Sequel Trilogy

DJ: Most Wanted (Review)

A while back I was perusing the local comic store when I came across a decently priced copy of DJ: Most Wanted. I didn’t really have an interest in the Marvel one-shot about the slicer named DJ who helps Finn and Rose in The Last Jedi, primarily because I was underwhelmed by his presence in the film. While it was fun to see actor Benicio Del Toro in a Star Wars film, I ultimately left my first (and subsequent) viewings of The Last Jedi not really caring one way or the other for his character. I guess you could say I “nothinged” him, having no opinion of DJ other than to say “he is in the movie.”

Yet, as I stood there looking at the Marvel one-shot – which was released in January 2018 – I decided I would bite the bullet and give it a chance. At the very least, I convinced myself, perhaps the story would make DJ slightly more interesting and help me appreciate him a little bit more. Except, that didn’t really happen. While it took me some time to finally read DJ: Most Wanted, I did eventually get around to it and was left feeling…nothing.

Spoiler Time!

The general story run down for the comic book goes like this: DJ is on Canto Bight doing some gambling, but really he is just stealing money. He finds himself in a lot trouble and as a way of saving his own skin from the casino bosses he willingly gets himself arrested. Thus, he is plopped down in a jail cell and there he will sit until Finn and Rose show up.

DJ, Finn, Rose
DJ (center) with Rose and Finn.
Photo Credit – Star Wars Episode VIII: The Last Jedi

Now, in fairness, there is a bit more to the story than my very basic summary. But ultimately the idea behind this comic book is to tell us how DJ ended up in jail, thus setting up his encounter with our Resistance heroes. Frankly, I have no problem with this. I am all for minor characters from the Star Wars movies (and other stories) getting some interesting depth tacked onto them. This can be fun and can even be used to add fascinating concepts into the galaxy far, far away. Ultimately, this is what DJ: Most Wanted is meant to do – give DJ a little background and some extra dialogue, use him to provide a little more insight into the culture of Canto Bight, all while explaining how his story intersects and merges with The Last Jedi.

Because I was a bit “meh” about DJ in the film, reading DJ: Most Wanted DID give me some more insight into his character. But it didn’t do anything to really make me more interested in him in general.  I am not disappointed for taking the time to read it, or for even spending a few bucks on it (though I would never have paid full price), but I am also not necessarily ever going to say to myself “I need to re-read DJ: Most Wanted.” Perhaps someday I will, and I hope if/when that happens I can more fully appreciate DJ as a character. Although, to be perfectly honest, the likelihood of that happening really hinges on whether DJ makes more appearances in Star Wars stories in the future where he gains added depth from meaningful encounters with other characters in the franchise For example, I could easily see him interacting with Hondo Ohnaka, perhaps on Batuu (at the “Galaxy’s Edge”).

Unfortunately, I don’t get the impression there are any plans for DJ to receive more treatment any time soon. And if I am right, this is really too bad. I mean, at the very least, a Star Wars character played by Benicio Del Toro should be a bigger deal. Right?

Leave a comment and let me know what you think.

Trailers for The Rise of Skywalker


As more trailers are revealed I will add them to this post. For now, enjoy the teaser and leave a comment with your thoughts about it!

The “Sin” of Star Wars Expectations

I recently came across a quote from Frank Oz – the man who brought Yoda to life – where he gave his very direct opinion regarding Star Wars fans who disliked The Last Jedi. Speaking at a SXSW event, Oz states that,

“I love the movie [The Last Jedi]…All the people who don’t like this ‘Jedi’ thing is just horse crap. It’s about expectations. The movie didn’t fill their expectations. But as filmmakers, we’re not here to fulfill people’s expectations.”

How could I, or anyone else, NOT consider what Frank Oz has to say on this point? He is a gifted filmmaker with a perspective and understanding of storytelling which I can only dream of reaching. For a number of days I allowed Oz’s point to marinate in my mind, bouncing around my brain as I reflected on my own expectations for Star Wars, not to mention the expectations of the entire community of Star Wars fans. Of course, I am in no position to speak for the entire Star Wars “fandom.” It is so massive, so diverse, and so damn opinionated that it would be folly to even try to provide any “grand unified theory” to sum-up Star Wars fans. In fact, the ONLY thing that can be said is that Star Wars fans are “unified” around Star Wars, but what Star Wars means for each fan is subjective. It is personal. And because of this, I think Frank Oz is absolutely correct: some fans certainly disliked The Last Jedi because the film did not meet the very personal and deeply held expectations they may have had going into Episode VIII.

The thing is, while I agree with Oz, I only do so up to a point. Beyond that, I fundamentally disagree with him. Why? Well, just as I cannot provide a “grand unified theory” of Star Wars fans, Frank Oz is in no position to provide a definitive answer for why people did not like The Last Jedi. It is a generalization to do so, a fallacy stating that a part (those fans who did not have expectations met by The Last Jedi) actually represents the whole (every fan who did not like The Last Jedi). Logic just doesn’t work that way, and it is important to recognize that a great deal of nuance exists within the Star Wars community precisely because individuals have those deeply personal ties to the decades spanning franchise. And this applies to fans who truly loved The Last Jedi and those who absolutely despise the film, as well as all those who fall somewhere in the middle (which is where I happen to land). My point is: some Star Wars fans didn’t like The Last Jedi because it didn’t meet their expectations, plain and simple, while other fans had a more nuanced reaction and didn’t like it for a trove of entirely different reasons. 

But beyond this  pretty obvious fact, that some fans didn’t like it because of high expectations, the more I thought about what Frank Oz said, the more I was bothered by the implication: that Star Wars fans should have no expectations for the stories which they love. Realistically, how can one NOT have expectations when they go into a Star Wars film (or any film for that matter)? How does one fully set-aside their expectations and experience a story entirely devoid of expectation? Frankly, I do not believe it possible, unless perhaps one ejects every single Star Wars thought from the mind. But going into a Star Wars movie with a “tabula rasa”, a blank slate, is just not possible, at least for me. Maybe someone out there can show me how to do it, how to just sit down with popcorn, Junior Mints and an oversized cup of Diet Coke and watch Star Wars for what it is – just another movie. Me, I cannot set aside my thoughts, and feelings, and ideas about Star Wars because the franchise has seeped into my bones. I live Star Wars, I breathe Star Wars, it infects me like a damn virus. For me, Star Wars is NOT “just another movie,” it is a way of life. And as a result, I am guilty of the sin of expectation, I demand greatness from Star Wars and yes, sometimes, I even expect it to acquiesce to my expectations.

There were a lot of things about The Last Jedi I didn’t like, and some things I absolutely did like, and I lay a number of these out in my post Reflections on The Last Jedi.” But I also know, and can easily admit, that I had expectations for The Last Jedi which were not met. I am not ashamed to say it and why should I hide it? For example, I wrote a post titled The (Mis)Use of Captain Phasma where I blasted writer/director Rian Johnson for not utilizing the First Order villain more effectively in the movie. I absolutely expected her to be a greater factor, especially after a novel and a comic series preceding the release of The Last Jedi built her up as a total badass. How could I not expect more?

