As more trailers are revealed I will add them to this post. For now, enjoy the teaser and leave a comment with your thoughts about it!
As more trailers are revealed I will add them to this post. For now, enjoy the teaser and leave a comment with your thoughts about it!
There is a line in Star Wars: A New Hope which often gets lost in the greater scope of the film, a quote which points to the toughness of the movie’s lone female protagonist, Princess Leia. It comes when Darth Vader, the movie’s villain, speaks to Grand Moff Tarkin, the secondary villain in the film. Pacing back and forth as if annoyed, Vader admits that, “Her [Leia’s] resistance to the mind probe is considerable. It will be some time before we can extract any information from her.” Prior to this admission, we saw Vader enter Princess Leia’s prison cell with an interrogation droid floating behind him, a needle protruding from the droid and Leia’s face giving off subtle apprehension. Now, Vader states that it was for not, that the Princess has resisted this “mind probe” and that breaking her will take more time.
I have always loved this line; it has always resonated with me because it points directly to the fearless resolve which resides in the heart of Princess Leia. Even before Vader utters these words, we know that Leia is a force to be reckoned with, a whirlwind of confidence capable of holding her own. After all, it is Leia who was leading the mission to Tatooine to find Jedi General Obi-Wan Kenobi at the film’s outset. When the ship fell under attack, Leia created a new plan to secure Kenobi’s help EVEN AS IMPERIAL SOLDIERS STORMED THE VESSLE! Dispatching the droid R2-D2 to Tatooine’s surface, Leia awaited her inevitable capture, and even shoots/kills an Imperial stormtrooper before she is apprehended.
Captured by the Empire’s white-armored soldiers, Princess Leia is escorted before Darth Vader, the nefarious and imposing villain we were JUST formally introduced to as he lifted a man by the neck and crushed his windpipe. The black-clad Vader towers above the petite, white dressed Princess, an obvious visual meant to represent the power of the evil Empire towering over the small, fledgling Rebellion. But Leia is far from intimidated. Oh no, not only does she stand tall next to this masked monster, she speaks first AND is the one who chastises him with palpable disdain!!!
In just a few frames, Leia presents herself as competent and fearless, especially under pressure. Rather than quivering and backing down, she boldy stands her ground against imposing odds. It is no wonder then that later, when Darth Vader assaults Leia, probing her mind for the “location of the Rebel base”, her resistance is “considerable.” Princess Leia is the embodiment of fearless resolve, the very heart and soul of the small Rebellion against an Empire which spans a galaxy. There was never a chance the mind probe would work, it was always going to be an act of futility on the part of Vader.
An Alternative Form of Persuasion
It is Grand Moff Tarkin who chooses a new tactic to extract the information they seek following the failure of the mind-probe. Rather than probing her mind, Tarkin gives Leia a choice: give up the location of the Rebel base OR watch as her home planet of Alderaan is destroyed by the Death Star superweapon. It is a brilliant move on Tarkin’s part, one that catches Leia off-guard. Pleading with him, the Princess turns into a supplicant as she tells the Grand Moff her planet is “peaceful” and has “no weapons.” Tarkin, of course, does not care and, presenting the question again, demands to know where the Rebel base is located. It is now that Leia gives in: “Dantooine. They’re on Dantooine.”
That Leia gives in to Tarkin is shocking, but all the more painful as Leia must continue to stand and watch as Alderaan is destroyed. This is an unsurprising move on Tarkin’s part, an obvious example being made to the whole galaxy (and the Princess) that no one, not even “peaceful” worlds, are safe from Imperial military might. Now, the fearless young woman who stood her ground at the film’s opening, who chastised Vader and resisted his mind probe must steel herself as she watches her home world and her family perish in a ball of fire.
And yet, what we do not realize in this moment is that Leia has tricked Tarkin. Presented with the choice of Alderaan being destroyed OR the Rebellion being destroyed, the quick-thinking Princess chose a different route: an open-ended lie. We do not discover this right away, not until an Imperial officer informs Tarkin that scout ships discovered a deserted Rebel base on Dantooine. Furious, but more importantly humiliated, the Grand Moff orders the immediate execution of the Princess.
That Leia lies about the location of the Rebel base is brilliant, a narrative misdirect that leads Tarkin and the audience alike to THINK this strong-willed woman has caved under pressure. It is easy to forget this, as later we DO discover the real location of the Rebel base. But in this instance, we are led to believe Leia has given it up, that Dantooine is, in fact, the location. Instead, what we discover a few scenes later is that Princess Leia was in control the entire time, and while her plea to the Grand Moff that “Alderaan is peaceful” is certainly genuine, it, too, was also part of her quick thinking plan to save both Alderaan AND the Rebellion.
Awaiting Tarkin’s Fury
Knowing she has lied to Grand Moff, we can surmise that after being returned to her cell that the Princess sat and waited for Tarkin’s fury. Surely, too, she sat there in mourning, the loss of her world and family weighing heavily on her heart. One could hardly criticize the fearless female if she did break down and cry, although it is hardly necessary to know whether she did. The imagination is enough in this case.
Regardless, when we next see Leia she is reclining on the hard bench in her detention cell. Luke Skywalker, wearing stormtrooper armor, barges in to the rescue and, without missing a beat, the reclined Princess – certainly suspecting Tarkin’s fury has arrived – directs a shot of insulting sarcasm at the soldier: “Aren’t you a little short for a stormtrooper?” While Vader’s comment about her resistance to the mind-probe directly points to Leia’s strong-willed personality, this shot of sarcasm – coupled with the sarcasm she throws at Tarkin earlier (see video clip) – highlights her constant disposition towards her Imperial foes. Basically, Leia is always ready to level an attack against the Empire, even if that attack is in the form of words alone.
But she is also more than happy to criticize her own allies, in this case her rescuers: Luke Skywalker, Han Solo, and Chewbacca. Cornered by Imperial soldiers in the detention center, the Princess chastises the films heroic men, noting that it “Looks like you managed to cut off our only escape route.” What makes this all the better is that the quick-thinking Princess – who, we should remember, was not anticipating a rescue – immediately comes up with a plan and puts it into action. Taking the blaster from Skywalker, Leia blasts open the wall across from her and demands that everyone jump into the garbage chute. Before objections can be raised, Leia is already on her way into the depths of a Death Star trash compactor.
To be perfectly honest, this has always been my favorite “Leia Moment” in A New Hope. On one hand, her action makes the film’s heroes – Luke and Han – look incredibly foolish for not actually thinking about HOW they should go about completing their rescue mission. On the other hand, and more importantly, this moment demonstrates a clear reversal in fortune for the Princess. When the film begins, and her ship falls under attack, the protocol droid C-3PO tells R2-D2, “There will be no escape for the Princess this time.” True in that moment, C-3PO is ultimately proven wrong as Leia not only escapes, but does so by taking control of her own rescue when she and her allies are quite literally backed into a corner.
