Han Solo

Going Solo: Enfys Nest

Something I have always appreciated about Star Wars are those second-tier characters literally shrouded by unique helmets and armor. These characters need not be the center of action in every scene, such as Darth Vader. No, they –  Boba Fett, Captain Phasma – can command the stage through presence alone. Importance radiates from their mysterious outfits and unyielding stances, pulling us into their orbit. They demand our attention and our respect, and we gladly offer it to them.

The latest edition of Star Wars to hit theaters, Solo: A Star Wars Story, introduced movie-goers to yet another of these mysterious figures, this time in the form of Enfys Nest. Leading a loyal band of Cloud-Riders, Enfys Nest – wearing harsh but intriguing armor – makes their first appearance early in Solo on the planet Vandor-1, literally swooping in on a swoop bike to steal the goods, refined coaxium, which Tobias Beckett and Han Solo are themselves attempting to steal. A battle ensues between Beckett’s crew and Nest’s marauding band, a battle which confirms Enfys Nest as a formidable opponent, but a battle which also results in neither side leaving Vandor-1 with the valuable fuel.

That Enfys Nest is a pain in the side of Tobias Beckett and the man he is working for, Dryden Vos, becomes apparent soon after the events on Vandor-1. In turn, while we know Dryden Vos is *probably* the real bad-guy in the film, Enfys Nest is never-the-less established as the antagonist which Han and company must contend with as the film progresses. But it isn’t until much later in the film when Beckett, Solo, and the others arrive on the planet Savareen when Enfys Nest finally reemerges.

There are two moments in Solo: A Star Wars Story that literally made my hair stand up, and both moments happen back-to-back when Enfys Nest returns to the film. After the excitement on Vandor-1, the planet Kessel, and the death-defying Kessel Run, Han Solo and company finally have a moment of reprieve on Savareen, a chance to let out a sigh of relief. The scene is peaceful, Solo and his confederates resting and waiting in a small, run-down ocean-side village. Yet, the peace does not last. Out of no where, Enfys Nest and the Cloud-Riders materialize, standing in the background only yards away from Han Solo. Likewise, the musical score adds to this chilling moment, breaking the serenity on Savareen and signaling that a showdown has commenced. 

With Enfys Nest’s apparitional appearance on Savareen, an old west style stand-off ensues (the title for the musical score is appropriately titled “Savareen Stand-Off”). But guns are not drawn. Instead, only an instant after the stand-off begins, Tobias Beckett calls Enfys Nest a marauder and the reaction from Nest is rather unexpected. Moving forward as if prepared to fight, Nest instead removes the terrifying helmet masking their face. Now, the a second hair-raising revelation occurs: we can see Enfys Nest true face, the face of a young woman of color.

This revelation is a bold one, for Enfys Nest and for Star Wars in general. The power of mysterious characters like Nest resides in NOT knowing the face under the mask. Consider Boba Fett and Captain Phasma. We never see Boba Fett’s face in The Empire Strikes Back but we know the bounty hunter, who shows up in a handful of scenes, is really good at what he does. After all, he tracks the Millennium Falcon to Cloud City, leading the Empire to Cloud City, and leaves with his cargo. As well, we do not see Captain Phasma’s face but we never doubt that she is fearsome and commands the respect of the First Order’s stormtroopers. After all, she gives the command to open fire on the villagers at the beginning of The Force Awakens and chastises FN-2187 for removing his helmet. But with Enfys Nest the mystery is purposefully broken and replaced by long, curly hair blowing in the Savareen wind and the face of woman starring down the condescending Beckett and the cocksure Solo.

In my opinion, Enfys Nest is the absolute best thing about Solo: A Star Wars Story. Sure, there are a lot of cool and delightful things in the film (a film, mind you, I was not planning on seeing), but Enfys Nest, she took my breath away. In Enfys Nest, the Star Wars universe has been gifted with a powerful and commanding woman who can go toe-to-toe with the “Big Boys,” with the likes of the crime-lord Dryden Vos, Tobias Beckett, and even Han Solo. And she does so without the slightest hesitation, standing firm as a physical and principled force who is unwilling to back down, who desires to take on crime syndicates and the Empire. That, we learn, is her goal: going on the offensive and taking the fight to the oppressors in the galaxy far, far away. She and her Cloud-Riders are a force for good, a glimmer of hope, a new hope, in these dark times.

With her unmasking, Enfys Nest purposefully breaks the shroud which encases her, removing that which enables her to command fear and respect. But this profound decision only amplifies the respect for Enfys Nest. True, Tobias Beckett is unmoved, and I am sure there are viewers who did not care for Enfys Nest. But Han Solo is moved, and seeing her humanity and hearing from her, he chooses to help her! Likewise, my interest in Nest exploded, as did my admiration, when she shows us who she is, the face of a small resistance, the leader of that resistance, a young woman of color.

Let me say that again: the face and leader of the resistance is a young woman of color. How awesome is that!?!?!?! Seriously, I hope we get more of Enfys Nest in Star Wars very very soon. And in the meantime, as I impatiently wait for her next appearance – in another film, in her own Forces of Destiny short, in a novel and a comic – I will be going out of my way consuming everything else I can find about Enfys Nest. She is just too damn cool, and too damn important, to ignore. 


**Enfys Nest is portrayed British actress Erin Kellyman.**

Star Wars: Last Shot (An Imperial Talker Review)

There are few things I like and a lot of things I dislike about Star Wars: Last Shot by first time Star Wars author Daniel José Older. In fact, the bad so significantly outweigh the good that it is a little overwhelming to figure out where to begin. Perhaps the most obvious place is to just say that this story is entirely inconsequential to the Star Wars universe. While the book centers on Han and Lando coming together three years after the events of Return of the Jedi to stop a maniacal Pau’an who has plans to cause a violent, galaxy-wide droid uprising, the story never truly convinced me of its necessity, or that it was providing the Star Wars universe with any greater meaning. There are certainly a number of Star Wars elements in Last Shot. There are Star Wars places – Takodana, Utapau, Bespin, Kashyyyk – and Star Wars species – Twi’leks, Ewoks, Gungans, Ugnaughts – and a cast of familiar Star Wars characters – Han, Lando, Leia, Chewbacca, Maz Kanata – but as a whole these elements never truly coalesce into a Star Wars story with gravitas.

To save you time, I will just come right out and tell you what happens: Han and Lando survive, the bad guy (Fyzen Gor) dies, and the galaxy is once again saved by everyone’s favorite scoundrels. Thus, we are left with an altogether generic, run-of-the-mill Star Wars novel that is easily forgettable. But what is truly disappointing is that the opportunity for some memorable moments with incredibly profound consequence do exist within Last Shot. When, at the end of the novel, Lando must choose between saving himself or the galaxy at large, he chooses the latter. This IS a profound move, a “holy crap” moment in a book that really REALLY needed one. Yet, Lando’s moment of altruistic sacrifice is undercut when he is saved by a laughable plot device: the offspring? of his former droid L3-37 (who shows up in the novel in flashbacks) known as the “Elthree Assault Team.”

L3-37
L3-37
Photo Credit – Solo: A Star Wars Story

Had Lando died, the Star Wars galaxy would have been shaken to its core. Why isn’t Lando in The Force Awakens or The Last Jedi? Answer: because he was atomized in an explosion in the Mesulan Remnant. Instead, he is saved by a contrived group of vigilante droids made in the image of L3-37 and goes on to live happily ever after with the Twi’lek woman known as Kaasha, wanting to finally (sort of) settle down after years of galactic promiscuity. And who is this Kaasha you ask? I can’t tell you because she is given little development. She is ultimately in the novel because the author needed a sexual/romantic foil for Lando. Their backstory together goes to the Galactic Civil War when they found comfort in each others arms during the battle of…who knows, I can’t remember. She was smitten by the General, has sought him out, and joins him (and Han) on their adventure. While she is given glimpses of agency – she can communicate with their Ewok companion and she aids Han as he attempts to retake a ship during the novels climax – Kaasha is a Twi’lek woman otherwise beholden to the whims and feelings of a man. Shocking!

