Han Solo Returns! “Let’s blow this thing and go home.” Torpedoes away.
The Death Star destroyed. Luke and his friends celebrate. The Force is with him.
Good news! This post is Part 1 of 3 of a special three-week version of Haikuesday exploring Luke Skywalker in the Original Star Wars Trilogy. Be on the lookout next Tuesday for haiku about Luke in The Empire Strikes Back!
Sterilization. Every Geonosian Hive. The bugs are poisoned.
Haiku Addendum: One Geonosian survived. Watch Star Wars Rebels.
In Lothal’s Westhills Zare Leonis witnesses ‘Troopers shoot farmers.
Ibaar starvation. An Imperial blockade disrupts relief aid.
Scene: above Chandel. A passenger ship boarded. Only two survive.
Horuz: penal world. Death Star constructed above. Destroys the planet.
Single reactor. “It’s beautiful,” says Krennic. Jedha City – gone.
Tatooine Farmers: Uncle Owen, Aunt Beru. Slaughtered by ‘Troopers.
Haiku Addendum: So too were the Jawas who
sold the droids to them.
“Ultimate power.” Planet Alderaan engulfed by Tarkin’s hatred.
Toxic atmosphere. Anoat population gassed by Adelhard.
The Iron Blockade. Adelhard dispatches Bragh to kill dissenters.
Monument plaza. Airspeeders fire upon gathered civilians.
Climate disruption. Operation Cinder lays waste to many worlds.
A loyal planet. Vardos: a Cinder target. Iden offers aid.
Emperor’s homeworld. Naboo: a Cinder target. With guts, it is saved.
The Krytos Virus. Unleashed upon Coruscant by Ysanne Isard.
World Devastators obliterate cities on Mon Calamari.
Legacy of Death: The First Order continues dealing destruction.
The Cataclysm. The Hosnian Star System. Completely destroyed.
Haikuesday has returned for version 2.0!!! After a much needed creative hiatus – and the pleading of Nancy from Graphic Novelty² – I have decided to resurrect the popular series and bring you more of my Star Wars musings in poetic form. Once again, on the first Tuesday of every month, I will post my new haiku! And, if you have any Haikuesday topic suggestions, be sure to leave me a comment or send me an email.
Check out the original Haikuesday posts by clicking HERE.
There is a line in Star Wars: A New Hope which often gets lost in the greater scope of the film, a quote which points to the toughness of the movie’s lone female protagonist, Princess Leia. It comes when Darth Vader, the movie’s villain, speaks to Grand Moff Tarkin, the secondary villain in the film. Pacing back and forth as if annoyed, Vader admits that, “Her [Leia’s] resistance to the mind probe is considerable. It will be some time before we can extract any information from her.” Prior to this admission, we saw Vader enter Princess Leia’s prison cell with an interrogation droid floating behind him, a needle protruding from the droid and Leia’s face giving off subtle apprehension. Now, Vader states that it was for not, that the Princess has resisted this “mind probe” and that breaking her will take more time.
I have always loved this line; it has always resonated with me because it points directly to the fearless resolve which resides in the heart of Princess Leia. Even before Vader utters these words, we know that Leia is a force to be reckoned with, a whirlwind of confidence capable of holding her own. After all, it is Leia who was leading the mission to Tatooine to find Jedi General Obi-Wan Kenobi at the film’s outset. When the ship fell under attack, Leia created a new plan to secure Kenobi’s help EVEN AS IMPERIAL SOLDIERS STORMED THE VESSLE! Dispatching the droid R2-D2 to Tatooine’s surface, Leia awaited her inevitable capture, and even shoots/kills an Imperial stormtrooper before she is apprehended.
Leia confronts Darth Vader after her ship is attacked and she is captured.
Photo Credit – Star Wars Episode IV: A New Hope
Captured by the Empire’s white-armored soldiers, Princess Leia is escorted before Darth Vader, the nefarious and imposing villain we were JUST formally introduced to as he lifted a man by the neck and crushed his windpipe. The black-clad Vader towers above the petite, white dressed Princess, an obvious visual meant to represent the power of the evil Empire towering over the small, fledgling Rebellion. But Leia is far from intimidated. Oh no, not only does she stand tall next to this masked monster, she speaks first AND is the one who chastises him with palpable disdain!!!