But there is an additional element of control which Leia brings to her escape: her decision to travel directly to the Rebel Base on Yavin 4. Why, if Leia knew the Millennium Falcon was being tracked, would she willingly lead the Empire to the Rebel Base, the location she resisted sharing with Vader and Tarkin? For some time, I felt this was a curious move on her part, a clear flaw in her thinking. Yet, the deeper I have considered it, the more I have realized that it is the safest choice given the stakes. With Alderaan destroyed and Obi-Wan Kenobi dead, Princess Leia is left with the only choice that makes any sense: getting the Death Star schematics stored in R2-D2 to the Rebel High Command as quickly as possible. A detour to another world, or a stop to acquire a new ship, runs the risk of Imperial capture, while traveling directly to the Rebellion ensures that the Death Star information (not to mention her own life) is protected. Besides, the sooner the schematics are delivered, the sooner the Rebellion can craft a plan of attack to destroy the planet-killing superweapon.
A Beacon of Hope
Once Leia and company arrive at the Rebel Base on Yavin 4 her role in the film becomes primarily observational. While Luke Skywalker will jump into an X-Wing to participate in the impending engagement, and Han Solo will get a reward and leave before the fight begins, Leia will stand in the Rebel Command Center watching the battle unfold on display screens. Admittedly, it is a bit odd that with the Death Star approaching and preparing to destroy the Rebel Base, Leia (along with others) choose to stand-around watching rather than evacuating. On some level, this sorta gives away what we know the inevitable outcome of the battle will be: the Rebels will win and the Death Star will be destroyed.
On another level, though, that Leia remains in the Command Center puts the final stamp of bravery on her fearless nature. With the Death Star approaching and preparing to destroy Yavin 4, it is conceivable that the Princess was asked (perhaps even ordered!) to evacuate before the battle begins, her safety and importance to the Rebellion being tantamount. Instead, by remaining, Princess Leia reveals once more that she is the very heart of the Rebel cause, a beacon of hope for the Rebel soldiers fighting the Imperial war machine. She may not be in an X-Wing or Y-Wing fighting the battle, nor giving orders as a General, but Leia’s stoic presence in the face of imminent death testifies not only to her personal resolve, but also the resolve of the Rebel Alliance.
Given her status and importance to the Rebellion, it is unsurprising that Princess Leia is the one to bestow medallions upon Luke Skywalker and Han Solo following the Battle of Yavin. With the Death Star destroyed, the two men (accompanied by Chewbacca) will march down the center of a great hall, flanked on both sides by the entire assembly of Rebels on Yavin 4. Arriving at the bottom of a staircase, the trio ascend the steps until they are standing before, albeit slightly below, the magnificently dressed Leia. This is the only point in the film in which Leia has changed clothing, and she is now without the iconic hair “buns.” Wearing a gown, with her hair in a braided updo and jewlery drapping her neck, Leia now, officially and formally, looks like a Princess. Never-the-less, while she is resplendent in her royal attire, we also know that there is far more to her than meets the eye, and that what makes Princess Leia truly regal is her considerable fearlessness and capacity for hope in the face of overwhelming odds.
I’ve joined forces with some other exciting bloggers and YouTubers – Nancy and Kathleen of Graphic Novelty2, Rob of My Side of the Laundry Room, Kiri of Star Wars Anonymous, Kalie of Just Dread-full, Mike of My Comic Relief and Green Onion of The Green Onion Blog – for a little salute to “Fiction’s Fearless Females.” Starting on International Women’s Day and going forward over the next couple months, a different contributor will offer their take on a favorite female who harbors a fearless spirit. Click on the links below to read about the other women being profiled.
Fiction’s Fearless Females
I recently came across a quote from Frank Oz – the man who brought Yoda to life – where he gave his very direct opinion regarding Star Wars fans who disliked The Last Jedi. Speaking at a SXSW event, Oz states that,
“I love the movie [The Last Jedi]…All the people who don’t like this ‘Jedi’ thing is just horse crap. It’s about expectations. The movie didn’t fill their expectations. But as filmmakers, we’re not here to fulfill people’s expectations.”
How could I, or anyone else, NOT consider what Frank Oz has to say on this point? He is a gifted filmmaker with a perspective and understanding of storytelling which I can only dream of reaching. For a number of days I allowed Oz’s point to marinate in my mind, bouncing around my brain as I reflected on my own expectations for Star Wars, not to mention the expectations of the entire community of Star Wars fans. Of course, I am in no position to speak for the entire Star Wars “fandom.” It is so massive, so diverse, and so damn opinionated that it would be folly to even try to provide any “grand unified theory” to sum-up Star Wars fans. In fact, the ONLY thing that can be said is that Star Wars fans are “unified” around Star Wars, but what Star Wars means for each fan is subjective. It is personal. And because of this, I think Frank Oz is absolutely correct: some fans certainly disliked The Last Jedi because the film did not meet the very personal and deeply held expectations they may have had going into Episode VIII.
The thing is, while I agree with Oz, I only do so up to a point. Beyond that, I fundamentally disagree with him. Why? Well, just as I cannot provide a “grand unified theory” of Star Wars fans, Frank Oz is in no position to provide a definitive answer for why people did not like The Last Jedi. It is a generalization to do so, a fallacy stating that a part (those fans who did not have expectations met by The Last Jedi) actually represents the whole (every fan who did not like The Last Jedi). Logic just doesn’t work that way, and it is important to recognize that a great deal of nuance exists within the Star Wars community precisely because individuals have those deeply personal ties to the decades spanning franchise. And this applies to fans who truly loved The Last Jedi and those who absolutely despise the film, as well as all those who fall somewhere in the middle (which is where I happen to land). My point is: some Star Wars fans didn’t like The Last Jedi because it didn’t meet their expectations, plain and simple, while other fans had a more nuanced reaction and didn’t like it for a trove of entirely different reasons.
But beyond this pretty obvious fact, that some fans didn’t like it because of high expectations, the more I thought about what Frank Oz said, the more I was bothered by the implication: that Star Wars fans should have no expectations for the stories which they love. Realistically, how can one NOT have expectations when they go into a Star Wars film (or any film for that matter)? How does one fully set-aside their expectations and experience a story entirely devoid of expectation? Frankly, I do not believe it possible, unless perhaps one ejects every single Star Wars thought from the mind. But going into a Star Wars movie with a “tabula rasa”, a blank slate, is just not possible, at least for me. Maybe someone out there can show me how to do it, how to just sit down with popcorn, Junior Mints and an oversized cup of Diet Coke and watch Star Wars for what it is – just another movie. Me, I cannot set aside my thoughts, and feelings, and ideas about Star Wars because the franchise has seeped into my bones. I live Star Wars, I breathe Star Wars, it infects me like a damn virus. For me, Star Wars is NOT “just another movie,” it is a way of life. And as a result, I am guilty of the sin of expectation, I demand greatness from Star Wars and yes, sometimes, I even expect it to acquiesce to my expectations.
