As more trailers are revealed I will add them to this post. For now, enjoy the teaser and leave a comment with your thoughts about it!
As more trailers are revealed I will add them to this post. For now, enjoy the teaser and leave a comment with your thoughts about it!
My twelfth birthday party was a Star Wars celebration. Just ten days before I turned the big “one-two” (March 24, 1997) the Special Edition of Return of the Jedi was released in movie theaters. So on the Sunday before my birthday, a handful of friends and I were dropped off at the local theater to see Episode VI/
While there are plenty of gripes to be had with the Star Wars Special Edition – George Lucas’ re-mastered/edited Original Trilogy – as a kid I really had no issue with them. At the time, what got me excited was seeing Star Wars on a big screen, plain and simple. Besides, the Original Trilogy Special Edition were not just another set of films. Oh no, they were the pinnacle of cinematic brilliance in my young mind, a new way of experiencing Star Wars in a shape and form I had never imagined possible. Coupled with the knowledge that Lucas was, at the time, working on a new Star Wars trilogy, the Special Edition was, in many respects, my first step into a fundamentally different way of being a Star Wars fan.
I am unable to remember every detail about my twelfth birthday. Today, twenty-two years removed, many of the details are a blur. I can recall which friends I went with, but I do not remember what we talked about as we sat and waited for Return of the Jedi to begin. I am sure our conversation was brilliantly nerdy and immaculately adolescent. I would expect nothing less from almost 12-year-old me. Likewise, my memory of watching the film on that Sunday afternoon is spotty, and I am just not able to bring forth the emotions/feelings I had as the movie played.
Except, that is not entirely true. While memories fade as time moves on, I CAN recall precisely how I felt at the end of the film. Etched into my mind is the sheer joy, hope, and wonder of seeing the various celebrations which took place across the Star Wars galaxy following the Battle of Endor. While the original cut of Return of the Jedi ONLY included the Rebels celebrating with the Ewoks after the battle, in this new Special Edition of the film George Lucas inserted brief shots of galactic citizens flooding streets and celebrating together. As I sat there watching these Star Wars celebrations unfolding on Bespin, Tatooine, Naboo, and Coruscant, I was left feeling dizzy with excitement. Even now, as I think of that moment in the theater, the memory is visceral, I am still dizzy and overwhelmed.
But why? Why, after watching two hours of Return of the Jedi, would the end, and the inclusion of these celebrations, resonate with me so deeply? Honestly, the answer is so dang obvious that it is almost underwhelming: it’s because humans and aliens across the galaxy were coming together to celebrate the downfall of the Galactic Empire.
I always enjoyed the original celebration at the end of Return of the Jedi, where the Ewoks and Rebels are dancing/singing together (and Lando is awkwardly clapping along to the “Ewok beat”) following their victory at Endor. But this Star Wars celebration was always small scale and localized, it was JUST the participants from the battle who were rejoicing. In the Special Edition, what we end up seeing is the news of the Endor victory cascading across the galaxy: another Death Star destroyed, the Imperial fleet in tatters, and most importantly, the Emperor dead. On Coruscant, in the heart of the Imperial capital, fireworks were launched and statues torn down. On Naboo, Gungans danced and shouted “Wesa free!” Seeing these celebrations taking place on different planets expanded the impact of what the Rebellion had accomplished not for themselves, but for the galaxy writ-large. In that moment, as I sat transfixed by the sights and sounds of these Star Wars celebrations, I was transported across the vast expanse of the Star Wars galaxy and was given the chance to truly experience just how important the Rebel cause, and victory, was for average people.
George Lucas gets a lot of flak for choices he made with the Special Edition but to this day I am incredibly grateful – as a Star Wars fan and a person – for the addition of these celebrations at the end of Return of the Jedi. On a day I was having a Star Wars celebration of my own, getting to witness the joy of individuals within Star Wars celebrating the defeat of the Empire was truly special.
I recently came across a quote from Frank Oz – the man who brought Yoda to life – where he gave his very direct opinion regarding Star Wars fans who disliked The Last Jedi. Speaking at a SXSW event, Oz states that,
“I love the movie [The Last Jedi]…All the people who don’t like this ‘Jedi’ thing is just horse crap. It’s about expectations. The movie didn’t fill their expectations. But as filmmakers, we’re not here to fulfill people’s expectations.”
