Queen Amidala

Fiction’s Fearless Females: Queen Amidala

Standing behind the doors leading into the royal hanger, the Queen of Naboo, surrounded by her loyal handmaidens and advisers, must make a choice. One path will keep the teenage monarch on Naboo, with her people, risking capture and death at the hands of the invading Trade Federation. The alternative path will take her off-world, traveling with the two Jedi escorting her, running the Trade Federation blockade above her world in the hopes of reaching Coruscant, the capital of the Republic, to plead for help directly to the Senate.

“Either choice presents great danger, to us all,” the Queen says as she turns her head and looks at the handmaiden standing next to her.

“We are brave, your Highness,” the handmaiden responds, calmly speaking for herself and the other handmaidens.

To be brave is to be fearless, to stand firm and unflinching when confronting danger. Either path the Queen takes includes the risk of death, to herself and her retinue, but these handmaidens will face the risk with fearless poise standing side-by-side with their monarch.

But there is something else at play here, another layer hidden in the dialogue between a Queen and her assistant. In this scene from The Phantom Menace, the Queen we see is not the real Queen. No, she is actually a handmaiden, a loyal bodyguard charged with protecting the Queen by serving as a decoy dressed in royal attire. And the real Queen, Padmé Amidala, she is the handmaiden who has spoken.

This truth will not be revealed until later in the film when standing before the Gungan Boss Nass this handmaiden, Padmé, will confidently step forward, risking her own safety, and declare that she is Queen Amidala. Even though this revelation takes place late in the movie the gravity of the revelation reverberates through the entire film. It is possible then to add an interpretation to the statement “We are brave” by considering that Padmé, as Queen-in-disguise, is using the royal “We” when she speaks. And by viewing the term through this lens one can easily believe that Padmé Amidala is not only affirming the bravery of the handmaidens, but she is subtly but confidently affirming, as the true sovereign of the Naboo, that she is fearless.

Amidala's Reveal
Stepping forward, Padmé reveals that she is Queen Amidala.
Photo Credit – Star Wars Episode I: The Phantom Menace

Again and again we see Amidala model her bravery, in word and deed, simultaneously as handmaiden/Queen throughout The Phantom Menace. This is obvious when she reveals her identity to Boss Nass. Begging for help as she gets down on her knees – an act of pragmatic and diplomatic submission – Queen Amidala places herself and her party at the grace the Gungans. It pays off as her act of fearless humility convinces Boss Nass that Gungans and the Naboo can be friends and allies.

The Queen’s courage is also obvious when she and her retinue travel to the planet Tatooine.

Their vessel damaged as it ran the Trade Federation blockade surrounding Naboo, the two Jedi accompanying the royal entourage must identify a location that is free from Federation control to perform repairs. Jedi Padawan Obi-Wan Kenobi chooses a locale: the desert planet Tatooine. The head of the Queen’s guard, Captain Panaka, inquires how the Jedi know their Federation enemy is not present on the world to which Qui-Gon Jinn answers, “It’s controlled by the Hutts.” “You can’t take her royal Highness there! The Hutts are gangsters,” Panaka declares, immediately raising his concerns. Never-the-less, Tatooine, a lawless world on the fringe of the galaxy, remains their destination.

Upon landing in the desert Qui-Gon Jinn, accompanied by the astromech droid R2-D2 and the Gungan Jar Jar Binks, will head towards Mos Espa to seek out the parts they need to repair the damaged vessel. But as they head off Captain Panaka will stop them. With him is the handmaiden Padmé who remains silent as Qui-Gon and Panaka speak:

“Her Highness commands you to take her handmaiden with you,” the Captain explains.

“No more commands from her Highness today, Captain,” Qui-Gon responds, “the spaceport is not going to be pleasant.”

“The Queen wishes it. She is curious about the planet,” Panaka retorts.

“This is not a good idea,” Qui-Gon warns. “Stay close to me,” he tells the handmaiden as the group continues towards Mos Espa.