There were a lot of things about The Last Jedi I didn’t like, and some things I absolutely did like, and I lay a number of these out in my post “Reflections on The Last Jedi.” But I also know, and can easily admit, that I had expectations for The Last Jedi which were not met. I am not ashamed to say it and why should I hide it? For example, I wrote a post titled “The (Mis)Use of Captain Phasma“ where I blasted writer/director Rian Johnson for not utilizing the First Order villain more effectively in the movie. I absolutely expected her to be a greater factor, especially after a novel and a comic series preceding the release of The Last Jedi built her up as a total badass. How could I not expect more?
So yeah, I had expectations for The Last Jedi. But you know what, I also had expectations for The Force Awakens, Rogue One, and Solo. I had expectations for The Phantom Menace, Attack of the Clones, and Revenge of the Sith. I had expectations for The Clone Wars, Star Wars: Rebels, and Star Wars: Resistance. And, going forward, I have expectations for Episode IX, The Mandalorian, Galaxy’s Edge, and every other Star Wars movie, novel, comic, video game, etc. But I am under no illusion that all of my expectations will be met. Are Star Wars filmmakers and storytellers supposed to meet every expectation of “the fans”? Certainly not. They can’t do it. At best, they can only hope to meet one very basic, very simple expectation: that the fan will be entertained. That is, after all, what the entire Star Wars franchise is, a massive form of entertainment. Right? We all expect to be entertained, to be transported to the galaxy far, far away so that through the experience we will find some form enjoyment.
And, as a fan, the best I can do is manage my expectations. I have to willing and able to acknowledge that everything will not line up with how I want it to unfold. But managing expectations does not mean jettisoning expectations. Rather, it means having an open-mind and giving things a chance, even when – no, especially when – things do not immediately line-up with those expectations.
Frank Oz, the voice of Yoda, stated that “…All the people who don’t like this ‘Jedi’ thing is just horse crap. It’s about expectations. The movie didn’t fill their expectations. But as filmmakers, we’re not here to fulfill people’s expectations.” He is right, some fans didn’t like The Last Jedi because it just didn’t meet their expectations; others had more nuanced reasons for their dislike of the movie. And he is correct, filmmakers are not here to fulfill everyone’s expectations; and fans, myself included, do have to manage expectations. However, I am not going to give up my expectations for Star Wars. I am going to continue to demand greatness from it, and yes that means holding the filmmakers and storytellers to a high standard and having expectations for the franchise. And the reason I am going to do this is simple:
Because a long time ago I was mesmerized as I watched a small space ship being chased by a large space ship over a desert planet. From that moment forward, my expectations for Star Wars started to blossom and I can’t change that. So instead, I will live in the sin of Star Wars expectation and, if Frank Oz or anyone else wants to be annoyed with me, I will wear that annoyance as a badge of honor.
What Luke Skywalker accomplishes in the climactic final Act of Star Wars: A New Hope is nothing short of miraculous. Tasked with the responsibility of destroying the Empire’s planet killing Death Star, to succeed and win the day Skywalker unexpectedly gives himself over to the mystical energy field known as the Force. Doing so at the behest of the recently “deceased” Jedi Master Obi-Wan Kenobi, young Luke puts his faith in something greater than his available technology (or luck, or logic and reason), allowing the sacred and mysterious energy to guide his actions. In doing so, Skywalker not only saves the galaxy by destroying the Death Star, but also takes a giant leap of faith into a realm of wondrous possibility. As Skywalker speeds back to the Rebel base after the battle station explodes, Kenobi speaks to the young pilot from “the beyond”, reminding Luke that “the Force will be with you, always.” Luke Skywalker, farmer-turned Rebel pilot-turned galactic hero, will always have the Force as his ally.
Yet, when we once again meet Luke in The Empire Strikes Back three years after his leap of faith and heroic deed, the young man has all but forgotten the Force is with him.
After putting his faith in the Force in A New Hope, one would anticipate that when we meet Skywalker again that he will have started to more fully develop his understanding of, and connection to, the Force. This, however, is not the case, and is actually hinted at early in The Empire Strikes Back as Luke hangs upside down in the Wampa’s lair (having been ambushed and knocked unconscious by Hoth’s apex predator). His lightsaber protruding from the snow a few feet away, Luke’s initial instinct is to desperately grab for his weapon, and only concentrates on using the Force to bring the weapon to him once he recognizes the blade is out of reach.
Luke’s use of the Force in this instance reminds the audience of his connection to the energy field while likewise foreshadowing the lessons he will learn when he makes his way to Dagobah in the film’s second act. After all, in the Wampa’s lair we see for the very first time that one can move objects using the Force. Later in the film, this reality will be expanded, with Luke moving boulders and the ancient Jedi Master Yoda using the Force to move Luke’s X-Wing Starfighter.
The episode in the Wampa’s lair likewise foreshadows the doubt and disconnect Luke will display, with respect to the Force, when he travels to the Dagobah system to learn from Yoda. The Force is certainly with him, but at the outset of The Empire Strikes Back it is a curious afterthought, a seemingly forgotten aspect of his being. Even after bringing the lightsaber to him in the lair, the Force seems to fade away as panic sets in, Luke maiming the Wampa and anxiously fleeing the snowy cave.
At the end of A New Hope, Luke was the victorious hero who we last saw receiving a medal for destroying the dreaded Death Star. Now, only a short way into The Empire Strikes Back, Luke Skywalker stumbles out of the Wampa’s lair, his flight response fully in control. Unsurprisingly, Luke will succumb to the harsh elements on Hoth, collapsing into the snowy Tundra. Face down in the snow (see featured image above), his body surely experiencing the effects of hypothermia, it is here and now that Obi-Wan Kenobi curiously chooses to re-appear. Calling to the (freezing) young man, Kenobi appears in astral form and commands Luke to “go to the Dagobah system” where he will learn the ways of the Force from Yoda.
Crashing into a Swamp
It is Luke’s journey to Dagobah that serves as the surest example of his mystical disconnect. Consider that as Luke flies his X-Wing into the planet’s atmosphere – the very same X-Wing he piloted to destroy the Death Star! – he relies entirely on the starfighter’s technology to guide him to the planet’s surface. “All the scopes are dead. I can’t see a thing…” he exclaims as he descends into the thick, dense atmosphere/fog covering the planet. The technology at his disposal fails him, and [a panicked] Luke does not call upon the Force to serve as his guide. It is no wonder he crashes into the swamp.
In turn, what makes this scenario all the more fascinating is that Dagobah is teeming with life, and as Yoda will explain to Luke, it is life which makes the Force grow. “Luminous beings are we, not this crude matter,” the elderly Master will note once young Skywalker has started his rigorous Jedi training. Luke, we know from his actions in A New Hope, already has a special connection to the Force, an ability to destroy a planet killing superweapon thanks to faith alone. Never-the-less, piloting his X-Wing to Dagobah, Luke Skywalker is incapable of navigating his way to the surface of a planet glowing with the radiance of the Force.
