenes, Ben walks right by some thugs who are beating up a farmer.

Time period, check. Location, check.

Now, at this point, I am not going to start rattling off every minor detail that may or may not happen. No, I am more interested in the big picture, the major pieces of the film that would paint a vivid image of Kenobi and add to the overall mythos of Star Wars.

The Big Picture

  1. Luke, the Lars Family, and Kenobi

The underlying theme that would dominate the film would be Obi-Wan’s guardianship of Luke. Now, this doesn’t necessarily mean that we would need to watch Luke grow up. Yes, we would see a young Luke (maybe 5 or 6) in the film, but it is hardly necessary for Obi-Wan to have constant interaction with the boy. I will let you imagine how these encounters would go, but I think they would be few and far between.

Aunt Beru (holding baby Luke) and uncle Owen Photo Credit - Star Wars Episode III: Revenge of the Sith

Aunt Beru (holding baby Luke) and uncle Owen
Photo Credit – Star Wars Episode III: Revenge of the Sith

Personally, I would be more interested in seeing relationship between Uncle Owen and Obi-Wan. In A New Hope, Owen Lars clearly dislikes Old Ben, and I have often wondered why this was the case. If I put myself in the shoes of Owen and Beru for a moment, I can see them having a real problem with Kenobi hanging around on Tatooine. If the purpose of hiding the child is to keep Luke away from his father (and the Emperor), then Kenobi’s presence could very well attract unwanted attention. Plus, Obi-Wan’s hovering presence would also certainly create a sense of distrust in Owen and Beru, the feeling that Kenobi does not truly believe the Lars family can protect the child.

One way or the other, I would really like to see Aunt Beru (played by Bonnie Piesse) and Uncle Owen (played by Joel Edgerton) get into a heated argument or two with the Jedi Master over Luke’s safety, and the type of presence Kenobi would have in the boy’s life. Let’s just go ahead and note right here that it would be a very small direct presence.

  1. Obi-Wan’s Guilt

Moving along, the second major piece that would run through the film would be Obi-Wan’s struggle with Anakin’s downfall. It is easy to imagine Obi-Wan feeling intense guilt for Anakin’s turn to the Dark Side, and would surely be searching his conscience for answers, trying to understand what he could have done differently. Ultimately, what this would provide the audience is the opportunity to see the otherwise level-headed Jedi Master in moments of true despair and inner turmoil.

Obi-Wan looks down at Anakin, pained expression on his face. Photo Credit - Star Wars Episode II: Revenge of the Sith

Obi-Wan looks down at Anakin, pained expression on his face.
Photo Credit – Star Wars Episode III: Revenge of the Sith

Added to this would be Kenobi’s attempt to reconcile the physical harm he inflicted on Anakin. In Revenge of the Sith, Obi-Wan does not want to confront Anakin, and expresses his desire to confront Palpatine instead. In turn, Obi-Wan not only bests young Skywalker in their duel, he does so by maiming his former apprentice, an act that leads to Anakin’s exothermic misfortune. The thought of killing Anakin was burdensome from the start for Kenobi, the reality of the encounter would indelibly leave a deep scar on Obi-Wan mentally and emotionally.

All told, there would be a number of scenes in the film where Kenobi would struggle with memories and feelings that would leave him emotionally exhausted.

  1. Kenobi and Qui-Gon

Let’s cut right to the chase: a Kenobi film set between Episodes III and IV would need Liam Neeson, the actor who played Jedi Master Qui-Gon Jinn in The Phantom Menace. As I mentioned in my piece on Qui-Gon, Neeson has reprised the role in a number of episodes of The Clone Wars, voicing Jinn from the netherworld of the Force. Using the technique(s) Master Yoda taught him before they both went into their respective exiles, Master Kenobi would converse with Qui-Gon in order to learn how to preserve one’s life force after death, a feat which Qui-Gon partially mastered.

While these conversations would serve the purpose of providing Kenobi with the pathway to immortality, they would also provide the audience with a new level of understanding about the Force. Essentially, as Kenobi learns from Qui-Gon, so too would we be learning, gaining new and exciting insight into the metaphysics and philosophical underpinnings of Star Wars.

Obi-Wan as a Force ghost talks to Luke Photo Credit - Star Wars Episode VI: Return of the Jedi

Obi-Wan as a Force ghost talks to Luke
Photo Credit – Star Wars Episode VI: Return of the Jedi

However, these conversations can also offer Kenobi the opportunity to voice his feelings about Anakin’s downfall. Recall that it was Qui-Gon who was initially determined to teach the young slave boy from Tatooine, believing the child to be the Chosen One. With his dying words, Master Jinn implored Obi-Wan to train the boy, a promise Kenobi kept. While laying out his feelings about what happened to Anakin, Kenobi could flip the discussion, quizzing Qui-Gon on why he was so adamant about Anakin being trained as a Jedi…you know, given that it all came crashing down in the end.

Or, if we think about it like this, their conversation would make it possible for the Prophecy of the Chosen One to finally be explained in full!!!


So, there you have it. Obviously, there are hundreds of directions a Kenobi film could take, but these three core ideas, in my opinion, are essential for the further development of Obi-Wan’s character as he lives in exile on Tatooine. Plus, these also create avenues to expand the mythos that lies at the core of the Star Wars universe.

But enough from me, what do you think? What would you include in a film dedicated to Master Kenobi? Leave a comment and let me know.