John Williams

The Imperial March

When the new Star Wars ComLINKS topic for October 2017 – Favorite Musical Score –  was announced over at Anakin and His Angel I knew I had to jump in and participate. For a while now, I have been thinking about writing a bit more about the music that accompanies Star Wars, the iconic compositions of John Williams that give the original trilogy gravitas and have also influenced other Star Wars composers. It is safe to say – and really a no-brainer – that without the music of Williams, Star Wars would be much different. But I will leave a larger conversation of the music of Star Wars to another person, or at least save it for another occasion. For now, with the ComLINKS topic in mind, I am excited to share my thoughts/feelings on Favorite Musical Score in Star Wars. And, of course, it’s “The Imperial March (Darth Vader’s Theme).”

The word “theme” is appropriate here because, let’s face it, I consistently return to The Empire Strikes Back to discuss my favorite aspects of Star Wars. It should really come as no surprise, then, that my favorite score would also come from my favorite Star Wars film. Naturally I love Star Wars across the board, but my deep affection for The Empire Strikes Back – embedded within me as a child – is the true grounding of my Star Wars adoration. That being the case, the issue at hand is not that my favorite musical score comes from The Empire Strikes Back, but rather, why is this particular score from the film’s soundtrack my favorite and not another?

To be entirely blunt, “The Imperial March (Darth Vader’s Theme)” is my favorite score because it is established as the de facto anthem of the Galactic Empire. As a child, I was fascinated by the Empire, having a “Casterfoian” (google “Casterfo”) interest in the baddies of the Star Wars universe. While I knew the Empire was evil, and I celebrated the destruction of the Death Star in A New Hope with the Rebels, The Empire Strikes Back introduced me to a different way of viewing/experiencing the Empire. No longer were they simply the bad guys with a massive moon-sized space station but, instead, they were the bad guys who had Probe Droids, Super Star Destroyers, Imperial Walkers, Snowtroopers, TIE Bombers, and more. Even though they took a big hit in A New Hope, these baddies were anything but knocked out, and still had the means to level a crushing blow to the Rebel Alliance on the planet Hoth. And, to top it off, the Empire now had distinct piece of music – doubling as the theme for the villainous Darth Vader – to capture their harsh, galactic reach.

To this day, the raw power of “The Imperial March” continues to captivate and hold me not only because it originates in The Empire Strikes Back, but because I have come to appreciate it on a deeper level. As a child, I was unaware that the piece was influenced by Chopin’s “Funeral March” and Gustav Holst’s “Mars, the Bringer of War.” And yet, today, I am equally captivated by these pieces, all thanks to my childhood enjoyment of the Empire/Vader’s powerful anthem. Plus, this is also the case with a number of others scores from Star Wars, my enjoyment of these leading me to a more profound appreciation of other classical pieces.

At the same time, while “The Imperial March” is laced with childhood meaning and has led me to its musical influences, it also continues to be a piece that, quite frankly, captures me and takes hold each time I hear it. The repetition of the strings in the opening riff, crisp and dark (thanks to it being in a minor key), captures my attention until the brass presents the iconic melody in the fifth bar, gripping me with its clear-cut strength and power. Having washed over me like a wave in a storm, there is no escape. The moment I hear the opening to “The Imperial March,” and the iconic brass melody which serves as a leitmotif for Empire and Vader has begun, I must continue to listen. It would be wrong to turn around, to stop the March from moving forward. And so, no matter the situation, I will always let “The Imperial March” continue…

…which is, in a very real sense, the point of the piece. “The Imperial March” is aptly named because it perfectly encompasses the forward progress of the Galactic Empire, a progression which is difficult to stop. The Empire, wounded as it was at Yavin IV, continues its march of terror, death, and destruction. And, of course, Darth Vader spearheads the Imperial march across the galaxy, hunting down those who wish to stop the Empire. But it cannot be stopped, it will not be stopped, and it is futile to even try.


This post is part of the Star Wars ComLINKS series. Check out more Star Wars ComLINKS over at Anakin and His Angelswcomlinksbanner1

Fan Reactions to The Force Awakens

While I certainly love sharing my own views on Star Wars, and I could talk to no end about The Force Awakens, it’s also nice and refreshing to get some different perspectives and hear other voices.  I’ll definitely be offering my own thoughts and experiences of the film in more of my posts, but for now I wanted to mix things up. So, like I did during Ewok Week, I gathered a smattering of reactions to The Force Awakens from fans of the Star Wars franchise. Check out what they had to say and keep the conversation going in the comment section!!!