In the three years between the end of A New Hope and The Empire Strikes Back, Luke Skywalker has chosen to ignore, or has simply forgotten, his connection to the Force. Or, perhaps over time he began to doubt the mysterious energy field, placing more trust in technology than on the mystical source of his power. Indeed, Luke express such doubt to Yoda – “you ask the impossible”, the young man will exclaim when given a Force-specific task – and Yoda will note that it is Luke’s doubt, his inability to believe in the possibility of the impossible, which makes him fail.
Whatever the reason for Luke’s disconnect with the Force – be it doubt, forgetfulness, ignorance, or something else entirely – from a narrative perspective it is a profound way of highlighting that even after becoming a hero one can still face incredible challenges. Luke may have relied on the Force to destroy the Death Star, but he must also face great external/internal struggle to ascend beyond a singular act of heroism to become truly heroic. In fact, The Empire Strikes Back goes to great lengths to show Luke stumbling, being knocked down, and crashing time and time again as he embarks on this new path of ascendance, towards becoming a Jedi Knight. Consider the following:
After falling into the abyss on Cloud City, Luke ends up literally hanging below the city on a weather vane, grasping desperately with his one hand (the other had been cut off, along with his lightsaber, by his father) for the door above him. Even here, in this desperate situation, the literal and metaphorical lowest point in his life, Luke forgets his connection to the Force, instead trying to climb to safety with his single hand. Unsurprisingly, Luke once again slips and begins to fall, this time only being saved by his legs (which catch the weather vane). Just as he was hanging upside down in the Wampa’s lair at the beginning of the film, at the end of the film Luke is once again in a desperate situation hanging upside down.
In a sense, this is the most appropriate metaphor for the existential situation Luke Skywalker finds himself in throughout The Empire Strikes Back – his heroic journey has quite literally been turned upside down. Where he gave himself willingly to the Force in A New Hope, placing his faith in something greater, in The Empire Strikes Back he stumbles and falls as he attempts to rekindle, and grow, in his understanding of and relationship with the Force. Eager to learn about the sacred energy field in A New Hope, Luke’s forgetfulness and doubt are why he crashes and fails in The Empire Strikes Back.
Frantic to return to his homestead to warn his family about an impending Imperial raid, Luke arrives too late. Slowing down in his landspeeder, the young man leaps out and calls to his uncle Owen and aunt Beru as black smoke billows from his burning home. Scanning the destruction, Luke locks eyes on the smoldering carcasses of his guardians. Not only was he too late, but the extermination was absolute. Luke may have expected, as he sped closer to home and could see the smoke on the distant horizon, that he would find the limp bodies of Owen and Beru. But he surely did not expect such an abhorrent scene – the grotesque, distorted skeletons of his loving uncle and aunt. One cannot help but wonder -and certainly the thought must go through Luke’s mind – if his uncle and aunt suffered in their final moments of life, tortured by the pain of being burned alive.
This short but disturbing moment in A New Hope is one that never fails to move and pain me. Admittedly, the event is a narrative necessity, albeit a disturbing one, a way of jettisoning Luke from the confines of his childhood connections into a larger world. Seeking adventure and desiring to leave home, even petitioning his defiant Uncle at dinner the night before to allow him to leave, Luke’s adolescent dreams can not be fulfilled. There is no longer any resistance standing in his way and he can join Obi-Wan Kenobi on his valiant quest to defeat the Empire.
And yet, as the scene concludes with Luke standing there in the quiet desolation of his childhood as the smoke billows and the carcasses continue to smolder, I have always wondered: what did Luke do next?
This is not a question that demands a definitive answer. In fact, I would be furious if the Lucasfilm Story Group was to provide an “official” or “canonical” account regarding Luke’s actions (or his thoughts/feelings) when the scene concludes. On one level, this is because this scene in A New Hope, which we can link with Luke’s sad return to Obi-Wan and his admission that he can now join the Jedi Master’s journey, work with seamless fluidity even though they are separated. We do not need to be told what Luke did in the interval because the narrative intention in A New Hope is to move Luke from one stage of life to the next. The innocence of his childhood is literally destroyed and he will now venture forth into the responsibilities of adulthood.
On another level, any “official” explanation would usurp the imaginative faculties of fans, taking away the opportunity for one to insert their own thoughts and feelings into the heart-wrenching moments before, during, and after Luke arrives. Not knowing what Luke does, or the emotional turmoil he experiences, is in many respects what makes the death of Owen and Beru so powerful. Without explanation, other than the pained look on young Skywalker’s face as he views the carnage of his familiar surroundings, we are left to fill in the gaps, all of which enables our own, individualized connections with Luke, and the film, to flourish.
And so, the question – what did Luke do next? – percolates in my mind precisely because my imaginative faculties, aided by the emotion which the scene evokes inside of me, consistently arrives at a number of possible explanations. Just as I can believe Luke simply turned around, walked back to his speeder and left his home, I can just as easily imagine that Luke feel to the ground and broke down in tears. Or maybe Luke dropped to his knees and screamed, bellowing out the agony and guilt of not being there to protect his loving family.
Perhaps Luke sprung into stoic action, choosing to carefully bury the bodies as he internally contemplated the loss of his innocent and simple life. Digging graves next to those of his great uncle Cliegg and great aunt Shmi, Luke placed the wrapped bodies of uncle Owen and aunt Beru in graves he methodically dug. The burial complete, Luke returned to his land speeder and drove off into the Tatooine desert, taking nothing but the memories of his family, his home, and his youth with him.
I can say, with little remorse, that I have not yet purchased The Last Jedi. This isn’t to suggest I never will. The need – not a want, a need – to place the film next to the other Star Wars films on my shelf will eventually take over. For now, I can fight that urge, pushing back against the feeling that my shelf looks incomplete. But why am I fighting this feeling? Why not give in and just buy the most recent installment in the Star Wars franchise? I am a die-hard Star Wars fan after all, so why haven’t I gone out of my way to purchase and obsessively watch the film? Good questions.
I don’t review films on this site. I don’t review films on this site because I am not a professional reviewer, a critic trained to offer an appraisal of a piece of work. I am a fan of Star Wars, I have opinions, but those opinions do not give me the authority to offer any truly nuanced or unbiased “take.” I don’t review films on this site, but I am never-the-less, here and now, ready and willing to offer my thoughts and opinions on The Last Jedi, doing so with as little bias as possible. But again, this isn’t a formal review, and I don’t get paid to say these things.
A Smattering of Things I Liked
I appreciate aspects of The Last Jedi. The movie has some remarkable moments, and to me none is more remarkable than the moment Paige Tico sacrifices herself to save the small Resistance fleet. Tico, a character who never utters a word, a ball gunner in a Starfortress Bomber blasting away at First Order TIE Fighters. In a desperate moment, with everything on the line, Paige climbs out of her gunner’s chair and performs an act of sacrifice heroism, unleashing the bombs that destroy a First Order Dreadnaught. The action saves the fleet; the action takes her life.