How could I, or anyone else, NOT consider what Frank Oz has to say on this point? He is a gifted filmmaker with a perspective and understanding of storytelling which I can only dream of reaching. For a number of days I allowed Oz’s point to marinate in my mind, bouncing around my brain as I reflected on my own expectations for Star Wars, not to mention the expectations of the entire community of Star Wars fans. Of course, I am in no position to speak for the entire Star Wars “fandom.” It is so massive, so diverse, and so damn opinionated that it would be folly to even try to provide any “grand unified theory” to sum-up Star Wars fans. In fact, the ONLY thing that can be said is that Star Wars fans are “unified” around Star Wars, but what Star Wars means for each fan is subjective. It is personal. And because of this, I think Frank Oz is absolutely correct: some fans certainly disliked The Last Jedi because the film did not meet the very personal and deeply held expectations they may have had going into Episode VIII.
The thing is, while I agree with Oz, I only do so up to a point. Beyond that, I fundamentally disagree with him. Why? Well, just as I cannot provide a “grand unified theory” of Star Wars fans, Frank Oz is in no position to provide a definitive answer for why people did not like The Last Jedi. It is a generalization to do so, a fallacy stating that a part (those fans who did not have expectations met by The Last Jedi) actually represents the whole (every fan who did not like The Last Jedi). Logic just doesn’t work that way, and it is important to recognize that a great deal of nuance exists within the Star Wars community precisely because individuals have those deeply personal ties to the decades spanning franchise. And this applies to fans who truly loved The Last Jedi and those who absolutely despise the film, as well as all those who fall somewhere in the middle (which is where I happen to land). My point is: some Star Wars fans didn’t like The Last Jedi because it didn’t meet their expectations, plain and simple, while other fans had a more nuanced reaction and didn’t like it for a trove of entirely different reasons.
But beyond this pretty obvious fact, that some fans didn’t like it because of high expectations, the more I thought about what Frank Oz said, the more I was bothered by the implication: that Star Wars fans should have no expectations for the stories which they love. Realistically, how can one NOT have expectations when they go into a Star Wars film (or any film for that matter)? How does one fully set-aside their expectations and experience a story entirely devoid of expectation? Frankly, I do not believe it possible, unless perhaps one ejects every single Star Wars thought from the mind. But going into a Star Wars movie with a “tabula rasa”, a blank slate, is just not possible, at least for me. Maybe someone out there can show me how to do it, how to just sit down with popcorn, Junior Mints and an oversized cup of Diet Coke and watch Star Wars for what it is – just another movie. Me, I cannot set aside my thoughts, and feelings, and ideas about Star Wars because the franchise has seeped into my bones. I live Star Wars, I breathe Star Wars, it infects me like a damn virus. For me, Star Wars is NOT “just another movie,” it is a way of life. And as a result, I am guilty of the sin of expectation, I demand greatness from Star Wars and yes, sometimes, I even expect it to acquiesce to my expectations.
There were a lot of things about The Last Jedi I didn’t like, and some things I absolutely did like, and I lay a number of these out in my post “Reflections on The Last Jedi.” But I also know, and can easily admit, that I had expectations for The Last Jedi which were not met. I am not ashamed to say it and why should I hide it? For example, I wrote a post titled “The (Mis)Use of Captain Phasma“ where I blasted writer/director Rian Johnson for not utilizing the First Order villain more effectively in the movie. I absolutely expected her to be a greater factor, especially after a novel and a comic series preceding the release of The Last Jedi built her up as a total badass. How could I not expect more?
So yeah, I had expectations for The Last Jedi. But you know what, I also had expectations for The Force Awakens, Rogue One, and Solo. I had expectations for The Phantom Menace, Attack of the Clones, and Revenge of the Sith. I had expectations for The Clone Wars, Star Wars: Rebels, and Star Wars: Resistance. And, going forward, I have expectations for Episode IX, The Mandalorian, Galaxy’s Edge, and every other Star Wars movie, novel, comic, video game, etc. But I am under no illusion that all of my expectations will be met. Are Star Wars filmmakers and storytellers supposed to meet every expectation of “the fans”? Certainly not. They can’t do it. At best, they can only hope to meet one very basic, very simple expectation: that the fan will be entertained. That is, after all, what the entire Star Wars franchise is, a massive form of entertainment. Right? We all expect to be entertained, to be transported to the galaxy far, far away so that through the experience we will find some form enjoyment.
And, as a fan, the best I can do is manage my expectations. I have to willing and able to acknowledge that everything will not line up with how I want it to unfold. But managing expectations does not mean jettisoning expectations. Rather, it means having an open-mind and giving things a chance, even when – no, especially when – things do not immediately line-up with those expectations.