In just a few frames, Leia presents herself as competent and fearless, especially under pressure. Rather than quivering and backing down, she boldy stands her ground against imposing odds. It is no wonder then that later, when Darth Vader assaults Leia, probing her mind for the “location of the Rebel base”, her resistance is “considerable.” Princess Leia is the embodiment of fearless resolve, the very heart and soul of the small Rebellion against an Empire which spans a galaxy. There was never a chance the mind probe would work, it was always going to be an act of futility on the part of Vader.
An Alternative Form of Persuasion
It is Grand Moff Tarkin who chooses a new tactic to extract the information they seek following the failure of the mind-probe. Rather than probing her mind, Tarkin gives Leia a choice: give up the location of the Rebel base OR watch as her home planet of Alderaan is destroyed by the Death Star superweapon. It is a brilliant move on Tarkin’s part, one that catches Leia off-guard. Pleading with him, the Princess turns into a supplicant as she tells the Grand Moff her planet is “peaceful” and has “no weapons.” Tarkin, of course, does not care and, presenting the question again, demands to know where the Rebel base is located. It is now that Leia gives in: “Dantooine. They’re on Dantooine.”
Leia and Grand Moff Tarkin square-off.
Photo Credit – Star Wars Episode IV: A New Hope
That Leia gives in to Tarkin is shocking, but all the more painful as Leia must continue to stand and watch as Alderaan is destroyed. This is an unsurprising move on Tarkin’s part, an obvious example being made to the whole galaxy (and the Princess) that no one, not even “peaceful” worlds, are safe from Imperial military might. Now, the fearless young woman who stood her ground at the film’s opening, who chastised Vader and resisted his mind probe must steel herself as she watches her home world and her family perish in a ball of fire.
And yet, what we do not realize in this moment is that Leia has tricked Tarkin. Presented with the choice of Alderaan being destroyed OR the Rebellion being destroyed, the quick-thinking Princess chose a different route: an open-ended lie. We do not discover this right away, not until an Imperial officer informs Tarkin that scout ships discovered a deserted Rebel base on Dantooine. Furious, but more importantly humiliated, the Grand Moff orders the immediate execution of the Princess.
That Leia lies about the location of the Rebel base is brilliant, a narrative misdirect that leads Tarkin and the audience alike to THINK this strong-willed woman has caved under pressure. It is easy to forget this, as later we DO discover the real location of the Rebel base. But in this instance, we are led to believe Leia has given it up, that Dantooine is, in fact, the location. Instead, what we discover a few scenes later is that Princess Leia was in control the entire time, and while her plea to the Grand Moff that “Alderaan is peaceful” is certainly genuine, it, too, was also part of her quick thinking plan to save both Alderaan AND the Rebellion.
Awaiting Tarkin’s Fury
Knowing she has lied to Grand Moff, we can surmise that after being returned to her cell that the Princess sat and waited for Tarkin’s fury. Surely, too, she sat there in mourning, the loss of her world and family weighing heavily on her heart. One could hardly criticize the fearless female if she did break down and cry, although it is hardly necessary to know whether she did. The imagination is enough in this case.
Regardless, when we next see Leia she is reclining on the hard bench in her detention cell. Luke Skywalker, wearing stormtrooper armor, barges in to the rescue and, without missing a beat, the reclined Princess – certainly suspecting Tarkin’s fury has arrived – directs a shot of insulting sarcasm at the soldier: “Aren’t you a little short for a stormtrooper?” While Vader’s comment about her resistance to the mind-probe directly points to Leia’s strong-willed personality, this shot of sarcasm – coupled with the sarcasm she throws at Tarkin earlier (see video clip) – highlights her constant disposition towards her Imperial foes. Basically, Leia is always ready to level an attack against the Empire, even if that attack is in the form of words alone.
But she is also more than happy to criticize her own allies, in this case her rescuers: Luke Skywalker, Han Solo, and Chewbacca. Cornered by Imperial soldiers in the detention center, the Princess chastises the films heroic men, noting that it “Looks like you managed to cut off our only escape route.” What makes this all the better is that the quick-thinking Princess – who, we should remember, was not anticipating a rescue – immediately comes up with a plan and puts it into action. Taking the blaster from Skywalker, Leia blasts open the wall across from her and demands that everyone jump into the garbage chute. Before objections can be raised, Leia is already on her way into the depths of a Death Star trash compactor.