I appreciate aspects of The Last Jedi, and I genuinely appreciate the acting of Kylo Ren actor Adam Driver. I was captivated by Driver’s portrayal of Kylo in The Force Awakens. I was swept away by his portrayal in The Last Jedi. Kylo Ren is not just a villain in The Last Jedi, he truly is the “monster” Rey calls him. The Dark Side isn’t just strong in him, it consumes him in a flame that burns hotter than Mustafar. He is ready and willing to destroy everything to prove himself, to be like his grandfather, to be his grandfather, to be greater than his grandfather. Darth Vader, Lord of Death. Kylo Ren, Supreme Lord of Darkness. Redemption isn’t even on this guys radar. Only death, only destruction, only darkness, only power.
I appreciate aspects of The Last Jedi, and there are smattering of moments and characters and events I really enjoyed. I loved the design of the Resistance Bombers, the First Order Dreadnaught, the AT-M6 Walkers, the Resistance capital ships. I liked the geography of Crait, and the fact that Caluan Ematt is a General leading the Resistance forces on the planet. Laura Dern is great as Vice Admiral Holdo, although I wish her sacrifice – which is visually incredible – had been saved for Episode IX since it overshadows the sacrifice of Paige Tico. Carrie Fisher’s final portrayal as Leia Organa is very moving (sans the weird space floating moment) and her final interaction with Luke, even though he isn’t physically present, is quite touching.
I could list other things, other aspects of the film I genuinely liked. But I am not here to just list things, and I don’t think you want to read a list. The truth is, those aspects of the film I just listed – and a few others here and there – are all I can muster when it comes to this film. I can identify “things” about The Last Jedi I liked and that is all. I envy those who have been so moved by this film, who have elevated it into top place in their Star Wars rank lists. I wish I could do the same – it wouldn’t supplant The Empire Strikes Back in my list but #2 is a fluid spot – but sadly I cannot. I am a life-long Star Wars fan and this film just doesn’t move me, it just doesn’t feel right. There are a handful of profound moments but this movie just isn’t very profound.
Wading into the Shallows
I am well-aware that those who love The Last Jedi see incredible depth in it, that they believe this film has done something to Star Wars that is magnificent, breathtaking, groundbreaking. I understand what they are saying, I even understand how they are thinking. I just don’t agree. The common refrain I run into is that the writer/director Rian Johnson has “let the past die,” jettisoning aspects of the Star Wars saga – even aspects of The Force Awakens – to tell a unique and different type of Star Wars story. Perhaps nothing points to this more clearly than by Rian Johnson’s depiction of Luke Skywalker as a broken shell of a Jedi, a man determined to die in-exile.
Heading into the film I knew Luke Skywalker was going to be broken in some form and I was perfectly fine with that reality. “Luke Skywalker has vanished” the opening crawl to The Force Awakens tells the audience in the very first line and to its credit The Last Jedi shows us that the line is not solely about being geographically lost. Heck, the film could have been titled “The Lost Jedi” because Luke Skywalker has completely lost touch with who he was when we last saw him in Return of the Jedi. “I am a Jedi like my father before me,” young Skywalker once proudly declared to the Dark Lord Sidious in the single most important moment in the Original Trilogy. “I’m ending all of this. The tree, the texts, the Jedi. I’m going to burn it all down,” he now tells Master Yoda (who appears as a Force ghost). Damn, the Luke Skywalker we knew really has vanished!!! It’s no wonder so many older fans of the franchise have lamented that this isn’t the Luke they remember…
Is This REALLY Luke?
In a guest post on this site – An Ignoble End to the Skywalker Saga – my friend Nancy succinctly notes that the Luke Skywalker we experience in The Last Jedi “…could not cope with the crushing disappointment of Kylo’s turn towards the dark side and the guilt he felt towards letting Leia and Han down.” To this we can add that he feels equally guilty for Ben Solo’s ultimate turn to the Dark Side. You know, that moment when he stood above his sleeping nephew, ignited his green lightsaber and contemplated, momentarily, ending the boy’s life. When he recalls the event, Luke initially lies to Rey about what happened. Or rather, he offers a “Kenobian” point-of-view to his new protégé. But I digress. Ben Solo, frightened as he wakes and looks up at his uncle holding the blade, defends himself. Who wouldn’t? But then the young Solo does more, tearing down the Jedi Academy that Skywalker had built, killing the students (with the help of other students who had dark feelings?) and fleeing to the warmth, love, and manipulation of Supreme Leader Snoke.
That Ben Solo-turned-Kylo Ren destroyed everything Luke had painstakingly built in the years after Return of the Jedi makes sense. It was the story I expected after watching The Force Awakens. The surprising bit is that Luke Skywalker took a completely non-Luke Skywalker action which was the catalyst for Ben’s final step into the Dark Side. With the momentary ignition of his green lightsaber as he stands above his sleeping nephew, the scene from Return of the Jedi where Luke cast aside the exact same blade, refusing to kill his father, is itself thrown aside.
“This is not going to go the way you think,” Skywalker declares to Rey at one point in the movie. “Let the past die, kill it if you have to.” Kylo Ren tells Rey at another point in the film. Over and over again, The Last Jedi champions what it is doing: tearing down the foundations of Star Wars with something new and radical. The movie spends a lot of time self-referencing with quotes and metaphors (a building literally crumbles, burying Luke, when Ben defends himself) to prove this is the case, to make us believe we are watching a radically new and fresh version of Star Wars. The thing is…
…I don’t buy it. From my vantage point, the self-references and metaphors – and the shallow depth of the film – are just clever tricks distracting us from the obvious. Namely, that we have seen this story once before:
A teacher takes on a gifted, young student who has incredible power. The teacher trains the student, but the student has dark thoughts and feelings, and those thoughts and feelings grow like a virus in the mind. Eventually, the teacher must confront the student, and the student fights back. While the teacher chooses not to kill the student, the damage is already done. The teacher is left feeling guilty and flees into exile. The student puts on a mask that represents their dark turn. Years later, the two finally confront one another again. The teacher is aware of their own shortcomings, that they failed the student. The student believes they are the more powerful now, but little do they know that their teacher is truly more powerful than the student can possibly imagine. Their final battle ensues, and in a critical moment, the student slashes a red blade through their former teacher…only to be left stunned and confused by their former teacher’s final lesson.
Obi-Wan Kenobi and Anakin Skywalker?
Luke Skywalker and Ben Solo?
Rey and *insert the villain from Episodes X, XI, XII*
We Need to Talk about Rey
Speaking of Rey, for being the heroine of this new trilogy, The Last Jedi goes to ridiculous lengths to build her up through Acts I & II only to have her be a non-factor in Act III. Her story is an interesting one and I genuinely like Rey, but for all of her training with Luke, her Force connection with Kylo Ren, and her (brash) decision to run off and try to save Ben from the monster within him, her story is effectively set aside in the Final Act. Why? Because this film isn’t about Rey. It is really about Luke Skywalker and Kylo Ren. Don’t get me wrong, Rey has a lot of cool character development and some intriguing bits happen to her. Never-the-less, from my vantage point, Rey is ultimately set aside in what is supposed to be her own story.
