A New Hope

Han Shot First

Standing on a cliff overlooking one of Savareen’s oceans, Han Solo aims a blaster at Tobias Beckett, his mentor-turned-adversary. It was Beckett who gave Solo the opportunity to flee the frontlines of the Imperial army and join his crew. As they worked together, traveling from Mimban and Vandor to Kessel and now Savareen, Beckett bestowed his vast knowledge of a scoundrel’s life on the young Corellian, offering insights into how to survive and thrive in the galaxy’s dark underworld. Now, on this sandy, wind-swept cliff the two square-off: Beckett attempting to flee with the coaxium the crew stole and Solo attempting to stop him.

Engaging in conversation, Solo explains to his “buddy” that he came as quickly as he could. Beckett in-turn goads the young man, explaining that Qi’ra, Solo’s childhood friend and romantic interest who joined them in stealing the coaxium, is a “survivor” and out to protect herself, not Han. To this, Solo tells Beckett that his problem is that he believes everyone is like him, but Beckett admits to Han that “you’re nothing like me.” It is at this point that Beckett slowly puts his finger on the trigger of the gun he holds in his hand. Distracting Han, Beckett emphatically states that “I hope you’re still paying attention because now I’m gonna tell you the most important…”

…a blaster shot echoes across the landscape and Beckett, in stunned silence, falls to the ground, a hole sizzled in his chest. Running over to him, Han grabs Tobias and holds him upright. Shocked and breathing hard, Beckett compliments Solo, admitting “…that was a smart move, kid, for once. I woulda killed ya.” Moments later, Tobias Beckett dies.


While Solo: A Star Wars Story was met with mixed reviews and a disappointing box office return, I will admit that I enjoyed the film even though I had some reservations before seeing it. Frankly, I did not believe that a Han Solo origin story was necessary, especially on the big screen, and I feared that offering too much about Solo’s past would dilute the iconic character whom Harrison Ford brought to life. Yet, after seeing the movie, I found myself impressed by a number of aspects of the film, especially  those aspects which offered insight into the character we met in the Original Trilogy. This is not to say I agreed with every way Han Solo is depicted in the film, but it is to say that I appreciate many of the ways Solo: A Star Wars Story adds fascinating and obvious (and at times subtle) background to Han’s thoughts/actions in the original Star Wars films in general, and A New Hope in particular.

One such point in Solo: A Star Wars Story which does this is the scene I described above where Han Solo shooting Tobias Beckett on the Savareen cliff. That Han shot first, before Beckett could draw his own weapon, is absolutely brilliant, a clear indication that Solo really has been listening to Beckett’s advice throughout the course of the film. And tragically, for Tobias Beckett, it is his advice to Han – to always be on guard, to trust no one, to be a survivor, etc. – which turns out to be his downfall. Plus, to add to this tragic twist of fate for the scoundrel, it is the DL-44 blaster which Beckett assembled and gifted to Solo which the Corellian uses to kill his former mentor.

Alone, this scene does a fantastic job of showing that throughout the course of the movie, Han has grown considerably in his understanding of living a scoundrel’s life. He has internalized the wisdom Beckett offered, recognizing the need for constant vigilance and realizing that the decision to shoot first is the surest way to save his own skin in a dire situation. In this regard, what is equally brilliant about this scene is how it parallels and informs the infamous scene in A New Hope where the bounty hunter Greedo confronts Han Solo.

Han Shot First

The smuggler, Han Solo, whom we have just met for the first time moments before, attempts to leave the Mos Eisley Cantina but is immediately stopped by the Rodian bounty hunter and is forced, at gunpoint, to sit back down. Doing so, he and Greedo engage in a back-and-forth over Han’s debt to the gangster Jabba the Hutt, with the Rodian explaining that Jabba has “put a price on your head so large every bounty hunter in the galaxy will be looking for you…” Han, for his part, does his best to talk himself out of the predicament, even suggesting he already has the money owed to the Hutt. But this is really his attempt to stall for time and, as he and Greedo talk, he slowly removes the DL-44 blaster from his holster. Taunting the smuggler by saying Jabba may only take his ship, Han adamantly declares that Jabba will take the ship “over my dead body.” With this, Greedo admits that he has “been looking forward to this [killing Han] for a long time.”

“I bet you have,” Han replies and without hesitation shoots Greedo, the bounty hunter’s body slumping forward onto the table.

To me, it seems rather obvious that the standoff between Solo and Beckett in Solo: A Star Wars Story was crafted with the Cantina scene in mind. The parallels are clear, even if the context for both confrontations are different and Han Solo’s role in both situations are flipped. Consider the following:

  • Greedo confronts Han at gunpoint in the Cantina; Solo confronts Beckett at gunpoint on the cliff.
  • Greedo holds his blaster in his right hand; Solo holds his blaster in his right hand.
  • Han stalls for time, forcing Greedo to maintain eye-contact, while making a move for the holstered blaster on his right hip; Beckett stalls for time, forcing Solo to maintain eye-contact, while moving his finger onto the trigger of the blaster he holds by his right hip.
  • Han shoots first, killing Greedo; Solo shoots first, killing Beckett.