Kaasha is not the only new character appearing in the book. A human from Alderaan, and the pilot whom Han and Lando hire to assist them, Taka is a gender-neutral character and is referred to as “they” throughout the book. If there is one truly good thing about Last Shot, Taka is it. I appreciate and applaud that Older chose to include such a character in the Star Wars universe, especially since Taka’s gender-neutral status is so banal. I certainly hope more characters like Taka emerge in Star Wars as their inclusion paves the way for more gender-boundaries to be broken. And, I hope Taka shows up again in Star Wars because they are an interesting and fun. Plus, Taka goes out of their way to annoy Han with heavy metal music which is a pretty funny moment in the book.

Taka is one of the few bright spots in Last Shot, and if I were to chose another it would be the inclusion of 2-year-old Ben Solo. Now, I should note that Ben’s appearance(s) in Last Shot primarily serve Han’s story, specifically the smuggler’s inner turmoil about whether he is a good father (I’ll get back to Ben in a moment). Han’s fatherhood questions are dragged out to the very end when, finally, Han talks to Leia and she reassures him that “no one knows how to be a parent before they are one…” (pg. 340). That it takes the entire book for Han and Leia to have the “parenting is hard” conversation is pretty ridiculous (it is a convo he could have had with Leia without going on a galactic mission) but given that this is the core of Han’s character development it is hardly surprising. I don’t begrudge this particular angle on Han, though. We know from The Force Awakens that he and his son had a rocky relationship, so incorporating little bits of that relationship – in this case whether Han feels like he can do the parenting thing – is a fine angle to take. What is truly disappointing, though, is that there was a massive missed opportunity for Han to learn the importance of the parent-child relationship from Taka.

At one point in Last Shot, Han happens upon a recording of Taka’s parents. From the recording we learn two things: Taka’s parent loved them unconditionally and Taka’s parents were Alderaanian which means their parents are dead. Later, Han will mention to Taka that he watched the recording and they will tell Han that it is the last little piece of his parents they own. Han clearly sympathizes with Taka, particularly since he reflects on comforting Leia when she feels down abpout the destruction of her homeworld. But what was missed was the chance to unite Han’s parenting woes with the fact that Taka is holding onto a small remnant of their deceased parents. I cannot help but imagine a different version of Last Shot where Han comes to a fuller appreciation of his role as a parent, as a father, as he listens to someone who lost their parents. In turn, the conversation he had with Taka, and the lessons he learned/chose to reflect on, could have easily tied in with the remained of the novel (particularly the conversation with Leia at the end). Instead, Han’s parenting woes culminate in the final moments of the book when he receives cookie cutter wisdom from his wife. Ugh. Let’s just go back to Ben Solo…

Moments that Left Me Speechless

That Ben Solo makes a handful of appearances in Last Shot was certainly a positive aspect of the novel, enabling the reader to experience the sequel trilogy villain as an innocent toddler. In fact, it is two lines about Ben Solo – coming through the inner thoughts of Han – that left me completely stunned early in the book. The child looking up at his father, Older writers:

“Han had no idea how a two-year-old could have such ancient eyes. It was as if Ben had been waiting around for a millennium to show up at just this moment in history.”

Wow! Like, wow! With clarity and brevity, Daniel José Older captures the entire trajectory of the Sith Order which Darth Bane instituted, an Order based on the Rule of Two, an Order which survived for a millennium, an Order which was finally destroyed with the death of Darth Sidious at the hands. Now, as if he had been waiting for the Sith to die out, Ben Solo’s time has finally come, his conception coinciding with the death of Darth Sidious. Ben Solo’s conception and birth are the prophetic sign of a new era of Darkness, a Darkness which has been waiting to emerge for a millennia, a Darkness the boy will one day help to bring about as Kylo Ren. And the “ancient eyes”? Those are the eyes which Han  will sees when his son pushes a red lightsaber through him on Starkiller Base. They will be the very last thing Han ever sees, and perhaps in that moment he will think back to that moment he saw the “ancient eyes” in his two-year-old son.

Han and Ben
Kylo Ren (Ben Solo) looks at his father with “ancient eyes.”
Photo Credit – Star Wars Episode VII: The Force Awakens

That Han’s small reflection on Ben came early in the novel left me hoping more moments would pop up that packed a punch. But there are really no other Star Wars gems in the book on par with Han’s reflection on Ben. Instead, the opposite is true, with two other lines showing up which left me dumbfounded and at a loss. They are (and I can’t believe I am about to type this):

“Tight enough for a bulge and the insinuation of an ass…” (pg. 41).
“Like a droid orgy of some kind, but with astromechs and those old battle droids from the Clone Wars?” (pg. 335) 

My problem with references to “a bulge” and “an ass” and a “droid orgy” is pretty straight forward: they don’t add anything of value to the novel. Unless, that is, one counts shock value, which, in this case, I don’t. There is a time and place in a story to really shock the audience, to authentically catch the reader off-guard with something that comes out of left field. Lando choosing to sacrifice himself for the greater good is shocking, and if he actually died in the process would have been even more shocking. But “a bulge” and “an ass” and a “droid orgy”, these sexually-charged references caught me off-guard and shocked me in a way that left me thinking only one thing: this book is really bad.

The Bad Outweighs the Good

To be fair, I would say this book is really bad even if it didn’t reference “a bulge” and “an ass” and a “droid orgy.” Here, I will list a handful of other things that are problematic about the book (to go along with things I have already mentioned):

  • The flow of the book is choppy and confusing, the narrative jumping back and forth as it follows four storylines through flashbacks. I am not opposed to flashbacks in general, but the book jumps across timelines far too many times without giving the reader a chance to catch their breath.
  • Speaking of flashbacks, Lando’s storyline (“about 15 years ago”) does not line up with the events of Solo: A Star Wars Story. How do I know this? Because I was paying attention in the 1st Grade and learned addition and subtraction.  But there is a bit more to it: L3-37 was destroyed, and uploaded into the Millennium Falcon, in the Solo movie (which takes place around 10 BBY). However, Lando’s flashbacks in Last Shot take place in 8 BBY and L3-37 is still intact and NOT uploaded into the Falcon. Oh, and let’s not forget that at the very end of Solo, the Millennium Falcon no longer belongs to Lando…
  • The villain, Fyzen Gor, gets his own flashbacks but is completely unconvincing as a bad guy and, even worse, uninteresting. What makes his story all the more confusing is that he is from Utapau, his evil plan involves melding organic body parts with droids, and his evil conversion takes place sometime around 13 BBY, but there is not a single reference to General Grievous!!! At the very least, Gor could have been doing his initial evil organic- droid stuff and reflecting on the droid General who died on Utapau in 19 BBY.
  • The droids Gor activate to kill people literally say “Killlllll.” #facepalm
  • Speaking of those killlllllller droids, when Han and Leia’s kitchen droid is activated and moves to killlllll little Ben, a brilliant opportunity existed for the toddler to destroy the droid with his adolescent connection to the Force. This would have been awesome and a perfect connection the “ancient eyes” moment early in the book. Instead, the droid is activated and then immediately deactivated. Ugh!!!!!!
  • Oh, and what about all of the other droids galaxy-wide that were activated? Even though it was brief, a lot of droids probably killllllllled quite a few organic beings in those moments. And by “quite a few” I mean millions, and by millions I mean tens of millions.
  • Where are R2-D2 and C-3PO? This book is about killllllller droids but the two most famous droids in Star Wars never show up. Were they activated?
    Boss Nass
    “Meeeeeesa don’t lika Aro for being preachy.” – Boss Nass

