Savareen

Han Shot First

Standing on a cliff overlooking one of Savareen’s oceans, Han Solo aims a blaster at Tobias Beckett, his mentor-turned-adversary. It was Beckett who gave Solo the opportunity to flee the frontlines of the Imperial army and join his crew. As they worked together, traveling from Mimban and Vandor to Kessel and now Savareen, Beckett bestowed his vast knowledge of a scoundrel’s life on the young Corellian, offering insights into how to survive and thrive in the galaxy’s dark underworld. Now, on this sandy, wind-swept cliff the two square-off: Beckett attempting to flee with the coaxium the crew stole and Solo attempting to stop him.

Engaging in conversation, Solo explains to his “buddy” that he came as quickly as he could. Beckett in-turn goads the young man, explaining that Qi’ra, Solo’s childhood friend and romantic interest who joined them in stealing the coaxium, is a “survivor” and out to protect herself, not Han. To this, Solo tells Beckett that his problem is that he believes everyone is like him, but Beckett admits to Han that “you’re nothing like me.” It is at this point that Beckett slowly puts his finger on the trigger of the gun he holds in his hand. Distracting Han, Beckett emphatically states that “I hope you’re still paying attention because now I’m gonna tell you the most important…”

…a blaster shot echoes across the landscape and Beckett, in stunned silence, falls to the ground, a hole sizzled in his chest. Running over to him, Han grabs Tobias and holds him upright. Shocked and breathing hard, Beckett compliments Solo, admitting “…that was a smart move, kid, for once. I woulda killed ya.” Moments later, Tobias Beckett dies.


While Solo: A Star Wars Story was met with mixed reviews and a disappointing box office return, I will admit that I enjoyed the film even though I had some reservations before seeing it. Frankly, I did not believe that a Han Solo origin story was necessary, especially on the big screen, and I feared that offering too much about Solo’s past would dilute the iconic character whom Harrison Ford brought to life. Yet, after seeing the movie, I found myself impressed by a number of aspects of the film, especially  those aspects which offered insight into the character we met in the Original Trilogy. This is not to say I agreed with every way Han Solo is depicted in the film, but it is to say that I appreciate many of the ways Solo: A Star Wars Story adds fascinating and obvious (and at times subtle) background to Han’s thoughts/actions in the original Star Wars films in general, and A New Hope in particular.

One such point in Solo: A Star Wars Story which does this is the scene I described above where Han Solo shooting Tobias Beckett on the Savareen cliff. That Han shot first, before Beckett could draw his own weapon, is absolutely brilliant, a clear indication that Solo really has been listening to Beckett’s advice throughout the course of the film. And tragically, for Tobias Beckett, it is his advice to Han – to always be on guard, to trust no one, to be a survivor, etc. – which turns out to be his downfall. Plus, to add to this tragic twist of fate for the scoundrel, it is the DL-44 blaster which Beckett assembled and gifted to Solo which the Corellian uses to kill his former mentor.

Alone, this scene does a fantastic job of showing that throughout the course of the movie, Han has grown considerably in his understanding of living a scoundrel’s life. He has internalized the wisdom Beckett offered, recognizing the need for constant vigilance and realizing that the decision to shoot first is the surest way to save his own skin in a dire situation. In this regard, what is equally brilliant about this scene is how it parallels and informs the infamous scene in A New Hope where the bounty hunter Greedo confronts Han Solo.

Han Shot First

The smuggler, Han Solo, whom we have just met for the first time moments before, attempts to leave the Mos Eisley Cantina but is immediately stopped by the Rodian bounty hunter and is forced, at gunpoint, to sit back down. Doing so, he and Greedo engage in a back-and-forth over Han’s debt to the gangster Jabba the Hutt, with the Rodian explaining that Jabba has “put a price on your head so large every bounty hunter in the galaxy will be looking for you…” Han, for his part, does his best to talk himself out of the predicament, even suggesting he already has the money owed to the Hutt. But this is really his attempt to stall for time and, as he and Greedo talk, he slowly removes the DL-44 blaster from his holster. Taunting the smuggler by saying Jabba may only take his ship, Han adamantly declares that Jabba will take the ship “over my dead body.” With this, Greedo admits that he has “been looking forward to this [killing Han] for a long time.”