On the surface, the scene on the Savareen cliff is meant to mirror the Cantina scene. However, if we dig down a little, one recognizes that the standoff between Solo and Beckett can inform Han’s confrontation with Greedo. We can now read a new layer into the Cantina scene and assume that Han knows he has been in this type of situation before, albeit in reverse. Staring at Greedo across the table, Han must recognize that just as he shot and killed Beckett years before, Greedo will do the same unless he acts to save himself. And surely Han knows he has an advantage which his former mentor did not: his own blaster is out of view, below the table he and Greedo sit at. Beckett’s blaster, though, was out in the open, and Han could keep his eye on it even as he listened to Tobias. This was why Han shot first, killing the man before Beckett could act. Later, in the Cantina, Han does exactly the same, carefully drawing his DL-44, not allowing Greedo to notice his movements, taking aim and firing the first shot, ending the Rodian’s life.

Ultimately, it is this parallel, that Han shot first, which is what truly makes these scenes work in tandem. I am certainly aware, of course, that the Cantina scene has been changed over the years, with one edit having Greedo shot first and Han second, and more recently another showing Han and Greedo firing at the exact same time. Frankly, I just ignore these edits and dismiss them outright. The original version of the Cantina scene is all that matters to me, nay it is the only version that makes sense to me because it affirms that he is a man who is in control of his own destiny, a man who will always act first and foremost with his own interests and self-preservation in mind.  And frankly, I am confident that the original version of the Cantina scene was all that mattered to the writer(s)/director of Solo: A Star Wars Story as well because, as he stood on the Savareen cliff, Han Solo was also in complete control and, when the moment for action arrived, it was Han, and not Beckett, who shot first.

U-3PO: The Other Protocol Droid

Knowing that I am fanatical in my love of Star Wars, a friend recently asked me a pretty unsurprising question about A New Hope. The question was this:

“What’s the name of the other protocol droid following R2-D2 and C-3PO at the beginning of A New Hope?”

Answer: U-3PO.

My friend then followed-up with a pretty obvious second question:

“What happened to U-3PO?”

Answer: Hell if I know.

Seriously, I have absolutely no idea. All I can tell you about the silver plated U-3PO beyond it’s name – which it officially received in the 1995 Star Wars Customizable Card Game – is that U-3PO follows the other two droids down a corridor in the Tantive IV before turning off into a different room. Then again, you could have figured that out yourself. What happened to U-3PO once it disappeared from view is a mystery. Admittedly, it is a mystery that has periodically popped into my mind. And if I had to take a guess, I would assume U-3PO was either “…sent to the spice mines of Kessel or smashed into who knows what!” Why? Well, honestly, if I have to explain it I’ll be taking the fun out of allowing you to figure it out for yourself (just re-watch the opening of A New Hope).

So the point is this: U-3PO is just the other protocol droid aboard the Tantive IV and has absolutely no bearing on the events of A New Hope. And yet, I will admit that I have always been intrigued that U-3PO is present in the film for those few brief seconds. It is certainly interesting to think about what happened to the protocol droid, and I hardly think some “canonical” answer is necessary. In this regard, the imagination is good enough for me.

But in closing, I will also say this: I find it equally interesting to imagine what role U-3PO could have played in the events of the film if it had stuck with R2-D2 and C-3PO. Who knows, maybe things would have been incredibly different if there had been three droids, and not two, wandering the barren wastelands of Tatooine. 

Haikuesday: Luke Skywalker (ANH)

Tatooine farm boy.
Dreaming of a greater life.
Craving adventure.


Bad motivator.
3PO suggests R2.
“What about that one?”


As he cleans R2,
Luke stumbles on a message:
“You’re my only hope.”


Binary Sunset.
A New Hope baptized by Light.
Arise, Skywalker.


“I wish I’d known him.”
Star pilot. Warrior. Friend.
Tales of a Father.


Jawa Massacre.
Imperial Stormtroopers.
A burning homestead.


Stopped by Stormtroopers.
“Not the droids you’re looking for.”
A Jedi mind-trick.


Crossing the threshold.
The Mos Eisley Cantina.
A hero’s journey.


Baba. Evazan.
They don’t like Luke very much.
Old Ben saves the day.


With the blast-shield down
Luke is blinded by his doubts
but takes his first steps.


“The Princess? She’s here?”
“What are you talking about?”
“We’ve got to help her.”


Luke has an idea.
Han thinks it’s a bad idea.
Chewie is just mad.


“I’m Luke Skywalker.”
The hero to the rescue!
Leia is just chill.


Death Star Compactor.
A one-eyed beast tries to eat
the youthful hero.


Chased by Stormtroopers,
a hero swings a Princess
across a chasm.

Haiku Addendum:
 Princess Leia could have done
all the heroics.

Haiku Addendum:
Leia was just letting Luke
play the hero part.


Red and Blue collide.
The sacrifice of Old Ben.
“Run Luke, Run!” Ben’s voice.


A mentor is mourned.
Skywalker struggles with loss.
“Can’t believe he’s gone.”


“Got him, I got him!”
“Great kid, don’t get cocky,” the
smuggler declares.


Pleading with Solo,
Luke learns some are driven by
self-preservation.


Childhood friend: Biggs.
Skywalker and Darklighter.
X-Wing Red Squadron.


“Red Five Standing By.”
He wanted more out of life.
Well, he got his wish…


Running the gauntlet.
Protected by Biggs and Wedge.
Going full throttle.


Biggs dead. Wedge knocked out.
Luke is pursued by Vader,
his father’s killer.


“Use the Force…Let go.”
From the beyond, Old Ben speaks.
Faith in something Great.


Han Solo Returns!
“Let’s blow this thing and go home.”
Torpedoes away.