Padme joins the Group
The “handmaiden” remains silent while Captain Panaka and Qui-Gon Jinn discuss whether she should join the group.
Photo Credit – Star Wars Episode I: The Phantom Menace

The exchange may not seem like much but it serves a clear purpose: to account for Padmé being part of the group heading into Mos Espa. Fair enough, but narratively this should not be necessary. If the handmaiden was part of the group to begin with we would think nothing of it. She would just be someone else who is seeking the parts for the damaged hyperdrive. So why bother briefly pausing the plot to account for the handmaiden tagging along with the party? Because Padmé is no ordinary handmaiden. Armed with the knowledge that “her Highness” IS the handmaiden, this exchange is no longer a narrative curiosity but a narrative necessity, a way of demonstrating, and reinforcing, that behind the veil of “handmaiden” resides a formidable monarch who is exercising her power and displaying her strengths.

Captain Panaka, as noted, expressed his reservation to the Jedi about taking “her royal Highness” to Hutt-controlled Tatooine. While we do not see it, we can presume he shared these reservations with the Queen herself. But now, in a surprising twist, the Captain has escorted the Queen, dressed as a commoner, into the hot desert to join the repair party. Why does he do this? Because “Her Highness” has issued a “command.” She has used her authority and given an order which the Captain is duty-bound to follow.

The command she has given – for a handmaiden to join the party – is a clever trick on the part of Amidala, a way to insert herself while maintaining anonymity. This does not come without risk. Captain Panaka is not wrong that Tatooine, being controlled by galactic gangsters, is a dangerous world. Qui-Gon Jinn acknowledges this as well, admitting that “the spaceport is not going be pleasant.” The Queen does not flinch. Instead, she is putting words into action, showing “We are brave” by placing herself in an unpredictable and potentially precarious situation.

Granted, this decision does seem ill-advised. Being fearless is laudable, but it is difficult to justify being reckless. “This is not a good idea,” Qui-Gon explains, a clear indication that he does not want anyone else to be put in danger, even a young handmaiden (although, for the record, I believe he knows Padmé is the Queen but that is a conversation for another time). Were something to happen to Amidala in Mos Espa – a run in with the Hutts, for example – the consequences could imperil not only her safety but the safety of the planet Naboo. So how can one justify her decision to join?

For starters, we can think about why she is joining the group. As Captain Panaka explains, the Queen “wishes” for the handmaiden to go with Qui-Gon Jinn because “she is curious about the planet.” Thus, we are explicitly told that the Queen is inquisitive, a quality which demonstrates her desire to lead effectively, gaining new insights and perspectives which will inform future decisions. Stuck on Tatooine for the time being, Queen Amidala chooses to step out of the comfort of her royal yacht so she might gain firsthand knowledge about her galaxy. Notably, this is exactly what happens when she meets Anakin Skywalker, a precocious 9-year-old boy, and is shocked by the revelation that he is a slave. The Queen was clearly under the impression that the abominable institution did not exist. In turn, after meeting Anakin’s mother Shmi, the Amidala learns that the Republic’s anti-slavery laws do not extend to every planet. A sobering truth that challenges her understanding of the Galactic Republic’s legal and moral reach, this discovery foreshadows the truth she learns a short time later about the ineffectiveness of the Senate and the Supreme Chancellor.

Padme and Anakin
Padmé meets Anakin Skywalker and learns a harsh truth: he is a slave.
Photo Credit – Star Wars Episode I: The Phantom Menace

Like her fearlessness, Amidala’s inquisitiveness is laudable. Yet, it does not entirely justify her decision to risk danger in the spaceport. Except, it does if we view it not solely as a pursuit for galactic knowledge. Rather, it should be interpreted as an example of the Queen’s strategic thinking. While Mos Espa is “not pleasant” and dangerous, given the situation it is also the safest place Queen Amidala can possibly be, a fact she must be aware of since she has given the command to “take her handmaiden.” Think of it like this: if the Trade Federation does track them down, discovering the royal yacht on the outskirts of Mos Espa, Amidala will not be there. Instead, the enemy will find the decoy Queen, along with the other handmaidens, the captain of the royal guard, and even a Jedi protector.

