Making her only canonical appearance in the first issue of the Lando comic series, Moff Ssaria, Imperial Governor of the Castell sector, is nothing more than a minor character who helps (re)establish Lando Calrissian as the scoundrel we know him to be. When the issue begins, Calrissian is standing in Ssaria’s bedroom admiring a valuable piece of art. Intent on stealing the item from Ssaria, Calrissian instead uses his infamous smooth-talking flattery, admitting his intentions to the Moff and then talking his way out of being shot when she pulls a blaster on him. Showing his remorse, acknowledging that things got “complicated” with her and that he couldn’t just take the item and leave her, Calrissian appeals to Ssaria’s humanity to save his skin and, more importantly, convince her to give him the priceless art.
And the gamble pays off. Only a few short pages later, we find Lando explaining his actions to his close confidant Lobot, the art in hand to help payoff their debts. Pressed by Lobot about the risks he took to retrieve the art, that he could have taken it from Ssaria and left, Calrissian acknowledges the reason for his drawn-out relationship with the Moff: because of her reputation as the “Fiend of Castell.”
It is actually during his earlier exchange with Ssaria, as she lies half-naked in bed, when Calrissian uses the term “Fiend of Castell.” As he notes, it is a term “they” – the population she governs – use to describe her. He also states that she is called “The Burning Moff” and mentions that she is “brutal in your [her] response to even the slightest challenge to the Empire’s authority.” Given Ssaria’s penchant for swift, violent reprisal, it is little wonder Calrissian played a long-con, intent on securing the work of art by appealing to her humanity – stating that he knows the “real her” – to ensure that he would not have the so-called “Burning Moff” hunting him down.
Fortunately, while we the reader are introduced to her reputation by Lando, we are also privy to a small inkling of the way Ssaria views herself. Or, more specifically, the way she views her authoritative position within the Imperial hierarchy. In response to what “they” say about her, Ssaria states that she is but “an extension of the Emperor’s will. My actions here simply execute his directives.”Indeed, as the Imperial Governor of the Castell sector, Moff Ssaria carries out the wishes and desires of the Emperor whom she serves, her orders and commands a reflection of the greater cause of Empire. In this regard, Ssaria is no different than Grand Moff Tarkin, Grand Admiral Thrawn, or Darth Vader, executing Imperial justice on behalf of the Emperor to whom they have sworn allegiance.
Continuing the theme of service to the Empire, Ssaria re-frames her violent reputation in a fascinating way, stating that “the Emperor is the mind. I am his tool. Is a tool responsible if it is used to kill someone?” With this play on words, Ssaria jettisons any moral culpability in the death of innocents, placing all the blame squarely on the shoulders of the Emperor. In turn, her “mind-tool” metaphor also implies that the population she governs – and by extension the entire population of the Empire – is to be shaped and molded by the Emperor’s tools in order to fully manifest his vision of Empire. Or, to be more blunt, in the cause of Empire there are never innocents, and the death (or enslavement, or oppression) of the people in the name of Empire is always justified. In this sense, the question Ssaria asks about her moral culpability is not only irrelevant but meaningless, the only morality that matters is the morality of the Emperor.
This being the case, it is little surprise that Ssaria states that the answer to the question “doesn’t matter.” The question was always rhetorical. “I care little for my reputation in the streets,” the Moff pointedly admits, hardly a surprise or even a necessary statement. Obviously she doesn’t care about her reputation in the streets. Moff Ssaria doesn’t serve the people, and she certainly doesn’t answer to them.