Luke and Ben

Many Star Wars fans, myself included, expected Luke to NOT try to kill his nephew given that he threw his lightsaber away at the end of Return of the Jedi. Photo Credit – Star Wars Episode VIII: The Last Jedi

So yeah, I had expectations for The Last Jedi. But you know what, I also had expectations for The Force Awakens, Rogue One, and Solo. I had expectations for The Phantom Menace, Attack of the Clones, and Revenge of the Sith. I had expectations for The Clone Wars, Star Wars: Rebels, and Star Wars: Resistance. And, going forward, I have expectations for Episode IX, The Mandalorian, Galaxy’s Edge, and every other Star Wars movie, novel, comic, video game, etc. But I am under no illusion that all of my expectations will be met. Are Star Wars filmmakers and storytellers supposed to meet every expectation of “the fans”? Certainly not. They can’t do it. At best, they can only hope to meet one very basic, very simple expectation: that the fan will be entertained. That is, after all, what the entire Star Wars franchise is, a massive form of entertainment. Right? We all expect to be entertained, to be transported to the galaxy far, far away so that through the experience we will find some form enjoyment.

And, as a fan, the best I can do is manage my expectations. I have to willing and able to acknowledge that everything will not line up with how I want it to unfold. But managing expectations does not mean jettisoning expectations. Rather, it means having an open-mind and giving things a chance, even when – no, especially when – things do not immediately line-up with those expectations. 

Frank Oz, the voice of Yoda, stated that “…All the people who don’t like this ‘Jedi’ thing is just horse crap. It’s about expectations. The movie didn’t fill their expectations. But as filmmakers, we’re not here to fulfill people’s expectations.” He is right, some fans didn’t like The Last Jedi because it just didn’t meet their expectations; others had more nuanced reasons for their dislike of the movie. And he is correct, filmmakers are not here to fulfill everyone’s expectations; and fans, myself included, do have to manage expectations. However, I am not going to give up my expectations for Star Wars. I am going to continue to demand greatness from it, and yes that means holding the filmmakers and storytellers to a high standard and having expectations for the franchise. And the reason I am going to do this is simple:

Because a long time ago I was mesmerized as I watched a small space ship being chased by a large space ship over a desert planet. From that moment forward, my expectations for Star Wars started to blossom and I can’t change that. So instead, I will live in the sin of Star Wars expectation and, if Frank Oz or anyone else wants to be annoyed with me, I will wear that annoyance as a badge of honor. 

Favorite Star Wars Music (by Film)

A long time ago…in 2017…I wrote a piece detailing why “The Imperial March” is my absolute favorite musical score in the Star Wars franchise. This admission came as little surprise to many of my trove of followers/readers as I have often professed my cultish admiration for The Empire Strikes Back (ESB) on this site. It stood to reason that The Imperial March would top my list considering the fact that the iconic anthem for the Galactic Empire/Darth Vader was first introduced in Episode V. Plus, given my “Casterfoian” obsession with the Empire, it stood to reason that I would likewise adopt the score as my all-time favorite.

While my unadulterated affection for all things ESB stands firm, and “The Imperial March” continues to receive constant replays on my Spotify account, there are never-the-less many other pieces of Star Wars music that have been elevated to the top of my musical mind. Hardly a shock – I am positive you can say the same if you happen to be a Star Wars fan – I wanted to take the opportunity to share a musical composition from each Star Wars film that I hold near and dear to my heart. For the sake of brevity, I have only chosen one from each film and decided to forgo long-winded explanations detailing why I love each piece, in large part because music is so damn personal it would take some of the fun out of it. Still, I may do a post for each at some point if the Force moves me to do so. We shall see.

Enjoy and be sure to comment with your own “faves” list!


A New Hope  “Tales of a Jedi Knight/Learn About the Force”


The Empire Strikes Back – “Yoda’s Theme”

While my heart will always be dedicated to “The Imperial March,” I decided to share another score from ESB in this particular list to mix things up a bit.


Return of the Jedi – “Leia’s New/Light of the Force”


The Phantom Menace – “The Droid Invasion and the Appearance of Darth Maul”

**Surprise! You were expecting “Duel of the Fates” weren’t you? Here is the deal: I love “Duel of the Fates” with a crazy passion but I likewise love “The Droid Invasion and the Appearance of Darth Maul.” I had to pick one and so I went with my gut. Besides, just listen to how the piece shifts when Maul is introduced! Holy frick that is haunting!!!!


Attack of the Clones – “Across the Stars”


Revenge of the Sith – “The Birth of the Twins and Padmé’s Destiny”


The Clone Wars – “Battle of Christophsis”


The Force Awakens “The Jedi Steps”

**I don’t care much for sentimentality but I readily admit that this piece gives me the feels. Like “Tales of a Jedi Knight/Learn About the Force”, “The Jedi Steps” packs an emotional punch by forcing me to imagine the Jedi Order, now a dying remnant, who once served and protected the galaxy far, far away. Between hearing this piece, and watching Rey literally walk the steps of the ancient Jedi, I was brought to tears in my first viewing of The Force Awakens.**


Rogue One“Your Father Would Be Proud”


The Last Jedi – “The Spark”


Solo: A Star Wars Story – “Savareen Stand-Off”

*Leave a comment with your thoughts about my list or share your own favorites!!!*

The Talker Toy Challenge Strikes Back

A long time ago in a galaxy far, far away…

Episode V

The Talker Toy Challenge Strikes Back

It is a dark time for the Star Wars fandom. Although December is approaching, DISNEY will not be releasing a new Star Wars film for another year, instead assaulting fans with a new cartoon show, a legion of mediocre comic books, and toys, lots and lots of toys.

Evading the dreaded lack of a Star Wars film, a group of bloggers led by THE IMPERIAL TALKER have struck back with a new version of THE TALKER TOY CHALLENGE, encouraging fans of the franchise to buy Star Wars toys and donate them to children who are in need this holiday season.

The DISNEY CORPORATION, obsessed with selling merchandise and increasing stock value for their shareholders, has dispatched thousands of new Star Wars products into the far reaches of the globe. Little does DISNEY know that THE IMPERIAL TALKER is ridiculously good at never paying full-price for merchandise, finding troves of fantastic Star Wars toys on sale and on clearance…


Participating in The Talker Toy Challenge is easy!!!! Just follow these steps.

Step One: Purchase Star Wars toys.

Step Two: Donate said Star Wars toys to children who are in need. I bring the toys I collect (see the featured image above) to a local Toys for Tots drop-off site. 

Step Three: Encourage others to do the same by promoting The Talker Toy Challenge on your blog, podcast, social media, etc.!!! Be sure to use #TalkerToyChallenge when you do!

Step Four: Repeat Steps One, Two, and Three.

Leave a comment and let me know if you participate!

Talkerverse: Snoke Goes Solo

In my previous post – Going Solo: Darth Maul – I considered Darth Maul’s (very) brief cameo in Solo: A Star Wars Story. I don’t want to spend a lot of time recapping that post, but I will note that in it I mentioned that his cameo, while certainly intriguing, left open the possibility of confusion for fans who had no idea he had cheated death in The Phantom Menace. I mentioned how in the lead up to his reveal in Solo, I really thought the mysterious figure behind the scenes of the Crimson Dawn criminal organization was going to be Snoke, the Supreme Leader of the First Order. While I was surprised by Maul’s cameo in the film, and otherwise enjoyed it, I cannot help but imagine the possibilities that might have been if Snoke had appeared instead of Maul.