The Death Star destroyed.
Luke and his friends celebrate.
The Force is with him.


Good news! This post is Part 1 of 3 of a special three-week version of Haikuesday exploring Luke Skywalker in the Original Star Wars Trilogy. Be on the lookout next Tuesday for haiku about Luke in The Empire Strikes Back!

Check Out Other Haikuesday 2.0 Posts Below:

Imperial Atrocities

Fiction’s Fearless Females: Princess Leia

There is a line in Star Wars: A New Hope which often gets lost in the greater scope of the film, a quote which points to the toughness of the movie’s lone female protagonist, Princess Leia. It comes when Darth Vader, the movie’s villain, speaks to Grand Moff Tarkin, the secondary villain in the film. Pacing back and forth as if annoyed, Vader admits that, “Her [Leia’s] resistance to the mind probe is considerable. It will be some time before we can extract any information from her.” Prior to this admission, we saw Vader enter Princess Leia’s prison cell with an interrogation droid floating behind him, a needle protruding from the droid and Leia’s face giving off subtle apprehension. Now, Vader states that it was for not, that the Princess has resisted this “mind probe” and that breaking her will take more time.

I have always loved this line; it has always resonated with me because it points directly to the fearless resolve which resides in the heart of Princess Leia. Even before Vader utters these words, we know that Leia is a force to be reckoned with, a whirlwind of confidence capable of holding her own. After all, it is Leia who was leading the mission to Tatooine to find Jedi General Obi-Wan Kenobi at the film’s outset. When the ship fell under attack, Leia created a new plan to secure Kenobi’s help EVEN AS IMPERIAL SOLDIERS STORMED THE VESSLE! Dispatching the droid R2-D2 to Tatooine’s surface, Leia awaited her inevitable capture, and even shoots/kills an Imperial stormtrooper before she is apprehended.

Leia and Vader
Leia confronts Darth Vader after her ship is attacked and she is captured.
Photo Credit – Star Wars Episode IV: A New Hope

Captured by the Empire’s white-armored soldiers, Princess Leia is escorted before Darth Vader, the nefarious and imposing villain we were JUST formally introduced to as he lifted a man by the neck and crushed his windpipe. The black-clad Vader towers above the petite, white dressed Princess, an obvious visual meant to represent the power of the evil Empire towering over the small, fledgling Rebellion. But Leia is far from intimidated. Oh no, not only does she stand tall next to this masked monster, she speaks first AND is the one who chastises him with palpable disdain!!!

In just a few frames, Leia presents herself as competent and fearless, especially under pressure. Rather than quivering and backing down, she boldy stands her ground against imposing odds. It is no wonder then that later, when Darth Vader assaults Leia, probing her mind for the “location of the Rebel base”, her resistance is “considerable.” Princess Leia is the embodiment of fearless resolve, the very heart and soul of the small Rebellion against an Empire which spans a galaxy. There was never a chance the mind probe would work, it was always going to be an act of futility on the part of Vader.

An Alternative Form of Persuasion

It is Grand Moff Tarkin who chooses a new tactic to extract the information they seek following the failure of the mind-probe. Rather than probing her mind, Tarkin gives Leia a choice: give up the location of the Rebel base OR watch as her home planet of Alderaan is destroyed by the Death Star superweapon. It is a brilliant move on Tarkin’s part, one that catches Leia off-guard. Pleading with him, the Princess turns into a supplicant as she tells the Grand Moff her planet is “peaceful” and has “no weapons.” Tarkin, of course, does not care and, presenting the question again, demands to know where the Rebel base is located. It is now that Leia gives in: “Dantooine. They’re on Dantooine.”

Leia Stares Down Tarkin
Leia and Grand Moff Tarkin square-off.
Photo Credit – Star Wars Episode IV: A New Hope

That Leia gives in to Tarkin is shocking, but all the more painful as Leia must continue to stand and watch as Alderaan is destroyed. This is an unsurprising move on Tarkin’s part, an obvious example being made to the whole galaxy (and the Princess) that no one, not even “peaceful” worlds, are safe from Imperial military might. Now, the fearless young woman who stood her ground at the film’s opening, who chastised Vader and resisted his mind probe must steel herself as she watches her home world and her family perish in a ball of fire.

And yet, what we do not realize in this moment is that Leia has tricked Tarkin. Presented with the choice of Alderaan being destroyed OR the Rebellion being destroyed, the quick-thinking Princess chose a different route: an open-ended lie. We do not discover this right away, not until an Imperial officer informs Tarkin that scout ships discovered a deserted Rebel base on Dantooine. Furious, but more importantly humiliated, the Grand Moff orders the immediate execution of the Princess.

That Leia lies about the location of the Rebel base is brilliant, a narrative misdirect that leads Tarkin and the audience alike to THINK this strong-willed woman has caved under pressure. It is easy to forget this, as later we DO discover the real location of the Rebel base. But in this instance, we are led to believe Leia has given it up, that Dantooine is, in fact, the location. Instead, what we discover a few scenes later is that Princess Leia was in control the entire time, and while her plea to the Grand Moff that “Alderaan is peaceful” is certainly genuine, it, too, was also part of her quick thinking plan to save both Alderaan AND the Rebellion.

Awaiting Tarkin’s Fury

Knowing she has lied to Grand Moff, we can surmise that after being returned to her cell that the Princess sat and waited for Tarkin’s fury. Surely, too, she sat there in mourning, the loss of her world and family weighing heavily on her heart. One could hardly criticize the fearless female if she did break down and cry, although it is hardly necessary to know whether she did. The imagination is enough in this case.