    Photo Credit – Star Wars Episode I: The Phantom Menace

  • Aro, a Gungan working on Substation Grimdock, gets upset with Han for saying “meesa” and chastises him for assuming all Gungans talk like…like Gungans. I understand what Daniel José Older is TRYING to accomplish here, giving the reader an object lesson in not assuming how individuals speak based on stereotypes. But it comes off as preachy and makes Aro even more annoying than the average Gungan. And besides, there are plenty of Gungans that say “meesa” who do some pretty great things in Star Wars (check out this piece:  The Sacrifice of General Tarpals).
  • Chewbacca doesn’t need to be in the main storyline. Like, at all. He is there…and I know this sounds crazy…just because this novel is partially about Han. Now, to be fair, Older does drum up a reason for Chewie to go on the adventure: young Wookiees being kidnapped by Fyzen Gor for his experiments. However, there is no definitive resolution to this other than Chewie fighting the half droid-half Wookiee abominations. In turn because Chewbacca is “lugging a sack” (pg. 337) following his battle, Han presumes it is full of Wookiee body parts but this is never confirmed. Nor does anyone, at the end, question whether some Wookiees are still being held in some secret laboratory. Oh welllllllllllll….

Here is the deal – if you want to read Star Wars: Last Shot, go for it. It you end up liking it, more power to you. And, if you would like to convince me this book is far better than I have suggested, by all means, leave a comment below. I will gladly give your thought(s) careful consideration. But as of right now, beyond the few things in this book that I actually liked (Taka, Ben Solo, “ancient eyes”) there is just too much stacked against Last Shot for me to give it anymore significant thought. In turn, Last Shot has given rise to an unintended consequence: it has made me less likely to purchase/read Star Wars novels in the future, especially novels by new Star Wars authors. If nothing else, this will (I hope) save me from having Lando’s “bulge” and “ass” shoved in my face again. 


***Page numbers are from the first edition of Star Wars: Last Shot.***

Haikuesday: Millennium Falcon

These haiku are based
on “Millennium Falcon”
by James Luceno

Haiku Addendum:
obviously I’m kidding
so let’s begin here…


The “Falcon” is the
single most important ship
in all of Star Wars.

If you don’t agree,
well, that is perfectly fine.
Except, you are wrong.


Make: Corellian
YT-1300f
And sort of trashy.


Cockpit on the right…
…so how the hell does Solo
see ships to his left?

Haiku Addendum:
the cockpit placement seems like
a big design flaw.


A really fast ship:
it makes point five past light speed…
…whatever that means.


Easter Egg Alert!?!?!
Y’all see the “Falcon” over
Jedha in Rogue One!?!?!?!


“What a piece of junk.”
Luke insults Solo’s baby.
Han just doesn’t care.


A really fast ship:
It made the Kessel Run in
less than twelve parsecs.

Point of inquiry:
wasn’t it fourteen parsecs?
Someone go ask Rey.


Han’s best maneuver:
list lazily to the left.
Family Guy joke.


“You came in that thing,”
the Princess asks the Captain.
“Braver than I thought.”


Dorsal and Ventral.
Quad laser cannons blast TIEs.
Luke gets one; Han too.


Last ship to arrive
at the Battle of Yavin.
A Death Star Destroyed.


Inside Echo Base
Chewie and Han make repairs…
…a lot of repairs.


Tool: hydrospanner
Use: fixing broken “Falcons”
A space screw driver.


On the Avenger,
the “Falcon” hides in plain sight,
which is sort of odd.

Point of Inquiry:
how come no TIE pilots saw
the “Falcon” parked there?


On Cloud City we
learn that Calrissian used
to own the “Falcon.”


We never see Han
piloting his prized “Falcon”
in Episode VI.


A really fast ship:
Solo offers his baby
to Calrissian.


“She won’t get a scratch.”
“I got your word…not a scratch.”
She, ah, gets a scratch…


First ship to arrive
at the Battle of Endor.
A Death Star Destroyed.


Leading Endor charge.
The Millennium Falcon
blasts TIEs left and right.


The Endor gunners –
Two Rebels: Cracken and Blount
They deserve praise, too.


Lando and Nien Nunb
pilot the “Falcon” into
the Second Death Star.


Sub-light: Girodyne
Hyperdrive: An Isu-Sim
Power Core: Quadex


“The garbage will do,”
Rey says to Finn as they flee
First Order Fighters.


Stolen by Ducain,
then the Irving Boys, then Plutt,
then by Rey, then Han.


Stress on hyperdrive.
Ignition line compression.
Some moof-milker’s fault.


Now that Han is dead,
who technically owns his ship?
Leia? Chewie? Rey?

Haiku Addendum:
did Solo have a space will?
Maybe Ben gets it…


Haikuesday is a monthly series on The Imperial Talker, a new post with poetic creations coming on the first Tuesday of each month. The haiku topic is chosen by voters on Twitter so be sure to follow @ImperialTalker so you can participate in the voting. Now, check out these past Haikuesday posts:

Droids (February 2017)

Ahsoka Tano (March 2017)

Darth Vader (April 2017)

The Battle of Scarif (May 2017)

The Truce at Bakura (June 2017)

Queen Amidala (July 2017)

Ryloth (August 2017)

Cloud City (September 2017)

General Grievous (October 2017)

Poe Dameron (December 2017)

Son of Solo

The line, coming in a dramatic moment in The Forces Awakens, is powerful in its brevity and delivery. Han Solo, helping to plant charges which he hopes will give the Resistance an advantage in destroying Starkiller Base, sees the film’s villain Kylo Ren standing alone on a bridge, a bridge which spans a seemingly bottomless chasm. At this point in the film we know that Kylo Ren and Han Solo are related, that Solo is Ren’s father. However, it is not until Solo advances towards the dark-shrouded man that we  suddenly and unexpectedly learn Kylo Ren’s given name. “Ben!!!!”, Solo shouts to get the villains attention, doing so and beginning a conversation which, we also know, ends just as suddenly and unexpectedly when Solo is killed by his tormented offspring.

There are any number of ways one could approach/discuss the events which unfold in this dramatic scene in The Force Awakens. And, I am sure I could provide some well-developed and, I’d like to believe, insightful thoughts on it. But my intentions in this brief conversation far less overarching, and I am much more interested in providing, for now, a small morsel of consideration regarding the moment Han Solo shouts the name Ben.

To begin, when I heard Solo pronounce Kylo Ren’s true name, I was, undoubtedly like many others, struck by the fact that Ben is also the pseudonym used by Obi-Wan Kenobi whilst he lived on Tatooine (Ben Kenobi). Assuredly, this is an indication that Han Solo and Leia Organa named their only child after the famed Jedi Master, perhaps as a way to honor the man who, from a certain point of view, brought the lovers together. Plus, if we backup and consider the countless ways The Force Awakens borrows from/echoes A New Hope, it seems appropriate that the film includes a character named Ben. And yet, that Kylo Ren’s real name is Ben has another equally important and symbolic meaning, one that resonates as loudly as Solo’s voice when the name leaves his mouth.