Allow me to paint you a picture with my imagination brush…

Following the death of Dryden Vos, his lieutenant Qi’ra — who is also Han Solo’s friend/romantic interest —  contacts the mysterious figure coordinating the activities of Vos’ Crimson Dawn crime syndicate. Shrouded by a hood, the figure inquires why it is Qi’ra, and not Dryden Vos, contacting him. In reply, Qi’ra responds…

“Dryden Vos is dead.”

“Vos was a fool and deserving of death. Tell me Qi’ra, what of the coaxium?”

“Stolen from Vos by Tobias Beckett.”

“An unwelcome setback.”

Momentarily pausing, the mysterious figure continues…

“I sense conflict within you, young one. There is more to your story.”

“Beckett had an accomplice…someone I knew from my youth.”

“Is that so? And who was this accomplice?”

“A man by the name of Han Solo.”

Removing his hood, the figure in the hologram now reveals himself to be Snoke. Leaning forward, Snoke responds by repeating the name: “Han. Solo.”

“He means nothing to me,” Qi’ra quickly responds. “He is a remnant of my past.”

Snoke’s eyes linger on the woman, pausing to consider her words before he speaks…

“When I found you I saw raw, untamed power, a connection to the Force unlike any I have felt before. I pulled you from the gutters of Corellia, saving your from the life of a scumrat. And yet, my care is rewarded by the naïve feelings of child.”

“The fault is mine, Master. I beg your forgiveness.”

Sitting back in his chair, Snoke replies: “Indeed, the fault is yours. Return to me and I will break the chains of your…feelings…for Han Solo. “

Before delving into the “why” of the conversation I crafted between Qi’ra and Snoke, allow me to point out an obvious thought residing on the surface of my mind. I believe that Snoke should have been the mysterious figure in Solo: A Star Wars Story precisely because he was given no backstory in either The Force Awakens or The Last Jedi. While the need to know every detail of Snoke’s pre-Sequel Trilogy life is not entirely necessary, the desire to know more about Snoke is hard to ignore. That desire is precisely why, following The Force Awakens, individuals started creating theories about Supreme Leader Snoke, attepting to piece together who he might be. Unfortunately, this fun-filled theorizing was met with childish mockery from a the self-proclaimed “elites” of the Star Wars fandom when they chose to insult fan theories with the phrase “Your Snoke Theory Sucks” (I counter this petty derision in my post Your Snoke Theory Doesn’t Suck). But I digress…my base desire, wishing Snoke had appeared in Solo rather than Darth Maul, is a desire to have been given just a small glimpse into Snoke’s backstory, a tiny morsel that fans could run with in their theories.

On this point, Snoke’s presence could have created a connection between Solo: A Star Wars Story and the Sequel Trilogy which “film-only” fans could have more fully understood. As I noted in Going Solo: Darth Maul, the possibility exists (and is true in the case of my neighbors) that fans who only watch the Star Wars films would have a difficult time understanding how Darth Maul is alive since he so obviously died in The Phantom Menace. Instead of this unnecessary confusion, Snoke would have created an enticing connection between Solo and the Sequels Trilogy. Solo: A Star Wars Story could have been even more important, more relevant and necessary, with a brief cameo by the future Supreme Leader of the First Order, a cameo that would have created a connection through presence alone.

But this connection would have been blown wide open with Snoke’s conversation with Qi’ra, especially if the conversation echoed Snoke’s conversations with Kylo Ren. You will notice that in the dialogue I crafted Qi’ra mentions that “Han Solo” meaning nothing to her, an intentional parallel to Kylo Ren telling Snoke that Han Solo, his father, “means nothing to me.” In turn, the same form of parallelism exists in Snoke’s comment that when he found her, he saw raw, untamed power within Qi’ra, a similar statement he makes to Kylo Ren in The Last Jedi. Likewise, he insults Qi’ra, calling her a child, just as he insults Kylo Ren as “a child in a mask.”

Emilia Clarke is Qi’ra in SOLO: A STAR WARS STORY.
Han Solo’s childhood friend/lover: Qi’ra.

Photo Credit – Solo: A Star Wars Story

On one hand, these small dialogical parallels serve to solidify the way(s) in which Snoke manipulates individuals under his guidance, doing so by breaking them down and ensuring they understand that he is in control. But on the other hand, these parallels also, intentionally, link Qi’ra and Kylo Ren as Force-sensitive proteges of Snoke. In this regard, Snoke’s cameo would not have been the only surprise, but it would have included the added shock that Qi’ra can use the Force. In turn, as an added way of tying her to Kylo Ren, Qi’ra could have gone on to become the very first Knight of Ren, the Master of the Knights of Ren. And, in taking the mantle of title of Master for himself, Kylo Ren could have ripped it away from her when he killed her years later. Oh, the possibilities…

But there is one other angle worth considering in regards to Snoke and his imagined cameo in Solo: A Star Wars Story, and that is the fact that Han Solo’s life would play out with Snoke as a presence in the background. Through the manipulation of Snoke, Ben Solo became Kylo Ren and committed an act of patricide, killing Han Solo and freeing himself, albeit only in part, of his familial burden. Snoke’s relationship with Qi’ra could have served a similar fashion, functioning as a catalyst for events in Han’s life which would ultimately end with the smuggler’s death. Consider:

Han and Qi’ra were friends and lovers on Corellia. Han escaped Corellia but Qi’ra did not. Snoke found Qi’ra, freed her from the planet, trained her, and she became the first Knight of Ren. Years later, Ben Solo would become a protégé of Snoke, ripping the title of “Master” away from Qi’ra by killing her and completing his conversion to the Dark Side as Kylo Ren. In turn, as Kylo Ren, the former Ben Solo would end his father’s life on Starkiller Base.

From beginning to end, Han Solo’s fate, his story in Star Wars, would have been pre-determined and framed by the menacing actions of Supreme Leader Snoke.


The “Talkerverse” is my imagined Star Wars canon where I explore different angles on the galaxy far, far away by altering aspects of the Star Wars canon to fit my own wants and desires. Check out these other “Talkerverse” posts to delve even deeper into my Star Wars mind:

Talkerverse: Vader Kills Maul

Star Wars: Last Shot (An Imperial Talker Review)

There are few things I like and a lot of things I dislike about Star Wars: Last Shot by first time Star Wars author Daniel José Older. In fact, the bad so significantly outweigh the good that it is a little overwhelming to figure out where to begin. Perhaps the most obvious place is to just say that this story is entirely inconsequential to the Star Wars universe. While the book centers on Han and Lando coming together three years after the events of Return of the Jedi to stop a maniacal Pau’an who has plans to cause a violent, galaxy-wide droid uprising, the story never truly convinced me of its necessity, or that it was providing the Star Wars universe with any greater meaning. There are certainly a number of Star Wars elements in Last Shot. There are Star Wars places – Takodana, Utapau, Bespin, Kashyyyk – and Star Wars species – Twi’leks, Ewoks, Gungans, Ugnaughts – and a cast of familiar Star Wars characters – Han, Lando, Leia, Chewbacca, Maz Kanata – but as a whole these elements never truly coalesce into a Star Wars story with gravitas.

