As new trailers arrive for The Last Jedi, I will add them to this post.
As new trailers arrive for The Last Jedi, I will add them to this post.
“Words have the power to both destroy and heal. When words are both true and kind, they can change our world.” – Gautama Buddha
Ever since The Force Awakens hit theaters in 2015 there has been a lot of speculation about the identity of Supreme Leader Snoke. To be fair, questions about Snoke’s identity began even before the film came out, but in the wake of the movie’s release the conversations about the First Order’s mysterious, Force-sensitive leader exploded. Just doing a simple Google search of “Snoke” will result in a trove of articles, videos, and podcasts attempting to identify/explain who Snoke may or may not be. With the next film, The Last Jedi, only months away, conjecture about Snoke will undoubtedly ramp up, and if his identity remains a secret beyond Episode VIII the cavalcade of Snoke theories will continue to pour onto the interwebs until Episode IX arrives.
Like others I too have my own theories and hypotheses about Supreme Leader Snoke, and while I won’t be putting each and every one to paper in any elaborate form, I never-the-less find myself constantly drawn back to my Snokie thoughts. Honestly, I just can’t help myself. Mystery breeds curiosity, it attracts me like a moth to a light, drawing me in and igniting my imagination. From there my imagination runs wild, my brain using the information available to me – information from the Star Wars movies, novels, comics, games, etc. – in hopes of figuring out something about Snoke’s mysterious identity. At times I return to the same theories my mind has conjured up, at other times I head down a different path, a new thought leading me on an imaginative journey which may center on Snoke’s disfigured face, or perhaps his connection to Kylo Ren, or his relationship with General Hux, or his statements about the Force/Jedi, and so forth.
Mystery breeds curiosity, and as the trove of Snoke-related articles/podcasts/videos prove, the mystery surrounding Supreme Leader Snoke has captivated Star Wars fans of all types. While I certainly haven’t sifted through every Snoke theory or hypothesis, I have dabbled in a handful that have crossed my path. Some theories have left me really intrigued, and I have incorporated ideas from these theories into my own musings. At other times I have found theories uninteresting or based on questionable Star Wars logic. Still, even in moments where I am not captivated or believe a Star Wars-related flaw exists in the theory, I can still appreciate that the theory means something to that person, that they put the time and effort into its construction. After all, it is hardly my place to trash someone for engaging in space fantasy inspired speculation, to tell someone their Snokie ideas suck simply because I might not agree or because I have my own theories.
Yet, there has been a proclivity within elements of the Star Wars fan base to do just that, to tell people that their Snoke theories suck. The phrase “Your Snoke Theory Sucks” has become a spontaneous, uncritical and churlish way to throw shade on any theory that explores Snoke’s mysterious identity. Well, I am here to tell you this: if you have a Snoke theory, it absolutely does not suck. Is it possible that when Snoke’s history, background and identity are finally revealed that your theories, or my theories, end up being incorrect? Absolutely! The potential to be wrong is omnipresent, a reality that always exists when one engages in contemplative and abstract thought. But here is a little secret: when it comes to Star Wars, I don’t theorize because I think I am 100% right, I theorize because it is fun. And if you have fun theorizing about Snoke, or anything else in Star Wars, then I say keep it up. We all might end up being wrong, in fact we probably will be wrong, but who the hell cares?
Check out this piece by Michael from My Comic Relief for an expanded take on the topic:
Guest Talker: Andrew
A few weeks ago while watching Return of the Jedi, I was struck by a particular scene. In fact not a scene per se but a small section of a scene that lasts for just over ten seconds in total. It occurs in the middle of the film just after Luke Skywalker contemplates his father (now Darth Vader, formerly Anakin Skywalker) and pronounces, “then my father is truly dead“. Luke is led away by Imperial Stormtroopers and as the doors shut one senses a distinct lapse in Vader’s demeanour as he places his black gloved hand on a steel girder in the corridor where the scene takes place. Although Vader is masked, one is left with little doubt as to the turmoil boiling within him which his son has sensed only moments before being escorted away.
This is a scene that I am extremely familiar with and it’s no exaggeration to say that I have viewed it hundreds of times at this point. Many of you reading this will be in the same position. An interesting point of note however, is that as time progresses in Lucasfilm’s new canon, layer upon layer of light and shade is gradually being cast onto erstwhile familiar scenes. What made this particular scene reverberate once again for me was both the advent of a sequel within the cinematic saga – namely, The Force Awakens, and the work on Anakin/Vader’s back story that we are now aware of from the new canon (the novel Lords of the Sith, and television series The Clone Wars and Star Wars Rebels).