A Hebrew name originating in the Jewish Tanakh, Benjamin (the anglicized form of Binyamin) is often translated in two distinct ways: “Son of the south” or “Son of the right hand.” Thus, taken alone as a masculine noun, “Ben” quite literally means “Son” and/or “Son of” (Yeshua ben Eleazar ben Sira = Joshua [Jesus] son of Eleazar son of Sira). Ben is used in both given names and surnames of Hebraic origin, although philologists who study Hebrew will be quick to point out that “Ben” is used in a number of other ways as well.

While I would enjoy delving deeper into the nuanced meanings and usage of “Ben” and “Benjamin” in Biblical texts, my reason for noting its usage as a masculine Hebrew noun should be fairly obvious. On the one hand, Han Solo is not just yelling the name “Ben!!!” to get Kylo Ren’s attention, but he is also, quite literally, yelling “Son!!!” On the other hand, we can translate the name Ben Solo as the “Son of Solo.”

I cannot say with any authority that the writer(s)/director of The Force Awakens, when  choosing the given name for Kylo Ren, were aware that the name Ben could be translated as “Son” or “Son of.” While it is likely that the name was chosen to create superficial connection with Ben Kenobi, I am never-the-less left wondering whether Ben was also chosen because of it’s original Hebrew meaning. Still, intentional or not, the meaning in the name Ben is present, rippling outwards as it leaves Han Solo’s lips. With these complimentary meanings in mind – “Ben” = “Son” and “Ben Solo” = “Son of Solo” – the potential for new insights about The Force Awakens may emerge. And if they do, I hope you will share some of those insights with me.

Haikuesday: The Truce at Bakura

Published: ’94.
The Adventure Continues.
New Saga Begins.


Endor victory!
While Rebels celebrate an
unknown foe appears.


Ancient drone dispatched.
Bakura under attack.
Empire in need.


Ambition of the
Ssi-ruuvi Imperium:
Entech and Conquer.


Aided by human
Dev Sibwarra, the Ssi-ruuk
entech detainees.


Head of Entechment,
Not a very large Ssi-ruu,
Master Firwirrung


Captured prisoners,
their life force drained into droids.
Ssi-ruuk Entechment.


How do Ssi-ruuk look?
Think dino-dragons with guns
and six feet tall…ish.


Manipulated,
Dev Sibwarra’s mind succumbs
to one called “Bluescale”


Bluescale’s Ssi-ruu name?
Sh’tk’ith…which I think is
just three syllables.


Ssi-ruuk Admiral
Ivpikkis leads his fleet in
Bakuran battle.


Led by Skywalker,
Rebels arrive as Ssi-ruuk
press attack on Imps.


Cruiser-Carrier,
Gunships and a lone Corvette.
The Rebel Task Force.


Tessa Manchisco,
Captain of Reb Carrier.
Spoiler: she dies.

Haiku Addendum:
Her death is pretty ho-hum,
plot blip at book’s end.


Class of Carrier:
Quasar-Fire bulk cruiser.
Its name: the Flurry.

Star Wars Trivia:
Quasar-Fire first appears
in this Star Wars book!

Did you know that a
Quasar-Fire is stolen
in Star Wars Rebels?

Here is another
haiku in which I say the
name Quasar-Fire.

I promise I won’t
say Quasar-Fire again.
Oh crap, I just did.


Ssi-ruuvi flagship,
Shriwirr, a huge egg-shaped ship.
Was a ’90s toy.


Ssi-ruuk in Retreat!
Empire and Alliance
win the day…for now.


Commander Thanas,
Imperial Officer.
Defects at book’s end.


Wilek Nereus
Imperial Governor
Bakura System


Gaeri Captison.
A Bakuran Senator.
Luke will crush on her.

Haiku Addendum:
Gaeri, short for Gaeriel.
Such a lovely name.


Defense Minister
Blaine Harris is also in
Force Heretic II.


A fancy dinner.
Leia and Wilek sign the
truce at Bakura.


Never tell Han odds.
Also, don’t think he will trust
any Imp allies.


On needed shore leave,
Mon Cala mistaken for
Ssi-ruuk invaders.


“Who are you,” she asks.
“I am your father, Leia.”
“Leave” is her reply.


Skywalker obsessed,
Firwirrung and Bluescale hatch
a Luke-nabbing plan.


Rebs and Empire,
Enemies work as allies.
But Nereus plots.

A Ssi-Ruuk offer:
Turn over Skywalker and
they leave Bakura.

Two birds with one stone.
Nereus accepts but lays
a Ssi-ruuvi trap.

Ingested by Luke,
Olabrian Trichoid will
hatch in his stomach.

Haiku Addendum:
the larvae hatch and nibble
towards their host’s heart.


So what of the droids?
They attempt to translate the 
Ssi-ruuvi language.


Imminent Attack!
Ssi-ruuvi forces strike while
a team hunts for Luke.


Leia arrested!
Nereus continues his
devious scheming.


Haiku Addendum:
He had cause for her arrest.
She was scheming too.


Bakuran revolt.
With Prime Minister detained,
the citizens rise.


Remember that time
C-3PO cosplayed in
stormtrooper armor?


Remember that time
Chewie shot C-3PO?
I think you know why.


Han to the rescue!
The bold General embarks
on a solo plan.


Skywalker captured!
With Sibwarra’s help, Ssi-ruuk
seize their Jedi prize.


Clever deception.
“Unconscious” Luke taken to
Ssi-ruuvi flagship.


Bakuran Assault!
Ssi-ruuk attack Imps and Rebs!
Wedge into battle!


Springing to action,
Luke fights back with help from Dev.
Two more dead Ssi-ruuk.


“Ssi-ruuk can’t use stairs,”
Sibwarra tells Skywalker.
To the power lifts!


The Flurry destroyed!
An Imperial betrayal.
The truce is broken.

In case you forgot
the Flurry is a Quasar-
Fire carrier.


Cough, Cough, Cough, Cough, Cough
The larvae chew on Luke’s lungs.
Cough, Cough, Cough, Cough, Cough

Haiku Addendum:
I won’t tell you if Luke dies.
No spoilers here.


Ssi-ruuvi retreat.
Imperial surrender.
Bakura is free!


I have to be frank:
I prefer this tale over
Shattered Empire.

Haiku Addendum:
I read it in the fourth-grade.
Impressionable.


Haikuesday is a monthly series on The Imperial Talker, a new post with poetic creations coming on the first Tuesday of each month. The haiku topic is chosen by voters on Twitter so be sure to follow @ImperialTalker so you can participate in the voting. Now, check out these past Haikuesday posts:

Droids (February 2017)

Ahsoka Tano (March 2017)

Darth Vader (April 2017)

The Battle of Scarif (May 2017)

Queen Amidala (July 2017)

Ryloth (August 2017)

The Audacity of Solo

I’ve been thinking a lot about Han Solo lately. No, not the Han Solo movie, but the man we first meet in A New Hope. From his first appearance in the Mos Eisley Cantina, Han Solo is established as a cocksure, braggadocious, greedy, self-involved, loner whose only priority in life is himself. After all, from a purely symbolical angle, there is a reason his last name is “Solo” and it is hardly coincidental that a bounty hunter named “Greedo” confronts the Captain. Time and again throughout A New Hope, these qualities are reinforced, Solo’s words and actions proving that his instinct for self-preservation can only be superseded by the desire for a little extra money. As we know, the only reason Solo agrees to help free Princess Leia from the clutches of the Empire is because she is rich. 

