Aftermath

A Stirring in the Force

In one of the Interlude chapters in the novel Aftermath: Life Debt, author Chuck Wendig takes the reader back to Maz Kanata’s castle on the verdant world of Takodana. While Kanata and her castle/world have appeared in a spattering of stories since she was first introduced in The Force Awakens, she has otherwise not received greater treatment in the Star Wars canon. Her unmistakable absence has left me disappointed since what we learn about Kanata and her connection to the Force in The Force Awakens is incredibly fascinating. Still, I know that her story will eventually receive a much larger treatment – I shared my own idea for a story that would suite her in a previous post– and in the meantime smaller stories like the Interlude in Life Debt satisfy my need to know more about her. 

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The cover of Life Debt.
Photo Credit – Del Rey Books

Now, while I am happy that we are given this glimpse of Kanata in Life Debt, the Interlude also includes a rather peculiar remark which Kanata voices about the state of the Force. It is an otherwise subtle comment, coming on the last page of the chapter after she handles a minor situation that unfolds in the fortress she calls home. Standing on a parapet of the ancient castle, she is approached by the droid 8D9 who tells Kanata that “Peace has returned to the Castle.” In turn, Maz states the following:

“Good, good, good. Still. Peace has not returned to my heart. Something is off balance. Some stirring in the Force has made the water turbid. Hard to see. But I think it best we be prepared.”

What is so strange about this comment, what made me immediately stop reading the novel and left me in deep contemplation, is the phrase “Something is off balance.” Given that she follows this by saying there is “some stirring in the Force,” it is obvious that Kanata is referring to the Force being off balance. But what makes this so odd is the timing of her statement, coming only a handful of months after Anakin Skywalker – redeemed by his son Luke – fulfilled his prophetic destiny as the one who would bring balance to the Force. The entire trajectory of Anakin’s life, guided at times by the Force and at other times by his own feelings and actions, led him to that moment aboard Death Star II where the balancing act would finally be completed. It was not the first action towards fulfilling the prophecy, but it was, so far as Star Wars lore is concerned, the last.

Again, this is what makes Kanata’s statement so strange. How can it be that the Force is already stirring, that Maz Kanata can sense that the Force is off balance when the Chosen One literally just completed the balancing act? This question has bugged me ever since my first reading of Life Debt, and while a handful of explanations/ideas have been floating around in my mind, some way of reconciling what she says with the reality of Anakin’s actions has eluded me. For the life of me I just can’t figure it out, at least not in any crystal clear way. Of course, it would be simple enough to just ask Chuck Wendig for an explanation, but going to the author for answers isn’t how I tend to roll. Besides, I am sure Wendig is a busy guy, and he surely has better things to do than answer every question/comment a reader throws his way. But I digress…

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Kanata sits at a table in her castle.
Photo Credit – Star Wars Episode VII: The Force Awakens

Basically, I think the simplest explanation is the one that probably makes the most sense: Kanata’s senses are correct, the Force feels off balance to her because it is off balance, a result of whatever is “stirring” within the mystical energy field. But beyond Kanata telling the truth, we really cannot extrapolate a great deal, there is just not enough information to help us understand the relationship between Anakin’s balancing act and the Force being off balance once again. While we cannot understand that relationship we can, however, acknowledge that if Kanata is correct then Anakin being the Chosen One and balancing the Force is called into question. Is it possible, we must ask, that Anakin did not actually balance the Force in Return of the Jedi? Or, if he truly did balance the Force, what could have caused the Force to be off balance right after he had fulfilled his prophetic destiny? And on this point, are we as fans okay with this new imbalance to the Force knowing that it runs the risk of undermining the fundamental lore at the very heart of the six Star Wars films George Lucas created? Or, is there potential for this new imbalance to add to that lore in a way that honors and expands, but does not detract from, Lucas’ original vision and story?