Of course, one could argue that Rey’s connection with Kylo Ren is the most fascinating aspect of the movie. In fairness, I wouldn’t entirely disagree. The relationship between Kylo Ren (Dark Side) and Rey (Light Side) is where a lot of the philosophical “depth” in The Last Jedi comes into play. This depth is certainly interesting, but it is a depth that is knee deep at best. For all of the Ontological-meets-Ethical Dualism which Rey and Kylo Ren represent, specifically as it relates to the “Balance of the Force” (whatever the hell that even means at this point), any opportunity to truly dive into the mysterious abyss of the Force never really happens. An opportunity certainly existed, one where Luke could have helped Rey work through her connection to Kylo (and vice-versa with Snoke helping Kylo work through his relationship with Rey). This would have been a prime opportunity to highlight Luke (and Snoke) as mentors, while shedding light on this intriguing and new conception of the Force. Instead, the movie gives us only fleeting glimpses of these deeper philosophical undertones while simultaneously distracting us from them (i.e. – Kylo being shirtless; the two awkwardly touching hands; Rey running off to save Ben). Then again, I’m not sure the film even knows how to take things into the deep end of the pool. In fact, I would liken it to this: The Last Jedi (and Rian Johnson) give off the impression of a college freshman who took Introduction to Philosophy, read snippets from the I Ching, the Avesta, the Gathas, and The Jedi Path, and is now acting like a pretentious know-it-all who has minimal grasp on what they are saying. Which leads me to this…
“Getting” The Last Jedi
As Nancy and I were chatting recently about the film, she mentioned that “…there is this attitude that if you didn’t like Rian Johnson’s vision then you weren’t smart or deep enough to ‘get’ The Last Jedi.” In other words, it is as if one must possess a gnostic knowledge to truly “understand” the esoteric depth at the core of this movie. If only Nancy, or myself, or others who do not love and worship the film as a gift to Star Wars had the special knowledge to understand it, we would finally see just how profound The Last Jedi truly is. But like I said earlier, I really don’t think it is very profound.
For over two hours, I watched a film I had already seen before. Or rather, I watched a film that took thematic elements from a handful of films that I have already seen before. Don’t get me wrong, there ARE things in this film that are new, and things in this film that are intriguing. I mean, I have NEVER seen the aliens in the Canto Bight Casino before (but I have been confronted by never-before-seen aliens in a casino/cantina-esque setting before). Yet, for all the new stuff in this film, as a whole it just came off as an amalgamation of ALL the Star Wars films, pretending to be something radical and fresh while simultaneously offering philosophical possibilities that are never really teased out.
I envy those who have experienced The Last Jedi as this new and fresh dive into the Star Wars universe. Truly, I do. I wish I had the gnosis they possess and the connection tot he film that leads them to see it as philosophically deep and spiritually mystical. Then again, I don’t really believe there is any there “there,” or at least not enough to elevate The Last Jedi to the top of the Star Wars pantheon. Rather, The Last Jedi is just a film masquerading as something truly special, a “child in a mask” playing Star Wars dress up. Does it attempt some intriguing things, even getting away with a handful? Of course it does. But the thing is, if I want to really experience Star Wars, I will watch the Original six films. Hell, I’ll even watch The Force Awakens – which is also a derivative amalgamation but is at least AWARE it is – and I will definitely watch Rogue One – which woefully lacks women but is never-the-less a stellar homage to A New Hope. On the flip side, if I feel like watching something that is “technically” Star Wars but that thinks it is way smarter and self-important than it really is, I’ll watch The Last Jedi. Granted, I’ll need to buy it first, and right now I have better things to spend my money on.
Guest Talker: Nancy (of Graphic Novelty²)
“This is not going to go the way you think.” No truer words were said, and Luke Skywalker’s words proved to be prophetic as the movie The Last Jedi unfolded.
I grew up on the original trilogy of Star Wars movies, with Luke being my first crush. Even as a child I was a practical lass, and the bad-boy swagger of Han Solo held no appeal to me. Instead it was humble and heroic Luke who held me enthralled. Years went by; with the trilogy being the only Star Wars I knew until the late 1990’s when the prequels began. While the prequels have been derided for many deserved reasons, I still felt they were authentic to the Star Wars universe. George Lucas might not write good dialogue, but his vision held true, and there were many strong moments in the prequel trilogy.
When Disney bought out Lucas’s Star Wars movie rights and announced yet another trilogy with other stand alone movies planned, I was apprehensive but hopeful. The Force Awakens combined both the legacy characters and added some intriguing and strong new ones and I was thrilled with the new direction. It honored the past but looked towards the future, as did Rogue One. My first Star Wars movie review post on my blog about Rogue One (https://graphicnovelty2.com/2016/12/22/rogue-one-movie-review/) said “if this storytelling continues, Disney will have handled the buyout of Star Wars beautifully.” It turns out I spoke too soon.
*While I assume at this stage people reading this post will have watched the movie, I do want to warn you that there are spoilers ahead.*
I headed into the movie with incredibly high hopes, but twenty minutes into my first viewing of The Last Jedi, I was whispering angry thoughts about the movie to my husband. By the end of the movie I was seething. I felt it dishonored Luke’s legacy, and I was distraught.
Soon afterwards I contacted Jeff here at The Imperial Talker and Michael at My Comic Relief to vent. Both men are huge Star Wars fans and I wanted to see if I was alone in my thoughts. While I certainly cannot speak as to their reactions to the movie, my conversations with them were enlightening, and I watched the movie a second time on their recommendation. Once all the surprises were gone, I could concentrate more on the movie as a whole and get a more nuanced view the second time.
Afterwards, I gave myself some time to mellow, but then I struggled with writing this post. I hate to be provocative and feared a backlash of other bloggers who would vehemently disagree with me. I’m typically a go with the flow person, who rarely let’s people know if I’m truly upset (except my children- they know when I’m mad). This post was going to make me push my boundaries, and I did some over-thinking before I started to write.
But here we are, so let’s get into WHY this movie affected me so negatively. There were several smaller issues such as: Leia’s use of the Force, which was visually comical, Rose’s part, which ate up time that could have been given to already established characters, Chewbacca being treated as a pet/afterthought and the Rey/Kylo scenes (don’t even get me started on the connection through time and space!). On the other hand, there were many memorable moments, one of my favorites being when Poe is schooled on long-term strategy by General Organa and Admiral Holdo. I enjoyed the overriding idea that the rebellion is for everyone and that a small spark can ignite a winning rebellion.
But that’s not what upset me the most. It was Luke, all Luke.
As Star Wars has been around since 1977, there are now several generations of fans who have come into this franchise at different times. So you have fans like me who grew up on the original, fans such as my children who watched the Prequels as they came out in the theatres, and now a new generation who will grow up loving the newest set of characters. You can even argue, as my oldest son observed, that I am a “purist,” for although I have occasionally read some of the Expanded Universe (now called Legends) books, the movies are really my only touch stone to the Star Wars universe.