Now I’m no neuroscientist, but I’m in no doubt that some neural connection (figuratively or otherwise) fired within me during my recent viewing of this “Vader scene” in Return of the Jedi. I think that having been shown evil and vulnerability co-existing so obviously on screen in the character of Kylo Ren, I may now have increased sensitivity towards those traits within Vader. One can’t help but note the incongruity of Kylo Ren seeking strength in Vader’s artifact (his Mask), when Return of the Jedi shows us, particularly in its last scenes, that Vader himself obviously harbored tensions between internal light and shade. Indeed, those tensions within Vader would have occurred not just in that scene but presumably at other points that George Lucas did not show us. Our insight into Kylo Ren has shown us that witnessing a character purveying violence and atrocities, does not mean that they aren’t conflicted. We know that Ren seeks strength from his Sith relics, erroneously viewing Vader as a pillar of pure, un-tempered dark power.
Ironically it is actually Ren’s insecurities that heighten his ability to strike fear in the viewer. Vader’s representation of ultimate martial strength may have been underpinned by the portrayal Lucas chose to focus upon in episodes III, IV, V and VI. Importantly though Lucas also spoke of the need to use Vader sparingly so as not to dilute his impact on the viewer.
Consider for a moment your perception if all you had seen of Kylo Ren was the Battle of Jakku, the interrogation of Poe Daemeron, and the killing of his father Han Solo. You would in all likelihood take the view that Ren demonstrated darkness and nihilism on par with Vader. As it is, due to the different approach to character portrayal within Episode VII, we have been given an insight with a wider focus as plot device. In turn that insight sends us back to what we have seen before and makes us wonder if the same kind of internal conflict occurred in Vader’s early years, only to be buried deep before ultimately being released by his son Luke in advance of his final hours at Endor.
In The Force Awakens itself we see Kylo Ren, formerly Ben Solo, also struggle with a pull towards the light, the draw of his family, and the effects of surprise dissent and challenge. Vader’s struggle, although less obvious, is sensed by Luke and is driven by his son’s appeal to the traces of the Anakin Skywalker that his father once was. What adds a further dimension to the scene in question from Return of the Jedi, and shades of gray to Vader’s portrayal in the overall saga, is the fact that we now know so much more about Anakin than we once did.
It’s worth noting in this context that I write this article after the broadcast one of the most heart-rending moments in the Star Wars canon, the confrontation between Vader and his former Padwan learner Ahsoka Tano. Forged in The Clone Wars series, their relationship as Anakin and Ahsoka reached its cessation (for the time being) in the Rebels Season 2 Finale, “Twilight of the Apprentice.” Like the scenes within that finale, this scene in Return of the Jedi is rendered so powerful through a contextual knowledge of the Star Wars saga. We now watch such scenes while projecting both forwards and backwards in our Star Wars knowledge. This isn’t compulsory for viewer enjoyment, but it will significantly enhance it.
Unlike a viewer of the Return of the Jedi scene in 1983 we are now aware of a cinematic portrayal of Anakin Skywalker, the innocent young boy from Tatooine, and his desire to assist the stranded Qui-Gon Jinn and Padmé, we are aware of his later awkwardness as a teenager, and his ultimate seduction by Palpatine towards the ways of the Sith immediately in advance of Mustafar. We know of the Shakespearean tragedy of Anakin’s fall in Episode III Revenge of the Sith, and his becoming the symbol of terror known as Darth Vader. Likewise, we know that those events occurred due to a desire to save and preserve family, and in some respects as a response to loss of family, both his mother Simi and his wife Padmé, and his unborn child (in fact his unborn twins although he didn’t know this).