Continuity Crisis on Kashyyyk

Having recently finished reading Chuck Wendig’s novel Life Debt, the latest addition in his Aftermath trilogy which chronicles events taking place after the Battle of Endor, I felt compelled to write a reaction to the novel. Or rather, I felt compelled to write a reaction to a particular element in the novel, namely, the way(s) in which Wendig masterfully describes the suffering of the Wookiees and their home-world of Kashyyyk. Momentarily, I will share some of these details with you, and in doing so, I hope I am able to paint an equally worthy picture of devastation and enslavement.

But before I begin, I want to note two things. First, if you have not yet read Life Debt and do not want it to be spoiled, I would encourage you to stop reading and check it out. While I do not intend to provide a great deal of spoilers, they will never-the-less be present in the post.

Secondly, and perhaps most importantly, what I am presenting about the imagery in Life Debt is also going to lead to a rather embarrassing continuity issue (hence the name of the post). While I recognize it is slightly annoying for me to say this and not tell you what that issue is right here and now, I promise that the reason I am making you wait is worthwhile. Read on and you will see what I mean.

A Vibrant World, Enslaved

To begin, it’s worth noting that Wendig goes to great lengths in Life Debt to provide an image of life on Kashyyyk before the Empire, often doing so in subtle ways to help the reader recognize that the world was once a lush and thriving place. As a reminder, we see the vibrant Mid-Rim world for ourselves in Revenge of the Sith when the Separatists invade and Master Yoda leads the Republic’s 41st Elite Corps in defense of the Wookiees. Wendig wonderfully captures the same imagery we see in the film, expanding and adding new dimensions to it. When, for example, Han Solo and his allies approach Kashyyyk, it is described as “a green, verdant planet” with “snowcapped mountains and snaking rivers leading to oceans of dark water.” Most notably though, the forests of Kashyyyk particularly  stand out to the characters in the book, “the clouds swirling above the atmosphere” having “to swirl around and through the [giant wroshyr] trees.”

Of course, the planet is not only described from a distance, but also when the characters arrive there and start working towards freeing prisoners and liberating the world. Added to the imagery, then, is a world that was once teeming with life, specifically Wookiee life Incredible Wookiee cities, such as the city of Awrathakka, are depicted as being built in and around the “skytower-like wroshyr trees – trees whose trunks are of an unimaginable circumference.” Further, the symbiotic relationship the Wookiees had with these trees is noted, a “sacred and biological” bond grounded in care. The trees provided nourishment and shelter, enabling the arboreal lifestyle of the Wookiees. In return, the creatures tended to the life of the trees, building their cities in a way that followed “the bends and turns of the trunk,” a clear sign of the respect the  Wookiees showed the magnificent lifeforms.

Sadly, Life Debt describes in even greater detail the devastation Kashyyyk and its Wookiee inhabitants have endured under Imperial rule. Under the protection of an Imperial blockade, Kashyyyk – classified G5-623 by the Empire – is “an occupied world,” “a prison planet.” The Wookiees, we learn, were corralled into labor camps and used as slaves, their impressive size and strength a valuable resource for the Imperial war machine. In fact, in the first Aftermath novel, we learn from Han Solo that the Wookiees were utilized in the construction of both Death Stars. A sad but unsurprising discovery. While Wookiees are shipped off-planet to work on military projects around the galaxy, the vast majority were kept in the camps on planet, forced to participate in the slow destruction of their native world.

One camp in particular is depicted in Life Debt, Camp Sardo. Home to 50,000 Wookiee slaves, the camp is built at the base of the wroshyr tree to which Awrathakka clings. There, like so many other camps that litter the planet, the prisoners toil under the harsh yoke of the Empire, digging into the roots of the tree for its wood and harvesting crystals from its fungal nodes. Additionally, Wookiees in this and other camps are also forced to grow food for the Empire, to fight for entertainment, are bred to keep up the labor population, and even subjected to chemical and medical experiments.