Frank Oz, the voice of Yoda, stated that “…All the people who don’t like this ‘Jedi’ thing is just horse crap. It’s about expectations. The movie didn’t fill their expectations. But as filmmakers, we’re not here to fulfill people’s expectations.” He is right, some fans didn’t like The Last Jedi because it just didn’t meet their expectations; others had more nuanced reasons for their dislike of the movie. And he is correct, filmmakers are not here to fulfill everyone’s expectations; and fans, myself included, do have to manage expectations. However, I am not going to give up my expectations for Star Wars. I am going to continue to demand greatness from it, and yes that means holding the filmmakers and storytellers to a high standard and having expectations for the franchise. And the reason I am going to do this is simple:
Because a long time ago I was mesmerized as I watched a small space ship being chased by a large space ship over a desert planet. From that moment forward, my expectations for Star Wars started to blossom and I can’t change that. So instead, I will live in the sin of Star Wars expectation and, if Frank Oz or anyone else wants to be annoyed with me, I will wear that annoyance as a badge of honor.
A long time ago…in 2017…I wrote a piece detailing why “The Imperial March” is my absolute favorite musical score in the Star Wars franchise. This admission came as little surprise to many of my trove of followers/readers as I have often professed my cultish admiration for The Empire Strikes Back (ESB) on this site. It stood to reason that The Imperial March would top my list considering the fact that the iconic anthem for the Galactic Empire/Darth Vader was first introduced in Episode V. Plus, given my “Casterfoian” obsession with the Empire, it stood to reason that I would likewise adopt the score as my all-time favorite.
While my unadulterated affection for all things ESB stands firm, and “The Imperial March” continues to receive constant replays on my Spotify account, there are never-the-less many other pieces of Star Wars music that have been elevated to the top of my musical mind. Hardly a shock – I am positive you can say the same if you happen to be a Star Wars fan – I wanted to take the opportunity to share a musical composition from each Star Wars film that I hold near and dear to my heart. For the sake of brevity, I have only chosen one from each film and decided to forgo long-winded explanations detailing why I love each piece, in large part because music is so damn personal it would take some of the fun out of it. Still, I may do a post for each at some point if the Force moves me to do so. We shall see.
Enjoy and be sure to comment with your own “faves” list!
A New Hope – “Tales of a Jedi Knight/Learn About the Force”
The Empire Strikes Back – “Yoda’s Theme”
While my heart will always be dedicated to “The Imperial March,” I decided to share another score from ESB in this particular list to mix things up a bit.
Return of the Jedi – “Leia’s New/Light of the Force”
The Phantom Menace – “The Droid Invasion and the Appearance of Darth Maul”
**Surprise! You were expecting “Duel of the Fates” weren’t you? Here is the deal: I love “Duel of the Fates” with a crazy passion but I likewise love “The Droid Invasion and the Appearance of Darth Maul.” I had to pick one and so I went with my gut. Besides, just listen to how the piece shifts when Maul is introduced! Holy frick that is haunting!!!!
Attack of the Clones – “Across the Stars”
Revenge of the Sith – “The Birth of the Twins and Padmé’s Destiny”
The Clone Wars – “Battle of Christophsis”
The Force Awakens – “The Jedi Steps”
**I don’t care much for sentimentality but I readily admit that this piece gives me the feels. Like “Tales of a Jedi Knight/Learn About the Force”, “The Jedi Steps” packs an emotional punch by forcing me to imagine the Jedi Order, now a dying remnant, who once served and protected the galaxy far, far away. Between hearing this piece, and watching Rey literally walk the steps of the ancient Jedi, I was brought to tears in my first viewing of The Force Awakens.**
Rogue One – “Your Father Would Be Proud”
The Last Jedi – “The Spark”
Solo: A Star Wars Story – “Savareen Stand-Off”
*Leave a comment with your thoughts about my list or share your own favorites!!!*
Admittedly, writing a piece about “the fate of Master Sinube” is a rather straightforward endeavor. Barring some freak accident or a natural death, Tera Sinube – the elderly Jedi Master who assists young Ahsoka Tano track down lightsaber in The Clone Wars episode “Lightsaber Lost” – most certainly died during the Jedi Purge, his fate sealed when Order 66 was put into effect. In fact, we can probably be even more specific and say that he died in the Jedi Temple, perhaps shot by clone troopers or struck down by the blade of Darth Vader. True, he may have escaped the Temple on that fateful day, much like Jocasta Nu, perhaps fleeing individually or with other Jedi, but that also seems unlikely. No, I believe it is safe to say that Master Sinube encountered the same fate as most of the Jedi that day, meeting his end in a tragically violent way.
While we may surmise that Sinube met his end on that fateful day, a question never-the-less persists in my mind: what were his final moments like? Where in the Temple was the elder Jedi and, like others in the Temple, did he put up any form of resistance? Personally, I like to believe he did. Elderly he may have been, his actions in “Lightsaber Lost” demonstrate that he was far from needing geriatric care. Master Tera Sinube most certainly did not go down without an act of resistance. In fact, we might take this thought a step further, extending the faculties of the imagination with a bold suggestion: on that horrible day, Master Tera Sinube stood his ground first against clone troopers, and then against Darth Vader.