To be perfectly honest, this has always been my favorite “Leia Moment” in A New Hope. On one hand, her action makes the film’s heroes – Luke and Han – look incredibly foolish for not actually thinking about HOW they should go about completing their rescue mission. On the other hand, and more importantly, this moment demonstrates a clear reversal in fortune for the Princess. When the film begins, and her ship falls under attack, the protocol droid C-3PO tells R2-D2, “There will be no escape for the Princess this time.” True in that moment, C-3PO is ultimately proven wrong as Leia not only escapes, but does so by taking control of her own rescue when she and her allies are quite literally backed into a corner.
“Into the garbage chute, flyboy!” – Princess Leia
Photo Credit – Star Wars Episode IV: A New Hope
But there is an additional element of control which Leia brings to her escape: her decision to travel directly to the Rebel Base on Yavin 4. Why, if Leia knew the Millennium Falcon was being tracked, would she willingly lead the Empire to the Rebel Base, the location she resisted sharing with Vader and Tarkin? For some time, I felt this was a curious move on her part, a clear flaw in her thinking. Yet, the deeper I have considered it, the more I have realized that it is the safest choice given the stakes. With Alderaan destroyed and Obi-Wan Kenobi dead, Princess Leia is left with the only choice that makes any sense: getting the Death Star schematics stored in R2-D2 to the Rebel High Command as quickly as possible. A detour to another world, or a stop to acquire a new ship, runs the risk of Imperial capture, while traveling directly to the Rebellion ensures that the Death Star information (not to mention her own life) is protected. Besides, the sooner the schematics are delivered, the sooner the Rebellion can craft a plan of attack to destroy the planet-killing superweapon.
A Beacon of Hope
Once Leia and company arrive at the Rebel Base on Yavin 4 her role in the film becomes primarily observational. While Luke Skywalker will jump into an X-Wing to participate in the impending engagement, and Han Solo will get a reward and leave before the fight begins, Leia will stand in the Rebel Command Center watching the battle unfold on display screens. Admittedly, it is a bit odd that with the Death Star approaching and preparing to destroy the Rebel Base, Leia (along with others) choose to stand-around watching rather than evacuating. On some level, this sorta gives away what we know the inevitable outcome of the battle will be: the Rebels will win and the Death Star will be destroyed.
On another level, though, that Leia remains in the Command Center puts the final stamp of bravery on her fearless nature. With the Death Star approaching and preparing to destroy Yavin 4, it is conceivable that the Princess was asked (perhaps even ordered!) to evacuate before the battle begins, her safety and importance to the Rebellion being tantamount. Instead, by remaining, Princess Leia reveals once more that she is the very heart of the Rebel cause, a beacon of hope for the Rebel soldiers fighting the Imperial war machine. She may not be in an X-Wing or Y-Wing fighting the battle, nor giving orders as a General, but Leia’s stoic presence in the face of imminent death testifies not only to her personal resolve, but also the resolve of the Rebel Alliance.
Given her status and importance to the Rebellion, it is unsurprising that Princess Leia is the one to bestow medallions upon Luke Skywalker and Han Solo following the Battle of Yavin. With the Death Star destroyed, the two men (accompanied by Chewbacca) will march down the center of a great hall, flanked on both sides by the entire assembly of Rebels on Yavin 4. Arriving at the bottom of a staircase, the trio ascend the steps until they are standing before, albeit slightly below, the magnificently dressed Leia. This is the only point in the film in which Leia has changed clothing, and she is now without the iconic hair “buns.” Wearing a gown, with her hair in a braided updo and jewlery drapping her neck, Leia now, officially and formally, looks like a Princess. Never-the-less, while she is resplendent in her royal attire, we also know that there is far more to her than meets the eye, and that what makes Princess Leia truly regal is her considerable fearlessness and capacity for hope in the face of overwhelming odds.
Gif Credit – Star Wars Episode IV: A New Hope
I’ve joined forces with some other exciting bloggers and YouTubers – Nancy and Kathleen of Graphic Novelty2, Rob of My Side of the Laundry Room, Kiri of Star Wars Anonymous, Kalie of Just Dread-full, Mike of My Comic Relief and Green Onion of The Green Onion Blog – for a little salute to “Fiction’s Fearless Females.” Starting on International Women’s Day and going forward over the next couple months, a different contributor will offer their take on a favorite female who harbors a fearless spirit. Click on the links below to read about the other women being profiled.
From a hidden base,
Rebels led by Jyn Erso
kicked ass and stole plans.
Star Wars: A New Hope “Rebellions are built on hope.” Jyn embodies hope.