Now we see Vader facing his only son, a son who senses a residual light within Vader through the Force. Luke is certain that there is good left in him. Let’s watch the scene in question, paying close attention as the scene builds towards its conclusion:
The scene begins with an exchange where Luke acknowledges his father and Vader notes his acceptance of the familial relationships. Luke qualifies this however. His first move in this meeting of minds is to state “I have accepted the truth that you were once Anakin Skywalker…”. Note how quickly Vader interjects, instantly snapping that, “that name no longer has any meaning for me!”. The reaction of Vader is instinctive; Luke has sparked a reflex triggered by Vader’s most private of ruminations. Luke persists however stating that, “It is the name of your true self you have only forgotten” and concludes “that’s why you won’t bring me to your Emperor now.” Watch Vader closely in the background behind Luke. He marginally but notably withdraws. Crucially there is no sense of aggression or loss of control. Instead Vader’s eyes, or at least his direction of vision indicated by the direction of his Mask, turns towards Luke’s new lightsaber. One senses an indication of remorse, regret, or contemplation. The crisp ‘snap-hiss’ of the lightsaber igniting then throws us, and immediately breaks any sense the viewer has that Vader doubts his position in any way. The noise, one of the many unique sounds in the Star Wars universe, snaps the viewer back into focus on the peril Luke is facing.
Vader says to Luke “your skills are complete – indeed you are powerful as the Emperor has foreseen.” In doing so he brings the conversation back to Luke as the focus. Luke in turn again attempts to persuade and this time we start to anticipate a much more noticeable thaw within Vader. Crucially we are given our first verbal indication of the doubt conveyed earlier only by discrete body language. Vader speaks to Luke and states “Obi Wan once thought as you did…”and the soundtrack theme softens. The viewer is now thinking of the brothers in arms that Anakin and Obi Wan once were. Luke tries to persuade but Vader eventually concedes, “it is too late for me Son“. There is a marked sincerity in Vader’s voice and as he utters the words “The Emperor will show you the true meaning of the Force – he is your master now” one is left wondering if the warped mind of what once was Anakin Skywalker now actually believes that Palpatine will do the best for his son, and the best for the galaxy.
Then comes the highlight of the scene. Luke responds with the words “then my father is truly dead.” Luke’s tone highlights his disappointment but also his courage given what lies in wait for him. It shows the strength of Luke that he is not cowed in this situation. He is confident that his path lies in his Jedi teaching, and his compassion towards his father.
Vader tracks Luke’s withdrawal with the Stormtroopers and this to me is critical. At 3:19 on the video, watch Vader and wonder what is going on behind that Mask, knowing as we now do that Luke was right. What are the thought processes that occur? The door of the elevation capsule closes, and Vader turns and looks out the window of the corridor, there are almost ten seconds that pass while the viewer listens to Vader’s mechanical breathing apparatus and looks into the depths of his blank stare.
Projecting forward, and as noted above, we are at the time of writing exploring the legacy of this scene and the events immediately thereafter. The Knights of Ren in the new sequel era have a false understanding of both this event and those immediately surrounding it. They view Vader as a quasi-Divine figure. We are not quite sure of their relationship with the Sith at this point. What is certain, however, is that Ren seeks strength from the ultimate in Vader artifacts, his Mask, indeed literally Vader’s death Mask. Ren seeks strength to overcome the same emotions that trouble Vader in the scene we are contemplating, and then tragically uses the inspiration obtained from that relic to do what Luke refuses to do: kill his own father, Han Solo.
The reason that I now view this section of Return of the Jedi as one of the critical scenes in the saga is because from it we see the linkages that span from the opening scenes in The Phantom Menace and trace the repercussions those events still have around 70 years later. We see how Luke’s relationship with his father is having a direct effect in the sequel era on a misguided Ren’s relationship with his own father. We see the death of one of the saga’s most beloved characters and the hero of the New Republic slaughtered because of a false impression of strength that has cascaded from the myth of the grandfather to the reality of the grandson. We see Luke’s beliefs and Luke’s obvious failure to impart his own beliefs, and their wisdom, to his nephew who has become corrupted.
This is what is beautiful about these films and why the latest developments in the saga and new canon have enriched and embellished films that we have known and loved for nearly 40 years. With the developments in the beautiful animation found in The Clone Wars and now in Rebels, and the love and passion brought to such works by people like Dave Filoni, we can probably look forward to another 40 years of thoughtful and inspired mythology.
Writer’s note: I know that others will have different takes on these cinematic events and portrayals. As always this is part of the enjoyment of these films and I look forward to exchanges with fellow fans on these issues. Find me on Twitter: @AndrewinBelfast
While I certainly love sharing my own views on Star Wars, and I could talk to no end about The Force Awakens, it’s also nice and refreshing to get some different perspectives and hear other voices. I’ll definitely be offering my own thoughts and experiences of the film in more of my posts, but for now I wanted to mix things up. So, like I did during Ewok Week, I gathered a smattering of reactions to The Force Awakens from fans of the Star Wars franchise. Check out what they had to say and keep the conversation going in the comment section!!!