Wisdom of a Jedi Elder
It is easy for me to believe that as the Temple came under attack, Sinube took it upon himself to safeguard Jedi younglings against the onslaught, perhaps even rallying a handful of Knights to lead the younglings away from the fray. I can picture Sinube giving orders, demanding that these Knights seek out one of Sinube’s contacts in Coruscants criminal underworld. Master Sinube was, after all, an expert on the underworld, and surely would have known a contact willing to help the Jedi flee the world. Implored by the younglings and Knights to join them, Master Sinube would have been reassuring but firm: “The Cosmic Force beckons me to return home. Go, I will hold off your pursuers.”
Clearly, there are any number of ways to imagine how Sinube’s final moments of life played out. Even as I write these words, the possibilities abound, the imagination running in numerous directions. But what my heart tells me is this: Master Tera Sinube did not even draw his lightsaber, instead leaving it confined in his cane. Wouldn’t this very contradict what I said in a paragraph about, that Sinube most certainly resisted the clones and Vader? Only if we assume that resistance must involve violence.
A wellspring of Jedi wisdom and knowledge, thoughtful and patient in his actions (as we see in “Lightsaber Lost”), I believe Tera Sinube confronted his clone attackers that fateful day with only the Force as his ally. As the clones burst into the room, DC-15 blasters blazing away at an easy target, Sinube would move quickly, not harming but disarming his assailants. With care and precision, fully attuned to the Force, the Jedi Master systematically incapacitated the clone soldiers, debilitating but not killing, doing so with the gentle touch of the Light Side.
Unable to break through the stalwart defense of their elderly opponent, comrades falling left and right – some getting back up to rejoin the struggle only to be knocked down again – eventually the word would spread through the Temple that the clones needed reinforcements to break through Sinube’s defense. And a reinforcement would arrive, not in the form of more clone squadrons, but the shadowy figure of a Dark Lord of the Sith.
Undoubtedly, Master Sinube could sense the Dark presence within the Temple from the very beginning of the attack. Now, as the clone assault on his position waivered once again, he felt the Dark figure moving towards him, and was about to enter the room. But Sinube, I am certain, also knew from the very beginning that the Dark Lord in question was, only recently, a Jedi. When the Sith entered the room, Sinube was calm and unsurprised – he knew he was about to see the face of Anakin Skywalker.
Vader’s blue blade already ignited, the two stood for a moment looking at the other. Suddenly, the blade was extinguished and Vader moved forward until he was but a foot or two from the elder Jedi. Extending his right arm, the Sith wrapped his hand around Sinube’s neck. But before he could squeeze, Master Tera Sinube looked into the eyes of his destroyer and, with peace in his voice, uttered his final words:
“I forgive you, Anakin.”
A long time ago in a galaxy far, far away…
The Talker Toy Challenge Strikes Back
It is a dark time for the Star Wars fandom. Although December is approaching, DISNEY will not be releasing a new Star Wars film for another year, instead assaulting fans with a new cartoon show, a legion of mediocre comic books, and toys, lots and lots of toys.
Evading the dreaded lack of a Star Wars film, a group of bloggers led by THE IMPERIAL TALKER have struck back with a new version of THE TALKER TOY CHALLENGE, encouraging fans of the franchise to buy Star Wars toys and donate them to children who are in need this holiday season.
The DISNEY CORPORATION, obsessed with selling merchandise and increasing stock value for their shareholders, has dispatched thousands of new Star Wars products into the far reaches of the globe. Little does DISNEY know that THE IMPERIAL TALKER is ridiculously good at never paying full-price for merchandise, finding troves of fantastic Star Wars toys on sale and on clearance…
Participating in The Talker Toy Challenge is easy!!!! Just follow these steps.
Step One: Purchase Star Wars toys.
Step Two: Donate said Star Wars toys to children who are in need. I bring the toys I collect (see the featured image above) to a local Toys for Tots drop-off site.
Step Three: Encourage others to do the same by promoting The Talker Toy Challenge on your blog, podcast, social media, etc.!!! Be sure to use #TalkerToyChallenge when you do!
Step Four: Repeat Steps One, Two, and Three.
Leave a comment and let me know if you participate!
What if he – he being my soon-to-be born padawan – does not like Star Wars?