Haikuesday is a monthly series on The Imperial Talker, a new post with poetic creations coming on the first Tuesday of each month. The haiku topic is chosen by voters on Twitter so be sure to follow @ImperialTalker so you can participate in the voting. Now, check out these past Haikuesday posts:
When the new Star Wars ComLINKS topic for October 2017 – Favorite Musical Score – was announced over at Anakin and His Angel I knew I had to jump in and participate. For a while now, I have been thinking about writing a bit more about the music that accompanies Star Wars, the iconic compositions of John Williams that give the original trilogy gravitas and have also influenced other Star Wars composers. It is safe to say – and really a no-brainer – that without the music of Williams, Star Wars would be much different. But I will leave a larger conversation of the music of Star Wars to another person, or at least save it for another occasion. For now, with the ComLINKS topic in mind, I am excited to share my thoughts/feelings on Favorite Musical Score in Star Wars. And, of course, it’s “The Imperial March (Darth Vader’s Theme).”
The word “theme” is appropriate here because, let’s face it, I consistently return to The Empire Strikes Back to discuss my favorite aspects of Star Wars. It should really come as no surprise, then, that my favorite score would also come from my favorite Star Wars film. Naturally I love Star Wars across the board, but my deep affection for The Empire Strikes Back – embedded within me as a child – is the true grounding of my Star Wars adoration. That being the case, the issue at hand is not that my favorite musical score comes from The Empire Strikes Back, but rather, why is this particular score from the film’s soundtrack my favorite and not another?
To be entirely blunt, “The Imperial March (Darth Vader’s Theme)” is my favorite score because it is established as the de facto anthem of the Galactic Empire. As a child, I was fascinated by the Empire, having a “Casterfoian” (google “Casterfo”) interest in the baddies of the Star Wars universe. While I knew the Empire was evil, and I celebrated the destruction of the Death Star in A New Hope with the Rebels, The Empire Strikes Back introduced me to a different way of viewing/experiencing the Empire. No longer were they simply the bad guys with a massive moon-sized space station but, instead, they were the bad guys who had Probe Droids, Super Star Destroyers, Imperial Walkers, Snowtroopers, TIE Bombers, and more. Even though they took a big hit in A New Hope, these baddies were anything but knocked out, and still had the means to level a crushing blow to the Rebel Alliance on the planet Hoth. And, to top it off, the Empire now had distinct piece of music – doubling as the theme for the villainous Darth Vader – to capture their harsh, galactic reach.
To this day, the raw power of “The Imperial March” continues to captivate and hold me not only because it originates in The Empire Strikes Back, but because I have come to appreciate it on a deeper level. As a child, I was unaware that the piece was influenced by Chopin’s “Funeral March” and Gustav Holst’s “Mars, the Bringer of War.” And yet, today, I am equally captivated by these pieces, all thanks to my childhood enjoyment of the Empire/Vader’s powerful anthem. Plus, this is also the case with a number of others scores from Star Wars, my enjoyment of these leading me to a more profound appreciation of other classical pieces.
At the same time, while “The Imperial March” is laced with childhood meaning and has led me to its musical influences, it also continues to be a piece that, quite frankly, captures me and takes hold each time I hear it. The repetition of the strings in the opening riff, crisp and dark (thanks to it being in a minor key), captures my attention until the brass presents the iconic melody in the fifth bar, gripping me with its clear-cut strength and power. Having washed over me like a wave in a storm, there is no escape. The moment I hear the opening to “The Imperial March,” and the iconic brass melody which serves as a leitmotif for Empire and Vader has begun, I must continue to listen. It would be wrong to turn around, to stop the March from moving forward. And so, no matter the situation, I will always let “The Imperial March” continue…
…which is, in a very real sense, the point of the piece. “The Imperial March” is aptly named because it perfectly encompasses the forward progress of the Galactic Empire, a progression which is difficult to stop. The Empire, wounded as it was at Yavin IV, continues its march of terror, death, and destruction. And, of course, Darth Vader spearheads the Imperial march across the galaxy, hunting down those who wish to stop the Empire. But it cannot be stopped, it will not be stopped, and it is futile to even try.
Speeding down the Death Star trench in his X-Wing Starfighter, pursued by the villain Darth Vader, Luke Skywalker does something unexpected: he turns off his Starfighter’s targeting computer. Rebel leaders question Luke’s decision, asking him if something is wrong, but the young man responds simply and directly. “I’m alright,” he states, no further information provided. Nor could he provide explanation if he wanted, as time is of the essence and the reasoning for his decision, quite frankly, defies reason.