To save you time, I will just come right out and tell you what happens: Han and Lando survive, the bad guy (Fyzen Gor) dies, and the galaxy is once again saved by everyone’s favorite scoundrels. Thus, we are left with an altogether generic, run-of-the-mill Star Wars novel that is easily forgettable. But what is truly disappointing is that the opportunity for some memorable moments with incredibly profound consequence do exist within Last Shot. When, at the end of the novel, Lando must choose between saving himself or the galaxy at large, he chooses the latter. This IS a profound move, a “holy crap” moment in a book that really REALLY needed one. Yet, Lando’s moment of altruistic sacrifice is undercut when he is saved by a laughable plot device: the offspring? of his former droid L3-37 (who shows up in the novel in flashbacks) known as the “Elthree Assault Team.”

L3-37
L3-37
Photo Credit – Solo: A Star Wars Story

Had Lando died, the Star Wars galaxy would have been shaken to its core. Why isn’t Lando in The Force Awakens or The Last Jedi? Answer: because he was atomized in an explosion in the Mesulan Remnant. Instead, he is saved by a contrived group of vigilante droids made in the image of L3-37 and goes on to live happily ever after with the Twi’lek woman known as Kaasha, wanting to finally (sort of) settle down after years of galactic promiscuity. And who is this Kaasha you ask? I can’t tell you because she is given little development. She is ultimately in the novel because the author needed a sexual/romantic foil for Lando. Their backstory together goes to the Galactic Civil War when they found comfort in each others arms during the battle of…who knows, I can’t remember. She was smitten by the General, has sought him out, and joins him (and Han) on their adventure. While she is given glimpses of agency – she can communicate with their Ewok companion and she aids Han as he attempts to retake a ship during the novels climax – Kaasha is a Twi’lek woman otherwise beholden to the whims and feelings of a man. Shocking!

Kaasha is not the only new character appearing in the book. A human from Alderaan, and the pilot whom Han and Lando hire to assist them, Taka is a gender-neutral character and is referred to as “they” throughout the book. If there is one truly good thing about Last Shot, Taka is it. I appreciate and applaud that Older chose to include such a character in the Star Wars universe, especially since Taka’s gender-neutral status is so banal. I certainly hope more characters like Taka emerge in Star Wars as their inclusion paves the way for more gender-boundaries to be broken. And, I hope Taka shows up again in Star Wars because they are an interesting and fun. Plus, Taka goes out of their way to annoy Han with heavy metal music which is a pretty funny moment in the book.

Taka is one of the few bright spots in Last Shot, and if I were to chose another it would be the inclusion of 2-year-old Ben Solo. Now, I should note that Ben’s appearance(s) in Last Shot primarily serve Han’s story, specifically the smuggler’s inner turmoil about whether he is a good father (I’ll get back to Ben in a moment). Han’s fatherhood questions are dragged out to the very end when, finally, Han talks to Leia and she reassures him that “no one knows how to be a parent before they are one…” (pg. 340). That it takes the entire book for Han and Leia to have the “parenting is hard” conversation is pretty ridiculous (it is a convo he could have had with Leia without going on a galactic mission) but given that this is the core of Han’s character development it is hardly surprising. I don’t begrudge this particular angle on Han, though. We know from The Force Awakens that he and his son had a rocky relationship, so incorporating little bits of that relationship – in this case whether Han feels like he can do the parenting thing – is a fine angle to take. What is truly disappointing, though, is that there was a massive missed opportunity for Han to learn the importance of the parent-child relationship from Taka.

At one point in Last Shot, Han happens upon a recording of Taka’s parents. From the recording we learn two things: Taka’s parent loved them unconditionally and Taka’s parents were Alderaanian which means their parents are dead. Later, Han will mention to Taka that he watched the recording and they will tell Han that it is the last little piece of his parents they own. Han clearly sympathizes with Taka, particularly since he reflects on comforting Leia when she feels down abpout the destruction of her homeworld. But what was missed was the chance to unite Han’s parenting woes with the fact that Taka is holding onto a small remnant of their deceased parents. I cannot help but imagine a different version of Last Shot where Han comes to a fuller appreciation of his role as a parent, as a father, as he listens to someone who lost their parents. In turn, the conversation he had with Taka, and the lessons he learned/chose to reflect on, could have easily tied in with the remained of the novel (particularly the conversation with Leia at the end). Instead, Han’s parenting woes culminate in the final moments of the book when he receives cookie cutter wisdom from his wife. Ugh. Let’s just go back to Ben Solo…

Moments that Left Me Speechless

That Ben Solo makes a handful of appearances in Last Shot was certainly a positive aspect of the novel, enabling the reader to experience the sequel trilogy villain as an innocent toddler. In fact, it is two lines about Ben Solo – coming through the inner thoughts of Han – that left me completely stunned early in the book. The child looking up at his father, Older writers:

“Han had no idea how a two-year-old could have such ancient eyes. It was as if Ben had been waiting around for a millennium to show up at just this moment in history.”

Wow! Like, wow! With clarity and brevity, Daniel José Older captures the entire trajectory of the Sith Order which Darth Bane instituted, an Order based on the Rule of Two, an Order which survived for a millennium, an Order which was finally destroyed with the death of Darth Sidious at the hands. Now, as if he had been waiting for the Sith to die out, Ben Solo’s time has finally come, his conception coinciding with the death of Darth Sidious. Ben Solo’s conception and birth are the prophetic sign of a new era of Darkness, a Darkness which has been waiting to emerge for a millennia, a Darkness the boy will one day help to bring about as Kylo Ren. And the “ancient eyes”? Those are the eyes which Han  will sees when his son pushes a red lightsaber through him on Starkiller Base. They will be the very last thing Han ever sees, and perhaps in that moment he will think back to that moment he saw the “ancient eyes” in his two-year-old son.

Han and Ben
Kylo Ren (Ben Solo) looks at his father with “ancient eyes.”
Photo Credit – Star Wars Episode VII: The Force Awakens

That Han’s small reflection on Ben came early in the novel left me hoping more moments would pop up that packed a punch. But there are really no other Star Wars gems in the book on par with Han’s reflection on Ben. Instead, the opposite is true, with two other lines showing up which left me dumbfounded and at a loss. They are (and I can’t believe I am about to type this):

“Tight enough for a bulge and the insinuation of an ass…” (pg. 41).
“Like a droid orgy of some kind, but with astromechs and those old battle droids from the Clone Wars?” (pg. 335) 

My problem with references to “a bulge” and “an ass” and a “droid orgy” is pretty straight forward: they don’t add anything of value to the novel. Unless, that is, one counts shock value, which, in this case, I don’t. There is a time and place in a story to really shock the audience, to authentically catch the reader off-guard with something that comes out of left field. Lando choosing to sacrifice himself for the greater good is shocking, and if he actually died in the process would have been even more shocking. But “a bulge” and “an ass” and a “droid orgy”, these sexually-charged references caught me off-guard and shocked me in a way that left me thinking only one thing: this book is really bad.