It is a question I have been asked by quite a few people, and I fully understand why it is asked. After all, my obsession with Star Wars is a massive part of my life, of my individual identity and even my experience of the world. While Star Wars does not dictate every aspect of my life, it never-the-less plays such a fundamental role that, even when I set it aside to dabble in other franchises/universes, it always reels me in again. It is as if an invisible force – an energy field! – exists which draws me back to Star Wars over and over again. There is simply no way for me to escape it, and even when I find myself at odds with Star Wars (and I certainly do at times) there is always something in the franchise that I enjoy, something that demands my attention and active participation.
But this short post isn’t really about me…it is about my not-yet-born child and his feelings about Star Wars. Whatever will I, Jeffrey Andrew Cagle – The Imperial Talker, do if my child does not love the galaxy far, far away!?!?!
Answer: I won’t care. Seriously, I truly and honestly will not care. Star Wars is something that I love, but it is not something my child, or any of my children, will have to love. If they do, then I want it to be on their own terms, and not because I have forced them to enjoy it. Naturally, I will introduce them to Star Wars, showing them the Original Trilogy when the time is right and he is old enough to understand it. And, perhaps he will fall in love with it at that time, identifying with it and wanting to dive farther into the franchise on their own. Or, maybe he will love it because I love it, wanting to share and participate in this strange hobby as a way of becoming closer with their dad.
Yet, maybe he just won’t like it, and if that is the case that is fine by me. While I would love for my son to share my interest in Star Wars, I would much rather end up sharing in the interests they have. If my son loves Dr. Who then I shall join him in his Whovian obsession. And if he chooses to become a Trekkie, I will give him the Vulcan salute every day. Or perhaps he will gravitate towards something his mother enjoys – like the movie Pitch Perfect. If he has the “Acaudacity” to sit and watch Pitch Perfect over and over again with his mom then who am I to dissuade him? Besides, that movie flippin rocks! The point is, my kid can enjoy whatever he wants, and if that involves Star Wars, fantastic! But if it doesn’t involve Star Wars I really couldn’t care less. No matter what interests him or captures his attention, he will have my unwavering love and support.
Then again, I just realized that if he does fall in love with the galaxy far, far away then my perfectly organized LEGO Star Wars collection is in serious danger. Ummmm I think I’m gonna go play the Pitch Perfect soundtrack for him right now… 😉
If you are thinking to yourself “Wow, that is a really provocative and uncomfortably disturbing title for a Star Wars post” you would not be wrong. I have lured you into this post with this title so I can address how completely and utterly messed up it is that people do google searches for “Ahsoka Tano Sexy.” You see, every now and again WordPress will inform me of the specific search terms that were used to find The Imperial Talker. More often than not, those search terms are pretty banal and run-of-the-mill. People have found my site by googling “Padme funeral,” “Dooku’s face when he dies,” “Yularen,” and “did Luke use the Dark Side in Return of the Jedi.” But every now and again, someone will stumble upon The Imperial Talker by searching for “Ahsoka Tano Sexy” or some other combination of Ahsoka Tano and Sex. Since my site was recently frequented by another individual seeking gratification looking for “Ahsoka Tano Sexy” on the internet, I figured I should just go ahead and commandeer the search term by turning it into a title.
That some people find my site by searching for sexy images (or even stories) of Ahsoka Tano is grossly unfortunate, although entirely unsurprising. Since her introduction in The Clone Wars movie/series, there has been a trend on corners of the internet to sexually objectify Ahsoka. While the sexualization of characters in Star Wars is hardly shocking , what sets Ahsoka apart is that she is not an adult in The Clone Wars, she is still child.
A while back, I wrote a piece titled Ahsoka Tano, Child Soldier which considered the stark reality that when she is sent to the front lines of the Clone War, Ahsoka is only fourteen years old. While it is easy to view Ahsoka as older and more mature than her age, given some of the deadly situations and difficult decisions she is forced to make, the fact remains that throughout the entire animated series Ahsoka is a post-pubescent childhood who has not yet arrived at adulthood. As such, her participation in warfare is problematic in and of itself, an ethical dilemma that should have given the Jedi Order pause. Likewise, that she is a child, and is overtly objectified by pockets of Star Wars fans, is also incredibly problematic.
In many respects, the way Clone Wars era Ahsoka has been sexualized in images could easily be summed up as a Star Wars version of “jailbait.” For those of you unfamiliar with the term, or lacking a coherent definition, jailbait can be defined quite easily as the sexualized images of minors, specifically tweens and teens. Conducting a basic, safe google search of “Ahsoka Tano Sexy” will result in countless images of Ahsoka as jailbait – scantly clad, presented in seductive poses, and more. Turn off the safe search and things become even more uncomfortable.