I could, of course, go on and list every moment Captain Solo acts self-involved and greedy in A New Hope but I really don’t need to. You’ve all watched the film enough to know that, at his core, Han Solo embodies all of these qualities. But what makes these qualities stand out even more is the backdrop of A New Hope, the overarching story about a small band of Rebels struggling to free the galaxy from tyranny and oppression. From the very start of the movie, we know what these Rebels are up against: a massive, technologically powerful Empire that will stop at nothing to maintain complete control over the galaxy. The juxtaposition between Rebellion and Empire is clear and obvious as A New Hope unfolds, and is made all the more poignant when we see the size of the Empire’s Death Star battle station and its planet destroying capability. 

hansoloanewhope2
Solo, speaking with Luke Skywalker, loads his reward while the Rebels prepare for battle.
Photo Credit – Star Wars Episode IV: A New Hope

When the narrative-arc of A New Hope finally leads the audience to the Rebel’s hidden base – which the Empire has been  searching for – setting up the battle that will determine the fate of the galaxy, Han Solo wants nothing to do with the Rebels or the mammoth task that awaits. But this is hardly a surprise, he had only ever been in it for the money. In fact, it is fitting that while the Rebels scramble around a hanger, preparing to fight for their survival and for the fate of the galaxy, Han Solo is standing in plain sight with the money he was promised. Approaching Solo, Luke Skywalker implores the smuggler to join the Rebel cause, to lend his skills as a pilot to the fight that is about to begin. Solo’s reply fits his character perfectly:”What good is a reward if you ain’t around to use it? Besides, attacking that battle station is not my idea of courage. It’s more like, suicide.” In a sense, this single line encapsulates the greed and self-preservation of Han Solo, his need to take care of himself. Implored by the hero of the story to join the Rebels, Han Solo flatly rebukes Skywalker, proof that he values himself and his money more than the lives of others, even those he would call friends. 

So, the climactic engagement begins, the Rebel allies fighting against all odds to destroy the Empire’s planet-busting battle station. As one would expect, the Rebels fail time and again to destroy the station, leading to the final “attack run” led by the young Skywalker. A wing-man killed, another abandoning the attack due to damage on his fighter, and his droid partner destroyed, Skywalker finds himself alone as he speeds down a Death Star trench to deliver his payload of torpedoes. Just as Skywalker is about to be destroyed by the villain, Darth Vader, a shot rings out that destroys one of Vader’s own wing-men, a shot fired by Han Solo who comes flying in from above. Solo’s sudden presence disorients Vader’s other wing-man, the pilot slamming into his leader and causing the Dark Lord of the Sith to careen off into space. The path cleared by Solo, the young Skywalker fires the heroic shot that, only moments later, causes the battle station to explode. 

hansoloanewhope3
Han Solo comes to the rescue, guns a blazin’ as he excitedly announces his arrival.
Photo Credit – Star Wars Episode IV: A New Hope

I have often thought about the fact that Solo – cocksure, braggadocious, greedy, selfish – arrives at just the right moment to help Skywalker defeat the Empire. Narratively it makes perfect sense, just the right amount of tension building until, out of nowhere, the suave smuggler – whom we thought had given up on the Rebels – swoops in to assist the film’s young hero. But what we don’t get in the story is the reason for Han Solo’s change of heart, his internal thoughts about why he puts himself at great risk – something so counter to his life philosophy – to help Luke and the Rebels. Then again, I think it better that Solo’s change of heart not be over-explained. In a way, it is far more powerful to imagine what Han might have been thinking, for each audience member to fill in the gaps for her/himself. 

But what we should not lose sight of in our personal speculating is the reality that in choosing to help Luke and the Rebels, Han Solo acted selflessly. Putting aside his penchant for self-preservation and ignoring the reward he was given, Solo had the audacity to give his life to a cause greater than himself. In doing so, Han Solo became a hero. 

And so, as I think about Han Solo, I cannot help but consider the lesson we can learn from his act of selflessness. After all, as a form of modern-day myth, it is not enough for Star Wars to just entertain us. Rather, as myth, it is necessary for Star Wars to show us how we must live as part of a community and world, as part of something greater than ourselves. And what Han Solo teaches us is exceedingly necessary, especially in our consumer-driven and selfie-obsessed culture. Just as Han has a change of heart – putting his riches and life aside for the sake of others – so too must we do the same in our daily lives when the opportunities arise. We can, each one of us, be a hero, going beyond ourselves to assist our local communities, our nations, and our world. It is not enough to just sit back and enjoy the spoils of life and only look out for ourselves. No, like Han we are called to use our individual skills and join the cause of destroying the “Death Stars” of our time: homelessness, poverty, hunger, oppression, racism, sexism, homophobia, Islamophobia, Antisemitism, warfare, genocide, nuclear proliferation, and more. 

A Man in Debt to a Hutt

Guest Talker: Michael Miller

In the lead up to Hutt Week, Jeff (The Imperial Talker) and I were having a discussion about a Hutt-related issue that has always confused me.  It’s not directly a Hutt thing but it’s certainly Hutt adjacent.  It’s the type of thing I try not to think about, lest it keep me up at night, struggling in vain to find a workable answer.  Try as I might, I can’t.  The question is simple – Why doesn’t Han just pay Jabba what he owes him? 

Jeff’s already discussed the Hutt crime organization this week so there’s no need for me to go back over the whole structure when it’s a handy hyperlink away.  But here’s the basic rundown of the plot that ties Han Solo to Jabba the Hutt, culminating in the first act of Return Of The Jedi.  Han smuggles for Jabba.  Han dumps his shipment at the sign of Imperial cruisers.  Jabba’s (understandably) a little upset about this.  Jabba wants his money…or he wants Han dead.  Han (also understandably) would rather not die.  So he needs some money.

In the original version of A New Hope, Han fries poor Greedo and then gets the hell out of Dodge, with plans to pay Jabba back after his easy charter to Alderaan. In the Special Edition, we see Han and Jabba talk it out first – Han promises Jabba a little more money and Jabba’s fine with it…as long as Han delivers.  And then he skips town for his easy charter.  As fate (of the Force) would have it, there’s nothing easy about the run.  Han Solo and Chewbacca end up in the heart of the rebellion against the Empire, rescuing Princess Leia, and helping Luke Skywalker in the assault against the Death Star.  Victory ensues and medals are awarded…and then we jump to the beginning of The Empire Strikes Back.  The classic exchange on the Hoth Base goes like this:

Han Solo – General, I’ve got to leave.  I can’t stay anymore.
General Rieekan – I’m sorry to hear that.
Han Solo – Well, if I don’t pay off Jabba the Hutt, I’m a dead man.
General Rieekan – A death mark’s not an easy thing to live with.  You’re a good fighter Solo, I hate to lose you.
Han Solo – Thank you, General.

You don’t mess around with the Hutts, especially Jabba.  I get that.  But here’s what troubles me…didn’t Han get a reward for saving Leia?  Didn’t we see Han and Chewie loading several crates of credits on board the Falcon at the end of A New Hope?  Even if Han had given his heart and his soul to the Rebellion (or a certain Princess…), why didn’t he take a short detour to Tatooine to pay off Jabba with the money he had?  The Expanded Universe gave us an answer that involved a gambling problem and some Ocean’s Eleven-style high jinks (thank you Timothy Zahn!) but we all know that’s not canon anymore.  And even if it was, even if Han lost all the money doing something stupid, if he’s such an asset to the Rebellion why wouldn’t they help him with the debt??