From Jenmarie (Check out her blog Anakin and His Angel)
Now that I’ve seen The Force Awakens four times I can tell you that I have fallen more in love with it after each viewing. Each time I’ve seen it I’ve noticed more ties to the other films, I’ve experienced different emotions during pivotal scenes, and I have grown to appreciate the characters even more than I did the first time. I went in knowing that this was going to be a continuation of an incredible story but that it would also be filled with new adventures being led by new faces. I have never really compared the films but have rather seen them all as one taking place at different times with unique stories all intertwining with each other. In my experience, this mindset has allowed me to appreciate each film within the Star Wars Saga for what it is to the very fullest which has resulted in my primary focus being on what I love most about these movies.
That being said, as a fan, I can tell you that The Force Awakens is very much a Star Wars film. If you haven’t seen it yet, you shouldn’t worry. It does a remarkable job of combining the familiarity we have with these movies with the new, and there’s some fresh and extraordinary new content that has made fans like myself go crazy! Like the haven’t-seen-it-in-a-week-withdrawals kind of crazy. Without going into too much detail, the new material consists of things that I’m sure many of us never knew we wanted or could exist in the Star Wars Universe. There are some insanely incredible scenes where the Force is used in a way where you just don’t want the scene to end no matter which side you’re on, light or dark. There are personalities within characters (and a particular droid) that we have yet to see until now and it’s fascinating to watch and wonder what goes on inside their heads, what their pasts look like, and why they do what they do. There are also brand new themes that will tear you apart emotionally. Rey’s Theme is so powerful, it has honestly messed me up once or twice. The Force Awakens is full of memorable moments (both heart-felt and hilarious), exciting action, and tear-jerking scenes that will leave you sitting there in the rawest of forms. It sounds draining, but it’s a great thing to be so impacted by a new Star Wars movie! GO SEE IT!
I thought that the movie was fantastic. It has been years since I was sitting in a movie theater, jaw dropped, waiting for the next scene to happen. I think that the plot and characters were well written, if very derivative (A droid is being hunted for the information it holds, but it crashes on a desert planet only to be discovered by the last remaining person able to use the force who then, through a series of misadventures, makes their way to an older Jedi to be trained, but, on the way destroys the biggest, baddest, most unstoppable space titanic of a weapon”). My biggest issue with the movie actually comes from the original actors. I think that it was great that they reprised their roles, and I went into the movie excited about it but when they appeared on screen it took me out of it for a second, it seemed a little “force”-ed to me (other than Anakin, I loved his cameo). I loved the movie as a whole, though, and am looking forward to the next installment.
From Andy (aka Andykin)
The Force Awakens, oh boy, I was an emotional wreck throughout the whole movie. Seeing all of our beloved characters come back from the original trilogy was like going home. I got those warm fuzzy feelings which lead to lots of joyous tears- the lady next to me for sure thought I was crazy! I was clapping, laughing and crying like a little kid. And of course, I had no shame in it.
Rey was an incredible character to be introduced to and she delivered; she is easily my favorite new character. I could not be more happy with her and the strength she represents as a female. The First Order is so badass, I LOVED the new modernized feel the Stormtrooper armor has. They got a sweet, sleek, upgrade but kept the integrity of the original design. The riot baton was so cool to see in action!
John Williams, god bless that man, (thank you Steven Spielberg for introducing Williams to Lucas all those years ago) he did it again. My favorite track is the The Scavenger, as it has so many beautiful elements to it and personifies Rey so well. Special effects/sound effects were amazziinnngggg, it’s an IMAX dream and still holds up so well in the standard version. My favorite still has to be the humming and sparking of Kylo Ren’s lightsaber, you hear him before you see him coming, and I thought that was genius. You gotta tip your hat to the sound editing team for that and so many other things! (pew pew!) So, uh, I think it’s safe to say that I loved this movie and it’s the best time to be a Star Wars fan!
