Original Trilogy

Haikuesday: Luke Skywalker (ROTJ)

Hologram of Luke
Speaking to Jabba the Hutt
Bargaining for Han


Token of Goodwill:
C-3PO and R2.
Both have served him well.


Scene: Jabba’s Palace.
Main gate opens, Luke walks in.
Confronted by Guards.

Shrouded in Darkness,
Luke draws on the Force and chokes
the Gamorreans.


Threatening Jabba.
“Master Luke, you’re standing on…”
The floor drops away.


“OH NO! THE RANCOR!”
Once, Luke fought a big Wampa.
Rancors are larger…

The Rancor eats pork.
Then it turns towards Skywalker.
How will Luke survive!?!?!

First – use a large bone.
Next – hit its fingers with rocks.
Last – throw human skull.


The Rancor is dead!
But Luke is still in trouble.
Onto the Sarlacc…


The Pit of Carkoon.
Luke preps for Jabba’s justice…
…then springs to action!


A green lightsaber!
Luke built a Jedi weapon!
How’d he manage that?


Slashing and blasting.
A chaotic desert scene.
And Luke’s hand is shot!


What are your thoughts when
Luke blows up Jabba’s sail barge?
Kinda messed up, right?


Back to Dagobah:
Skywalker returns so he
can finish training.


Yoda, very frail.
Tries to avoid Luke’s question:
“…is Vader my dad?”


Obi-Wan Appears!
“From a certain point of view…”
Luke learns a lesson.


Spoiler Alert!
The Princess is Luke’s sister!
O-M-G!!! THEY KISSED!!!!!


Scene: Sullust System.
The Rebel Fleet amasses.
Luke decides to join.


Passing the “Super,”
Luke can sense a dark presence…
“Vader’s on that ship.”


Endor Excursion.
Luke, Han, Leia, Chewie, Droids.
And Rebel Soldiers.


Chasing Scout Troopers
through a Forest on Endor.
Team Luke and Leia.


Captured by Ewoks.
Luke will be a main course in
3PO’s honor.


Emotional Talk.
Luke reveals truth to Leia:
Brother and Sister


Taken to Vader – 
“I know there is good in you.”
“I feel the conflict…”


Before Palpatine –
“I have been expecting you.”
Verbal sparring match.


Battle commences:
Rebels caught in an Imp trap
fight for survival.


Watching the battle
Luke is tormented by the
unfolding drama.

“You want this, don’t you?”
Luke looks at his lightsaber.
“Strike me down with it.”

Haiku Addendum:
Palpatine’s “Trap” was always
for Luke Skywalker.

“My young apprentice…”
Luke watches as the Death Star
fires on the fleet.

Filling with anger,
He can no longer resist –
Luke takes his weapon.


Red and Green Collide.
Father and Son engage in
a duel of the fates.


“Twin sister…if you
will not turn to the dark side,
then perhaps she will.”


A rage-filled assault.
Consumed by the darkness, Luke
presses his attack.


“…take your father’s place.”
The hero arrives at his
most critical point.


A farewell to arms.
Luke declares who he shall be:
“I am a Jedi.”


Baptized by Lightning.
The Son pleads to the Father.
The Father responds.


Vader is no more.
Luke burns his father’s body.
Now, the Last Jedi.


Joyful reunion.
Luke celebrates with his friends.
Saga is complete.


This post is Part 3 of 3 in a special three-week version of Haikuesday exploring Luke Skywalker in the Original Star Wars Trilogy. Check out the other two posts below!

Luke Skywalker (ANH)
Luke Skywalker (ESB)

Haikuesday: Luke Skywalker (ESB)

Oh No! A Wampa!
Commander Skywalker is
attacked by a beast!


Hanging Upside-Down
Oh look, it’s his lightsaber…
..but just out of reach. 😦


OH WAIT! USE THE FORCE!
Eyes closed and hand extended…
The saber responds.


OH NO! THE WAMPA!
Freed from the ice, Luke attacks.
Poor one-armed Wampa. 😦


Hoth’s frozen tundra.
A blizzard lashes at Luke
and our hero falls.


Ben’s apparition
gives Luke a direct command:
“Go to Dagobah.”


Stuffed in a Tauntaun…
…they smell bad on the outside
and on the inside.


Floating in Bacta.
Then, a few minutes later,
kissing his sister.


The Battle of Hoth.
All-Terrain Armored Transports.
Luke leads Rogue Squadron.


“Hobbie! “I’ve been hit!”
…annnnnd once again Luke crashes
to Hoth’s snowy ground.


“All the scopes are dead.”
Luke enters Dagobah’s sky.
“I can’t see a thing.”


A swampy landing.
“Artoo, what are we doing…?”
The droid throws up mud.