Regardless, when we next see Leia she is reclining on the hard bench in her detention cell. Luke Skywalker, wearing stormtrooper armor, barges in to the rescue and, without missing a beat, the reclined Princess – certainly suspecting Tarkin’s fury has arrived – directs a shot of insulting sarcasm at the soldier: “Aren’t you a little short for a stormtrooper?”  While Vader’s comment about her resistance to the mind-probe directly points to Leia’s strong-willed personality, this shot of sarcasm – coupled with the sarcasm she throws at Tarkin earlier (see video clip) – highlights her constant disposition towards her Imperial foes. Basically, Leia is always ready to level an attack against the Empire, even if that attack is in the form of words alone.

But she is also more than happy to criticize her own allies, in this case her rescuers: Luke Skywalker, Han Solo, and Chewbacca. Cornered by Imperial soldiers in the detention center, the Princess chastises the films heroic men, noting that it “Looks like you managed to cut off our only escape route.” What makes this all the better is that the quick-thinking Princess – who, we should remember, was not anticipating a rescue – immediately comes up with a plan and puts it into action. Taking the blaster from Skywalker, Leia blasts open the wall across from her and demands that everyone jump into the garbage chute. Before objections can be raised, Leia is already on her way into the depths of a Death Star trash compactor.

To be perfectly honest, this has always been my favorite “Leia Moment” in A New Hope. On one hand, her action makes the film’s heroes – Luke and Han – look incredibly foolish for not actually thinking about HOW they should go about completing their rescue mission. On the other hand, and more importantly, this moment demonstrates a clear reversal in fortune for the Princess. When the film begins, and her ship falls under attack, the protocol droid C-3PO tells R2-D2, “There will be no escape for the Princess this time.” True in that moment, C-3PO is ultimately proven wrong as Leia not only escapes, but does so by taking control of her own rescue when she and her allies are quite literally backed into a corner.

Into the Garbage Chute
“Into the garbage chute, flyboy!” – Princess Leia
Photo Credit – Star Wars Episode IV: A New Hope

But there is an additional element of control which Leia brings to her escape: her decision to travel directly to the Rebel Base on Yavin 4. Why, if Leia knew the Millennium Falcon was being tracked, would she willingly lead the Empire to the Rebel Base, the location she resisted sharing with Vader and Tarkin? For some time, I felt this was a curious move on her part, a clear flaw in her thinking. Yet, the deeper I have considered it, the more I have realized that it is the safest choice given the stakes. With Alderaan destroyed and Obi-Wan Kenobi dead, Princess Leia is left with the only choice that makes any sense: getting the Death Star schematics stored in R2-D2 to the Rebel High Command as quickly as possible. A detour to another world, or a stop to acquire a new ship, runs the risk of Imperial capture, while traveling directly to the Rebellion ensures that the Death Star information (not to mention her own life) is protected. Besides, the sooner the schematics are delivered, the sooner the Rebellion can craft a plan of attack to destroy the planet-killing superweapon.

A Beacon of Hope

Once Leia and company arrive at the Rebel Base on Yavin 4 her role in the film becomes primarily observational. While Luke Skywalker will jump into an X-Wing to participate in the impending engagement, and Han Solo will get a reward and leave before the fight begins, Leia will stand in the Rebel Command Center watching the battle unfold on display screens. Admittedly, it is a bit odd that with the Death Star approaching and preparing to destroy the Rebel Base, Leia (along with others) choose to stand-around watching rather than evacuating. On some level, this sorta gives away what we know the inevitable outcome of the battle will be: the Rebels will win and the Death Star will be destroyed.

On another level, though, that Leia remains in the Command Center puts the final stamp of bravery on her fearless nature. With the Death Star approaching and preparing to destroy Yavin 4, it is conceivable that the Princess was asked (perhaps even ordered!) to evacuate before the battle begins, her safety and importance to the Rebellion being tantamount. Instead, by remaining, Princess Leia reveals once more that she is the very heart of the Rebel cause, a beacon of hope for the Rebel soldiers fighting the Imperial war machine. She may not be in an X-Wing or Y-Wing fighting the battle, nor giving orders as a General, but Leia’s stoic presence in the face of imminent death testifies not only to her personal resolve, but also the resolve of the Rebel Alliance.

Given her status and importance to the Rebellion, it is unsurprising that Princess Leia is the one to bestow medallions upon Luke Skywalker and Han Solo following the Battle of Yavin. With the Death Star destroyed, the two men (accompanied by Chewbacca) will march down the center of a great hall, flanked on both sides by the entire assembly of Rebels on Yavin 4. Arriving at the bottom of a staircase, the trio ascend the steps until they are standing before, albeit slightly below, the magnificently dressed Leia. This is the only point in the film in which Leia has changed clothing, and she is now without the iconic hair “buns.” Wearing a gown, with her hair in a braided updo and jewlery drapping her neck, Leia now, officially and formally, looks like a Princess. Never-the-less, while she is resplendent in her royal attire, we also know that there is far more to her than meets the eye, and that what makes Princess Leia truly regal is her considerable fearlessness and capacity for hope in the face of overwhelming odds.