From Alicia (Check out her blog Not So Super Heroes)
Let me begin by saying, I love spoilers. Love them. I read the epilogue to The Deathly Hallows to prepare myself for the possibility that Harry might die. [Spoiler: He didn’t.] That being said, as the release date for The Force Awakens drew near, I found myself wanting to avoid the dreaded spoilers. And, since I’m not a good enough fan, I wasn’t able to see the film until almost two weeks after its release; the anticipation was killing me. But still I attempted, for the first time, to steer clear of blogs, Tumbles, and Tweets. I failed. Miserably. About a week and a half after the release, I learned the truth about my forever love, Han Solo. [Spoiler: He dies.]
Crushed. Inconsolable. There were lots of aggrieved moans and groans. Han dies. I needed to know more. I immediately went to Wookiepedia and got the scoop. Damn that Kylo Ren. Damn him straight to hell. But—by the time I saw the film, I had moved into the acceptance stage of grief and watched the film knowing that my first and constant movie crush was going to die. As I walked out of the theatre, I left with a sense that it couldn’t have played out any other way. And, of course, not being a rube, I knew as soon as the film was announced and Harrison Ford signed on, that they’d kill him off. I just hoped they’d make his death worth something.
I wasn’t disappointed. Star Wars has always been about fathers and sons. The Force Awakens carries that motif throughout. We see Han struggle with his belief that he is not enough to redeem his son, to bring him back from the Dark Side. Han never once shows that steadfast optimism that Luke embodies so clearly in Return of the Jedi. And as Han walks out on the bridge and calls him son by name, he does so knowing how it will end. Han was never enough for young Ben. But finally, in his last act, Han gives Ben everything he has, possibly for the first time.
It’s hard for me to sort through all my feelings about The Force Awakens. To start, Star Wars was a huge part of my childhood growing up, and through the podcasting and online community I’ve been fortunate enough to become a part of, it’s helped my life become much better.
Over the last year and a half or so I’ve become more and more a part of the fandom, and a large part of that was following The Force Awakens news as it broke, and the advance spoilers that were released through various reports. The build up to The Force Awakens has led me to some of the most meaningful friendships in my life.
Which brings us to the film! To be able to share it with every member of my family, and to discuss it with friends from around the world, it makes the whole experience that much more incredible! I immediately fell for all our main heroes. Finn was my favorite by a VERY small margin, with Rey a close second. The earnest quality and sweetness of their bond, the seeds of romantic potential on both sides (Finn more than Rey) had me like a teenager with all them feels! I’m pulling for both of them in the future saga films. At half an hour into the movie, I was sold, they’re my new heroes.
I loved Adam Driver’s performance as well. He really nailed the quiet rage and, the more violently expressive kind as well! But his performance was exceptional. Overall, this film was a great way to share in something I love with my family and my new Star Wars family together, and to have fun doing so!
I am completely ready for the future of the Star Wars franchise!
From Mark (Excerpt taken from a piece Mark wrote entitled Star Wars and Good Stories.)
“What makes The Force Awakens so refreshing is its clear attempt to move the series back to a place where it can tell stories about people at their most people-y. Stories about a group of individuals; their hopes, dreams, fears, pains. Stories about lives lived. You and I can’t connect emotionally to intricately woven plots about trade negotiations and senatorial upheaval any more easily than we could emotionally connect to a newspaper. But a story about a boy, lonely, eager to do something special with his life, who finds friends and adventure, who feels the crushing disappointment over his father’s identity on top of the grief he’s always felt for his absence… these experiences we can get. These are things any one of us might actually live through.
Good stories are about people. When a story isn’t about people (or at least people-like things), for better or worse we have a hard time figuring out why we should care. Good stories, as those which connect us to other people across time, culture, distance, or even reality (when we’re talking works of imagination), also connect us to our deeper selves. We love the tale because we see ourselves in it. This connection rings so deeply to who we are as humans, it pulls taut the line between us and the first storytellers, passing words around a campfire about gods, humans, and the nature of the seen and unseen world. In this way, we are also connected to the divine, inasmuch as the desire to create comes from Createdness itself.
This connectedness to Being through story and myth is also an answer to one of the more prominent critiques of the new film. Some feel that Episode VII lacks originality. While I agree that the plot follows the same structure as the first movie, A New Hope, I’m just as quick to say that this isn’t cause for critique. Rather, it’s what works about The Force Awakens. The new film is resetting the myth, not reinventing it. This is what we do with good stories. We develop them, not scrap them. Han Solo takes the place of Obi Wan. Rey is our new Luke. The story isn’t unoriginal for these facts because originality doesn’t always come from inventing new themes; in most cases, it comes from using myths we already know to develop new strands of the tale through old character growth and new character perspective.”