Meanwhile, Queen Amidala will be blending into the crowded streets of the unpleasant spaceport as the handmaiden Padmé. She will be fearlessly hiding in plain sight, as she does throughout The Phantom Menace, with no one the wiser.


Fiction’s Fearless Females is in it’s second year!  Yay!  The series runs for the month of March and along with myself will feature posts by Nancy and Kathleen of Graphic Novelty2, Kalie of Just Dread-full, Rob of My Side of the Laundry Room, and Mike of My Comic Relief.  Be sure to follow each of these blogs (as if you don’t already!) and to check out all of the Fearless Females in the series. Just follow these links:

The Doctor

Barbara Gordon (Batgirl/Oracle)

Dani from Midsommar

Sarah Connor

5 Fearless Cartoon Females of the 80s

Haikuesday: Recap

Haikuesday: Recap
Looking Backward and Forward
A New Haiku Dawn

In January 2017 I had this crazy idea: what if I wrote Star Wars-inspired haiku and posted them on the first Tuesday of every month. Thus, my Haikuesday series was born. Since the first Haikuesday was posted in February 2017, I have written fifteen other Haikuesday posts, the topic for each being chosen via polls on Twitter. Allowing my followers and others on Twitter to vote for each Haikuesday topic was a way to garner some fun and “fan”tastic support for the monthly series, and while all those who voted may not have gone on to read the haiku I wrote, it was never-the-less fun to know so many people were voting!

I am incredibly proud of the Haikuesday posts I have written, in large part because these posts have enabled me to explore my love of Star Wars in really unique ways. Never would I have imagined, when Haikuesday began, that I would have be scouring the Expanded Universe novel The Truce at Bakura for inspiration, or that I would be obsessively listening to Carl Orff’s O Fortuna (from Carmina Burana) as I wrote haiku about Darth Vader. I dug into my knowledge of the Star Wars: Uprising mobile-game (which I played obsessively before it was cancelled) for the haiku about Cloud City and was inspired by the poetry of Toru Dutt and Hindu mythology as I wrote about Queen Amidala. Long story short, Haikuesday has enabled me to explore not just Star Wars, but a wealth of other music, art, literature, and more in really interesting ways.

At the same time, the writing of Haikuesday posts has taken numerous forms, and happened at pretty random times. For many of the sixteen posts, I would work on the haiku over the course of the week leading up to Haikuesday. Sometimes my inspiration would come late in the process, and I would still be writing haiku an hour before I planned on actually publishing. More often than not, though, the haiku would be completed in advance of Haikuesday. As well, many of the haiku were first written by hand, and I have two notebooks filled with my Star Wars-inspired poetic creations. As I told my friend Kiri from the site Star Wars Anonymous (who write some of her own Star Wars haiku!), I often keep a notebook with me to ensure that I can write a haiku if it pops into my mind. And, in those moments when I do not have a notebook, my iPhone comes in pretty handy.

There are definitely some other little things about Haikuesday I could mention, but realistically, and for the sake of brevity, I will skip all of that. Like, you don’t really care that I wrote most of The Battle of Scarif haiku in the backseat of a car, Rogue One: The Visual Dictionary by my side, on a road trip from Detroit, MI to Alexandria, VA…do you? Naw, of course you don’t care, so I won’t share that with you. And I definitely won’t share that I wrote all of The Battle of Umbara haiku in a note on my phone (I remember when phones were just used for making calls and not writing haiku. Those were the good ole days…in the 1990s). 

So, what is next for Haikuesday? Well, first and foremost, a much-needed creative break. I love rendering Star Wars in haiku form but my brain is tapped out right now. For right now – meaning for a few months – I am taking a break from Haikuesday to focus on some other Star Wars posts I have wanted to nail down for this site. In fact, now that this site is over three years old, I have quite a few ideas moving forward…including plans to FINALLY do Wookiee Week (but more on that later). As for Haikuesday, I already have some fun and innovative ideas to revamp it, changing how I approach it – from when/how I write, to the topics, and getting Star Wars fans (you!) involved in writing haiku! I even have this crazy idea to do an entire Haikuesday post in Aurebesh…

But all of that is in the future. For now, I hope you will take some time to read (or re-read) and share my Haikuesday posts. Leave a comment on them, tell me what you like, and if you have any thoughts/ideas on helping me make Haikuesday even more successful I am all ears!