The Princess
The Princess
Gif Credit – Star Wars Episode IV: A New Hope

I’ve joined forces with some other exciting bloggers and YouTubers – Nancy and Kathleen of Graphic Novelty2, Rob of My Side of the Laundry Room, Kiri of Star Wars Anonymous, Kalie of Just Dread-full, Mike of My Comic Relief and Green Onion of The Green Onion Blog – for a little salute to “Fiction’s Fearless Females.” Starting on International Women’s Day and going forward over the next couple months, a different contributor will offer their take on a favorite female who harbors a fearless spirit. Click on the links below to read about the other women being profiled.

Fiction’s Fearless Females

Ellen Ripley

Captain Janeway

Amy Pond

Wonder Woman

Scarlett

Rey

Luke Skywalker: The Loss of Innocence

Frantic to return to his homestead to warn his family about an impending Imperial raid, Luke arrives too late. Slowing down in his landspeeder, the young man leaps out and calls to his uncle Owen and aunt Beru as black smoke billows from his burning home. Scanning the destruction, Luke locks eyes on the smoldering carcasses of his guardians. Not only was he too late, but the extermination was absolute. Luke may have expected, as he sped closer to home and could see the smoke on the distant horizon, that he would find the limp bodies of Owen and Beru. But he surely did not expect such an abhorrent scene – the grotesque, distorted skeletons of his loving uncle and aunt. One cannot help but wonder -and certainly the thought must go through Luke’s mind – if his uncle and aunt suffered in their final moments of life, tortured by the pain of being burned alive.

Grotesque
The grotesque corpses of Owen and Beru.

Photo Credit – Star Wars Episode IV: A New Hope

This short but disturbing moment in A New Hope is one that never fails to move and pain me. Admittedly, the event is a narrative necessity, albeit a disturbing one, a way of jettisoning Luke from the confines of his childhood connections into a larger world. Seeking adventure and desiring to leave home, even petitioning his defiant Uncle at dinner the night before to allow him to leave, Luke’s adolescent dreams can not be fulfilled. There is no longer any resistance standing in his way and he can join Obi-Wan Kenobi on his valiant quest to defeat the Empire.

And yet, as the scene concludes with Luke standing there in the quiet desolation of his childhood as the smoke billows and the carcasses continue to smolder, I have always wondered: what did Luke do next?

Skywalker Alone
What did Luke do after this moment?

Photo Credit – Star Wars Episode IV: A New Hope

This is not a question that demands a definitive answer. In fact, I would be furious if the Lucasfilm Story Group was to provide an “official” or “canonical” account regarding Luke’s actions (or his thoughts/feelings) when the scene concludes. On one level, this is because this scene in A New Hope, which we can link with Luke’s sad return to Obi-Wan and his admission that he can now join the Jedi Master’s journey, work with seamless fluidity even though they are separated. We do not need to be told what Luke did in the interval because the narrative intention in A New Hope is to move Luke from one stage of life to the next. The innocence of his childhood is literally destroyed and he will now venture forth into the responsibilities of adulthood.

On another level, any “official” explanation would usurp the imaginative faculties of fans, taking away the opportunity for one to insert their own thoughts and feelings into the heart-wrenching moments before, during, and after Luke arrives. Not knowing what Luke does, or the emotional turmoil he experiences, is in many respects what makes the death of Owen and Beru so powerful. Without explanation, other than the pained look on young Skywalker’s face as he views the carnage of his familiar surroundings, we are left to fill in the gaps, all of which enables our own, individualized connections with Luke, and the film, to flourish.

And so, the question – what did Luke do next? – percolates in my mind precisely because my imaginative faculties, aided by the emotion which the scene evokes inside of me, consistently arrives at a number of possible explanations. Just as I can believe Luke simply turned around, walked back to his speeder and left his home, I can just as easily imagine that Luke feel to the ground and broke down in tears. Or maybe Luke dropped to his knees and screamed, bellowing out the agony and guilt of not being there to protect his loving family.

Perhaps Luke sprung into stoic action, choosing to carefully bury the bodies as he internally contemplated the loss of his innocent and simple life. Digging graves next to those of his great uncle Cliegg and great aunt Shmi, Luke placed the wrapped bodies of uncle Owen and aunt Beru in graves he methodically dug. The burial complete, Luke returned to his land speeder and drove off into the Tatooine desert, taking nothing but the memories of his family, his home, and his youth with him.

Favorite Star Wars Music (by Film)

A long time ago…in 2017…I wrote a piece detailing why “The Imperial March” is my absolute favorite musical score in the Star Wars franchise. This admission came as little surprise to many of my trove of followers/readers as I have often professed my cultish admiration for The Empire Strikes Back (ESB) on this site. It stood to reason that The Imperial March would top my list considering the fact that the iconic anthem for the Galactic Empire/Darth Vader was first introduced in Episode V. Plus, given my “Casterfoian” obsession with the Empire, it stood to reason that I would likewise adopt the score as my all-time favorite.

While my unadulterated affection for all things ESB stands firm, and “The Imperial March” continues to receive constant replays on my Spotify account, there are never-the-less many other pieces of Star Wars music that have been elevated to the top of my musical mind. Hardly a shock – I am positive you can say the same if you happen to be a Star Wars fan – I wanted to take the opportunity to share a musical composition from each Star Wars film that I hold near and dear to my heart. For the sake of brevity, I have only chosen one from each film and decided to forgo long-winded explanations detailing why I love each piece, in large part because music is so damn personal it would take some of the fun out of it. Still, I may do a post for each at some point if the Force moves me to do so. We shall see.

Enjoy and be sure to comment with your own “faves” list!