As such, I have always viewed Luke as the true hero of the movies. Whereas Anakin, Ben Kenobi and certainly the Jedi Council from the Prequels let pride, power or shame affect their judgment, Luke was pure. He came from a humble background, not knowing of his true parentage yet, and with little training was able to defeat Darth Vader and bring balance back to the Force.
This new movie gave us a nihilistic Luke, who years later, was filled with so much remorse and regret that he refused to leave his island where he had banished himself to wallow in misery. When the actor Mark Hamill, who has embodied Luke and will be forever connected to the role, tells Rian Johnson, “I think I fundamentally disagree with everything you’ve decided for me” that is telling as to how Luke’s hero arc was going to play out. Now I know there has been further clarification that MH has shared about this quote, and he supposedly stands behind RJ’s version…but, if his first thought was unhappiness, as was mine when I first watched it, then this viewpoint cannot be discredited.
Now this is where another quote can be used to explain the movie’s direction. “Let the past die. Kill it, if you have to,” says Kylo Ren to Rey. I understand if Star Wars is to be a viable movie franchise, it needs to grow and change. Han Solo left us in The Force Awakens, and Carrie Fisher’s death meant that Leia’s arc was going to end earlier than expected. That left Luke. He was to be the torch bearer to Rey and the new Rebels. So why did his destiny need to end so ignobly?
In this role, Luke could not cope with the crushing disappointment of Kylo’s turn towards the dark side and the guilt he felt towards letting Leia and Han down. Yes, I understand that he helped the rebellion when he sent an astral projection of himself to the planet Crait and was able to distract Kylo and send his sister and the other rebels to safety. I even understand that he used his hard won wisdom to help and wasn’t the impetuous youth who left his training with Yoda early to help Leia and Han. On one level- I get it- but I didn’t like it.
Luke’s and Kylo’s flashbacks to the night that Kylo destroyed the new Jedi Academy are what truly turned me against this version of Luke and led me to feel that he was dishonored in director Johnson’s interpretation. My Luke never would have considered killing his nephew. He put his lightsaber down in front of Darth Vader, and never gave up hope that his father still had a remnant of love left in him (Jeff’s post Luke Skywalker: A Farewell To Arms beautifully describes this moment). A wiser and older Luke would have tried anything to prevent Kylo from joining Supreme Leader Snoke. Killing him would not have been an option. I believe the quote “You were the Chosen One!” that Obi-wan Kenobi shouts at Anakin in Revenge of the Sith, is in fact a better one to have used to describe Luke. His entire character was crucified in this latest movie, and he deserved better.
In real life, there are times when things go to hell. Our lives do not turn out the way we envisioned. A great success can be eroded away with failures later in life, and becoming disillusioned can be a sad reality for some. Taking all that into consideration, Luke should have gone out as a battle-worn but still dignified warrior. I wanted him to have a loving goodbye to his twin (as I wrote about in this post: https://graphicnovelty2.com/2018/01/24/star-wars-comlinks-favorite-tlj-scene/ ) and for him to have been a mentor to Rey. This lack of a proper conclusion to Luke’s story arc was not a fitting end to the Skywalker saga.
Guest Talker Bio: Nancy is half of the writing team for Graphic Novelty², a blog that centers around graphic novels and geek life. She is a married mom of three who loves her job as a teen librarian and is a Star Wars & Star Trek aficionado.
He hears the command the Emperor, the Sith named Sidious. The Dark Lord tells Luke Skywalker to “fulfill your destiny and take your father’s place at my side.” Young Skywalker, having battled Darth Vader, his father, had finally bested his foe. His “hatred made [him] powerful” and he had unleashed a dark-filled fury against his father, swinging and hacking with his self-crafted green lightsaber until a blow was finally dealt. Vader’s right hand severed, the father of Luke Skywalker lays prostrate, weaponless, and entirely at the mercy of his son.
Luke hears the Emperor’s command, he listens, but his disposition changes. Something within him stirs, a recognition we can see on his face. He is aware that he is on a precipice of falling into a never-ending chasm of darkness (it is little wonder the battle ended with Vader and Luke above an actual chasm, a clear metaphor if ever there was one). In this instance, looking down at the mechanical stump where he severed his father’s hand – and looking at his own mechanical hand, a result of an injury Vader exacted on him a year before – Luke makes his choice.
Turning towards the Emperor, Luke Skywalker will confidently declare to Darth Sidious that “I am a Jedi, like my father before me.” But his words are only a part of this pronouncement, the exclamation point actually coming before he speaks when he willingly disarms himself, tossing away his lightsaber, the “elegant” weapon of a Jedi Knight. This is Luke’s active commitment to the Jedi, a practical statement of faith declaring his dedication to “peace and justice,” to “knowledge and defense, never attack.” It is the zenith of Luke’s story in the Original Trilogy, his narrative trajectory taking him from farm-boy on the desolate world of Tatooine in A New Hope to this decisive moment in Return of the Jedi as he stands in the Emperor’s throne room.
Skywalker’s intentional disarmament is, in a sense, his Arthurian moment, or rather his reverse-Arthurian moment. While the legendary King Arthur inherited Britain’s throne by pulling a sword from a stone, Luke inherits the title of Jedi Knight not by grasping and brandishing his weapon but doing the exact opposite, ridding himself of it. With this simple but profound action Luke Skywalker fundamentally changes what it means to be a member of the Jedi Order and elevates heroism to an even greater level, a level which requires traversing a path of nonviolence, compassion, and mercy (even for one’s enemies).
As a child I may not have been able to fully appreciate what Luke does in Return of the Jedi but today I am profoundly moved by Skywalker’s heroic choice. It is a stark reminder to me – and perhaps to you as well – that a farewell to arms is necessary in the pursuit of peace. Even when faced with our enemies and the possibility of death we must set aside our weapons of war with a willingness to sacrifice our lives out of love and not hatred. In this way, I interpret Luke’s act through the lens of Matthew 26:52 where Jesus tells a companion to “Put your sword back in its place…for all who draw the sword will die by the sword” (NIV). Living by the sword, even a lightsaber, is no longer appropriate for a Jedi Knight; now, the only option is to walk the path of peace and justice fortified and armed with the Light Side of the Force.
Gas giant on the Ison
Home to Cloud City
Lord Ecclessis Figg,
Creator of Cloud City.
Maintained from EU.
Casino in Bespin’s sky;
Cloud City has wealth!!!
Pair O’Dice…no, I did not
just make this place up.
Planning to visit?
City climate is controlled,
wear what you want to!
Rey’s Survival Guide –
Cloud City postcard in it
says: “Wish You Were Here”
That’s right, tourists can purchase
Cloud City postcards.
That’s right, post-stamped mail is used
in the Star Wars “verse.”
the gas used in “drives,” “turbos.”
disrupted by mining droids.
Sir Corto seeks help.
Tibanna is easy to
Han Solo lowered.
Leia shouts, “It will be cold!”