(Check out the rest of Mark’s thoughts HERE.)
When I walked out of our first showing of the film on December 17th I…I didn’t like it. I felt horrible owning those feelings but I didn’t know what to do with it. I mean, I thought it was fun and funny and exciting but it didn’t feel like Star Wars. George Lucas’ absence was obvious. Whether you love Lucas, hate him, or are indifferent to him, you can’t deny that Star Wars is his story. It’s his world, his characters, his myth. So to have a story set in that world, with those characters, but lacking his influence and his vision in the writing and/or directing felt jarring. It felt wrong.
Walking into the second viewing (1:10 Friday afternoon) I knew what to expect and was ready to appreciate the film for what it was. By the third viewing (7:50 Friday night) I found myself really enjoying it. The fourth viewing (9:50 Saturday morning) saw fatigue begin to set in but, after a needed break, the fun was back for the fifth viewing (8:10 Sunday night) and I’ve been enjoying it ever since. As I’ve spent (more than a little) time with this film over the last few weeks I learned something for certain I’d believed would be true.
Star Wars is George Lucas’ story. Nothing, in my mind, can be as good as what was created by the original myth-maker. He thought all of this up and has guided it directly (the original six films) and indirectly (the EU, the Clone Wars TV series, etc.) for over thirty years. Those are the Star Wars stories I grew up with, the ones I fell in love with, and they will always be the bedrock of all things Star Wars (at least in my mind). After all, we’d have none of this if Lucas didn’t share his vision with us. In addition to being the myth-maker, few filmmakers can rival Lucas’ intelligence. I love Star Wars (meaning ALL six films) and I’d argue what he did in his films mythically, theologically, literarily, and creatively, was unprecedented and remains unduplicated. Glance at the works of Joseph Campbell. Google “Star Wars and Ring Theory.” Read any number of books published explaining Star Wars through various faith traditions (from Christianity to Buddhism to Taoism). While the new film does a brilliant job referencing Star Wars itself, Lucas did a brilliant job of incorporating the tapestry of human thought, mythology, and theology to give us a story at once both new as well as ancient and familiar.
My initial problem with The Force Awakens was I was hoping it would (or could) be as good as what Lucas created. I was hoping it would feel like it fit perfectly after Return Of The Jedi. But even seeking that comparison makes no sense. Star Wars has moved into a new era. There was Star Wars. And now we have Star Wars: the Disney Era. Those are two very different animals. Looking at The Force Awakens in this light, I can say I love the film. I do! Obviously, I’ve seen it nine times. It is, easily, the best entry into the Disney Canon (which is how I choose to see this new era) thus far. I’ve loved J.J. Abrams since Alias and he made a film worthy of the Star Wars name. He gets Star Wars, even if he can’t replicate what Lucas can do. The Force Awakens was made with love, by people who clearly love Star Wars. And the end result is something worth seeing (again and again).
What struck me with The Force Awakens was, no matter how exciting it was to see Han and Chewie piloting the Millennium Falcon again, all my absolute favorite moments centered around the new characters. And I think that’s how it should be. In the Disney Canon, Star Wars isn’t the story of Luke, Han, Leia, and Chewie anymore. It can’t be. They are Lucas’ characters and their story was Lucas’ to shepherd. The story now belongs to Rey, Poe, Finn, and Kylo Ren. And I can’t wait to see where their story goes!!! They are captivating, layered characters who have worthily claimed their place in my Star Wars-loving heart. Yes, the classic characters will always remain on the periphery of the story, as will Lucas’ influence and presence. But they are not the stars of the story any more.
We are now living in the age of Star Wars: the Disney Era and the story will be shaped by the Disney Canon. The myth is moving in a new direction, and if The Force Awakens is any indication, it’s in good hands. I’ve let go of any illusions that the Disney Era can be as brilliant, connected, and intelligent as Star Wars was with Lucas at the helm. But that’s okay. I’ll always have the original six films, the EU, and The Clone Wars. And as long as we have talented filmmakers who truly love Star Wars, like J.J. Abrams to guide the story, I’ll keep excitedly buying tickets (and spending a day waiting so I could be first in line) to explore the next chapter in a galaxy I love, a galaxy far, far away.