A New Hope  “Tales of a Jedi Knight/Learn About the Force”


The Empire Strikes Back – “Yoda’s Theme”

While my heart will always be dedicated to “The Imperial March,” I decided to share another score from ESB in this particular list to mix things up a bit.


Return of the Jedi – “Leia’s New/Light of the Force”


The Phantom Menace – “The Droid Invasion and the Appearance of Darth Maul”

**Surprise! You were expecting “Duel of the Fates” weren’t you? Here is the deal: I love “Duel of the Fates” with a crazy passion but I likewise love “The Droid Invasion and the Appearance of Darth Maul.” I had to pick one and so I went with my gut. Besides, just listen to how the piece shifts when Maul is introduced! Holy frick that is haunting!!!!


Attack of the Clones – “Across the Stars”


Revenge of the Sith – “The Birth of the Twins and Padmé’s Destiny”


The Clone Wars – “Battle of Christophsis”


The Force Awakens “The Jedi Steps”

**I don’t care much for sentimentality but I readily admit that this piece gives me the feels. Like “Tales of a Jedi Knight/Learn About the Force”, “The Jedi Steps” packs an emotional punch by forcing me to imagine the Jedi Order, now a dying remnant, who once served and protected the galaxy far, far away. Between hearing this piece, and watching Rey literally walk the steps of the ancient Jedi, I was brought to tears in my first viewing of The Force Awakens.**


Rogue One“Your Father Would Be Proud”


The Last Jedi – “The Spark”


Solo: A Star Wars Story – “Savareen Stand-Off”

*Leave a comment with your thoughts about my list or share your own favorites!!!*

Haikuesday: Jyn Erso

Rogue One: The Movie
Rogue One: The Rebel Call Sign
Rogue One: Jyn Erso


First year of Clone Wars.
Separatist world of Vallt.
Jyn Erso is born.


Mission on Alpinn.
Jyn travels with her mother.
Has and Nari, too.


Hiding on Lah’mu,
eight-year old Jyn Erso with
her loving parents.


“Koodie” the Tooka.
“Stormie,” “Wuzzwork,” and “Tinta.”
Some of young Jyn’s toys.

Star Wars Trivia:
Tookas are a subspecies
of the Loth-cat. Neat!

Stormie – stormtrooper.
Wuzzwork – looks like a Wookiee.
Tinta – a Tauntaun.


To Jyn: “Trust the Force.”
To Jyn: “I love you Stardust.”
Lyra and Galen.


Lyra’s sacrifice.
Jyn watches her mother die.
She runs and she hides.


A lonely bunker.
Jyn waits for a friendly face.
Reb: Saw Gerrara.


Age: eight to sixteen.
In the care of Gerrara.
Partisan Rebel.


Scene: planet Garel.
“Pick on someone your own size,”
Jyn tells some troopers.

A Heart of Kyber.
Erso rescues a Loth-cat
for a little girl.

Sabine runs into
an accidental ally.
Yup, it’s Jyn Erso!!!

I wonder why Jyn
was just hanging around on
the planet Garel.


Water drips. drips. drips.
Imperial prison cell.
A Rebel Rises.


Droid: K-2SO
A painful introduction.
“Congratulations.”


Liana Hallik?
Nope, that isn’t her real name!
She is Jyn Erso!!!


“The luxury of
political opinions,”
Jyn has never had.


Mission to Jedha.
Cassian, Jyn, and K-2.
An occupied world.


Standing in a crowd.
Chirrut Îmwe can see Jyn
even though he’s blind.


Pendra Siliu.
Crying, caught in a battle.
Rescued by Erso.


Kicking trooper ass,
Jyn turns, shoots a KX droid…
…it’s not K-2. Phew!!!


Saw’s paranoia.
Convinced of Jyn’s betrayal.
Momentarily.


Eadu Extraction.
Jyn and Galen reunite
as tragedy strikes.


Pleading for action:
“Rebellions are built on hope.”
Turned down by Rebels.


Rallying the troops.
Jyn leads a mission to steal
dreaded Death Star plans.


Scarif bound shuttle.
Jyn grasps her Kyber crystal.
The Will of the Force.


Citadel Tower.
With Cassian and K-2,
Jyn nears infamy.


How do they get in?
Clever disguises of course!
Jyn the Technician.


Hyperspace Tracking.
Navigational Systems.
Stardust, that’s the one.

Stardust discovers
that Project Stardust will turn
Death Star to star dust.


Warrior Daughter.
Jyn, standing before Krennic,
declares who she is.


Mission Accomplished.
Plans transmitted to the fleet.
A Heart of Kyber.


Scene: on Scarif beach.
Your father would be proud, Jyn.”
Two friends embrace death.


From a hidden base,
Rebels led by Jyn Erso
kicked ass and stole plans.

Star Wars: A New Hope
“Rebellions are built on hope.”
Jyn embodies hope.


Haikuesday is a monthly series on The Imperial Talker, a new post with poetic creations coming on the first Tuesday of each month. The haiku topic is chosen by voters on Twitter so be sure to follow @ImperialTalker so you can participate in the voting. Now, check out these past Haikuesday posts:

Droids (February 2017)

Ahsoka Tano (March 2017)

Darth Vader (April 2017)

The Battle of Scarif (May 2017)

The Truce at Bakura (June 2017)

Queen Amidala (July 2017)

Ryloth (August 2017)

Cloud City (September 2017)

General Grievous (October 2017)

Millennium Falcon (November 2017)

Poe Dameron (December 2017)

The Battle of Umbara (January 2018)

Hondo Ohnaka (February 2018)

Haikuesday: Millennium Falcon

These haiku are based
on “Millennium Falcon”
by James Luceno

Haiku Addendum:
obviously I’m kidding
so let’s begin here…


The “Falcon” is the
single most important ship
in all of Star Wars.