Moreover, we also discover that the Wookiees are kept in check with the use of inhibitor chips placed on the  back of their necks, devices which keep them docile. These chips give a powerful shock to any Wookiee attempting to escape a camp, a shock that could prove to be fatal. Plus, since the Wookiees are family-oriented, any disobedience may harm not just the individual, but members of their family as well. In these ways, the Empire keeps their slaves from revolting.

Still, we know that at least one Wookiee revolt took place about four years prior to events in A New Hope. This is not mentioned in the novel, but rather is an incident detailed in a short HoloNet News report. In it, the reporter explains that a Wookiee revolt was quelled by the 212th Attack Battalion, with tighter restrictions on travel to the planet being put into place by the Imperial overlords. Of course, the report is an obvious form of propaganda, making it difficult to say if the newscaster is telling the entire truth. Still, we can presume that whatever happened would have forced the Empire to use even harsher measures against their slaves (perhaps this is when the use of inhibitor chips began) and Life Debt makes it clear that eight years later, any chance of another Wookiee revolt has been ended.

A Crisis of Continuity

As I said at the outset, Wendig paints a fantastic, albeit incredibly bleak picture of the Wookiees and their beloved Kashyyyk. A world that was once vibrant – vibrancy we can actually see in Revenge of the Sith – is all but devastated. The barest glimmer of life still clinging to the branches of the splintering wroshyr trees; the native Wookies, “slowly being ground to dust” as Princess Leia declares in the novel. As I read Life Debt, I was profoundly moved by this imagery, saddened by the Empire’s flagrant destruction of Kashyyyk, disturbed by the harsh and murderous treatment the Wookiees must endure. In this way, Life Debt did what good storytelling should do, forcing one to dig deeper and mine the depths of their own being, thinking about ways that in our own world we might alleviate the suffering of others. The Wookiees and their world might be fictitious, but their plight should motivate us to want to help those who are also in need.

And yet, all of the devastation and plight in Life Debt, the detailed imagery of destruction and enslavement, doesn’t line up with what is depicted in Issue #005 of Marvel Comics Chewbacca series. In fact, to be entirely blunt, not only does the description of Kashyyyk and the Wookiees in Life Debt not line up with what we see in Chewbacca #005, the two canonical sources are just flat-out contradictory.

I won’t provide an overview of the entire plot of the Five-Part Chewbacca series, but I will note that the premise revolves around a personal mission Chewbacca undertakes sometime after the destruction of the First Death Star. In short, Chewie is heading to Kashyyyk so he can deliver an item to a young Wookiee. And, after an adventure on another world, Chewbacca does just that, flying an A-Wing Starfighter right up to his home-world, a world that is clearly NOT under Imperial blockade. Landing safely in a thriving city among healthy looking wroshyr trees, Chewbacca interacts with many Wookiees, all of whom are quite obvious NOT enslaved, no inhibitor chips stuck to their heads. Plus, to top it off, in the very final panel of Chewbacca #005, the Millennium Falcon descends to the planet with quite ease, no Imperial ships in pursuit.

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Chewbacca travels to Kashyyyk, landing safely on the planet.
Photo Credit – MARVEL Comics: Chewbacca #005
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Landing safely, Chewbacca makes his way through a Wookiee city.
Photo Credit – MARVEL Comics: Chewbacca #005

Since finishing Life Debt, I have struggled to reconcile these two disparate versions of Kashyyyk/the Wookiees which have crept into the Star Wars canon. When  I have wrestled with continuity issues in the past, I’ve attempted to smooth over the differences in some logical way while staying true to the source material. However, in this case, the powerful depictions of suffering in Life Debt differ so starkly from the warm and colorful panels in Chewbacca #005 that I am at a complete loss. I honestly cannot figure how to make the two versions work together. Then again, coming up with a fix is purely a thought experiment on my part, one that would not carry any weight unless the Lucasfilm Story Group were to adopt my idea(s). And speaking of the Story Group, the body tasked overseeing the content of the Star Wars canon, I have to ask:

How did they miss this continuity issue?