“Like we’re being watched!”
A strange creature confronts Luke
and trashes his camp.


Important question:
“Why wish you become Jedi?”
“…my father, I guess.”


“We’re wasting our time!”
“Cannot teach him. No patience.”
The creature? Yoda!


Yoda on his back.
Luke begins Jedi training.
And learns of the Force.

Haiku Addendum:
Jedi training involves a
lot of cardio.


Dark, sinister cave.
“That place…strong with the dark side.”
So Luke just walks in…


Dark Confrontation –
Face-to-face with his father’s
killer: Darth Vader.


Red and Blue Collide
A dream like battle ensues.
There is no victor.


Upside-down again.
Luke lifts rocks using the Force.
But crashes again.


His X-Wing sinking.
“We’ll never get it out now!”
Yoda is annoyed.


“Luminous beings.”
“Life creates it, makes it grow.”
“You must feel the Force.”


Yoda moves Luke’s ship.
“I don’t…I don’t believe it.”
“That is why you fail.

Haiku Addendum:
I hope Luke thanked Yoda for
freeing the X-Wing.


Meanwhile, elsewhere…
Han. Leia. Asteroids. Slugs.
Darth Vader. Hunters.


Upside-down again.
This time Luke crashes after
a vision of friends.


Decision to make:
go and help his friends or to
finish his training.

Haiku Addendum:
because he is impatient,
Luke decides to leave.

Haiku Addendum:
internalizing lessons
is not Luke’s strong point.


Onto Cloud City!
Luke waltzes into a trap.
The truth awaits him.


“The Force is with you.”
The Carbon Freezing Chamber.
Luke confronts Vader.


Red and Blue Collide
Skywalker holds his own but
it won’t be enough.


Launched out a window.
Pushed back onto a platform.
An abyss below.


A deadly blade stroke.
Maimed by Vader’s blood red blade.
“There is no escape.”


“I’ll never join you!”
And now the truth is revealed…
“I am your Father.”


“That’s impossible!”
“…we can rule the galaxy
as father and son…”


Calm comes over Luke.
A decision has been made.
He lets go…and falls.


Upside-down again
Luke has nowhere else to go.
One option remains.


Calling to Leia,
Luke reaches out with the Force.
His sister responds.

Haiku Addendum:
in the next film, they will learn
that they are siblings.

Haiku Addendum:
…but pay attention and you
can figure it out. 😉

Haiku Addendum:
Seriously, “Empire”
gives you the info.


Luke gets a new hand!
And Lando wears Han’s clothing.
Did Hobbie survive?


Meanwhile, on Hoth…
the one-armed Wampa adjusts
to a one-armed life. 

Luke maims the Wampa.
And Vader maims Skywalker.
Quite interesting…

This post is Part 2 of 3 in a special three-week version of Haikuesday exploring Luke Skywalker in the Original Star Wars Trilogy. Be on the lookout next Tuesday for for the final installement with haiku about Luke in Return of the Jedi!

Luke Skywalker (ANH)

 

Haikuesday: Luke Skywalker (ANH)

Tatooine farm boy.
Dreaming of a greater life.
Craving adventure.


Bad motivator.
3PO suggests R2.
“What about that one?”


As he cleans R2,
Luke stumbles on a message:
“You’re my only hope.”


Binary Sunset.
A New Hope baptized by Light.
Arise, Skywalker.


“I wish I’d known him.”
Star pilot. Warrior. Friend.
Tales of a Father.


Jawa Massacre.
Imperial Stormtroopers.
A burning homestead.


Stopped by Stormtroopers.
“Not the droids you’re looking for.”
A Jedi mind-trick.


Crossing the threshold.
The Mos Eisley Cantina.
A hero’s journey.


Baba. Evazan.
They don’t like Luke very much.
Old Ben saves the day.


With the blast-shield down
Luke is blinded by his doubts
but takes his first steps.


“The Princess? She’s here?”
“What are you talking about?”
“We’ve got to help her.”


Luke has an idea.
Han thinks it’s a bad idea.
Chewie is just mad.


“I’m Luke Skywalker.”
The hero to the rescue!
Leia is just chill.


Death Star Compactor.
A one-eyed beast tries to eat
the youthful hero.


Chased by Stormtroopers,
a hero swings a Princess
across a chasm.

Haiku Addendum:
 Princess Leia could have done
all the heroics.

Haiku Addendum:
Leia was just letting Luke
play the hero part.


Red and Blue collide.
The sacrifice of Old Ben.
“Run Luke, Run!” Ben’s voice.


A mentor is mourned.
Skywalker struggles with loss.
“Can’t believe he’s gone.”


“Got him, I got him!”
“Great kid, don’t get cocky,” the
smuggler declares.