The Bad Outweighs the Good

To be fair, I would say this book is really bad even if it didn’t reference “a bulge” and “an ass” and a “droid orgy.” Here, I will list a handful of other things that are problematic about the book (to go along with things I have already mentioned):

  • The flow of the book is choppy and confusing, the narrative jumping back and forth as it follows four storylines through flashbacks. I am not opposed to flashbacks in general, but the book jumps across timelines far too many times without giving the reader a chance to catch their breath.
  • Speaking of flashbacks, Lando’s storyline (“about 15 years ago”) does not line up with the events of Solo: A Star Wars Story. How do I know this? Because I was paying attention in the 1st Grade and learned addition and subtraction.  But there is a bit more to it: L3-37 was destroyed, and uploaded into the Millennium Falcon, in the Solo movie (which takes place around 10 BBY). However, Lando’s flashbacks in Last Shot take place in 8 BBY and L3-37 is still intact and NOT uploaded into the Falcon. Oh, and let’s not forget that at the very end of Solo, the Millennium Falcon no longer belongs to Lando…
  • The villain, Fyzen Gor, gets his own flashbacks but is completely unconvincing as a bad guy and, even worse, uninteresting. What makes his story all the more confusing is that he is from Utapau, his evil plan involves melding organic body parts with droids, and his evil conversion takes place sometime around 13 BBY, but there is not a single reference to General Grievous!!! At the very least, Gor could have been doing his initial evil organic- droid stuff and reflecting on the droid General who died on Utapau in 19 BBY.
  • The droids Gor activate to kill people literally say “Killlllll.” #facepalm
  • Speaking of those killlllllller droids, when Han and Leia’s kitchen droid is activated and moves to killlllll little Ben, a brilliant opportunity existed for the toddler to destroy the droid with his adolescent connection to the Force. This would have been awesome and a perfect connection the “ancient eyes” moment early in the book. Instead, the droid is activated and then immediately deactivated. Ugh!!!!!!
  • Oh, and what about all of the other droids galaxy-wide that were activated? Even though it was brief, a lot of droids probably killllllllled quite a few organic beings in those moments. And by “quite a few” I mean millions, and by millions I mean tens of millions.
  • Where are R2-D2 and C-3PO? This book is about killllllller droids but the two most famous droids in Star Wars never show up. Were they activated?
    Boss Nass
    “Meeeeeesa don’t lika Aro for being preachy.” – Boss Nass

    Photo Credit – Star Wars Episode I: The Phantom Menace

  • Aro, a Gungan working on Substation Grimdock, gets upset with Han for saying “meesa” and chastises him for assuming all Gungans talk like…like Gungans. I understand what Daniel José Older is TRYING to accomplish here, giving the reader an object lesson in not assuming how individuals speak based on stereotypes. But it comes off as preachy and makes Aro even more annoying than the average Gungan. And besides, there are plenty of Gungans that say “meesa” who do some pretty great things in Star Wars (check out this piece:  The Sacrifice of General Tarpals).
  • Chewbacca doesn’t need to be in the main storyline. Like, at all. He is there…and I know this sounds crazy…just because this novel is partially about Han. Now, to be fair, Older does drum up a reason for Chewie to go on the adventure: young Wookiees being kidnapped by Fyzen Gor for his experiments. However, there is no definitive resolution to this other than Chewie fighting the half droid-half Wookiee abominations. In turn because Chewbacca is “lugging a sack” (pg. 337) following his battle, Han presumes it is full of Wookiee body parts but this is never confirmed. Nor does anyone, at the end, question whether some Wookiees are still being held in some secret laboratory. Oh welllllllllllll….

Here is the deal – if you want to read Star Wars: Last Shot, go for it. It you end up liking it, more power to you. And, if you would like to convince me this book is far better than I have suggested, by all means, leave a comment below. I will gladly give your thought(s) careful consideration. But as of right now, beyond the few things in this book that I actually liked (Taka, Ben Solo, “ancient eyes”) there is just too much stacked against Last Shot for me to give it anymore significant thought. In turn, Last Shot has given rise to an unintended consequence: it has made me less likely to purchase/read Star Wars novels in the future, especially novels by new Star Wars authors. If nothing else, this will (I hope) save me from having Lando’s “bulge” and “ass” shoved in my face again. 


***Page numbers are from the first edition of Star Wars: Last Shot.***

Reflections on The Last Jedi

I can say, with little remorse, that I have not yet purchased The Last Jedi. This isn’t to suggest I never will. The need – not a want, a need – to place the film next to the other Star Wars films on my shelf will eventually take over. For now, I can fight that urge, pushing back against the feeling that my shelf looks incomplete. But why am I fighting this feeling? Why not give in and just buy the most recent installment in the Star Wars franchise? I am a die-hard Star Wars fan after all, so why haven’t I gone out of my way to purchase and obsessively watch the film? Good questions.

I don’t review films on this site. I don’t review films on this site because I am not a professional reviewer, a critic trained to offer an appraisal of a piece of work. I am a fan of Star Wars, I have opinions, but those opinions do not give me the authority to offer any truly nuanced or unbiased “take.” I don’t review films on this site, but I am never-the-less, here and now, ready and willing to offer my thoughts and opinions on The Last Jedi, doing so with as little bias as possible. But again, this isn’t a formal review, and I don’t get paid to say these things.

A Smattering of Things I Liked

Paige Tico
Paige Tico
Photo Credit – Star Wars Episode VIII: The Last Jedi

I appreciate aspects of The Last Jedi. The movie has some remarkable moments, and to me none is more remarkable than the moment Paige Tico sacrifices herself to save the small Resistance fleet. Tico, a character who never utters a word, a ball gunner in a Starfortress Bomber blasting away at First Order TIE Fighters. In a desperate moment, with everything on the line, Paige climbs out of her gunner’s chair and performs an act of sacrifice heroism, unleashing the bombs that destroy a First Order Dreadnaught. The action saves the fleet; the action takes her life.

I appreciate aspects of The Last Jedi, and I genuinely appreciate the acting of Kylo Ren actor Adam Driver. I was captivated by Driver’s portrayal of Kylo in The Force Awakens. I was swept away by his portrayal in The Last Jedi. Kylo Ren is not just a villain in The Last Jedi, he truly is the “monster” Rey calls him. The Dark Side isn’t just strong in him, it consumes him in a flame that burns hotter than Mustafar. He is ready and willing to destroy everything to prove himself, to be like his grandfather, to be his grandfather, to be greater than his grandfather. Darth Vader, Lord of Death. Kylo Ren, Supreme Lord of Darkness. Redemption isn’t even on this guys radar. Only death, only destruction, only darkness, only power.

I appreciate aspects of The Last Jedi, and there are smattering of moments and characters and events I really enjoyed. I loved the design of the Resistance Bombers, the First Order Dreadnaught, the AT-M6 Walkers, the Resistance capital ships. I liked the geography of Crait, and the fact that Caluan Ematt is a General leading the Resistance forces on the planet. Laura Dern is great as Vice Admiral Holdo, although I wish her sacrifice – which is visually incredible – had been saved for Episode IX since it overshadows the sacrifice of Paige Tico. Carrie Fisher’s final portrayal as Leia Organa is  very moving (sans the weird space floating moment) and her final interaction with Luke, even though he isn’t physically present, is quite touching.