Frankly, I think Star Wars fans deserve an explanation about why two contradictory versions of Kashyyyk and the Wookiees were allowed to enter the Star Wars canon. While I understand that small errors can and will be show up, an inevitable side-effect of having numerous story-tellers adding to a fictional universe, when far more obvious errors like this one appear, then someone on the Story Group (or at Lucasfilm in general) needs to come forward and at least acknowledge the mistake. Plus, as a fan, I want reassurance that the cohesive and unified story being told will not have these problems in the future, particularly since I spend a lot of money on books, novels, games, movie tickets, etc. Otherwise, I have to be honest: if more and more major continuity issues start showing up, my enjoyment of the canon won’t just diminish, but I will seriously consider closing the door on my Star Wars fandom.


Addition: Having conversed with a number of people about this piece, including a member of the Story Group, I am working on a follow-up which will be posted here in the coming weeks. Stay tuned! 

Heir to a Criminal Empire

When I saw The Clone Wars movie for the first time, I was profoundly struck by the fact that Jabba the Hutt had a child – Rotta the Huttlet. This unexpected fact immediately added a whole new dimension to the notorious crime lord. No longer was he just the King of the Star Wars underworld, driven only by the desire for profit, power, and prestige. Instead, he was also tender and caring, a parent who loved his Huttlet and would stop at nothing to protect his “pedunkee mufkin” (punky muffin).

When Rotta is kidnapped at the film’s outset, Jabba sends bounty hunters to track down his child and the culprits. When the heads of the bounty hunters are returned without their bodies, a desperate Jabba turns to the Republic/Jedi and Separatists/Count Dooku for help. For Jabba, the return of his son is far more important than the perception of weakness asking for help might create. In turn, one of the most truly genuine expressions of affection in all of Star Wars – at least in my opinion – comes when Rotta is returned to his father. I am always moved by the scene, overcome by Jabba’s voice, his expression, his sheer joy and obvious relief when he sees that his  “mufkin” is safe. You can FOLLOW THIS LINK to watch the scene for yourself, and while you might not have the same experience I have, I think you will at least see understand what I am saying about Jabba’s joy and relief. Plus, Rotta is also clearly relieved when he is back in his father’s arms, a happy child with his equally happy father.

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Rotta the Huttlet is returned to his father, Jabba the Hutt.

Photo Credit – Star Wars: The Clone Wars (movie)

So what has become of the adorable Huttlet from the The Clone Wars movie? Well, I have no idea. Since his introduction in the film, Rotta has been an otherwise invisible character in Star Wars. After I saw the movie, I was certain that Rotta would be making a number of appearances throughout the Star Wars canon, that his character would be expanded. Instead, Rotta appears in just one episode of The Clone Wars  (“Sphere of Influence”), he received an indirect mention in the episode “Hunt for Ziro,” and has a couple of mentions in a handful of Star Wars reference books. And that is it. I keep expecting him to show up somewhere else in the canon, but as time goes on, my optimism that he will reappear has started to wane.

And this really REALLY bothers me. Rotta is the heir to Jabba’s criminal empire for crying out loud!!! HOW IS THAT NOT A BIGGER DEAL!?!?! Unless Rotta died before the events of Return of the Jedi, the young Hutt HAS to factor into the Star Wars universe again. Period. End of story.

As it stands right now in the post-Return of the Jedi universe, the death of Jabba not only created a power vacuum in the criminal underworld, but it threw the Hutts into chaos. In the novel Aftermath, for example, we learn that although Jabba has been dead for months, the Hutt Council had not yet determined his successor. Given this small fact, it would hardly be surprising if the reason Jabba’s replacement had not been determined was because the most dominant and influential Hutts were fighting among themselves, concerned only for their individual self-interests. The thing is, Jabba already has a successor who can take his place on the Council, which leads me to wonder if the Hutts had not yet “chosen” a successor because they didn’t want to give Rotta the seat. With Jabba dead, it is likely that other Hutts wanted to deny Rotta the power his father had, and keeping him from the Council is one way to do this. Moreover, with the godfather dead, and his son still young, many Hutts would assuredly try to move quickly to assimilate Jabba’s holdings into their own. Again, a way of denying Rotta his rightful power/wealth while bolstering their own.