From Jenmarie (Check out her blog Anakin and His Angel)

Now that I’ve seen The Force Awakens four times I can tell you that I have fallen more in love with it after each viewing. Each time I’ve seen it I’ve noticed more ties to the other films, I’ve experienced different emotions during pivotal scenes, and I have grown to appreciate the characters even more than I did the first time. I went in knowing that this was going to be a continuation of an incredible story but that it would also be filled with new adventures being led by new faces. I have never really compared the films but have rather seen them all as one taking place at different times with unique stories all intertwining with each other. In my experience, this mindset has allowed me to appreciate each film within the Star Wars Saga for what it is to the very fullest which has resulted in my primary focus being on what I love most about these movies.

That being said, as a fan, I can tell you that The Force Awakens is very much a Star Wars film. If you haven’t seen it yet, you shouldn’t worry. It does a remarkable job of combining the familiarity we have with these movies with the new, and there’s some fresh and extraordinary new content that has made fans like myself go crazy! Like the haven’t-seen-it-in-a-week-withdrawals kind of crazy. Without going into too much detail, the new material consists of things that I’m sure many of us never knew we wanted or could exist in the Star Wars Universe. There are some insanely incredible scenes where the Force is used in a way where you just don’t want the scene to end no matter which side you’re on, light or dark. There are personalities within characters (and a particular droid) that we have yet to see until now and it’s fascinating to watch and  wonder what goes on inside their heads, what their pasts look like, and why they do what they do. There are also brand new themes that will tear you apart emotionally. Rey’s Theme is so powerful, it has honestly messed me up once or twice. The Force Awakens is full of memorable moments (both heart-felt and hilarious), exciting action, and tear-jerking scenes that will leave you sitting there in the rawest of forms. It sounds draining, but it’s a great thing to be so impacted by a new Star Wars movie! GO SEE IT!

From Jake

I thought that the movie was fantastic. It has been years since I was sitting in a movie theater, jaw dropped, waiting for the next scene to happen. I think that the plot and characters were well written, if very derivative (A droid is being hunted for the information it holds, but it crashes on a desert planet only to be discovered by the last remaining person able to use the force who then, through a series of misadventures, makes their way to an older Jedi to be trained, but, on the way destroys the biggest, baddest, most unstoppable space titanic of a weapon”). My biggest issue with the movie actually comes from the original actors. I think that it was great that they reprised their roles, and I went into the movie excited about it but when they appeared on screen it took me out of it for a second, it seemed a little “force”-ed to me (other than Anakin, I loved his cameo). I loved the movie as a whole, though, and am looking forward to the next installment.

From Andy (aka Andykin)

The Force Awakens, oh boy, I was an emotional wreck throughout the whole movie. Seeing all of our beloved characters come back from the original trilogy was like going home. I got those warm fuzzy feelings which lead to lots of joyous tears- the lady next to me for sure thought I was crazy! I was clapping, laughing and crying like a little kid. And of course, I had no shame in it.

FirstOrderTroopers
First Order Stormtroopers
Photo Credit – Star Wars Episode VII:   The Force Awakens

Rey was an incredible character to be introduced to and she delivered; she is easily my favorite new character. I could not be more happy with her and the strength she represents as a female. The First Order is so badass, I LOVED the new modernized feel the Stormtrooper armor has. They got a sweet, sleek, upgrade but kept the integrity of the original design. The riot baton was so cool to see in action!

John Williams, god bless that man, (thank you Steven Spielberg for introducing Williams to Lucas all those years ago) he did it again. My favorite track is the The Scavenger, as it has so many beautiful elements to it and personifies Rey so well. Special effects/sound effects were amazziinnngggg, it’s an IMAX dream and still holds up so well in the standard version. My favorite still has to be the humming and sparking of Kylo Ren’s lightsaber, you hear him before you see him coming, and I thought that was genius. You gotta tip your hat to the sound editing team for that and so many other things! (pew pew!) So, uh, I think it’s safe to say that I loved this movie and it’s the best time to be a Star Wars fan!

From Alicia (Check out her blog Not So Super Heroes)

Let me begin by saying, I love spoilers. Love them. I read the epilogue to The Deathly Hallows to prepare myself for the possibility that Harry might die. [Spoiler: He didn’t.] That being said, as the release date for The Force Awakens drew near, I found myself wanting to avoid the dreaded spoilers. And, since I’m not a good enough fan, I wasn’t able to see the film until almost two weeks after its release; the anticipation was killing me. But still I attempted, for the first time, to steer clear of blogs, Tumbles, and Tweets. I failed. Miserably. About a week and a half after the release, I learned the truth about my forever love, Han Solo. [Spoiler: He dies.]