If you don’t agree,
well, that is perfectly fine.
Except, you are wrong.


Make: Corellian
YT-1300f
And sort of trashy.


Cockpit on the right…
…so how the hell does Solo
see ships to his left?

Haiku Addendum:
the cockpit placement seems like
a big design flaw.


A really fast ship:
it makes point five past light speed…
…whatever that means.


Easter Egg Alert!?!?!
Y’all see the “Falcon” over
Jedha in Rogue One!?!?!?!


“What a piece of junk.”
Luke insults Solo’s baby.
Han just doesn’t care.


A really fast ship:
It made the Kessel Run in
less than twelve parsecs.

Point of inquiry:
wasn’t it fourteen parsecs?
Someone go ask Rey.


Han’s best maneuver:
list lazily to the left.
Family Guy joke.


“You came in that thing,”
the Princess asks the Captain.
“Braver than I thought.”


Dorsal and Ventral.
Quad laser cannons blast TIEs.
Luke gets one; Han too.


Last ship to arrive
at the Battle of Yavin.
A Death Star Destroyed.


Inside Echo Base
Chewie and Han make repairs…
…a lot of repairs.


Tool: hydrospanner
Use: fixing broken “Falcons”
A space screw driver.


On the Avenger,
the “Falcon” hides in plain sight,
which is sort of odd.

Point of Inquiry:
how come no TIE pilots saw
the “Falcon” parked there?


On Cloud City we
learn that Calrissian used
to own the “Falcon.”


We never see Han
piloting his prized “Falcon”
in Episode VI.


A really fast ship:
Solo offers his baby
to Calrissian.


“She won’t get a scratch.”
“I got your word…not a scratch.”
She, ah, gets a scratch…


First ship to arrive
at the Battle of Endor.
A Death Star Destroyed.


Leading Endor charge.
The Millennium Falcon
blasts TIEs left and right.


The Endor gunners –
Two Rebels: Cracken and Blount
They deserve praise, too.


Lando and Nien Nunb
pilot the “Falcon” into
the Second Death Star.


Sub-light: Girodyne
Hyperdrive: An Isu-Sim
Power Core: Quadex


“The garbage will do,”
Rey says to Finn as they flee
First Order Fighters.


Stolen by Ducain,
then the Irving Boys, then Plutt,
then by Rey, then Han.


Stress on hyperdrive.
Ignition line compression.
Some moof-milker’s fault.


Now that Han is dead,
who technically owns his ship?
Leia? Chewie? Rey?

Haiku Addendum:
did Solo have a space will?
Maybe Ben gets it…


Haikuesday is a monthly series on The Imperial Talker, a new post with poetic creations coming on the first Tuesday of each month. The haiku topic is chosen by voters on Twitter so be sure to follow @ImperialTalker so you can participate in the voting. Now, check out these past Haikuesday posts:

Droids (February 2017)

Ahsoka Tano (March 2017)

Darth Vader (April 2017)

The Battle of Scarif (May 2017)

The Truce at Bakura (June 2017)

Queen Amidala (July 2017)

Ryloth (August 2017)

Cloud City (September 2017)

General Grievous (October 2017)

Poe Dameron (December 2017)

The Imperial March

When the new Star Wars ComLINKS topic for October 2017 – Favorite Musical Score –  was announced over at Anakin and His Angel I knew I had to jump in and participate. For a while now, I have been thinking about writing a bit more about the music that accompanies Star Wars, the iconic compositions of John Williams that give the original trilogy gravitas and have also influenced other Star Wars composers. It is safe to say – and really a no-brainer – that without the music of Williams, Star Wars would be much different. But I will leave a larger conversation of the music of Star Wars to another person, or at least save it for another occasion. For now, with the ComLINKS topic in mind, I am excited to share my thoughts/feelings on Favorite Musical Score in Star Wars. And, of course, it’s “The Imperial March (Darth Vader’s Theme).”

The word “theme” is appropriate here because, let’s face it, I consistently return to The Empire Strikes Back to discuss my favorite aspects of Star Wars. It should really come as no surprise, then, that my favorite score would also come from my favorite Star Wars film. Naturally I love Star Wars across the board, but my deep affection for The Empire Strikes Back – embedded within me as a child – is the true grounding of my Star Wars adoration. That being the case, the issue at hand is not that my favorite musical score comes from The Empire Strikes Back, but rather, why is this particular score from the film’s soundtrack my favorite and not another?

To be entirely blunt, “The Imperial March (Darth Vader’s Theme)” is my favorite score because it is established as the de facto anthem of the Galactic Empire. As a child, I was fascinated by the Empire, having a “Casterfoian” (google “Casterfo”) interest in the baddies of the Star Wars universe. While I knew the Empire was evil, and I celebrated the destruction of the Death Star in A New Hope with the Rebels, The Empire Strikes Back introduced me to a different way of viewing/experiencing the Empire. No longer were they simply the bad guys with a massive moon-sized space station but, instead, they were the bad guys who had Probe Droids, Super Star Destroyers, Imperial Walkers, Snowtroopers, TIE Bombers, and more. Even though they took a big hit in A New Hope, these baddies were anything but knocked out, and still had the means to level a crushing blow to the Rebel Alliance on the planet Hoth. And, to top it off, the Empire now had distinct piece of music – doubling as the theme for the villainous Darth Vader – to capture their harsh, galactic reach.