Of course, I cannot say with certainty how the Hutts have acted after Jabba’s death because there is such little in the canon to work from. Regardless, my point is ultimately that in the wake of Jabba’s demise, no matter what  the situation really looks like, Rotta should be  the one to step up and take over his father’s legacy. Honestly, think about the potential Rotta offers the post-Return of the Jedi canon. His father dead and the Hutt Clan in chaos, the young Hutt – just a teen in Hutt years – could begin his own rise to power in the underworld, ruthlessly reorganizing the entire Clan. You heard me: ruthless. This wouldn’t be the cute and adorable Huttlet we meet in The Clone Wars movie. Oh no, this would be a Hutt who had started learning the tricks of his father’s trade, who was being groomed to eventually take over the family business – and the family business is deadly. That said, I am picturing a scenario where Rotta orders the execution of the remaining members of the Hutt Council, a way of showing all other Hutts that he is in charge and that you do not cross him. How intensely cool would that be!?!?!

But rebuilding his father’s empire and becoming the top Hutt isn’t the ONLY story worth telling about Rotta. No, there is another layer to this story, a deeper one that could help drive Rotta’s ruthless nature – a desire for revenge, a desire to kill the one called “Huttslayer.” I am referring, of course, to Leia, the term “Huttslayer” being given to her by members of the Nikto species in the novel Bloodline. Since we learn in the novel that a recording of Leia killing Jabba exists, and that the Hutts are in possession of all but one copy, there is every reason to believe that Rotta would have eventually watched the video. In turn, it is hardly far-fetched to imagine a scenario where Rotta seeks to bring Leia to justice – “Hutt justice” – and make her suffer for killing his father. In fact, while I know a lot of people will undoubtedly disagree with this, I am even open to Rotta getting what he wants – the death of the “Huttslayer.” Will that story actually happen? No, of course not, but that doesn’t mean I am closing the door on the idea. Good storytelling needs unpredictable and difficult moments, situations so gut-wrenching that you are not only repulsed but you can’t stop yourself from wanting to know what happens next. To me, that is what Rotta killing Leia would do, it would punch us in the gut, totally changing the trajectory of the Star Wars universe, but we wouldn’t be able to turn away because we would HAVE to know what happens afterwards. 

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Leia becomes the “Huttslayer,” killer of Jabba.

Photo Credit – Star Wars Episode VI: Return of the Jedi

In fairness, I am not saying a story involving Rotta going after Leia would HAVE to end this way. Hell, maybe following the events that will transpire in Episode IX, Rotta seeks justice in a Republic court, bringing Leia to trial for killing his father. The possible outcomes are limitless! Still, my point is ultimately that a story involving Rotta and Leia SHOULD happen, if only as a way to get Rotta back into the Star Wars canon. Then again, Rotta should already be a bigger factor in the canon. Frankly, Rotta’s absence isn’t just confusing, to me it is outright pathetic, a clear sign that after he was invented as a plot device in The Clone Wars movie, no one really knew what to do with him. Well, I know what to do with him. Disney/Lucasfilm can just give me a call and I will get Jabba’s “pedunkee mufkin” back into the fold, following in his father’s footsteps as the King of the Star Wars underworld. 


Check out these other Hutt Week posts:

The Imperial Talker Presents: Hutt Week

Hutts: Galactic Gangsters

Hutt Week: “Cute” Jabba the Hutt Merchandise (by Jenmarie from Anakin and His Angel)

Jabba the (CGI) Hutt

Why Ziro’s  My Hero (by Andrew – @AndrewinBelfast)

A Man in Debt to a Hutt (by Michael Miller)

Hutt Haiku Poems

The Hutts of Mataou

Hutt Profile: Gardulla

Hutt Week: A Conclusion