Kylo-Ren-by-kyloxrens-tumblr-kylo-ren-39176197-500-220
Kylo Ren
Star Wars Episode VII: The Force Awakens

Crushed. Inconsolable. There were lots of aggrieved moans and groans. Han dies. I needed to know more. I immediately went to Wookiepedia and got the scoop. Damn that Kylo Ren. Damn him straight to hell. But—by the time I saw the film, I had moved into the acceptance stage of grief and watched the film knowing that my first and constant movie crush was going to die. As I walked out of the theatre, I left with a sense that it couldn’t have played out any other way. And, of course, not being a rube, I knew as soon as the film was announced and Harrison Ford signed on, that they’d kill him off. I just hoped they’d make his death worth something.

I wasn’t disappointed. Star Wars has always been about fathers and sons. The Force Awakens carries that motif throughout. We see Han struggle with his belief that he is not enough to redeem his son, to bring him back from the Dark Side. Han never once shows that steadfast optimism that Luke embodies so clearly in Return of the Jedi. And as Han walks out on the bridge and calls him son by name, he does so knowing how it will end. Han was never enough for young Ben. But finally, in his last act, Han gives Ben everything he has, possibly for the first time.

From Jared

It’s hard for me to sort through all my feelings about The Force Awakens. To start, Star Wars was a huge part of my childhood growing up, and through the podcasting and online community I’ve been fortunate enough to become a part of, it’s helped my life become much better.

Over the last year and a half or so I’ve become more and more a part of the fandom, and a large part of that was following The Force Awakens news as it broke, and the advance spoilers that were released through various reports. The build up to The Force Awakens has led me to some of the most meaningful friendships in my life.

Finn
Finn
Photo Credit – Star Wars Episode VII: The Force Awakens

Which brings us to the film! To be able to share it with every member of my family, and to discuss it with friends from around the world, it makes the whole experience that much more incredible! I immediately fell for all our main heroes. Finn was my favorite by a VERY small margin, with Rey a close second. The earnest quality and sweetness of their bond, the seeds of romantic potential on both sides (Finn more than Rey) had me like a teenager with all them feels! I’m pulling for both of them in the future saga films. At half an hour into the movie, I was sold, they’re my new heroes.

I loved Adam Driver’s performance as well. He really nailed the quiet rage and, the more violently expressive kind as well! But his performance was exceptional. Overall, this film was a great way to share in something I love with my family and my new Star Wars family together, and to have fun doing so!

I am completely ready for the future of the Star Wars franchise!

From Mark (Excerpt taken from a piece Mark wrote entitled Star Wars and Good Stories.)

“What makes The Force Awakens so refreshing is its clear attempt to move the series back to a place where it can tell stories about people at their most people-y. Stories about a group of individuals; their hopes, dreams, fears, pains. Stories about lives lived. You and I can’t connect emotionally to intricately woven plots about trade negotiations and senatorial upheaval any more easily than we could emotionally connect to a newspaper. But a story about a boy, lonely, eager to do something special with his life, who finds friends and adventure, who feels the crushing disappointment over his father’s identity on top of the grief he’s always felt for his absence… these experiences we can get. These are things any one of us might actually live through.

Good stories are about people. When a story isn’t about people (or at least people-like things), for better or worse we have a hard time figuring out why we should care. Good stories, as those which connect us to other people across time, culture, distance, or even reality (when we’re talking works of imagination), also connect us to our deeper selves. We love the tale because we see ourselves in it. This connection rings so deeply to who we are as humans, it pulls taut the line between us and the first storytellers, passing words around a campfire about gods, humans, and the nature of the seen and unseen world. In this way, we are also connected to the divine, inasmuch as the desire to create comes from Createdness itself.

rey
Rey
Photo Credit – Star Wars Episode VII: The Force Awakens

This connectedness to Being through story and myth is also an answer to one of the more prominent critiques of the new film. Some feel that Episode VII lacks originality. While I agree that the plot follows the same structure as the first movie, A New Hope, I’m just as quick to say that this isn’t cause for critique. Rather, it’s what works about The Force Awakens. The new film is resetting the myth, not reinventing it. This is what we do with good stories. We develop them, not scrap them. Han Solo takes the place of Obi Wan. Rey is our new Luke. The story isn’t unoriginal for these facts because originality doesn’t always come from inventing new themes; in most cases, it comes from using myths we already know to develop new strands of the tale through old character growth and new character perspective.”