KyloRey
Kylo and Rey fighting together is a pretty cool sequence. Watch closely and you’ll notice that Rey should have easily been killed.
Photo Credit – Star Wars Episode VIII: The Last Jedi

I could list other things, other aspects of the film I genuinely liked. But I am not here to just list things, and I don’t think you want to read a list. The truth is, those aspects of the film I just listed – and a few others here and there – are all I can muster when it comes to this film. I can identify “things” about The Last Jedi I liked and that is all. I envy those who have been so moved by this film, who have elevated it into top place in their Star Wars rank lists. I wish I could do the same – it wouldn’t supplant The Empire Strikes Back in my list but #2 is a fluid spot – but sadly I cannot. I am a life-long Star Wars fan and this film just doesn’t move me, it just doesn’t feel right. There are a handful of profound moments but this movie just isn’t very profound.

Wading into the Shallows

I am well-aware that those who love The Last Jedi see incredible depth in it, that they believe this film has done something to Star Wars that is magnificent, breathtaking, groundbreaking. I understand what they are saying, I even understand how they are thinking. I just don’t agree. The common refrain I run into is that the writer/director Rian Johnson has “let the past die,” jettisoning aspects of the Star Wars saga – even aspects of The Force Awakens – to tell a unique and different type of Star Wars story. Perhaps nothing points to this more clearly than by Rian Johnson’s depiction of Luke Skywalker as a broken shell of a Jedi, a man determined to die in-exile.

Heading into the film I knew Luke Skywalker was going to be broken in some form and I was perfectly fine with that reality. “Luke Skywalker has vanished” the opening crawl to The Force Awakens tells the audience in the very first line and to its credit The Last Jedi shows us that the line is not solely about being geographically lost. Heck, the film could have been titled “The Lost Jedi” because Luke Skywalker has completely lost touch with who he was when we last saw him in Return of the Jedi. “I am a Jedi like my father before me,” young Skywalker once proudly declared to the Dark Lord Sidious in the single most important moment in the Original Trilogy. “I’m ending all of this. The tree, the texts, the Jedi. I’m going to burn it all down,” he now tells Master Yoda (who appears as a Force ghost). Damn, the Luke Skywalker we knew really has vanished!!! It’s no wonder so many older fans of the franchise have lamented that this isn’t the Luke they remember…

Is This REALLY Luke?

In a guest post on this site – An Ignoble End to the Skywalker Saga – my friend Nancy  succinctly notes that the Luke Skywalker we experience in The Last Jedi “…could not cope with the crushing disappointment of Kylo’s turn towards the dark side and the guilt he felt towards letting Leia and Han down.” To this we can add that he feels equally guilty for Ben Solo’s ultimate turn to the Dark Side. You know, that moment when he stood above his sleeping nephew, ignited his green lightsaber and contemplated, momentarily, ending the boy’s life. When he recalls the event, Luke initially lies to Rey about what happened. Or rather, he offers a “Kenobian” point-of-view to his new protégé. But I digress. Ben Solo, frightened as he wakes and looks up at his uncle holding the blade, defends himself. Who wouldn’t? But then the young Solo does more, tearing down the Jedi Academy that Skywalker had built, killing the students (with the help of other students who had dark feelings?) and fleeing to the warmth, love, and manipulation of Supreme Leader Snoke.

That Ben Solo-turned-Kylo Ren destroyed everything Luke had painstakingly built in the years after Return of the Jedi makes sense. It was the story I expected after watching The Force Awakens. The surprising bit is that Luke Skywalker took a completely non-Luke Skywalker action which was the catalyst for Ben’s final step into the Dark Side. With the momentary ignition of his green lightsaber as he stands above his sleeping nephew, the scene from Return of the Jedi where Luke cast aside the exact same blade, refusing to kill his father, is itself thrown aside.

“This is not going to go the way you think,” Skywalker declares to Rey at one point in the movie. “Let the past die, kill it if you have to.” Kylo Ren tells Rey at another point in the film. Over and over again, The Last Jedi champions what it is doing: tearing down the foundations of Star Wars with something new and radical. The movie spends a lot of time self-referencing with quotes and metaphors (a building literally crumbles, burying Luke, when Ben defends himself) to prove this is the case, to make us believe we are watching a radically new and fresh version of Star Wars. The thing is…

I don’t buy it. From my vantage point, the self-references and metaphors – and the shallow depth of the film – are just clever tricks distracting us from the obvious. Namely, that we have seen this story once before:

A teacher takes on a gifted, young student who has incredible power. The teacher trains the student, but the student has dark thoughts and feelings, and those thoughts and feelings grow like a virus in the mind. Eventually, the teacher must confront the student, and the student fights back. While the teacher chooses not to kill the student, the damage is already done. The teacher is left feeling guilty and flees into exile. The student puts on a mask that represents their dark turn. Years later, the two finally confront one another again. The teacher is aware of their own shortcomings, that they failed the student. The student believes they are the more powerful now, but little do they know that their teacher is truly more powerful than the student can possibly imagine. Their final battle ensues, and in a critical moment, the student slashes a red blade through their former teacher…only to be left stunned and confused by their former teacher’s final lesson.

Obi-Wan Kenobi and Anakin Skywalker?
Luke Skywalker and Ben Solo?
Rey and *insert the villain from Episodes X, XI, XII*

LukevsKylo
Luke Skywalker and Kylo Ren face off on Crait.
Photo Credit – Star Wars Episode VIII: The Last Jedi


We Need to Talk about Rey

Speaking of Rey, for being the heroine of this new trilogy, The Last Jedi goes to ridiculous lengths to build her up through Acts I & II only to have her be a non-factor in Act III. Her story is an interesting one and I genuinely like Rey, but for all of her training with Luke, her Force connection with Kylo Ren, and her (brash) decision to run off and try to save Ben from the monster within him, her story is effectively set aside in the Final Act. Why? Because this film isn’t about Rey. It is really about Luke Skywalker and Kylo Ren. Don’t get me wrong, Rey has a lot of cool character development and some intriguing bits happen to her. Never-the-less, from my vantage point, Rey is ultimately set aside in what is supposed to be her own story. 

Of course, one could argue that Rey’s connection with Kylo Ren is the most fascinating aspect of the movie. In fairness, I wouldn’t entirely disagree. The relationship between Kylo Ren (Dark Side) and Rey (Light Side) is where a lot of the philosophical “depth” in The Last Jedi comes into play. This depth is certainly interesting, but it is a depth that is knee deep at best. For all of the Ontological-meets-Ethical Dualism which Rey and Kylo Ren represent, specifically as it relates to the “Balance of the Force” (whatever the hell that even means at this point), any opportunity to truly dive into the mysterious abyss of the Force never really happens. An opportunity certainly existed, one where Luke  could have helped Rey work through her connection to Kylo (and vice-versa with Snoke helping Kylo work through his relationship with Rey). This would have been a prime opportunity to highlight Luke (and Snoke) as mentors, while shedding light on this intriguing and new conception of the Force. Instead, the movie gives us only fleeting glimpses of these deeper philosophical undertones while simultaneously distracting us from them (i.e. – Kylo being shirtless; the two awkwardly touching hands; Rey running off to save Ben). Then again, I’m not sure the film even knows how to take things into the deep end of the pool. In fact, I would liken it to this: The Last Jedi (and Rian Johnson) give off the impression of a college freshman who took Introduction to Philosophy, read snippets from the I Ching, the Avesta, the Gathas, and The Jedi Path, and is now acting like a pretentious know-it-all who has minimal grasp on what they are saying. Which leads me to this…

“Getting” The Last Jedi

As Nancy and I were chatting recently about the film, she mentioned that “…there is this attitude that if you didn’t like Rian Johnson’s vision then you weren’t smart or deep enough to ‘get’ The Last Jedi.” In other words, it is as if one must possess a gnostic knowledge to truly “understand” the esoteric depth at the core of this movie. If only Nancy, or myself, or others who do not love and worship the film as a gift to Star Wars had the special knowledge to understand it, we would finally see just how profound The Last Jedi truly is. But like I said earlier, I really don’t think it is very profound.