Pleading with Solo,
Luke learns some are driven by
self-preservation.


Childhood friend: Biggs.
Skywalker and Darklighter.
X-Wing Red Squadron.


“Red Five Standing By.”
He wanted more out of life.
Well, he got his wish…


Running the gauntlet.
Protected by Biggs and Wedge.
Going full throttle.


Biggs dead. Wedge knocked out.
Luke is pursued by Vader,
his father’s killer.


“Use the Force…Let go.”
From the beyond, Old Ben speaks.
Faith in something Great.


Han Solo Returns!
“Let’s blow this thing and go home.”
Torpedoes away.


The Death Star destroyed.
Luke and his friends celebrate.
The Force is with him.


Good news! This post is Part 1 of 3 of a special three-week version of Haikuesday exploring Luke Skywalker in the Original Star Wars Trilogy. Be on the lookout next Tuesday for haiku about Luke in The Empire Strikes Back!

Check Out Other Haikuesday 2.0 Posts Below:

Imperial Atrocities

Fiction’s Fearless Females: Princess Leia

There is a line in Star Wars: A New Hope which often gets lost in the greater scope of the film, a quote which points to the toughness of the movie’s lone female protagonist, Princess Leia. It comes when Darth Vader, the movie’s villain, speaks to Grand Moff Tarkin, the secondary villain in the film. Pacing back and forth as if annoyed, Vader admits that, “Her [Leia’s] resistance to the mind probe is considerable. It will be some time before we can extract any information from her.” Prior to this admission, we saw Vader enter Princess Leia’s prison cell with an interrogation droid floating behind him, a needle protruding from the droid and Leia’s face giving off subtle apprehension. Now, Vader states that it was for not, that the Princess has resisted this “mind probe” and that breaking her will take more time.

I have always loved this line; it has always resonated with me because it points directly to the fearless resolve which resides in the heart of Princess Leia. Even before Vader utters these words, we know that Leia is a force to be reckoned with, a whirlwind of confidence capable of holding her own. After all, it is Leia who was leading the mission to Tatooine to find Jedi General Obi-Wan Kenobi at the film’s outset. When the ship fell under attack, Leia created a new plan to secure Kenobi’s help EVEN AS IMPERIAL SOLDIERS STORMED THE VESSLE! Dispatching the droid R2-D2 to Tatooine’s surface, Leia awaited her inevitable capture, and even shoots/kills an Imperial stormtrooper before she is apprehended.

Leia and Vader
Leia confronts Darth Vader after her ship is attacked and she is captured.
Photo Credit – Star Wars Episode IV: A New Hope

Captured by the Empire’s white-armored soldiers, Princess Leia is escorted before Darth Vader, the nefarious and imposing villain we were JUST formally introduced to as he lifted a man by the neck and crushed his windpipe. The black-clad Vader towers above the petite, white dressed Princess, an obvious visual meant to represent the power of the evil Empire towering over the small, fledgling Rebellion. But Leia is far from intimidated. Oh no, not only does she stand tall next to this masked monster, she speaks first AND is the one who chastises him with palpable disdain!!!

In just a few frames, Leia presents herself as competent and fearless, especially under pressure. Rather than quivering and backing down, she boldy stands her ground against imposing odds. It is no wonder then that later, when Darth Vader assaults Leia, probing her mind for the “location of the Rebel base”, her resistance is “considerable.” Princess Leia is the embodiment of fearless resolve, the very heart and soul of the small Rebellion against an Empire which spans a galaxy. There was never a chance the mind probe would work, it was always going to be an act of futility on the part of Vader.

An Alternative Form of Persuasion

It is Grand Moff Tarkin who chooses a new tactic to extract the information they seek following the failure of the mind-probe. Rather than probing her mind, Tarkin gives Leia a choice: give up the location of the Rebel base OR watch as her home planet of Alderaan is destroyed by the Death Star superweapon. It is a brilliant move on Tarkin’s part, one that catches Leia off-guard. Pleading with him, the Princess turns into a supplicant as she tells the Grand Moff her planet is “peaceful” and has “no weapons.” Tarkin, of course, does not care and, presenting the question again, demands to know where the Rebel base is located. It is now that Leia gives in: “Dantooine. They’re on Dantooine.”

Leia Stares Down Tarkin
Leia and Grand Moff Tarkin square-off.
Photo Credit – Star Wars Episode IV: A New Hope

That Leia gives in to Tarkin is shocking, but all the more painful as Leia must continue to stand and watch as Alderaan is destroyed. This is an unsurprising move on Tarkin’s part, an obvious example being made to the whole galaxy (and the Princess) that no one, not even “peaceful” worlds, are safe from Imperial military might. Now, the fearless young woman who stood her ground at the film’s opening, who chastised Vader and resisted his mind probe must steel herself as she watches her home world and her family perish in a ball of fire.