That a subset of Star Wars fans either do not see, or willfully ignore, the inherent problem of sexualizing Ahsoka is dismaying. More importantly, it is inexcusable. There is simply no justification for a girl, a child – even a fictional one – to be treated by adults as an object of sexual desire. The American Psychological Association would agree.
In a 2007 report, the APA Task Force on the Sexualization of Girls explored the variety of ways girls are sexualized within our society, likewise examining the myriad of consequences this hyper sexualization reaps on the burgeoning minds of girls. According to the Task Force,
Sexualization occurs when
All four conditions need not be present; any one is an indication of sexualization. The fourth condition (the inappropriate imposition of sexuality) is especially relevant to children. Anyone (girls, boys, men, women) can be sexualized. But when children are imbued with adult sexuality, it is often imposed upon them rather than chosen by them.¹
The way “sexualization” is defined by the APA Task Force is important to this conversation as a whole, but what is critically relevant is the very last sentence: “…when children are imbued with adult sexuality, it is often imposed upon them rather than chosen by them.” This is precisely what has happened to Ahsoka Tano. There is never an instance of Ahsoka being imbued with “adult sexuality” in The Clone Wars. No, in the movie/series, Ahsoka Tano is a self-assured and headstrong young girl, a Jedi padawan who is immature but never-the-less eager to learn, to act, and to adapt to the difficult situations she finds herself in.
Moreover, and more importantly, from her first appearance in The Clone Wars movie and onward, Ahsoka consistently demands the recognition of the adults she interacts with: Anakin Skywalker (her Jedi Master), Obi-Wan Kenobi, Clone Captain Rex, Admiral Yularen, and others. She does so not by selling her looks, by being “pretty” or “sexy” but through her persistence, showing time and time again that she has the talents to succeed and a willingness to grow from her mistakes. Plus, it doesn’t hurt that Ahsoka has no qualms speaking her mind and offering an unfiltered opinion, a characteristic which earns her the nickname “Snips,” a nickname which is simultaneously fun and which reminds us of her unrelenting pursuit for respect.
That Ahsoka is a child and is sexualized is disgusting. What is even more pathetic and gross is that this sexualization intentionally strips her of the qualities which make her who she is. Rather than experiencing her, and in turn depicting her, as a strong and confident young girl who serves as a role model for children and adults alike – within the Star Wars universe and among fans – she is instead utterly disrespected by individuals looking to satisfy their perverted sexual fantasies.
Thankfully, among the vast majority of Star Wars fans, Ahsoka Tano is given the respect she deserves. I take solace in this fact, reminding myself each time someone finds this site by searching for “Ahsoka Tano Sexy” that there are far more fans who seek out Ahsoka for who she is – a remarkable girl and extraordinary woman.
¹American Psychological Association, Task Force on the Sexualization of Girls. (2007). Report of the APA Task Force on the Sexualization of Girls. Retrieved from http://www.apa.org/pi/women/programs/girls/report-full.pdf
I have always held the opinion that Darth Maul should have survived his confrontation with Obi-Wan in The Phantom Menace, and that his story-arc should have reached its finale in Episode III. Disregarding entirely that Darth Maul DOES survive, that he was resurrected from the dead in The Clone Wars animated series and has since made appearances in a number of post-Prequel stories, my belief that Maul should have been a menacing presence in every Prequel film is built upon a rather simple premise. In short, Anakin/Darth Vader should have been the one to kill Darth Maul.
Allow me to paint you a picture with my imagination brush. Darth Maul is still alive and in Revenge of the Sith, and takes full-command of the Separatist cause after the death of Count Dooku and General Grievous. Safeguarding the leaders of the Confederacy on Mustafar, a small Jedi fighter arrives on the volcanic world and Maul goes out to meet this foe. The Sith Lord instantly recognizes the individual: it is the Jedi Knight Anakin Skywalker. We know the truth – Anakin Skywalker is no more, the man before Maul is the newly minted Sith named Vader and he has been ordered by Darth Sidious, his new Master, to kill the Separatist leaders as well as Maul. It is a test for Vader: kill your rival and take his place, or perish. Vader is up for the challenge.
Darth Maul leaps into action, his double-bladed saber viciously slashing and hacking at Vader. Deflecting the violent blows with his blue lightsaber, Vader is at first caught off-guard by the rage-filled attack. Gathering himself, anger swelling within him, the new Sith Lord goes on the offensive. Now Darth Maul staggers backwards. He has fought and killed Jedi before – Padawans, Knights, and Masters – but Maul has grown complacent throughout the Clone War. He has been such a menacing presence to Jedi that he has left his flank unguarded against a Dark Side for. Darth Sidious knew this, could see that Darth Maul was in need of a true challenger. If he survives this fight, if he kills Vader, then Maul will be a newly sharpened weapon which Sidious can use.