Below are all of the featured images I used for every Haikuesday (with links to each post in the captions).


oom_battle_droids-2
Droids















Thrawn TIEFighter
Thrawn

Haikuesday: Queen Amidala

Unique Politics:
Young, female monarch and an
old, male Senator.


Queen Amidala.
Elected at age fourteen.
Leader of Naboo.


Her first name: Padmé.
Comes from Sanskrit origin.
Its meaning: lotus.

Hindu Religion –
Padma, the sacred lotus,
symbol of beauty.

Vibrant and lovely,
rich with color, the flower
and Queen Padmé’s gowns.

“Queenliest flower”
wrote poet Toru Dutt in
Sonnet: The Lotus.

Growing in ponds, lakes.
Untouched by water or mud.
The lotus is pure.

We literally watch
Padmé blossom as Queen in
The Phantom Menace.

Goddess Shri-Lakshmi,
depicted with the lotus.
Shri-Lakshmi…shmi…shmi.

I’m not gonna lie:
teaching Hinduism in
haiku form is tough.


Trade Federation.
Blockade of peaceful Naboo.
Iron-willed Padmé.


Not wanting a war
but war is forced on the world.
What will the Queen do?


Inquisitive Queen.
“You’re a Gungan…” she asks Binks.
She’s never met one?

Haiku Addendum:
One would think that Naboo’s Queen
has met with Gungans.


Bodyguards, decoys.
Like their highness, they are brave.
The Queen’s handmaidens.


A clever disguise!
The Queen dresses as one of
her own handmaidens.


Sandy, sun scorched world.
The Queen wishes to learn more…
…by sending herself.

I have to be frank:
I’m sure Qui-Gon Jinn knew that 
Padmé was the Queen.


“You’re a slave,” she asks.
“I’m a person,” he declares.
Someday they will kiss.


Fate in a boy’s hands.
Handmaiden Queen admits that
she does not approve.


Jedi are reckless,
the handy Queen tells Qui-Gon.
Yeah, sometimes they are.


Boonta Eve Podrace.
Fly real fast, go left sometimes.
She cheers for Ani.


The Queen is worried.
Her people are suffering.
Will the Senate help?


Speaking to Senate,
Queen Amidala calls for
no confidence vote.


Begging for their help,
Amidala bows to the
greatness of Gungans.


Queen of the Naboo.
Military strategist.
Fourteen but gifted.


Leading from the front,
Amidala risks her life
to save her people.


Viceroy Nute Gunray
deceived by Keira Knightley!
Decoy “Queen” Sabé


Here is a fun fact:
I am two days older than
Ms. Keira Knightley.


The Royal Decoy
orders the real Queen to clean
astromech R2.

Haiku Addendum:
I can’t help but wonder if
that made Padmé mad.


At last, there is peace!
Amidala and Boss Nass
commit to friendship.


Haikuesday is a monthly series on The Imperial Talker, a new post with poetic creations coming on the first Tuesday of each month. The haiku topic is chosen by voters on Twitter so be sure to follow @ImperialTalker so you can participate in the voting. Now, check out these past Haikuesday posts:

Droids (February 2017)

Ahsoka Tano (March 2017)

Darth Vader (April 2017)

The Battle of Scarif (May 2017)

The Truce at Bakura (June 2017)

Ryloth (July 2017)

Would Princess Leia’s “Real Mother” Please Stand Up…(Part 2)

Spoiler Alert: This piece contains information from the Princess Leia comic series.