And yet, what we do not realize in this moment is that Leia has tricked Tarkin. Presented with the choice of Alderaan being destroyed OR the Rebellion being destroyed, the quick-thinking Princess chose a different route: an open-ended lie. We do not discover this right away, not until an Imperial officer informs Tarkin that scout ships discovered a deserted Rebel base on Dantooine. Furious, but more importantly humiliated, the Grand Moff orders the immediate execution of the Princess.

That Leia lies about the location of the Rebel base is brilliant, a narrative misdirect that leads Tarkin and the audience alike to THINK this strong-willed woman has caved under pressure. It is easy to forget this, as later we DO discover the real location of the Rebel base. But in this instance, we are led to believe Leia has given it up, that Dantooine is, in fact, the location. Instead, what we discover a few scenes later is that Princess Leia was in control the entire time, and while her plea to the Grand Moff that “Alderaan is peaceful” is certainly genuine, it, too, was also part of her quick thinking plan to save both Alderaan AND the Rebellion.

Awaiting Tarkin’s Fury

Knowing she has lied to Grand Moff, we can surmise that after being returned to her cell that the Princess sat and waited for Tarkin’s fury. Surely, too, she sat there in mourning, the loss of her world and family weighing heavily on her heart. One could hardly criticize the fearless female if she did break down and cry, although it is hardly necessary to know whether she did. The imagination is enough in this case.

Regardless, when we next see Leia she is reclining on the hard bench in her detention cell. Luke Skywalker, wearing stormtrooper armor, barges in to the rescue and, without missing a beat, the reclined Princess – certainly suspecting Tarkin’s fury has arrived – directs a shot of insulting sarcasm at the soldier: “Aren’t you a little short for a stormtrooper?”  While Vader’s comment about her resistance to the mind-probe directly points to Leia’s strong-willed personality, this shot of sarcasm – coupled with the sarcasm she throws at Tarkin earlier (see video clip) – highlights her constant disposition towards her Imperial foes. Basically, Leia is always ready to level an attack against the Empire, even if that attack is in the form of words alone.

But she is also more than happy to criticize her own allies, in this case her rescuers: Luke Skywalker, Han Solo, and Chewbacca. Cornered by Imperial soldiers in the detention center, the Princess chastises the films heroic men, noting that it “Looks like you managed to cut off our only escape route.” What makes this all the better is that the quick-thinking Princess – who, we should remember, was not anticipating a rescue – immediately comes up with a plan and puts it into action. Taking the blaster from Skywalker, Leia blasts open the wall across from her and demands that everyone jump into the garbage chute. Before objections can be raised, Leia is already on her way into the depths of a Death Star trash compactor.

To be perfectly honest, this has always been my favorite “Leia Moment” in A New Hope. On one hand, her action makes the film’s heroes – Luke and Han – look incredibly foolish for not actually thinking about HOW they should go about completing their rescue mission. On the other hand, and more importantly, this moment demonstrates a clear reversal in fortune for the Princess. When the film begins, and her ship falls under attack, the protocol droid C-3PO tells R2-D2, “There will be no escape for the Princess this time.” True in that moment, C-3PO is ultimately proven wrong as Leia not only escapes, but does so by taking control of her own rescue when she and her allies are quite literally backed into a corner.

Into the Garbage Chute
“Into the garbage chute, flyboy!” – Princess Leia
Photo Credit – Star Wars Episode IV: A New Hope

But there is an additional element of control which Leia brings to her escape: her decision to travel directly to the Rebel Base on Yavin 4. Why, if Leia knew the Millennium Falcon was being tracked, would she willingly lead the Empire to the Rebel Base, the location she resisted sharing with Vader and Tarkin? For some time, I felt this was a curious move on her part, a clear flaw in her thinking. Yet, the deeper I have considered it, the more I have realized that it is the safest choice given the stakes. With Alderaan destroyed and Obi-Wan Kenobi dead, Princess Leia is left with the only choice that makes any sense: getting the Death Star schematics stored in R2-D2 to the Rebel High Command as quickly as possible. A detour to another world, or a stop to acquire a new ship, runs the risk of Imperial capture, while traveling directly to the Rebellion ensures that the Death Star information (not to mention her own life) is protected. Besides, the sooner the schematics are delivered, the sooner the Rebellion can craft a plan of attack to destroy the planet-killing superweapon.