The Rebellion, by the very nature of an organization like this, has to have decent cash reserves.  They need to maintain their fleet, bases, equipment, and spy network at the very least.  Why wouldn’t they divert a little money to help Han out, especially if it meant they got to keep Han Solo, Chewbacca, and the fastest ship in the fleet?

han-solo-frozen-in-carbonite_3
Han didn’t pay Jabba, so Han becomes a wall decoration in Jabba’s palace. Seems fair to me.

Photo Credit – Star Wars Episode VI: Return of the Jedi

It should be a very simple equation.  Like I said, you don’t mess with Jabba the Hutt or you die.  Han has messed with Jabba the Hutt and is going to die.  Han does not want to die so he needs money.  Han gets money/the Rebellion has monetary reserves.  Han uses his/the Rebellion’s money to pay off Jabba, thus appeasing the Hutt and preserving his life.  Except it all gets a little wonky…  The equation ends up going, Han doesn’t want to die so he needs money.  Han (and the Rebellion) just wait around until a bounty hunter grabs him. Then Luke, Leia, Chewie, Lando, and the droids (some of the Rebellion’s most important assets) have to devote a lot of side time trying to rescue Han.

This has always vexed me.  And unfortunately, this short little post isn’t going to offer any brilliant insights or observations to get us out of this little funk.  Because, quite frankly, I have none. If you do, there’s a lovely little comment section below.  You’d be doing me a HUGE favor if you can put my mind at ease and explain this.  Lacking any sort of logical answer to this question, I’ve found it best to just not think about it!  Is that avoiding the problem?  Yes, but I’ve plenty of other things to occupy my mind as I try to fall asleep – like what did Han do with all that money?  Does he have a gambling problem?  Oh poor Chewbacca…


Check out these other Hutt Week posts:

The Imperial Talker Presents: Hutt Week

Hutts: Galactic Gangsters

Hutt Week: “Cute” Jabba the Hutt Merchandise (by Jenmarie from Anakin and His Angel)

Jabba the (CGI) Hutt

Why Ziro’s  My Hero (by Andrew – @AndrewinBelfast)

Hutt Haiku Poems

The Hutts of Mataou

Hutt Profile: Gardulla

Heir to a Criminal Empire

Hutt Week: A Conclusion

Fan Reactions to The Force Awakens

While I certainly love sharing my own views on Star Wars, and I could talk to no end about The Force Awakens, it’s also nice and refreshing to get some different perspectives and hear other voices.  I’ll definitely be offering my own thoughts and experiences of the film in more of my posts, but for now I wanted to mix things up. So, like I did during Ewok Week, I gathered a smattering of reactions to The Force Awakens from fans of the Star Wars franchise. Check out what they had to say and keep the conversation going in the comment section!!!


From Jenmarie (Check out her blog Anakin and His Angel)

Now that I’ve seen The Force Awakens four times I can tell you that I have fallen more in love with it after each viewing. Each time I’ve seen it I’ve noticed more ties to the other films, I’ve experienced different emotions during pivotal scenes, and I have grown to appreciate the characters even more than I did the first time. I went in knowing that this was going to be a continuation of an incredible story but that it would also be filled with new adventures being led by new faces. I have never really compared the films but have rather seen them all as one taking place at different times with unique stories all intertwining with each other. In my experience, this mindset has allowed me to appreciate each film within the Star Wars Saga for what it is to the very fullest which has resulted in my primary focus being on what I love most about these movies.

That being said, as a fan, I can tell you that The Force Awakens is very much a Star Wars film. If you haven’t seen it yet, you shouldn’t worry. It does a remarkable job of combining the familiarity we have with these movies with the new, and there’s some fresh and extraordinary new content that has made fans like myself go crazy! Like the haven’t-seen-it-in-a-week-withdrawals kind of crazy. Without going into too much detail, the new material consists of things that I’m sure many of us never knew we wanted or could exist in the Star Wars Universe. There are some insanely incredible scenes where the Force is used in a way where you just don’t want the scene to end no matter which side you’re on, light or dark. There are personalities within characters (and a particular droid) that we have yet to see until now and it’s fascinating to watch and  wonder what goes on inside their heads, what their pasts look like, and why they do what they do. There are also brand new themes that will tear you apart emotionally. Rey’s Theme is so powerful, it has honestly messed me up once or twice. The Force Awakens is full of memorable moments (both heart-felt and hilarious), exciting action, and tear-jerking scenes that will leave you sitting there in the rawest of forms. It sounds draining, but it’s a great thing to be so impacted by a new Star Wars movie! GO SEE IT!

From Jake

I thought that the movie was fantastic. It has been years since I was sitting in a movie theater, jaw dropped, waiting for the next scene to happen. I think that the plot and characters were well written, if very derivative (A droid is being hunted for the information it holds, but it crashes on a desert planet only to be discovered by the last remaining person able to use the force who then, through a series of misadventures, makes their way to an older Jedi to be trained, but, on the way destroys the biggest, baddest, most unstoppable space titanic of a weapon”). My biggest issue with the movie actually comes from the original actors. I think that it was great that they reprised their roles, and I went into the movie excited about it but when they appeared on screen it took me out of it for a second, it seemed a little “force”-ed to me (other than Anakin, I loved his cameo). I loved the movie as a whole, though, and am looking forward to the next installment.

From Andy (aka Andykin)

The Force Awakens, oh boy, I was an emotional wreck throughout the whole movie. Seeing all of our beloved characters come back from the original trilogy was like going home. I got those warm fuzzy feelings which lead to lots of joyous tears- the lady next to me for sure thought I was crazy! I was clapping, laughing and crying like a little kid. And of course, I had no shame in it.

FirstOrderTroopers
First Order Stormtroopers
Photo Credit – Star Wars Episode VII:   The Force Awakens

Rey was an incredible character to be introduced to and she delivered; she is easily my favorite new character. I could not be more happy with her and the strength she represents as a female. The First Order is so badass, I LOVED the new modernized feel the Stormtrooper armor has. They got a sweet, sleek, upgrade but kept the integrity of the original design. The riot baton was so cool to see in action!

John Williams, god bless that man, (thank you Steven Spielberg for introducing Williams to Lucas all those years ago) he did it again. My favorite track is the The Scavenger, as it has so many beautiful elements to it and personifies Rey so well. Special effects/sound effects were amazziinnngggg, it’s an IMAX dream and still holds up so well in the standard version. My favorite still has to be the humming and sparking of Kylo Ren’s lightsaber, you hear him before you see him coming, and I thought that was genius. You gotta tip your hat to the sound editing team for that and so many other things! (pew pew!) So, uh, I think it’s safe to say that I loved this movie and it’s the best time to be a Star Wars fan!

From Alicia (Check out her blog Not So Super Heroes)

Let me begin by saying, I love spoilers. Love them. I read the epilogue to The Deathly Hallows to prepare myself for the possibility that Harry might die. [Spoiler: He didn’t.] That being said, as the release date for The Force Awakens drew near, I found myself wanting to avoid the dreaded spoilers. And, since I’m not a good enough fan, I wasn’t able to see the film until almost two weeks after its release; the anticipation was killing me. But still I attempted, for the first time, to steer clear of blogs, Tumbles, and Tweets. I failed. Miserably. About a week and a half after the release, I learned the truth about my forever love, Han Solo. [Spoiler: He dies.]

Kylo-Ren-by-kyloxrens-tumblr-kylo-ren-39176197-500-220
Kylo Ren
Star Wars Episode VII: The Force Awakens

Crushed. Inconsolable. There were lots of aggrieved moans and groans. Han dies. I needed to know more. I immediately went to Wookiepedia and got the scoop. Damn that Kylo Ren. Damn him straight to hell. But—by the time I saw the film, I had moved into the acceptance stage of grief and watched the film knowing that my first and constant movie crush was going to die. As I walked out of the theatre, I left with a sense that it couldn’t have played out any other way. And, of course, not being a rube, I knew as soon as the film was announced and Harrison Ford signed on, that they’d kill him off. I just hoped they’d make his death worth something.