“I bet you have,” Han replies and without hesitation shoots Greedo, the bounty hunter’s body slumping forward onto the table.

To me, it seems rather obvious that the standoff between Solo and Beckett in Solo: A Star Wars Story was crafted with the Cantina scene in mind. The parallels are clear, even if the context for both confrontations are different and Han Solo’s role in both situations are flipped. Consider the following:

  • Greedo confronts Han at gunpoint in the Cantina; Solo confronts Beckett at gunpoint on the cliff.
  • Greedo holds his blaster in his right hand; Solo holds his blaster in his right hand.
  • Han stalls for time, forcing Greedo to maintain eye-contact, while making a move for the holstered blaster on his right hip; Beckett stalls for time, forcing Solo to maintain eye-contact, while moving his finger onto the trigger of the blaster he holds by his right hip.
  • Han shoots first, killing Greedo; Solo shoots first, killing Beckett.

On the surface, the scene on the Savareen cliff is meant to mirror the Cantina scene. However, if we dig down a little, one recognizes that the standoff between Solo and Beckett can inform Han’s confrontation with Greedo. We can now read a new layer into the Cantina scene and assume that Han knows he has been in this type of situation before, albeit in reverse. Staring at Greedo across the table, Han must recognize that just as he shot and killed Beckett years before, Greedo will do the same unless he acts to save himself. And surely Han knows he has an advantage which his former mentor did not: his own blaster is out of view, below the table he and Greedo sit at. Beckett’s blaster, though, was out in the open, and Han could keep his eye on it even as he listened to Tobias. This was why Han shot first, killing the man before Beckett could act. Later, in the Cantina, Han does exactly the same, carefully drawing his DL-44, not allowing Greedo to notice his movements, taking aim and firing the first shot, ending the Rodian’s life.

Ultimately, it is this parallel, that Han shot first, which is what truly makes these scenes work in tandem. I am certainly aware, of course, that the Cantina scene has been changed over the years, with one edit having Greedo shot first and Han second, and more recently another showing Han and Greedo firing at the exact same time. Frankly, I just ignore these edits and dismiss them outright. The original version of the Cantina scene is all that matters to me, nay it is the only version that makes sense to me because it affirms that he is a man who is in control of his own destiny, a man who will always act first and foremost with his own interests and self-preservation in mind.  And frankly, I am confident that the original version of the Cantina scene was all that mattered to the writer(s)/director of Solo: A Star Wars Story as well because, as he stood on the Savareen cliff, Han Solo was also in complete control and, when the moment for action arrived, it was Han, and not Beckett, who shot first.

Going Solo: Enfys Nest

Something I have always appreciated about Star Wars are those second-tier characters literally shrouded by unique helmets and armor. These characters need not be the center of action in every scene, such as Darth Vader. No, they –  Boba Fett, Captain Phasma – can command the stage through presence alone. Importance radiates from their mysterious outfits and unyielding stances, pulling us into their orbit. They demand our attention and our respect, and we gladly offer it to them.

The latest edition of Star Wars to hit theaters, Solo: A Star Wars Story, introduced movie-goers to yet another of these mysterious figures, this time in the form of Enfys Nest. Leading a loyal band of Cloud-Riders, Enfys Nest – wearing harsh but intriguing armor – makes their first appearance early in Solo on the planet Vandor-1, literally swooping in on a swoop bike to steal the goods, refined coaxium, which Tobias Beckett and Han Solo are themselves attempting to steal. A battle ensues between Beckett’s crew and Nest’s marauding band, a battle which confirms Enfys Nest as a formidable opponent, but a battle which also results in neither side leaving Vandor-1 with the valuable fuel.