A Beacon of Hope

Once Leia and company arrive at the Rebel Base on Yavin 4 her role in the film becomes primarily observational. While Luke Skywalker will jump into an X-Wing to participate in the impending engagement, and Han Solo will get a reward and leave before the fight begins, Leia will stand in the Rebel Command Center watching the battle unfold on display screens. Admittedly, it is a bit odd that with the Death Star approaching and preparing to destroy the Rebel Base, Leia (along with others) choose to stand-around watching rather than evacuating. On some level, this sorta gives away what we know the inevitable outcome of the battle will be: the Rebels will win and the Death Star will be destroyed.

On another level, though, that Leia remains in the Command Center puts the final stamp of bravery on her fearless nature. With the Death Star approaching and preparing to destroy Yavin 4, it is conceivable that the Princess was asked (perhaps even ordered!) to evacuate before the battle begins, her safety and importance to the Rebellion being tantamount. Instead, by remaining, Princess Leia reveals once more that she is the very heart of the Rebel cause, a beacon of hope for the Rebel soldiers fighting the Imperial war machine. She may not be in an X-Wing or Y-Wing fighting the battle, nor giving orders as a General, but Leia’s stoic presence in the face of imminent death testifies not only to her personal resolve, but also the resolve of the Rebel Alliance.

Given her status and importance to the Rebellion, it is unsurprising that Princess Leia is the one to bestow medallions upon Luke Skywalker and Han Solo following the Battle of Yavin. With the Death Star destroyed, the two men (accompanied by Chewbacca) will march down the center of a great hall, flanked on both sides by the entire assembly of Rebels on Yavin 4. Arriving at the bottom of a staircase, the trio ascend the steps until they are standing before, albeit slightly below, the magnificently dressed Leia. This is the only point in the film in which Leia has changed clothing, and she is now without the iconic hair “buns.” Wearing a gown, with her hair in a braided updo and jewlery drapping her neck, Leia now, officially and formally, looks like a Princess. Never-the-less, while she is resplendent in her royal attire, we also know that there is far more to her than meets the eye, and that what makes Princess Leia truly regal is her considerable fearlessness and capacity for hope in the face of overwhelming odds.

The Princess
The Princess
Gif Credit – Star Wars Episode IV: A New Hope

I’ve joined forces with some other exciting bloggers and YouTubers – Nancy and Kathleen of Graphic Novelty2, Rob of My Side of the Laundry Room, Kiri of Star Wars Anonymous, Kalie of Just Dread-full, Mike of My Comic Relief and Green Onion of The Green Onion Blog – for a little salute to “Fiction’s Fearless Females.” Starting on International Women’s Day and going forward over the next couple months, a different contributor will offer their take on a favorite female who harbors a fearless spirit. Click on the links below to read about the other women being profiled.

Fiction’s Fearless Females

Ellen Ripley

Captain Janeway

Amy Pond

Wonder Woman

Scarlett

Rey

A Star Wars Celebration

My twelfth birthday party was a Star Wars celebration. Just ten days before I turned the big “one-two” (March 24, 1997) the Special Edition of Return of the Jedi was released in movie theaters. So on the Sunday before my birthday, a handful of friends and I were dropped off at the local theater to see Episode VI/

While there are plenty of gripes to be had with the Star Wars Special Edition – George Lucas’ re-mastered/edited Original Trilogy – as a kid I really had no issue with them. At the time, what got me excited was seeing Star Wars on a big screen, plain and simple. Besides, the Original Trilogy Special Edition were not just another set of films. Oh no, they were the pinnacle of cinematic brilliance in my young mind, a new way of experiencing Star Wars in a shape and form I had never imagined possible. Coupled with the knowledge that Lucas was, at the time, working on a new Star Wars trilogy, the Special Edition was, in many respects, my first step into a fundamentally different way of being a Star Wars fan.

I am unable to remember every detail about my twelfth birthday. Today, twenty-two years removed, many of the details are a blur. I can recall which friends I went with, but I do not remember what we talked about as we sat and waited for Return of the Jedi to begin. I am sure our conversation was brilliantly nerdy and immaculately adolescent. I would expect nothing less from almost 12-year-old me. Likewise, my memory of watching the film on that Sunday afternoon is spotty, and I am just not able to bring forth the emotions/feelings I had as the movie played.

Except, that is not entirely true. While memories fade as time moves on, I CAN recall precisely how I felt at the end of the film. Etched into my mind is the sheer joy, hope, and wonder of seeing the various celebrations which took place across the Star Wars galaxy following the Battle of Endor. While the original cut of Return of the Jedi ONLY included the Rebels celebrating with the Ewoks after the battle, in this new Special Edition of the film George Lucas inserted brief shots of galactic citizens flooding streets and celebrating together. As I sat there watching these Star Wars celebrations unfolding on Bespin, Tatooine, Naboo, and Coruscant, I was left feeling dizzy with excitement. Even now, as I think of that moment in the theater, the memory is visceral, I am still dizzy and overwhelmed.