“I know,” he responds.
Image and music.
Vader is pure evil when
Solo is frozen.
The City’s Baron
Lando Calrissian, one
handsome looking man.
The Admin’s Palace,
home to the City’s Baron.
A Battlefront Map!!!
luxury plaza in the
heights of Cloud City.
If you’re Apex bound
you’ll probably see Nobles
who are exiled.
Noble Court member
Elenzia trains allies
at the Overlook.
Lounge for the wealthy,
the Paradise Atrium.
Voras hangs out there.
Voras the Hutt, leader of
The Shadow Market,
home to shadowy figures
such as the Kouhun.
Working in the clouds,
Ugnaughts do grueling labor
and play with droid heads.
I have to be frank:
I like the Bespin Wing Guard
If ever I cosplay I’ll
be a Bespin Guard.
a former Wing Guard member.
She freelances now.
I’m a big fan of
the Storm IV Twin-Pod Cloud Car.
One hella cool ship.
Skywalker takes a
sky walk and learns about his
sky walking father.
I can’t help but think
that Rey’s Cloud City postcard
is a subtle hint…
Hanging upside down
from the City’s bottom side
is really unsafe.
In the City’s bowels,
Owacchi’s betrayers live.
Vile pirate scum.
an Iron Blockade locks down
City and Sector.
The Iron Blockade,
led by Adelhard and Bragh.
Their own “Empire.”
Captain Tystel seeks help to
Protect Cloud City.
Name: Kars Tal-Korla,
well-known local miscreant.
Scourge of Cloud City.
Hired by Lobot,
“The Scourge” captures Borgin Kaa,
A Broken Blockade.
New Republic and Wing Guard
work to clear out Imps.
Lando with Lobot,
the friends discuss victory
and a baby gift.
Haikuesday is a monthly series on The Imperial Talker, a new post with poetic creations coming on the first Tuesday of each month. The haiku topic is chosen by voters on Twitter so be sure to follow @ImperialTalker so you can participate in the voting. Now, check out these past Haikuesday posts:
Droids (February 2017)
Ahsoka Tano (March 2017)
Darth Vader (April 2017)
The Battle of Scarif (May 2017)
The Truce at Bakura (June 2017)
Queen Amidala (July 2017)
Ryloth (August 2017)
Theory: Rey is the granddaughter of Obi-Wan Kenobi.
Since The Force Awakens hit theaters, the idea that Rey is related to Obi-Wan has picked up quite a bit of steam among pockets of Star Wars fans. I’ve not only seen this theory show up across the interwebs, but I have a handful of close friends who are pretty adamant that Rey is directly related to Kenobi. On the surface of things, I’m really not surprised by this theory. If one doesn’t believe Rey is a Skywalker, Obi-Wan Kenobi does feel like he should be the next likely choice. Plus, it is a rather easy leap to go from Skywalker to Kenobi, particularly since Kenobi makes an auditory appearance during Rey’s Force Vision sequence in The Force Awakens. At one point during the Vision, we hear Kenobi say “Rey” while, at the end of the Vision, Kenobi can be heard saying “These are your first steps.”
What could Kenobi’s words to Rey mean!?!?! What do they imply about his relationship with this curious orphan from Jakku? Only time will tell, but for some people his words to Rey are at least partial proof that she is directly related to the former Master of Anakin Skywalker and guardian of Luke Skywalker.
But here’s the thing: I don’t buy it. Actually, not only don’t I buy it, I think it would be a massive mistake for Obi-Wan to be Rey’s grandfather. Do you hear me Lucasfilm – IT WOULD BE A MASSIVE MISTAKE!!!
Listen, I’m fine with all types of speculation and theories, and say more power to ya if you believe Rey is directly related to Obi-Wan. But keep this in mind: if Kenobi has a granddaughter, that means he had a son or daughter of his own, which means he had sex. I don’t know about you, but I have a hard time believing Obi-Wan Kenobi, during his nineteen years in exile on Tatooine, took the time to flirt with someone, let alone have sex with anyone. A relationship of any kind, be it a committed affair or a one-night stand just doesn’t fit who Kenobi is – a Jedi Master, sworn member of his Order and devoted follower of the Light Side of the Force, with a moral obligation to protect the child of his former padawan at all costs.
In fact, in those moments when he was not actively watching over or protecting Luke, Kenobi-in-exile on the desert world of Tatooine should always be viewed as a hermit.
Granted, it is easy to overlook Kenobi’s religious isolation since his early life was massively expanded by the Prequel Trilogy and The Clone Wars animated series. The Obi-Wan who comes to mind for many a Star Wars fans is undoubtedly the younger, more active (and attractive) Jedi Knight/Master who battled Darth Maul and fought in the Clone Wars, not the wizened old man living a life of poverty and spiritual contemplation as he watches over a young boy. Yet, it is important to remember that it is the older Kenobi that informs all of his other iterations. While the stories about his younger life provide interesting and exciting depth to his character, it is his introduction in A New Hope that sets the tone for how we are to view him, and at least in part, how we should view the Jedi Order.
When the mysterious old “wizard” named Ben first appears in A New Hope, elements of hermitic life bleed off of him. He wears simple and unassuming robes, lives in solitude on the edge of Tatooine’s Western Dune Sea, and he speaks about his devotion to the mystical and mysterious energy field known as “the Force.” For all intents and purposes, Kenobi is meant to be a pop culture re-imagining of a Desert Father.
Beginning their religious practices in the late 3rd Century CE, the Desert Fathers (and Mothers) of Early Christianity were ascetics who lived in seclusion – some as hermits, others in small communities – primarily in the deserts of Egypt. Believing it necessary to withdraw from society, these monastics lived austere lives, believing the harsh desert environment would teach them to eschew the need for material possession and tame their ego. As well, the Desert Fathers engaged in numerous spiritual practices – to name a few: recitation of scripture, interior silence and prayer, kindness and hospitality – all with the hope of becoming closer to and united with God.
Now, it is absolutely worth pointing out that the above paragraph only scratches the surface of the Desert Fathers and their place in Early Christianity. Then again, my intention is not to write an academic treatise on them and the way they influenced Christian monasticism (here is a link to book if you are interested in learning more about them). Rather, my brief description of these ascetics is to highlight the obvious: Obi-Wan Kenobi shares a number of similarities with them, similarities that are clearly present in George Lucas’ seminal film. Again, that Kenobi lives on a desert world is one thing, but that he is also a hermit, a member of once grand religious order, lives an austere life, and is devoted to his “god” (the Force) is reason enough to view him as the Star Wars equivalent of a Desert Father. And, as such, it is imperative that this fact not be undercut by Kenobi’s going off and having “relations” that would take him away from his moral duty of safeguarding Luke Skywalker and, as was added in the 2005 film Revenge of the Sith, his spiritual aspiration of learning to preserve his life force upon physical death. Both are religious commitments which Kenobi is wedded to on Tatooine, duties that he, as a character, would not shun out of a desire for companionship or sexual enjoyment.