My wife and I will take the girl. We’ve always talked of adopting a baby girl. She will be loved with us.” – Bail Organa

In the first part of this two part analysis, I examined the continuity issue between Return of the Jedi, where Leia describes her mother to Luke, and Revenge of the Sith, which shows the death of Leia’s mother when Leia and her brother are only minutes old. I will spare you a full rehashing of the first piece as you can go read it yourself, but I should note that, to date, no fix has come down from the people at Lucasfilm to settle this issue. Given the new commitment to continuity and canon in the form of a Lucasfilm (Star Wars) Story Group, which oversees all aspects of continuity in the Star Wars universe, I feel it is necessary for continuity issues like this be patched up for the sake of minimizing confusion.

That being said, the question then is how can this particular continuity error be fixed? I noted a few solutions in the previous post, but also explained why these knee-jerk fixes would not adequately hold up. For this second piece, then, I want to present a possible solution that I think could work based off of how I personally interpret the scene in Return of the Jedi. Of course, I will hardly suggest that this solution will make everyone happy. Instead, I hope that by presenting it, and those of you who add to it or provide your own solutions in the comment section, will inspire the Story Group to act in the future to reconcile this confusion.

So, without further ado, here is what I propose…

Bail Organa has deceived his adopted daughter for her own safety.

I am led to believe that the woman whom Leia is describing to Luke in Return of the Jedi is a real person Leia actually knew in the flesh. To me, this makes sense given the intimacy of the scene and what Luke is asking of Leia, wanting to know something about the mother they share but whom he never knew. However, if she is describing a real person, then the question becomes who exactly is this woman she is describing? I will come back to this in a moment, but first, let’s talk Revenge of the Sith for a second.

After Luke and Leia are born, and once Padmé dies, Obi-Wan, Yoda, and Bail Organa make the decision to split up the twins lest the new Emperor discover them. Ultimately, the danger the twins faced was too great to keep them together.

Baby Luke being given to Aunt Beru Photo Caption - Star Wars Episode III: Revenge of the Sith

Baby Luke being given to Aunt Beru
Photo Credit – Star Wars Episode III: Revenge of the Sith

Luke was taken to Tatooine by Obi-Wan to live with Uncle Owen and Aunt Beru, and Kenobi stays to keep a watchful but distant eye on the boy. In turn, Bail Organa agrees to adopt Leia, noting that he and his wife had considered adopting a baby girl. In one of the final scenes of Revenge of the Sith, the viewer sees Leia being presented to the Bail’s wife Breha, the Queen of Alderaan, who holds the child and then the scene ends. But it is what happens immediately after this scene ends where the lie to protect Leia is instituted.

Immediately after the scene cuts out, an unknown woman enters, walks up to Bail and Breha, and the child is handed to her. This woman is a close and loyal confidant of House Organa, and she will raise the baby for only a short time, until Leia is old enough to form an image of this woman in her mind as her “real mother.” This is precisely what Bail wants and expects to happen, that Leia will believe this woman is her mother. When Leia is still very young, a situation will arise that causes this woman to leave Leia. Perhaps, fully committed to the deception, this woman actually does die. This would line up with what Leia says to Luke. Or, perhaps the woman’s death is a ruse, and instead, the woman goes into exile, far away, into the Outer Rim or even into Wild Space, living in solitude where Leia will never find her or encounter her again. If Obi-Wan Kenobi can hide from Darth Vader, surely this woman can hide from her pretend daughter.

With the woman’s “death,” Bail and Breha Organa step back into the picture, officially adopting the young, orphaned Leia as their own. She will be raised and loved as though she were their daughter. As she grows, the memory of the other woman in will begin to fade, and she will only recall images and feelings. Leia will see herself first and foremost as an Organa, as the Crown Princess of Alderaan, the child of Bail and Breha Organa. Yet, Leia will still know that she was adopted, and that she only knew for a short time was her “real mother,” as she would have no other reason to believe otherwise. Perhaps, even Bail and Breha reinforce this from time to time, speaking about her “real mother,” describing her to the child.

But why is this even necessary, why the lie in the first place? Precisely because Leia is in danger from the moment she is born.