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But why? Why, after watching two hours of Return of the Jedi, would the end, and the inclusion of these celebrations, resonate with me so deeply? Honestly, the answer is so dang obvious that it is almost underwhelming: it’s because humans and aliens across the galaxy were coming together to celebrate the downfall of the Galactic Empire.

I always enjoyed the original celebration at the end of Return of the Jedi, where the Ewoks and Rebels are dancing/singing together (and Lando is awkwardly clapping along to the “Ewok beat”) following their victory at Endor. But this Star Wars celebration was always small scale and localized, it was JUST the participants from the battle who were rejoicing. In the Special Edition, what we end up seeing is the news of the Endor victory cascading across the galaxy: another Death Star destroyed, the Imperial fleet in tatters, and most importantly, the Emperor dead. On Coruscant, in the heart of the Imperial capital, fireworks were launched and statues torn down. On Naboo, Gungans danced and shouted “Wesa free!” Seeing these celebrations taking place on different planets expanded the impact of what the Rebellion had accomplished not for themselves, but for the galaxy writ-large. In that moment, as I sat transfixed by the sights and sounds of these Star Wars celebrations, I was transported across the vast expanse of the Star Wars galaxy and was given the chance to truly experience just how important the Rebel cause, and victory, was for average people. 

George Lucas gets a lot of flak for choices he made with the Special Edition but to this day I am incredibly grateful – as a Star Wars fan and a person – for the addition of these celebrations at the end of Return of the Jedi. On a day I was having a Star Wars celebration of my own, getting to witness the joy of individuals within Star Wars celebrating the defeat of the Empire was truly special. 

Forgotten Faith: Doubting the Sacred

What Luke Skywalker accomplishes in the climactic final Act of Star Wars: A New Hope is nothing short of miraculous. Tasked with the responsibility of destroying the Empire’s planet killing Death Star, to succeed and win the day Skywalker unexpectedly gives himself over to the mystical energy field known as the Force. Doing so at the behest of the recently “deceased” Jedi Master Obi-Wan Kenobi, young Luke puts his faith in something greater than his available technology (or luck, or logic and reason), allowing the sacred and mysterious energy to guide his actions. In doing so, Skywalker not only saves the galaxy by destroying the Death Star, but also takes a giant leap of faith into a realm of wondrous possibility. As Skywalker speeds back to the Rebel base after the battle station explodes, Kenobi speaks to the young pilot from “the beyond”, reminding Luke that “the Force will be with you, always.” Luke Skywalker, farmer-turned Rebel pilot-turned galactic hero, will always have the Force as his ally.

Yet, when we once again meet Luke in The Empire Strikes Back three years after his leap of faith and heroic deed, the young man has all but forgotten the Force is with him.

After putting his faith in the Force in A New Hope, one would anticipate that when we meet Skywalker again that he will have started to more fully develop his understanding of, and connection to, the Force. This, however, is not the case, and is actually hinted at early in The Empire Strikes Back as Luke hangs upside down in the Wampa’s lair (having been ambushed and knocked unconscious by Hoth’s apex predator). His lightsaber protruding from the snow a few feet away, Luke’s initial instinct is to desperately grab for his weapon, and only concentrates on using the Force to bring the weapon to him once he recognizes the blade is out of reach.

 

Luke Wampa Cave
Luke hangs upside down in the Wampa’s lair.
Photo Credit – Star Wars Episode V: The Empire Strikes Back

Luke’s use of the Force in this instance reminds the audience of his connection to the energy field while likewise foreshadowing the lessons he will learn when he makes his way to Dagobah in the film’s second act. After all, in the Wampa’s lair we see for the very first time that one can move objects using the Force. Later in the film, this reality will be expanded, with Luke moving boulders and the ancient Jedi Master Yoda using the Force to move Luke’s X-Wing Starfighter.

The episode in the Wampa’s lair likewise foreshadows the doubt and disconnect Luke will display, with respect to the Force, when he travels to the Dagobah system to learn from Yoda. The Force is certainly with him, but at the outset of The Empire Strikes Back it is a curious afterthought, a seemingly forgotten aspect of his being. Even after bringing the lightsaber to him in the lair, the Force seems to fade away as panic sets in, Luke maiming the Wampa and anxiously fleeing the snowy cave.

At the end of A New Hope, Luke was the victorious hero who we last saw receiving a medal for destroying the dreaded Death Star. Now, only a short way into The Empire Strikes Back, Luke Skywalker stumbles out of the Wampa’s lair, his flight response fully in control. Unsurprisingly, Luke will succumb to the harsh elements on Hoth, collapsing into the snowy Tundra. Face down in the snow (see featured image above), his body surely experiencing the effects of hypothermia, it is here and now that Obi-Wan Kenobi curiously chooses to re-appear. Calling to the (freezing) young man, Kenobi appears in astral form and commands Luke to “go to the Dagobah system” where he will learn the ways of the Force from Yoda. 