Announcement: On December 17th, I will be live-tweeting all day as I stand in line for The Force Awakens. Be sure to follow me on Twitter so you don’t miss out on the fun!!!
Now watch some trailers!!!!!!!
First things first, if you have never watched Star Wars: The Clone Wars, do not read a lot of Star Wars comics, or have not followed news about The Force Awakens, then this post contains some spoilers. Read on at your own risk.
Second, I am going to come right out and say that in this post I am pushing some of the limits. I know that some of you will push back against what I say, and I am perfectly fine with that. Do it! Just be nice about it when you do.
Alright, let’s begin…
Watching as his pleading son is electrocuted by Darth Sidious, Darth Vader chooses to intervene on his son’s behalf. Vader, or rather, the redeemed Anakin Skywalker, lifts Sidious and plunges him into the bowels of the Death Star. Keeping in line with Sith philosophy dating back to the ancient Sith Darth Bane, by killing Sidious it is then Vader/Skywalker’s right to assume the role of Sith Master and take an apprentice of his own.
HOWEVER, the redeemed Anakin Skywalker, having shed himself of his Sith title, does not take up the mantle of Master. While Vader was interested in taking Luke as an apprentice, Anakin Skywalker has no intentions of doing so since he has shed himself of his Dark title and returned to the Light Side. With Sidious dead, and Vader no longer a Sith, the Order came to a sudden and dramatic end.
Or did it?
“There has been an awakening, have you felt it…?”
A dark robed figure walking through a wintry, wooded area suddenly stops and ignites a crackling red lightsaber, two shorter blades extending to form a cross guard. When the first teaser trailer for The Force Awakens landed, speculation immediately began about whether this mysterious individual, this Kylo Ren, was a Sith.
Questioning whether this figure was a Sith was natural. At the end of Return of the Jedi, Luke Skywalker is the last Jedi. If Luke went on to rebuild the Jedi Order in the days, months, and years following the Battle of Endor, perhaps another figure had decided to rebuild the Sith Order as well. Besides, it would make sense that if the Jedi were restored that their ancient and mortal enemies would be as well, right?
But just recently, J.J. Abrams, director and co-writer of The Force Awakens, dropped two important nuggets about Kylo Ren. Just as “Darth” is a shortened form for “Dark Lord of the Sith,” Kylo Ren, as Abrams pointed out in an article in Entertainment Weekly, belongs to a group called the Knights of Ren. Presumably, “Ren” is a title.
Secondly, Abrams also confirmed in an article in Empire magazine that Kylo Ren is NOT a Sith, though he does work for First Order Supreme Leader Snoke. Snoke, as Abrams notes, is a powerful Dark Side user but there is no indication that he is a Sith. Maybe he is, maybe he isn’t. If I was a betting man, I would put my money on the latter.
Alright, brief recap before continuing:
Anakin Skywalker killed Darth Sidious but did not continue the Sith line. Kylo Ren is a user of the Dark Side who works for another powerful user of the Dark Side. But Kylo Ren IS NOT a Sith, and he is a member of a group called the Knights of Ren, so we can probably bet that there are a handful of other “Ren-ites” out there.
Having arrived at this point my question is this: who exactly can we say is the LAST Sith in the line that extends back to Darth Bane? Remember, it is Darth Bane, the ancient Sith Lord who, after surviving the destruction of the Sith millennia ago, re-created the Sith in a new image. You can think of him sort of as the hinge that connects all who came before him and those who came after him. And so, given all that we know, WHO is the Last Sith Lord?
Well, logic dictates that it be either Darth Vader or Darth Sidious. As the Master-Apprentice duo at the end of Return of the Jedi, one should get the technical distinction of being the absolute final Sith Lord. Wellllll, this is the point where you all start groaning at me so let’s just get it over with…
The last Sith is not Darth Vader OR Darth Sidious. The last Sith Lord is Darth Maul.
I know, I KNOW, I’m as surprised as all of you! I never saw that coming either!
Well, okay, I did see it coming, but whatever. Honestly, my rationale behind this is pretty simple: at the end of the Darth Maul: Son of Dathomir comic series, Darth Maul is still alive. With the help of a few Mandalorian commandos, Maul escapes from the grasp of Darth Sidious, Darth Tyrannus, and General Grievous.