Only moments before turning off the computer, the tension in A New Hope’s climactic battle was amplified by conditions outside of Luke’s control. Leading his compatriots – Wedge Antilles and Biggs Darklighter – “full throttle” into the Death Star trench, the farm boy-turned-Rebel pilot soon finds himself alone. Taking a critical hit to his fighter, Antilles is ordered by Luke to pull out of the trench while Darklighter, a childhood friend whom Luke only just reconnected with, is killed. Already filled with anxiety that the audience and Rebel leaders alike could hear in his voice, Skywalker is now faced with the responsibility of destroying the planet killing Death Star entirely by himself.
Anticipation continuing to mount, the distance to his target seeming to close at an incredibly slow pace, Luke suddenly hears the voice of his recently deceased mentor Obi-Wan (Ben) Kenobi. Speaking from “the beyond,” the old Jedi Master tells the young pilot to “Use the Force.” Confused, Skywalker continues to look through his targeting computer apparatus only to be implored by Kenobi to “let go” and to “trust me.” Finally understanding, he switches off his computer.
Luke Skywalker looks through his targeting computer.
Photo Credit – Star Wars Episode IV: A New Hope
That Luke responds to Kenobi by turning off the computer is unexpected because one would anticipate that defeating the technological monstrosity that is the Death Star should require some form of technological assistance. After all, in order for the Rebel pilots to destroy the Empire’s “ultimate power in the universe” they must travel down a trench and fire their proton torpedoes with precision into an exhaust port that is only two meters wide. In turn, as the climactic battle unfolds, the audience is periodically allowed to witness the targeting system on the Death Star AND the targeting systems on the Rebel fighters, a cinematic maneuver which works to heighten tension. The entire battle is, in a very real sense, a race against time to see which side can be the first to use their technology to target and destroy their enemy, something we are constantly reminded of through A New Hope’s final act.
On this point, it’s worth remembering that Red Leader, commander of the Alliance X-Wing force, and presumably the best X-Wing pilot in the battle, does fire a torpedo shot at the Death Star’s weak spot using his targeting computer. In keeping with the film’s narrative, these torpedoes miss the mark so that Luke could lead his own deadly trench run. And yet, Red Leader’s miss is important for another salient reason: it shows that even relying on available technology does not guarantee success, and if Luke is to be heroic,he will also need to rely on a great deal of luck. Or, something far greater than luck.
Rather than depending upon on his artificially constructed computer to show him the target, or hoping he somehow gets lucky, Luke heeds Kenobi’s words to use the Force, the immanent and mystical energy field that pervades the galaxy. After only a moment of hesitation, Skywalker takes a leap of faith, believing he will succeed by relying on that which, we know, he has only begun to explore. Only days before this moment Skywalker knew absolutely nothing about the Force, nor was he aware of his strong connection to it. Now, at this most critical of moments, when failure is not an option, where the fate of the Rebellion and galaxy rest son his shoulders, the young pilot defies all logic by allowing himself to succumb to the ebb and flow of this mysterious Force. In this unexpected moment, precisely because he gives himself over to something greater than himself – or technology, or reason, or luck – Luke Skywalker takes a giant step forward into a realm of possibility more profound and amazing than he, or even we, could have imagined. And in doing so he becomes the hero he was always destined to be.
I’ve been thinking a lot about Han Solo lately. No, not the Han Solo movie, but the man we first meet in A New Hope. From his first appearance in the Mos Eisley Cantina, Han Solo is established as a cocksure, braggadocious, greedy, self-involved, loner whose only priority in life is himself. After all, from a purely symbolical angle, there is a reason his last name is “Solo” and it is hardly coincidental that a bounty hunter named “Greedo” confronts the Captain. Time and again throughout A New Hope, these qualities are reinforced, Solo’s words and actions proving that his instinct for self-preservation can only be superseded by the desire for a little extra money. As we know, the only reason Solo agrees to help free Princess Leia from the clutches of the Empire is because she is rich.