Crashing into a Swamp

It is Luke’s journey to Dagobah that serves as the surest example of his mystical disconnect. Consider that as Luke flies his X-Wing into the planet’s atmosphere – the very same X-Wing he piloted to destroy the Death Star! – he relies entirely on the starfighter’s technology to guide him to the planet’s surface. “All the scopes are dead. I can’t see a thing…” he exclaims as he descends into the thick, dense atmosphere/fog covering the planet. The technology at his disposal fails him, and [a panicked] Luke does not call upon the Force to serve as his guide. It is no wonder he crashes into the swamp.

Luke Crashes on Dagobah
Luke stands on the nose of his X-Wing after crashing in the swamp on Dagobah.
Photo Credit – Star Wars Episode V: The Empire Strikes Back

In turn, what makes this scenario all the more fascinating is that Dagobah is teeming with life, and as Yoda will explain to Luke, it is life which makes the Force grow. “Luminous beings are we, not this crude matter,” the elderly Master will note once young Skywalker has started his rigorous Jedi training. Luke, we know from his actions in A New Hope, already has a special connection to the Force, an ability to destroy a planet killing superweapon thanks to faith alone. Never-the-less, piloting his X-Wing to Dagobah, Luke Skywalker is incapable of navigating his way to the surface of a planet glowing with the radiance of the Force.

In the three years between the end of A New Hope and The Empire Strikes Back, Luke Skywalker has chosen to ignore, or has simply forgotten, his connection to the Force. Or, perhaps over time he began to doubt the mysterious energy field, placing more trust in technology than on the mystical source of his power. Indeed, Luke express such doubt to Yoda – “you ask the impossible”, the young man will exclaim when given a Force-specific task – and Yoda will note that it is Luke’s doubt, his inability to believe in the possibility of the impossible, which makes him fail.

Whatever the reason for Luke’s disconnect with the Force – be it doubt, forgetfulness, ignorance, or something else entirely – from a narrative perspective it is a profound way of highlighting that even after becoming a hero one can still face incredible challenges. Luke may have relied on the Force to destroy the Death Star, but he must also face great external/internal struggle to ascend beyond a singular act of heroism to become truly heroic. In fact, The Empire Strikes Back goes to great lengths to show Luke stumbling, being knocked down, and crashing time and time again as he embarks on this new path of ascendance, towards becoming a Jedi Knight. Consider the following:

  • Luke is knocked off his Tauntaun when the Wampa attacks.
  • He falls from the ceiling of the Wampa’s lair.
  • He stumbles over a snow drift as he escapes the lair, and later falls to the ground as he walks across Hoth’s desolate tundra.
  • His Snowspeeder crashes when it is struck by a laser blast.
  • After destroying an AT-AT using his lightsaber and a thermal detonator, he unhooks his harness and falls far to the ground below.
  • Piloting his X-Wing, he crashes into the swamp on Dagobah.
  • Exiting his X-Wing, he jumps into the swampy marsh and must crawl up the muddy embankment.
  • When he is doing his first handstand during his Jedi training, moving large rocks while Yoda sits on his feet, Luke becomes distracted and falls.
  • Later, doing another handstand, suspending a number of containers and his droid R2-D2 in the air, he again becomes distracted once again.
  • As he battles Darth Vader he is knocked into the carbon-freezing chamber; he is blasted out of a window; stumbles to the ground and barely escapes Vader’s next attack; and falls, by choice, into the great abyss at the center of Cloud City after learning he is Vader’s son (presumably choosing death rather than continuing to face his father).

After falling into the abyss on Cloud City, Luke ends up literally hanging below the city on a weather vane, grasping desperately with his one hand (the other had been cut off, along with his lightsaber, by his father) for the door above him. Even here, in this desperate situation, the literal and metaphorical lowest point in his life, Luke forgets his connection to the Force, instead trying to climb to safety with his single hand. Unsurprisingly, Luke once again slips and begins to fall, this time only being saved by his legs (which catch the weather vane).  Just as he was hanging upside down in the Wampa’s lair at the beginning of the film, at the end of the film Luke is once again in a desperate situation hanging upside down.

Luke Weather Vane
Luke hangs upside down from a weathervane below Cloud City. Photo Credit – Star Wars Episode V: The Empire Strikes Back

In a sense, this is the most appropriate metaphor for the existential situation Luke Skywalker finds himself in throughout The Empire Strikes Back – his heroic journey has quite literally been turned upside down. Where he gave himself willingly to the Force in A New Hope, placing his faith in something greater, in The Empire Strikes Back he stumbles and falls as he attempts to rekindle, and grow, in his understanding of and relationship with the Force. Eager to learn about the sacred energy field in A New Hope, Luke’s forgetfulness and doubt are why he crashes and fails in The Empire Strikes Back.