Like I said, it is all pretty simple. As it stands right now, at this very moment, Darth Maul is still hanging around the galaxy far, far away. And the thing is, we can’t just presume he died before the events of Return of the Jedi. Maybe he did, but, then again, we all THOUGHT he had died once before because we actually saw him get cleaved in half. From May 19, 1999-January 21, 2011 Darth Maul WAS dead. But then, when The Clone Wars Season 3 episode “Witches of the Mist” aired, we all learned that HE WAS STILL ALIVE!!!
Bringing Darth Maul back into the fold not only forever altered the way we watch The Phantom Menace, but also how we are to think about Darth Maul. No longer was he the quiet but vicious junior Sith Lord who killed Qui-Gon Jinn then was subsequently killed by Obi-Wan Kenobi. Oh no, this menacing Zabrak is VERY STRONG in the Dark Side of the Force, so strong that he relied on the Dark Side to stay alive even though he was cut in half. Cut. IN. HAAAALF. Yeah, there is no way I am going to sit here and pretend Darth Maul just happened to grow old and die. At this point, if you want to convince me that Darth Maul is really, REALLY dead, then he better be ripped apart atom-by-atom.
But Darth Maul still being alive is only half of the issue. On the flip side, we also need to ask a pretty obvious question: since Sidious took on a new apprentice, is Darth Maul technically still a Sith Lord?
Once a Sith, Always a Sith?
In The Clone Wars Season 5 episode entitled “The Lawless,” Darth Sidious senses a tremor in the Force and goes to the planet Mandalore to confront Darth Maul and his brother/apprentice Savage Oppress. Interestingly, it is not until Sidious senses this tremor that he recognizes Maul has become a threat, although he was made aware of Maul’s existence in an earlier episode. When the two encounter each other, Sidious states that he is impressed that Maul survived his injuries. However, only a moment later, Sidious calls Maul out as a rival. This is, of course, true — in a previous episode, Maul declares that he and Oppress are Sith, the “true Lords of the Sith.”
Now, this is where things get complicated. See, in “The Lawless,” Sidious will ALSO remind Maul (after Sidious kills Oppress) of “the first and only reality of the Sith: there can only be two. And you are no longer my apprentice. You have been replaced!” Well, this is quite true, Maul WAS replaced… but then again, Maul was also not dead.
And that right there is the key – since Maul did not die in The Phantom Menace, neither did his title as Dark Lord of the Sith. Sure, Sidious replaced Maul with Tyrannus, but he did so under the assumption that Maul was dead. As the Sith Master, Sidious should have been more careful, but he wasn’t. Instead, Sidious moved forward with his plans while Maul survived, albeit mentally and physically scarred, on the junk world of Lotho Minor.
But not confirming Darth Maul was dead was Sidious’ first mistake, but not his last.
Although Darth Sidious defeats Maul in lightsaber combat in “The Lawless,” he does not kill him. Instead, in an elaborate ploy (one that plays out in the Son of Dathomir comics), Sidious uses Maul as bait to draw out and destroy Mother Talzin, the powerful Nightsister. With assistance from Darth Tyrannus and General Grievous, Sidious will succeed in destroying Talzin, However, as I already noted, at the end of the four-part comic series Maul is able to survive. While Sidious exclaims at the very end that “Maul’s future has been erased” this does not mean Darth Maul has been erased. This is the second mistake Sidious makes, believing Maul is no longer a threat and choosing to let Maul flee instead of doing the obvious – just killing him.
A Final Thought
I really have no doubt that the people at Lucasfilm have a plan for Darth Maul. The fact that he does escape with his life is reason enough to think that this mysterious and vicious Sith Lord will receive further treatment at some point down the line. In fact, given that actor Ray Park has said he would love to reprise the role, I really hope we end up seeing a live-action Maul once again.
Of course, when Darth Maul does decide to reappear, I hope his reemergence is handled with care. I do not want him to be brought back just so he can “officially” be killed off. No, at this point Maul deserves to much respect for a cheap, quick death. Don’t get me wrong, I have no problem with Darth Maul eventually dying, I just want it to be done in a way that does him justice. And while his story may very well come to a close before the events of Return of the Jedi, I am not going to sit here and just pretend it does.
So, for right now, I am going to hold on to the idea that Darth Maul is the last Sith Lord.