For over two hours, I watched a film I had already seen before. Or rather, I watched a film that took thematic elements from a handful of films that I have already seen before. Don’t get me wrong, there ARE things in this film that are new, and things in this film that are intriguing. I mean, I have NEVER seen the aliens in the Canto Bight Casino before (but I have been confronted by never-before-seen aliens in a casino/cantina-esque setting before). Yet, for all the new stuff in this film, as a whole it just came off as an amalgamation of ALL the Star Wars films, pretending to be something radical and fresh while simultaneously offering philosophical possibilities that are never really teased out.

I envy those who have experienced The Last Jedi as this new and fresh dive into the Star Wars universe. Truly, I do. I wish I had the gnosis they possess and the connection tot he film that leads them to see it as philosophically deep and spiritually mystical. Then again, I don’t really believe there is any there “there,” or at least not enough to elevate The Last Jedi to the top of the Star Wars pantheon. Rather, The Last Jedi is just a film masquerading as something truly special, a “child in a mask” playing Star Wars dress up. Does it attempt some intriguing things, even getting away with a handful? Of course it does. But the thing is, if I want to really experience Star Wars, I will watch the Original six films. Hell, I’ll even watch The Force Awakens – which is also a derivative amalgamation but is at least AWARE it is – and I will definitely watch Rogue One – which woefully lacks women but is never-the-less a stellar homage to A New Hope. On the flip side, if I feel like watching something that is “technically” Star Wars but that thinks it is way smarter and self-important than it really is, I’ll watch The Last Jedi. Granted, I’ll need to buy it first, and right now I have better things to spend my money on.

An Ignoble End to the Skywalker Saga

Guest Talker: Nancy (of Graphic Novelty²)

This is not going to go the way you think.”  No truer words were said, and Luke Skywalker’s words proved to be prophetic as the movie The Last Jedi unfolded.  

I grew up on the original trilogy of Star Wars movies, with Luke being my first crush. Even as a child I was a practical lass, and the bad-boy swagger of Han Solo held no appeal to me. Instead it was humble and heroic Luke who held me enthralled.  Years went by; with the trilogy being the only Star Wars I knew until the late 1990’s when the prequels began. While the prequels have been derided for many deserved reasons, I still felt they were authentic to the Star Wars universe. George Lucas might not write good dialogue, but his vision held true, and there were many strong moments in the prequel trilogy.

When Disney bought out Lucas’s Star Wars movie rights and announced yet another trilogy with other stand alone movies planned, I was apprehensive but hopeful. The Force Awakens combined both the legacy characters and added some intriguing and strong new ones and I was thrilled with the new direction. It honored the past but looked towards the future, as did Rogue One. My first Star Wars movie review post on my blog about Rogue One  (https://graphicnovelty2.com/2016/12/22/rogue-one-movie-review/) said “if this storytelling continues, Disney will have handled the buyout of Star Wars beautifully.” It turns out I spoke too soon.

star-wars-the-last-jedi
Photo Credit – Disney/Lucasfilm

*While I assume at this stage people reading this post will have watched the movie, I do want to warn you that there are spoilers ahead.*

I headed into the movie with incredibly high hopes, but twenty minutes into my first viewing of The Last Jedi, I was whispering angry thoughts about the movie to my husband. By the end of the movie I was seething. I felt it dishonored Luke’s legacy, and I was distraught.

Soon afterwards I contacted Jeff here at The Imperial Talker and Michael at My Comic Relief to vent. Both men are huge Star Wars fans and I wanted to see if I was alone in my thoughts. While I certainly cannot speak as to their reactions to the movie, my conversations with them were enlightening, and I watched the movie a second time on their recommendation. Once all the surprises were gone, I could concentrate more on the movie as a whole and get a more nuanced view the second time.

Afterwards, I gave myself some time to mellow, but then I struggled with writing this post. I hate to be provocative and feared a backlash of other bloggers who would vehemently disagree with me. I’m typically a go with the flow person, who rarely let’s people know if I’m truly upset (except my children- they know when I’m mad). This post was going to make me push my boundaries, and I did some over-thinking before I started to write.

But here we are, so let’s get into WHY this movie affected me so negatively. There were several smaller issues such as: Leia’s use of the Force, which was visually comical, Rose’s part, which ate up time that could have been given to already established characters, Chewbacca being treated as a pet/afterthought and the Rey/Kylo scenes (don’t even get me started on the connection through time and space!). On the other hand, there were many memorable moments, one of my favorites being when Poe is schooled on long-term strategy by General Organa and Admiral Holdo. I enjoyed the overriding idea that the rebellion is for everyone and that a small spark can ignite a winning rebellion.

But that’s not what upset me the most. It was Luke, all Luke.

As Star Wars has been around since 1977, there are now several generations of fans who have come into this franchise at different times.  So you have fans like me who grew up on the original, fans such as my children who watched the Prequels as they came out in the theatres, and now a new generation who will grow up loving the newest set of characters. You can even argue, as my oldest son observed, that I am a “purist,” for although I have occasionally read some of the Expanded Universe (now called Legends) books, the movies are really my only touch stone to the Star Wars universe.

Luke in yellow
Luke Skywalker at the end of A New Hope.
Photo Credit – Star Wars Episode IV: A New Hope

As such, I have always viewed Luke as the true hero of the movies. Whereas Anakin, Ben Kenobi and certainly the Jedi Council from the Prequels let pride, power or shame affect their judgment, Luke was pure. He came from a humble background, not knowing of his true parentage yet, and with little training was able to defeat Darth Vader and bring balance back to the Force.

This new movie gave us a nihilistic Luke, who years later, was filled with so much remorse and regret that he refused to leave his island where he had banished himself to wallow in misery. When the actor Mark Hamill, who has embodied Luke and will be forever connected to the role, tells Rian Johnson, “I think I fundamentally disagree with everything you’ve decided for me” that is telling as to how Luke’s hero arc was going to play out. Now I know there has been further clarification that MH has shared about this quote, and he supposedly stands behind RJ’s version…but, if his first thought was unhappiness, as was mine when I first watched it, then this viewpoint cannot be discredited.

Now this is where another quote can be used to explain the movie’s direction. “Let the past die. Kill it, if you have to,” says Kylo Ren to Rey. I understand if Star Wars is to be a viable movie franchise, it needs to grow and change. Han Solo left us in The Force Awakens, and Carrie Fisher’s death meant that Leia’s arc was going to end earlier than expected. That left Luke. He was to be the torch bearer to Rey and the new Rebels. So why did his destiny need to end so ignobly?