To this day, the raw power of “The Imperial March” continues to captivate and hold me not only because it originates in The Empire Strikes Back, but because I have come to appreciate it on a deeper level. As a child, I was unaware that the piece was influenced by Chopin’s “Funeral March” and Gustav Holst’s “Mars, the Bringer of War.” And yet, today, I am equally captivated by these pieces, all thanks to my childhood enjoyment of the Empire/Vader’s powerful anthem. Plus, this is also the case with a number of others scores from Star Wars, my enjoyment of these leading me to a more profound appreciation of other classical pieces.

At the same time, while “The Imperial March” is laced with childhood meaning and has led me to its musical influences, it also continues to be a piece that, quite frankly, captures me and takes hold each time I hear it. The repetition of the strings in the opening riff, crisp and dark (thanks to it being in a minor key), captures my attention until the brass presents the iconic melody in the fifth bar, gripping me with its clear-cut strength and power. Having washed over me like a wave in a storm, there is no escape. The moment I hear the opening to “The Imperial March,” and the iconic brass melody which serves as a leitmotif for Empire and Vader has begun, I must continue to listen. It would be wrong to turn around, to stop the March from moving forward. And so, no matter the situation, I will always let “The Imperial March” continue…

…which is, in a very real sense, the point of the piece. “The Imperial March” is aptly named because it perfectly encompasses the forward progress of the Galactic Empire, a progression which is difficult to stop. The Empire, wounded as it was at Yavin IV, continues its march of terror, death, and destruction. And, of course, Darth Vader spearheads the Imperial march across the galaxy, hunting down those who wish to stop the Empire. But it cannot be stopped, it will not be stopped, and it is futile to even try.


This post is part of the Star Wars ComLINKS series. Check out more Star Wars ComLINKS over at Anakin and His Angelswcomlinksbanner1

Son of Solo

The line, coming in a dramatic moment in The Forces Awakens, is powerful in its brevity and delivery. Han Solo, helping to plant charges which he hopes will give the Resistance an advantage in destroying Starkiller Base, sees the film’s villain Kylo Ren standing alone on a bridge, a bridge which spans a seemingly bottomless chasm. At this point in the film we know that Kylo Ren and Han Solo are related, that Solo is Ren’s father. However, it is not until Solo advances towards the dark-shrouded man that we  suddenly and unexpectedly learn Kylo Ren’s given name. “Ben!!!!”, Solo shouts to get the villains attention, doing so and beginning a conversation which, we also know, ends just as suddenly and unexpectedly when Solo is killed by his tormented offspring.

There are any number of ways one could approach/discuss the events which unfold in this dramatic scene in The Force Awakens. And, I am sure I could provide some well-developed and, I’d like to believe, insightful thoughts on it. But my intentions in this brief conversation far less overarching, and I am much more interested in providing, for now, a small morsel of consideration regarding the moment Han Solo shouts the name Ben.

To begin, when I heard Solo pronounce Kylo Ren’s true name, I was, undoubtedly like many others, struck by the fact that Ben is also the pseudonym used by Obi-Wan Kenobi whilst he lived on Tatooine (Ben Kenobi). Assuredly, this is an indication that Han Solo and Leia Organa named their only child after the famed Jedi Master, perhaps as a way to honor the man who, from a certain point of view, brought the lovers together. Plus, if we backup and consider the countless ways The Force Awakens borrows from/echoes A New Hope, it seems appropriate that the film includes a character named Ben. And yet, that Kylo Ren’s real name is Ben has another equally important and symbolic meaning, one that resonates as loudly as Solo’s voice when the name leaves his mouth.

A Hebrew name originating in the Jewish Tanakh, Benjamin (the anglicized form of Binyamin) is often translated in two distinct ways: “Son of the south” or “Son of the right hand.” Thus, taken alone as a masculine noun, “Ben” quite literally means “Son” and/or “Son of” (Yeshua ben Eleazar ben Sira = Joshua [Jesus] son of Eleazar son of Sira). Ben is used in both given names and surnames of Hebraic origin, although philologists who study Hebrew will be quick to point out that “Ben” is used in a number of other ways as well.

While I would enjoy delving deeper into the nuanced meanings and usage of “Ben” and “Benjamin” in Biblical texts, my reason for noting its usage as a masculine Hebrew noun should be fairly obvious. On the one hand, Han Solo is not just yelling the name “Ben!!!” to get Kylo Ren’s attention, but he is also, quite literally, yelling “Son!!!” On the other hand, we can translate the name Ben Solo as the “Son of Solo.”

I cannot say with any authority that the writer(s)/director of The Force Awakens, when  choosing the given name for Kylo Ren, were aware that the name Ben could be translated as “Son” or “Son of.” While it is likely that the name was chosen to create superficial connection with Ben Kenobi, I am never-the-less left wondering whether Ben was also chosen because of it’s original Hebrew meaning. Still, intentional or not, the meaning in the name Ben is present, rippling outwards as it leaves Han Solo’s lips. With these complimentary meanings in mind – “Ben” = “Son” and “Ben Solo” = “Son of Solo” – the potential for new insights about The Force Awakens may emerge. And if they do, I hope you will share some of those insights with me.