I wasn’t disappointed. Star Wars has always been about fathers and sons. The Force Awakens carries that motif throughout. We see Han struggle with his belief that he is not enough to redeem his son, to bring him back from the Dark Side. Han never once shows that steadfast optimism that Luke embodies so clearly in Return of the Jedi. And as Han walks out on the bridge and calls him son by name, he does so knowing how it will end. Han was never enough for young Ben. But finally, in his last act, Han gives Ben everything he has, possibly for the first time.

From Jared

It’s hard for me to sort through all my feelings about The Force Awakens. To start, Star Wars was a huge part of my childhood growing up, and through the podcasting and online community I’ve been fortunate enough to become a part of, it’s helped my life become much better.

Over the last year and a half or so I’ve become more and more a part of the fandom, and a large part of that was following The Force Awakens news as it broke, and the advance spoilers that were released through various reports. The build up to The Force Awakens has led me to some of the most meaningful friendships in my life.

Finn
Finn
Photo Credit – Star Wars Episode VII: The Force Awakens

Which brings us to the film! To be able to share it with every member of my family, and to discuss it with friends from around the world, it makes the whole experience that much more incredible! I immediately fell for all our main heroes. Finn was my favorite by a VERY small margin, with Rey a close second. The earnest quality and sweetness of their bond, the seeds of romantic potential on both sides (Finn more than Rey) had me like a teenager with all them feels! I’m pulling for both of them in the future saga films. At half an hour into the movie, I was sold, they’re my new heroes.

I loved Adam Driver’s performance as well. He really nailed the quiet rage and, the more violently expressive kind as well! But his performance was exceptional. Overall, this film was a great way to share in something I love with my family and my new Star Wars family together, and to have fun doing so!

I am completely ready for the future of the Star Wars franchise!

From Mark (Excerpt taken from a piece Mark wrote entitled Star Wars and Good Stories.)

“What makes The Force Awakens so refreshing is its clear attempt to move the series back to a place where it can tell stories about people at their most people-y. Stories about a group of individuals; their hopes, dreams, fears, pains. Stories about lives lived. You and I can’t connect emotionally to intricately woven plots about trade negotiations and senatorial upheaval any more easily than we could emotionally connect to a newspaper. But a story about a boy, lonely, eager to do something special with his life, who finds friends and adventure, who feels the crushing disappointment over his father’s identity on top of the grief he’s always felt for his absence… these experiences we can get. These are things any one of us might actually live through.

Good stories are about people. When a story isn’t about people (or at least people-like things), for better or worse we have a hard time figuring out why we should care. Good stories, as those which connect us to other people across time, culture, distance, or even reality (when we’re talking works of imagination), also connect us to our deeper selves. We love the tale because we see ourselves in it. This connection rings so deeply to who we are as humans, it pulls taut the line between us and the first storytellers, passing words around a campfire about gods, humans, and the nature of the seen and unseen world. In this way, we are also connected to the divine, inasmuch as the desire to create comes from Createdness itself.

rey
Rey
Photo Credit – Star Wars Episode VII: The Force Awakens

This connectedness to Being through story and myth is also an answer to one of the more prominent critiques of the new film. Some feel that Episode VII lacks originality. While I agree that the plot follows the same structure as the first movie, A New Hope, I’m just as quick to say that this isn’t cause for critique. Rather, it’s what works about The Force Awakens. The new film is resetting the myth, not reinventing it. This is what we do with good stories. We develop them, not scrap them. Han Solo takes the place of Obi Wan. Rey is our new Luke. The story isn’t unoriginal for these facts because originality doesn’t always come from inventing new themes; in most cases, it comes from using myths we already know to develop new strands of the tale through old character growth and new character perspective.”

(Check out the rest of Mark’s thoughts HERE.)

From Michael

When I walked out of our first showing of the film on December 17th I…I didn’t like it.  I felt horrible owning those feelings but I didn’t know what to do with it. I mean, I thought it was fun and funny and exciting but it didn’t feel like Star Wars. George Lucas’ absence was obvious. Whether you love Lucas, hate him, or are indifferent to him, you can’t deny that Star Wars is his story.  It’s his world, his characters, his myth.  So to have a story set in that world, with those characters, but lacking his influence and his vision in the writing and/or directing felt jarring. It felt wrong.

Mike
Mike stands in line for The Force Awakens
Photo Credit – Me

Walking into the second viewing (1:10 Friday afternoon) I knew what to expect and was ready to appreciate the film for what it was.  By the third viewing (7:50 Friday night) I found myself really enjoying it.  The fourth viewing (9:50 Saturday morning) saw fatigue begin to set in but, after a needed break, the fun was back for the fifth viewing (8:10 Sunday night) and I’ve been enjoying it ever since.  As I’ve spent (more than a little) time with this film over the last few weeks I learned something for certain I’d believed would be true.

Star Wars is George Lucas’ story.  Nothing, in my mind, can be as good as what was created by the original myth-maker.  He thought all of this up and has guided it directly (the original six films) and indirectly (the EU, the Clone Wars TV series, etc.) for over thirty years.  Those are the Star Wars stories I grew up with, the ones I fell in love with, and they will always be the bedrock of all things Star Wars (at least in my mind).  After all, we’d have none of this if Lucas didn’t share his vision with us.  In addition to being the myth-maker, few filmmakers can rival Lucas’ intelligence.  I love Star Wars (meaning ALL six films) and I’d argue what he did in his films mythically, theologically, literarily, and creatively, was unprecedented and remains unduplicated.  Glance at the works of Joseph Campbell.  Google “Star Wars and Ring Theory.”  Read any number of books published explaining Star Wars through various faith traditions (from Christianity to Buddhism to Taoism).  While the new film does a brilliant job referencing Star Wars itself, Lucas did a brilliant job of incorporating the tapestry of human thought, mythology, and theology to give us a story at once both new as well as ancient and familiar.

My initial problem with The Force Awakens was I was hoping it would (or could) be as good as what Lucas created.  I was hoping it would feel like it fit perfectly after Return Of The JediBut even seeking that comparison makes no sense.  Star Wars has moved into a new era.  There was Star Wars.  And now we have Star Wars: the Disney Era.  Those are two very different animals.  Looking at The Force Awakens in this light, I can say I love the film.  I do!  Obviously, I’ve seen it nine times.  It is, easily, the best entry into the Disney Canon (which is how I choose to see this new era) thus far.  I’ve loved J.J. Abrams since Alias and he made a film worthy of the Star Wars name.  He gets Star Wars, even if he can’t replicate what Lucas can do.  The Force Awakens was made with love, by people who clearly love Star Wars.  And the end result is something worth seeing (again and again).

What struck me with The Force Awakens was, no matter how exciting it was to see Han and Chewie piloting the Millennium Falcon again, all my absolute favorite moments centered around the new characters.  And I think that’s how it should be.  In the Disney Canon, Star Wars isn’t the story of Luke, Han, Leia, and Chewie anymore.  It can’t be.  They are Lucas’ characters and their story was Lucas’ to shepherd.  The story now belongs to Rey, Poe, Finn, and Kylo Ren. And I can’t wait to see where their story goes!!!  They are captivating, layered characters who have worthily claimed their place in my Star Wars-loving heart.  Yes, the classic characters will always remain on the periphery of the story, as will Lucas’ influence and presence. But they are not the stars of the story any more.