The battle of blades comes to a momentary pause, Maul and Vader alike unable to land a killing stroke. Starring each other down, it is Maul who speaks first:
“I sense the darkness within you, Jedi. Tell me, has my Master chosen you to test me?”
“I am no Jedi…” Vader responds with scorn “…and he is my Master now.”
Amused and laughing, Maul replies with obvious derision: “You are naïve, young Jedi, if you believe you will replace me.”
Turning his back to Vader, Maul pauses to looks out at the hellish landscape before he speaks again.
“Do you remember what I did to your first Master? To that fool Qui-Gon Jinn?”
Anger obviously swelling within Vader, rage contorting his face, Maul confidently continues his mocking tone:
“I should have slaughtered him sooner…on Tatooine. I should have slaughtered him…and his Padawan…and you, Ani. And then…”
Reigniting his blue blade, the rage within Vader ready to spill out, Maul speaks one last time:
“….and then I should have slaughtered Amidala.”
Both hands on the hilt of his saber, Vader launches into a vicious assault and Maul greets it head-on. The clash is unlike the choreographed acrobatics of their fight from moments before. There is no twisting of bodies or twirling of sabers. Now, their battle is purely driven by a desire to destroy the other, their blades being used not as elegant weapons but as bludgeons. Hacking and chopping, deflecting and countering, the two raged-infested Sith give no ground, take no footsteps backward. They are locked in a stalemate, unwilling to give an inch, frozen in a battle of wills against the backdrop of a volcanic, smoked-filled landscape.
Frozen, that is, until Vader finally lands a blow, slicing downward across Maul’s face and chest. Staggering backwards, scars glowing from the heat of Vader’s saber, the demonic-looking Zabrak attemps to recover but Vader moves in. Sidestepping and moving past Maul’s desperate strike, Vader reverses the direction of his saber and drives it upwards into Maul’s back, the tip coming out of the Dark Lord’s chest. Lingering for a moment, Vader yanks the blade from his foe, allowing Maul – agony and the recognition of death on his face – to sink to his knees. Turning as his blade is extinguished, Vader kneels behind Darth Maul, leans in, and softly speaks:
“You have been replaced.”
Rising, Darth Vader walks around the dying Sith Lord and, we can assume, towards the facility beyond, on his way to kill the Separatist leaders within. But the camera lingers on Maul – the landscape of Mustafar behind him – and we watch as the Sith Lord slumps forward and dies.
Killing the Devil, Replacing the Devil
There is obvious religious symbolism in Star Wars and perhaps one of the most obvious forms of symbolism is in the form of Mustafar. Essentially, Mustafar is meant to symbolize Hell. When Vader travels to the volcanic world in Revenge of the Sith, he is descending to Hell, a descent which visually captures his internal descent into darkness. While his conversion to the Sith Order took place in the ecumenopolis of Coruscant, he is baptized in this Mustafarian Hell, transformed by eternal fire and subsequently reborn in his iconic suit of armor. And yet, I have always felt one element was missing on Mustafar: the Devil.
There is obvious religious symbolism in Star Wars and perhaps one of the OTHER obvious forms of symbolism is Darth Maul. Darth Maul looks the way he does – horned head, red and black face, intense yellow-eyes, black robe – because he is a visual representation of evil. He looks like the Devil because he IS the Devil. And, as such, I have always believed Vader should have descended into Hell with the distinct intention of killing the Devil. While his massacre of the Separatist leaders is violent and shows that he is continuing down his dark path, the added layer of Vader killing the Devil in the Devil’s own lair would have added incredible weight to Anakin Skywalker’s descent into Darkness.
But this added weight is not solely based on Vader’s killing a character serving as an archetype and personification of evil. Killing the Devil is certainly profound in and of itself but Vader would have also been replacing the Devil, becoming the new archetype and personification of evil. It would not have been out of goodness of heart, or a willingness to safeguard the galaxy, that he traveled into Hell to vanquish the Devil. No, he would have killed the Devil precisely because he wanted to become the Devil. Only by descending into the darkness could he make his ascension, earning his title, position, and power as Dark Lord (of the Sith) by violently ripping it away from his adversary.
That is, after all, the nature of the Sith and the Dark Side of the Force.
Darth Sidious steps out of the shuttle, surveying the Mustafarian landscape. He can sense Darth Vader, feel the pain and agony bleeding off of the badly injured Sith. As he moves down towards the end of the large landing platform, he passes the Jedi Starfighter which Vader had taken tot he world, and the body of Maul comes into view beyond it. Sidious walks up to the body, pauses, and looks down. Reaching out with his right hand, he uses the Force to call the double-bladed saber to him. Now in his hand, he crushes it, the broken pieces falling onto the broken body of Maul. Opening his hand and a red crystal sits on his palm. Laughing to himself, Sidious closes his fist and moves on to find his new Apprentice.