That Enfys Nest is a pain in the side of Tobias Beckett and the man he is working for, Dryden Vos, becomes apparent soon after the events on Vandor-1. In turn, while we know Dryden Vos is *probably* the real bad-guy in the film, Enfys Nest is never-the-less established as the antagonist which Han and company must contend with as the film progresses. But it isn’t until much later in the film when Beckett, Solo, and the others arrive on the planet Savareen when Enfys Nest finally reemerges.

There are two moments in Solo: A Star Wars Story that literally made my hair stand up, and both moments happen back-to-back when Enfys Nest returns to the film. After the excitement on Vandor-1, the planet Kessel, and the death-defying Kessel Run, Han Solo and company finally have a moment of reprieve on Savareen, a chance to let out a sigh of relief. The scene is peaceful, Solo and his confederates resting and waiting in a small, run-down ocean-side village. Yet, the peace does not last. Out of no where, Enfys Nest and the Cloud-Riders materialize, standing in the background only yards away from Han Solo. Likewise, the musical score adds to this chilling moment, breaking the serenity on Savareen and signaling that a showdown has commenced. 

With Enfys Nest’s apparitional appearance on Savareen, an old west style stand-off ensues (the title for the musical score is appropriately titled “Savareen Stand-Off”). But guns are not drawn. Instead, only an instant after the stand-off begins, Tobias Beckett calls Enfys Nest a marauder and the reaction from Nest is rather unexpected. Moving forward as if prepared to fight, Nest instead removes the terrifying helmet masking their face. Now, the a second hair-raising revelation occurs: we can see Enfys Nest true face, the face of a young woman of color.

This revelation is a bold one, for Enfys Nest and for Star Wars in general. The power of mysterious characters like Nest resides in NOT knowing the face under the mask. Consider Boba Fett and Captain Phasma. We never see Boba Fett’s face in The Empire Strikes Back but we know the bounty hunter, who shows up in a handful of scenes, is really good at what he does. After all, he tracks the Millennium Falcon to Cloud City, leading the Empire to Cloud City, and leaves with his cargo. As well, we do not see Captain Phasma’s face but we never doubt that she is fearsome and commands the respect of the First Order’s stormtroopers. After all, she gives the command to open fire on the villagers at the beginning of The Force Awakens and chastises FN-2187 for removing his helmet. But with Enfys Nest the mystery is purposefully broken and replaced by long, curly hair blowing in the Savareen wind and the face of woman starring down the condescending Beckett and the cocksure Solo.

In my opinion, Enfys Nest is the absolute best thing about Solo: A Star Wars Story. Sure, there are a lot of cool and delightful things in the film (a film, mind you, I was not planning on seeing), but Enfys Nest, she took my breath away. In Enfys Nest, the Star Wars universe has been gifted with a powerful and commanding woman who can go toe-to-toe with the “Big Boys,” with the likes of the crime-lord Dryden Vos, Tobias Beckett, and even Han Solo. And she does so without the slightest hesitation, standing firm as a physical and principled force who is unwilling to back down, who desires to take on crime syndicates and the Empire. That, we learn, is her goal: going on the offensive and taking the fight to the oppressors in the galaxy far, far away. She and her Cloud-Riders are a force for good, a glimmer of hope, a new hope, in these dark times.

With her unmasking, Enfys Nest purposefully breaks the shroud which encases her, removing that which enables her to command fear and respect. But this profound decision only amplifies the respect for Enfys Nest. True, Tobias Beckett is unmoved, and I am sure there are viewers who did not care for Enfys Nest. But Han Solo is moved, and seeing her humanity and hearing from her, he chooses to help her! Likewise, my interest in Nest exploded, as did my admiration, when she shows us who she is, the face of a small resistance, the leader of that resistance, a young woman of color.

Let me say that again: the face and leader of the resistance is a young woman of color. How awesome is that!?!?!?! Seriously, I hope we get more of Enfys Nest in Star Wars very very soon. And in the meantime, as I impatiently wait for her next appearance – in another film, in her own Forces of Destiny short, in a novel and a comic – I will be going out of my way consuming everything else I can find about Enfys Nest. She is just too damn cool, and too damn important, to ignore. 


**Enfys Nest is portrayed British actress Erin Kellyman.**