In this role, Luke could not cope with the crushing disappointment of Kylo’s turn towards the dark side and the guilt he felt towards letting Leia and Han down. Yes, I understand that he helped the rebellion when he sent an astral projection of himself to the planet Crait and was able to distract Kylo and send his sister and the other rebels to safety. I even understand that he used his hard won wisdom to help and wasn’t the impetuous youth who left his training with Yoda early to help Leia and Han. On one level- I get it- but I didn’t like it.

Luke & Leia
Photo Credit: Vanity Fair

Luke’s and Kylo’s flashbacks to the night that Kylo destroyed the new Jedi Academy are what truly turned me against this version of Luke and led me to feel that he was dishonored in director Johnson’s interpretation. My Luke never would have considered killing his nephew. He put his lightsaber down in front of Darth Vader, and never gave up hope that his father still had a remnant of love left in him (Jeff’s post Luke Skywalker: A Farewell To Arms beautifully describes this moment). A wiser and older Luke would have tried anything to prevent Kylo from joining Supreme Leader Snoke. Killing him would not have been an option. I believe the quote “You were the Chosen One!” that Obi-wan Kenobi shouts at Anakin in Revenge of the Sith, is in fact a better one to have used to describe Luke. His entire character was crucified in this latest movie, and he deserved better.

In real life, there are times when things go to hell. Our lives do not turn out the way we envisioned. A great success can be eroded away with failures later in life, and becoming disillusioned can be a sad reality for some. Taking all that into consideration, Luke should have gone out as a battle-worn but still dignified warrior. I wanted him to have a loving goodbye to his twin (as I wrote about in this post: https://graphicnovelty2.com/2018/01/24/star-wars-comlinks-favorite-tlj-scene/ ) and for him to have been a mentor to Rey. This lack of a proper conclusion to Luke’s story arc was not a fitting end to the Skywalker saga.

20171231_170859
I laughed at this meme about Luke, Ben and Yoda, for despite my opinion about the movie, I can see other perspectives!

Guest Talker Bio: Nancy is half of the writing team for Graphic Novelty², a blog that centers around graphic novels and geek life. She is a married mom of three who loves her job as a teen librarian and is a Star Wars & Star Trek aficionado.

The (Mis)Use of Captain Phasma

So this post has spoilers from The Last Jedi but you probably guessed that already…

Following the release of The Force Awakens in December 2015, I was perplexed and annoyed by how small Captain Phasma’s role had actually been in the film. The marketing for The Force Awakens had led me to believe that Phasma, the villainous First Order stormtrooper wearing chrome armor and a cape, would play a larger part in the movie. However, that wasn’t the case, and I was left grasping for understanding about why Captain Phasma was underused. 

In a previous post – Star Wars: Phasma – I highlighted this disappointment, noting in that piece that “I was pretty shocked by how little she factored into the movie.” As well, I also noted my conviction that Captain Phasma would undoubtedly be a greater factor in Episode VIII. In fact, I wrote as much, stating that,

“…I can’t imagine a scenario in which Captain Phasma doesn’t play a larger role. It would be silly for writer/director Rian Johnson not to utilize Phasma in a more direct way, particularly now that Starkiller Base is gone and, presumably, First Order and Resistance forces will be fighting a dirty and gritty war. Besides, with many fans expressing disappointment over how little she appears in The Force Awakens, it would make practical sense just to give us more of her.” 

Well, Captain Phasma certainly shows up in The Last Jedi, but her appearance was woefully underwhelming, even more so than her brief appearances in The Force Awakens. Rather than “more of her” we actually get less, and while we do see her fire her blaster and watch as she battles Finn (one of her former stormtroopers) this hardly makes up for the brevity of her screen-time, not to mention the fact that she dies only a short while after she finally shows up. To say that I was left stunned by Phasma’s (mis)use is an understatement, and while my expectations were admittedly high and could partially be to blame for how I feel, it is never-the-less perplexing that this mysterious villain would be so quickly laid to rest in Episode VIII without her doing anything of significance in the developing war against the Resistance which would serve the First Order’s interests. In fact…

…I find it most perplexing that Phasma died right BEFORE the climactic ground battle the First Order launches on the planet Crait. With Resistance fighters staging a last ditched effort to hold off the First Order, this would have been a perfect and brilliant moment to see Captain Phasma in her prime, leading soldiers fearlessly into battle (*What could have been an engagement that echoed Rogue One’s gritty Battle of Scarif was more of an aesthetic homage to the film at large with the bright red mineral dust of Crait overwhelming the battlefield*). Captain Phasma charging into a battle against the Resistance, that was what I was hoping for, that was the expectation I had anticipated when Phasma was first introduced in the lead up to The Force Awakens. The set up was there, the pieces in place for the Captain to lead her soldiers into a deadly battle, and yet…

…what we get is Captain Phasma falling to a fiery death on a burning First Order ship after being struck by Finn. Talk about disappointing.

FinnBattlesPhasma
Captain Phasma battles Finn
Photo Credit – Star Wars Episode VIII: The Last Jedi

The thing is, this disappointment is amplified by the fact that two stories about Phasma were released in the lead up to The Last Jedi. The novel Phasma by Delilah S. Dawson and Marvel’s Captain Phasma comic series offer readers a deep and intriguing look at the woman inside the chrome armor. In particular, we learn in these stories is that Phasma is a survivor, that she will literally go out of her way to stay alive. Having discovered that survival at all costs is her modus operandi, it feels out of place that Captain Phasma would purposefully put herself in harms way by engaging Finn in a fight while the ship around her breaks apart and burns. As well, that she lets her guard down once she believes she has beaten Finn is equally confusing, something she never would have done in her earlier life on the planet Parnassus. 

In laying out my disappointment, and my belief that she was misused in The Last Jedi, I will readily admit that a small sliver of my brain believes Captain Phasma survived her fall. Given all of the unexpected turns that happen in The Last Jedi it wouldn’t be surprising if Captain Phasma survived her fiery flirtation with death, and Phasma is certainly the type who could do so. If so, this could create a very interesting plot-line in Episode IX, with Finn realizing that Phasma is still alive, and a badly injured Phasma holding a blistering grudge against him for besting her. In fact, I am just going to go on record and say this:

I think we will see Captain Phasma again in Episode IX. 

If I am right, I hope Captain Phasma and her re-emergence is treated with incredible care, and that she isn’t misused once again. An opportunity exists to not only show audiences that Phasma is a survivor, but for her to use her survival as a means of rising within the ranks of the First Order, to challenge General Hux for the #2 spot behind the newly minted Supreme Leader Kylo Ren. In fact, I think it is safe to say that IF Captain Phasma survived, Kylo Ren will be pretty damn impressed she did. And I wouldn’t be all that surprised if Phasma were to execute General Hux with Kylo Ren’s blessing…

But if I am wrong, if we won’t be seeing her again in Episode IX, then so be it. While I believe she deserved far more treatment and was misused in The Force Awakens and The Last Jedi, I am otherwise left with the worry that watching her fall to her doom was a cheap trick, a “gotcha” moment where she will return in IX just to be dispatched once again. At this point, while I have yearned for more of Captain Phasma on the big screen, and grew even more fond of her through the novel and comic series, I am otherwise just flat out tired of investing the time and emotional energy into this character….and I guess I will just leave it at that.