Darth Sidious and Darth Vader would know that Kenobi left Mustafar with Padmé. What they would not know, though, is that Kenobi, Yoda, and Bail Organa were present when Luke AND Leia are born. Recall that the Sith Lords knew Padmé was pregnant, but they did not know that Padmé was pregnant with twins.[i] After the children are born, in order to protect them, the two Jedi and the Alderaanian Senator decide how best to protect each child. What is presented at the end of Revenge of the Sith, then, is an elaborate series of deceptions in order to throw Sidious and Vader off the trail. Whereas Luke is hidden remotely on Tatooine in the Outer Rim far from Coruscant, Leia is essentially hidden in plain view on Alderaan and will become not only the Crown Princess of House Organa but Alderaan’s Senator. What I am suggesting, then, is simply one more layer to the deception, one that Bail Organa concocted as a fail-safe, one that protects Leia even from herself.

Put yourself into Bail Organa’s mind for a second as he traveled with the child back to Alderaan after Padmé’s death. Knowing that he would have to tell the child one day about her mother, Bail knew he could never tell her about Padmé Amidala. If he was to do so, and Leia slipped up and spoke about Padmé publically as her mother, the result could be devastating…Vader could find out. Yet, Bail would also know that he had to ensure no questions would be asked about the child who is suddenly in his care. Remember that Bail was present at the Jedi Temple when the Jedi Purge began, and was also a close confidant of Padmé’s in the Senate. Certainly, the new Empire would be watching him closely and may inquire about the identity of his new daughter who just happened to appear right after the late-Senator Amidala was laid to rest.

To throw them off the trail, then, Bail had to create the ruse to ensure that Leia would never speak of Padmé publicly, and to guarantee that the Empire would not discover Leia’s true origins. This was why the woman was necessary, to act as a temporary buffer against watching eyes, and as a long-term deception to ensure Leia would never be questioned about her ACTUAL mother. In short, what Leia never knew could never hurt her.

Leia viewing the portrait of one of Naboo's former queens, Padme Amidala. Photo Credit: MARVEL Comics - Princess Leia Issue # 002

Leia viewing the portrait of one of Naboo’s former queens, Padmé Amidala.
Photo Credit: MARVEL Comics – Princess Leia Issue # 002

Furthermore, in the second issue of the Princess Leia comic series, Leia arrives on the planet Naboo only days after the destruction of the First Death Star. There, in the streets of the capital city of Theed, she comes across a portrait of Queen Amidala. Viewing the mural, she is taken aback when she thinks the woman in the mural turns and looks at her, though she dismisses this and continues her journey through the city. Leia is completely unaware who this royal figure is/was, none-the-wiser that she was standing in front of a portrait of her ACTUAL mother. Then again, there is also nothing to indicate in this second issue that Leia even knows that her real mother was from the planet Naboo. Why would she? Leia believed her real mother was a beautiful and kind Alderaanian, and that she died when Leia was very young.

A Final Thought

As modern-day myth, Star Wars lends itself to different experiences and interpretations, and that is why I love it. When I watch the movies, read the books or comics, sit down to watch The Clone Wars or Rebels, and play the video games, I engage IN and WITH the myth-making. The way I experience and interpret Star Wars is meaningful to me in a way that, at times, may line up with the way others interpret it and, at other times, will be entirely my own and fundamentally different than others. So, while my experience leads me to believe Leia was discussing a real woman she was led to believe was her real mother for her safety, others might see something different. As one person noted in a comment on the previous post, perhaps Leia had a connection through the Force with her mother, and she is describing the impression of Padmé that was left there by the Force.[ii] Either way, it is a matter of how one wishes to experience and interpret the scene, and since the Story Group has not provided a definitive fix in the new and official canon, one can believe what they wish: that Leia is describing a flesh/blood woman she thought was her “real mother” OR someone she feels connected to through the Force.

One way or another, though, I hope we can all agree that it would be great to see this continuity error get a fix and, while they are at it, maybe we could also get to experience a story in which Luke and Leia finally learn more about Padmé Amidala, their real and actual mother.


[i] Remember how Vader taunts Luke on the Second Death Star: “So, you have a twin sista…your thoughts betray her, too.” This is the moment Vader realizes he has a daughter.

[ii] Go check out the comment thread from Part I. Lots of great thoughts and ideas!