(Check out the rest of Mark’s thoughts HERE.)

From Michael

When I walked out of our first showing of the film on December 17th I…I didn’t like it.  I felt horrible owning those feelings but I didn’t know what to do with it. I mean, I thought it was fun and funny and exciting but it didn’t feel like Star Wars. George Lucas’ absence was obvious. Whether you love Lucas, hate him, or are indifferent to him, you can’t deny that Star Wars is his story.  It’s his world, his characters, his myth.  So to have a story set in that world, with those characters, but lacking his influence and his vision in the writing and/or directing felt jarring. It felt wrong.

Mike
Mike stands in line for The Force Awakens
Photo Credit – Me

Walking into the second viewing (1:10 Friday afternoon) I knew what to expect and was ready to appreciate the film for what it was.  By the third viewing (7:50 Friday night) I found myself really enjoying it.  The fourth viewing (9:50 Saturday morning) saw fatigue begin to set in but, after a needed break, the fun was back for the fifth viewing (8:10 Sunday night) and I’ve been enjoying it ever since.  As I’ve spent (more than a little) time with this film over the last few weeks I learned something for certain I’d believed would be true.

Star Wars is George Lucas’ story.  Nothing, in my mind, can be as good as what was created by the original myth-maker.  He thought all of this up and has guided it directly (the original six films) and indirectly (the EU, the Clone Wars TV series, etc.) for over thirty years.  Those are the Star Wars stories I grew up with, the ones I fell in love with, and they will always be the bedrock of all things Star Wars (at least in my mind).  After all, we’d have none of this if Lucas didn’t share his vision with us.  In addition to being the myth-maker, few filmmakers can rival Lucas’ intelligence.  I love Star Wars (meaning ALL six films) and I’d argue what he did in his films mythically, theologically, literarily, and creatively, was unprecedented and remains unduplicated.  Glance at the works of Joseph Campbell.  Google “Star Wars and Ring Theory.”  Read any number of books published explaining Star Wars through various faith traditions (from Christianity to Buddhism to Taoism).  While the new film does a brilliant job referencing Star Wars itself, Lucas did a brilliant job of incorporating the tapestry of human thought, mythology, and theology to give us a story at once both new as well as ancient and familiar.

My initial problem with The Force Awakens was I was hoping it would (or could) be as good as what Lucas created.  I was hoping it would feel like it fit perfectly after Return Of The JediBut even seeking that comparison makes no sense.  Star Wars has moved into a new era.  There was Star Wars.  And now we have Star Wars: the Disney Era.  Those are two very different animals.  Looking at The Force Awakens in this light, I can say I love the film.  I do!  Obviously, I’ve seen it nine times.  It is, easily, the best entry into the Disney Canon (which is how I choose to see this new era) thus far.  I’ve loved J.J. Abrams since Alias and he made a film worthy of the Star Wars name.  He gets Star Wars, even if he can’t replicate what Lucas can do.  The Force Awakens was made with love, by people who clearly love Star Wars.  And the end result is something worth seeing (again and again).

What struck me with The Force Awakens was, no matter how exciting it was to see Han and Chewie piloting the Millennium Falcon again, all my absolute favorite moments centered around the new characters.  And I think that’s how it should be.  In the Disney Canon, Star Wars isn’t the story of Luke, Han, Leia, and Chewie anymore.  It can’t be.  They are Lucas’ characters and their story was Lucas’ to shepherd.  The story now belongs to Rey, Poe, Finn, and Kylo Ren. And I can’t wait to see where their story goes!!!  They are captivating, layered characters who have worthily claimed their place in my Star Wars-loving heart.  Yes, the classic characters will always remain on the periphery of the story, as will Lucas’ influence and presence. But they are not the stars of the story any more.

We are now living in the age of Star Wars: the Disney Era and the story will be shaped by the Disney Canon. The myth is moving in a new direction, and if The Force Awakens is any indication, it’s in good hands.  I’ve let go of any illusions that the Disney Era can be as brilliant, connected, and intelligent as Star Wars was with Lucas at the helm.  But that’s okay.  I’ll always have the original six films, the EU, and The Clone Wars.  And as long as we have talented filmmakers who truly love Star Wars, like J.J. Abrams to guide the story, I’ll keep excitedly buying tickets (and spending a day waiting so I could be first in line) to explore the next chapter in a galaxy I love, a galaxy far, far away.