We are now living in the age of Star Wars: the Disney Era and the story will be shaped by the Disney Canon. The myth is moving in a new direction, and if The Force Awakens is any indication, it’s in good hands.  I’ve let go of any illusions that the Disney Era can be as brilliant, connected, and intelligent as Star Wars was with Lucas at the helm.  But that’s okay.  I’ll always have the original six films, the EU, and The Clone Wars.  And as long as we have talented filmmakers who truly love Star Wars, like J.J. Abrams to guide the story, I’ll keep excitedly buying tickets (and spending a day waiting so I could be first in line) to explore the next chapter in a galaxy I love, a galaxy far, far away.

 

 

 

 

 

Cute, Funny, and Very Deadly

“Yub Yub”

As a little kid, I loved the Ewoks. My reason for loving them, simple! The Ewoks were adorable. Okay, well that and they acted silly and funny. Sure, as an adult I may not laugh out loud at the funny things the Ewoks do or say, but I definitely did as a child and I can still appreciate the silliness as an adult.

Leia begins to remove her helmet as Wicket munches on a snack. Photo Credit - Star Wars Episode VI: Return of the Jedi

Leia begins to remove her helmet as Wicket munches on a snack.
Photo Credit – Star Wars Episode VI: Return of the Jedi

Take Wicket as an example, the Ewok who pokes Princess Leia awake with his spear. Wicket curious but hesitant as he interacts with her at first, but when Leia takes off her helmet Wicket leaps up, readying his spear and preparing for the worst. All of this because she took off a helmet! Why would he be afraid of a helmet!?!?! Ha! How ridiculous!

Granted, I couldn’t appreciate as a child that maybe Wicket had never seen a helmet before, or perhaps he was just startled by her action. But who cares, little kid me didn’t need to think that hard about the scene. All I had to do was sit back and enjoy, which I still do even if I am not in tears from laughter.

Well, I DO still laugh when Wicket lassos himself with a sling during the battle of Endor. Silly Wicket…

Another example of Ewok hilarity: they bow down and worship the whiny, always complaining C-3PO as a god. C-3PO of all characters! Even Han is taken-aback by “goldenrods” newly christened divine status.

And then there is the moment when the Ewok’s prepare to make Han and Luke the main course in a feast honoring their new god though, as a kid, I never worried that Han or Luke would be consumed(though it would have been a heck of a plot twist in the film if Lucas HAD gone down that road). Naw, what made that scene so great, and what still makes it one of my favorites, is just how absurd the entire situation is – the Ewoks sing a little tune while they stack logs for the feast. Han tries blowing out a torch. Luke makes 3PO “fly” which terrifies the Ewoks and sends them running in all directions. The whole scene is just as hilariously silly!!!

Han attempts to blow out the torch. Photo Credit - Star Wars Episode VI: Return of the Jedi

Han attempts to blow out the torch.
Photo Credit – Star Wars Episode VI: Return of the Jedi

Well, hilariously silly but also REALLY messed up. The Ewoks were going to EAT Han and Luke. Wait, sorry, they were going to BURN THEM ALIVE AND EAT THEM. Let that sink in for a second…

This isn’t to say that the scene isn’t meant to be funny. Rather, when the layers of silliness and humor are stripped away in this and other scenes, the Ewoks turn out to be different than we first thought.

In fact, let’s chat about their tactics in the Battle of Endor.

Cuddly but Deadly

Consider this: the Ewoks bludgeon A LOT of Imperial soldiers to death with clubs and spears. Remember when those two Ewoks take control of the AT-ST with Chewie? While our favorite Wookie pulls one of the pilots out of the cockpit, tossing him over the side, the two Ewoks jump in and beat the hell out of the other pilot.

And that is only two Ewoks out of…hundreds? Thousands? Here is a list of things that other Ewoks do during the Battle of Endor:

  • Ewoks swing from vines, throwing two Stormtroopers down a hill where they are then pounced on by other Ewoks who start clubbing them.
  • One Ewok slings a Stormtrooper around the neck, an act that presumably causes the trooper to suffocate.
  • A group sneaks up on Stormtroopers firing at Han and Leia, beating them with clubs and spears (see the featured image at the top of the post).
  • Other Ewoks lasso a speeder bike with rope, sending the bike and its pilot spinning around, and eventually crashing into, a tree. You can hear him scream the entire way to his fiery death.
  • Still others “clothes-line” the pilot of another bike with a rope suspended between two trees – there is no way that trooper’s neck was not instantaneously snapped.
  • A handful of Ewoks standing on a massive log drop rocks on Stormtroopers below them.
  • They send massive logs swinging into the cockpit of an AT-ST, crushing the two soldiers inside.
Ewoks throw rocks onto Stormtroopers. Photo Credit - Star Wars Episode VI: Return of the Jedi

Ewoks throw rocks onto Stormtroopers.
Photo Credit – Star Wars Episode VI: Return of the Jedi

What’s my point? Well, the Ewoks are certainly adorable and silly, but they are also incredibly dangerous and deadly. Primitive they might be, but they are clearly effective warriors, so skilled in the art of war that they can take on a technologically advanced foe in a head-to-head fight.

So, with this thought in mind, I am gonna just come right out and say this: the Ewoks were planning on fighting a war against the Empire before Han and his strike team arrived. Or, perhaps they had already started the fight, and the Rebels just showed up in the middle of it.

Seriously, think about it. Haven’t you ever wondered how the Ewoks were able to prepare for the battle so quickly? It isn’t like they started stacking those massive logs twenty minutes before the battle began, or built catapults right before they launched their attack. To be fair, some of those logs and catapults were surely built and perhaps in place already to deal with an occasional Gorax threat, but as a whole, in my mind, the Ewoks were preparing for a while, waiting for the moment to strike by strategically placing their weapons near and around the bunker. Maybe that day on Endor was not the day they had been planning to launch an all-out war, but the day found them.

But that didn’t really matter because they were clearly ready for it. The battle begins when they decide it is time. The trumpets sound and the Ewoks emerge from their hiding places to shoot arrows and throw spears at Imperial soldiers. As the battle progresses, there are other Ewoks in trees spotting and signaling their comrades, while others lead Imperial troops into ambushes.

Romba mourns the death of Nanta Photo Credit - Star Wars Episode VI: Return of the Jedi

Romba mourns the death of Nanta
Photo Credit – Star Wars Episode VI: Return of the Jedi

Logistically, strategically, tactically, the Ewoks were the superior foe in this fight. Sure, some Ewoks die in the fight, like poor Nanta who is mourned in the moment by his comrade Romba. But as warriors they know the risk and are prepared for what awaits them in battle.

But hold on a second, if they are such skilled warriors, then there is a very good possibility that Ewok tribes on Endor have gone to war with one another countless times. They had to learn the art of war somehow, right? Setting traps for Gorax, and occasionally killing one, would hardly be enough to train them in the ways of warfare. Just picture that – two Ewok tribes fighting a forest battle. It would be the most adorably bloody battle ever!

Oh, and chances are the victors eat their dead enemies, be them Ewok or Imperial. I just hope the Ewoks of Bright Tree Village didn’t feed any dead Stormtroopers to the Rebels after the big win.

Then again, Chewie probably wouldn’t mind. He is always thinking with his stomach.


Leave a comment and check out other Ewok Week posts:

The Imperial Talker Presents: Ewok Week

The Music of the Ewoks

Ewok Jerky

Ewok Haikus

Fan Feelings on Ewoks

Ewoks Battling for Endor

The Scout