Later, after Darth Vader has recovered, and is entombed in his suit, Sidious will hand him the crystal and give him a single order: “Construct a new lightsaber.”
I recently picked up a copy of Stormtroopers: Beyond the Armor and, I have to say, it was a serendipitous find. While the encyclopedic book by Ryder Windham and Adam Bray had been on my radar for a while, it was not a purchase I was planning on making any time soon. That is until I stumbled upon a copy for a reduced price on recent shopping trip. Immediately scooping it up, I dove into the book the night I bought it and found myself incapable of putting it down. From the Foreword, written by Star Wars actor John Boyega who portrays First Order Stormtrooper FN-2187 (Finn), to the final pages which detail the popular fan organization known as the 501st Legion, Stormtroopers: Beyond the Armor is a fascinating read that explores the history and cultural relevance of the iconic white-armored Imperial soldiers.
For one who is interested in the behind-the-scenes aspects of Star Wars, especially the endless creative decisions that have gone into the universe, this book will definitely satisfy. Beginning in Chapter One (“Creating an Army”), Windham and Bray offer an in-depth understanding of the vision George Lucas had for stormtroopers and how that vision blossomed into reality on the big screen. Laying out explanations and examples of the early stormtrooper designs created by artist Ralph McQuarrie, and describing the aesthetic choices made by the production and art departments working on the film, the authors provide a rich picture of the development of stormtroopers for A New Hope. In subsequent chapters, Windham and Bray expand on these creative choices by examining how the original design of the stormtroopers would be altered time and again, with new trooper variants being incorporated into the ever growing Star Wars galaxy.
In regards to these variants, as a big fan of the Snowtrooper – check out my piece Trooping Through the Snow – I particularly enjoyed learning about how the specialized troops in cold weather gear were created for The Empire Strikes Back. As Windham and Bray mention in this section, McQuarrie’s original design for the snowtrooper officers – which were conceptualized as super commandos from the planet Mandalore – would ultimately be used by Lucas as the armor schematic for Boba Fett. As well, the all-white super commando design would be used in the Star Wars Rebels animated show, debuting in the aptly named episode “Imperial Super Commandos.” As well, I also found the information detailing Death Troopers from the film standalone film Rogue One to be fascinating. The design of the Death Trooper, the authors note, goes back to the original McQuarrie concepts which depict tall, sleek stormtroopers.
While the aesthetics and production decisions which have gone into designing stormtroopers and their many variants for the films (and other mediums) are explored in Beyond the Armor, Windham and Bray also explore the variety of stormtrooper toys and collectibles which have been created over the years. Admittedly, these sections really stood out as I know very little about the way the toy industry operates, but also because the authors discuss a handful of toys which I had as a kid. And for me, no stormtrooper-related toy described in the book stood out more than the Micro Machines Stormtrooper/The Death Star transforming action set because it is one of the Star Wars toys I still own from my childhood. Plus, it is still in perfect condition, a Star Wars miracle considering all of the other Micro Machines action sets I owned did not survive the disaster area known as “Jeff’s room.”
The relationship between stormtroopers and fan culture is also explored in Beyond the Armor, with special emphasis focusing on the 501st Legion. A fan-led organization that specializes in the “bad guys” of Star Wars, the 501st Legion, founded by Albin Johnson in 1997, combines a love of costuming with community service. While the information about fan culture and the 501st Legion was not as interesting or relevant to me, it is never-the-less a critical aspect of the book which helps to highlight the cultural legacy of stormtroopers specifically, and Star Wars more generally. And, at the very least, one will undoubtedly walk away from the book knowing far more about Star Wars fan culture than when they first started reading. I certainly did.
As I said at the outset, Stormtroopers: Beyond the Armor was an unintended purchase but, in the end, one that worked out for the best. While reading an encyclopedic book with behind-the-scenes information about Star Wars is not everyone’s cup-o-tea, this book is definitely one worth getting, especially if you happen to stumble upon it for a reduced price like I did. Admittedly, there are some sections that drag on a bit more than I thought necessary but this never kept me from wanting to keep reading and learning. In all likelihood, I won’t be reading Beyond the Armor again from cover-to-cover unless I get really ambitious, but it will definitely come in handy as a reference book when I need to refresh my memory about some stormtrooper-related topic. Plus, if nothing else, it will look pretty cool on one of my Star Wars bookshelves.
If you have read Stormtroopers: Beyond the Armor and would like to share your thoughts on it, leave a comment below.