I could, of course, go on and list every moment Captain Solo acts self-involved and greedy in A New Hope but I really don’t need to. You’ve all watched the film enough to know that, at his core, Han Solo embodies all of these qualities. But what makes these qualities stand out even more is the backdrop of A New Hope, the overarching story about a small band of Rebels struggling to free the galaxy from tyranny and oppression. From the very start of the movie, we know what these Rebels are up against: a massive, technologically powerful Empire that will stop at nothing to maintain complete control over the galaxy. The juxtaposition between Rebellion and Empire is clear and obvious as A New Hope unfolds, and is made all the more poignant when we see the size of the Empire’s Death Star battle station and its planet destroying capability.
Solo, speaking with Luke Skywalker, loads his reward while the Rebels prepare for battle. Photo Credit – Star Wars Episode IV: A New Hope
When the narrative-arc of A New Hope finally leads the audience to the Rebel’s hidden base – which the Empire has been searching for – setting up the battle that will determine the fate of the galaxy, Han Solo wants nothing to do with the Rebels or the mammoth task that awaits. But this is hardly a surprise, he had only ever been in it for the money. In fact, it is fitting that while the Rebels scramble around a hanger, preparing to fight for their survival and for the fate of the galaxy, Han Solo is standing in plain sight with the money he was promised. Approaching Solo, Luke Skywalker implores the smuggler to join the Rebel cause, to lend his skills as a pilot to the fight that is about to begin. Solo’s reply fits his character perfectly:”What good is a reward if you ain’t around to use it? Besides, attacking that battle station is not my idea of courage. It’s more like, suicide.” In a sense, this single line encapsulates the greed and self-preservation of Han Solo, his need to take care of himself.Implored by the hero of the story to join the Rebels, Han Solo flatly rebukes Skywalker, proof that he values himself and his money more than the lives of others, even those he would call friends.
So, the climactic engagement begins, the Rebel allies fighting against all odds to destroy the Empire’s planet-busting battle station. As one would expect, the Rebels fail time and again to destroy the station, leading to the final “attack run” led by the young Skywalker. A wing-man killed, another abandoning the attack due to damage on his fighter, and his droid partner destroyed, Skywalker finds himself alone as he speeds down a Death Star trench to deliver his payload of torpedoes. Just as Skywalker is about to be destroyed by the villain, Darth Vader, a shot rings out that destroys one of Vader’s own wing-men, a shot fired by Han Solo who comes flying in from above. Solo’s sudden presence disorients Vader’s other wing-man, the pilot slamming into his leader and causing the Dark Lord of the Sith to careen off into space. The path cleared by Solo, the young Skywalker fires the heroic shot that, only moments later, causes the battle station to explode.
Han Solo comes to the rescue, guns a blazin’ as he excitedly announces his arrival.
Photo Credit – Star Wars Episode IV: A New Hope
I have often thought about the fact that Solo – cocksure, braggadocious, greedy, selfish – arrives at just the right moment to help Skywalker defeat the Empire. Narratively it makes perfect sense, just the right amount of tension building until, out of nowhere, the suave smuggler – whom we thought had given up on the Rebels – swoops in to assist the film’s young hero. But what we don’t get in the story is the reason for Han Solo’s change of heart, his internal thoughts about why he puts himself at great risk – something so counter to his life philosophy – to help Luke and the Rebels. Then again, I think it better that Solo’s change of heart not be over-explained. In a way, it is far more powerful to imagine what Han might have been thinking, for each audience member to fill in the gaps for her/himself.
But what we should not lose sight of in our personal speculating is the reality that in choosing to help Luke and the Rebels, Han Solo acted selflessly. Putting aside his penchant for self-preservation and ignoring the reward he was given, Solo had the audacity to give his life to a cause greater than himself. In doing so, Han Solo became a hero.
And so, as I think about Han Solo, I cannot help but consider the lesson we can learn from his act of selflessness. After all, as a form of modern-day myth, it is not enough for Star Wars to just entertain us. Rather, as myth, it is necessary for Star Wars to show us how we must live as part of a community and world, as part of something greater than ourselves. And what Han Solo teaches us is exceedingly necessary, especially in our consumer-driven and selfie-obsessed culture. Just as Han has a change of heart – putting his riches and life aside for the sake of others – so too must we do the same in our daily lives when the opportunities arise. We can, each one of us, be a hero, going beyond ourselves to assist our local communities, our nations, and our world. It is not enough to just sit back and enjoy the spoils of life and only look out for ourselves. No, like Han we are called to use our individual skills and join the cause of destroying the “Death Stars” of our time: homelessness, poverty, hunger, oppression, racism, sexism, homophobia, Islamophobia, Antisemitism, warfare, genocide, nuclear proliferation, and more.