Luke Skywalker: The Loss of Innocence

Frantic to return to his homestead to warn his family about an impending Imperial raid, Luke arrives too late. Slowing down in his landspeeder, the young man leaps out and calls to his uncle Owen and aunt Beru as black smoke billows from his burning home. Scanning the destruction, Luke locks eyes on the smoldering carcasses of his guardians. Not only was he too late, but the extermination was absolute. Luke may have expected, as he sped closer to home and could see the smoke on the distant horizon, that he would find the limp bodies of Owen and Beru. But he surely did not expect such an abhorrent scene – the grotesque, distorted skeletons of his loving uncle and aunt. One cannot help but wonder -and certainly the thought must go through Luke’s mind – if his uncle and aunt suffered in their final moments of life, tortured by the pain of being burned alive.

Grotesque
The grotesque corpses of Owen and Beru.

Photo Credit – Star Wars Episode IV: A New Hope

This short but disturbing moment in A New Hope is one that never fails to move and pain me. Admittedly, the event is a narrative necessity, albeit a disturbing one, a way of jettisoning Luke from the confines of his childhood connections into a larger world. Seeking adventure and desiring to leave home, even petitioning his defiant Uncle at dinner the night before to allow him to leave, Luke’s adolescent dreams can not be fulfilled. There is no longer any resistance standing in his way and he can join Obi-Wan Kenobi on his valiant quest to defeat the Empire.

And yet, as the scene concludes with Luke standing there in the quiet desolation of his childhood as the smoke billows and the carcasses continue to smolder, I have always wondered: what did Luke do next?

Skywalker Alone
What did Luke do after this moment?

Photo Credit – Star Wars Episode IV: A New Hope

This is not a question that demands a definitive answer. In fact, I would be furious if the Lucasfilm Story Group was to provide an “official” or “canonical” account regarding Luke’s actions (or his thoughts/feelings) when the scene concludes. On one level, this is because this scene in A New Hope, which we can link with Luke’s sad return to Obi-Wan and his admission that he can now join the Jedi Master’s journey, work with seamless fluidity even though they are separated. We do not need to be told what Luke did in the interval because the narrative intention in A New Hope is to move Luke from one stage of life to the next. The innocence of his childhood is literally destroyed and he will now venture forth into the responsibilities of adulthood.

On another level, any “official” explanation would usurp the imaginative faculties of fans, taking away the opportunity for one to insert their own thoughts and feelings into the heart-wrenching moments before, during, and after Luke arrives. Not knowing what Luke does, or the emotional turmoil he experiences, is in many respects what makes the death of Owen and Beru so powerful. Without explanation, other than the pained look on young Skywalker’s face as he views the carnage of his familiar surroundings, we are left to fill in the gaps, all of which enables our own, individualized connections with Luke, and the film, to flourish.

And so, the question – what did Luke do next? – percolates in my mind precisely because my imaginative faculties, aided by the emotion which the scene evokes inside of me, consistently arrives at a number of possible explanations. Just as I can believe Luke simply turned around, walked back to his speeder and left his home, I can just as easily imagine that Luke feel to the ground and broke down in tears. Or maybe Luke dropped to his knees and screamed, bellowing out the agony and guilt of not being there to protect his loving family.

Perhaps Luke sprung into stoic action, choosing to carefully bury the bodies as he internally contemplated the loss of his innocent and simple life. Digging graves next to those of his great uncle Cliegg and great aunt Shmi, Luke placed the wrapped bodies of uncle Owen and aunt Beru in graves he methodically dug. The burial complete, Luke returned to his land speeder and drove off into the Tatooine desert, taking nothing but the memories of his family, his home, and his youth with him.

Favorite Star Wars Music (by Film)

A long time ago…in 2017…I wrote a piece detailing why “The Imperial March” is my absolute favorite musical score in the Star Wars franchise. This admission came as little surprise to many of my trove of followers/readers as I have often professed my cultish admiration for The Empire Strikes Back (ESB) on this site. It stood to reason that The Imperial March would top my list considering the fact that the iconic anthem for the Galactic Empire/Darth Vader was first introduced in Episode V. Plus, given my “Casterfoian” obsession with the Empire, it stood to reason that I would likewise adopt the score as my all-time favorite.

While my unadulterated affection for all things ESB stands firm, and “The Imperial March” continues to receive constant replays on my Spotify account, there are never-the-less many other pieces of Star Wars music that have been elevated to the top of my musical mind. Hardly a shock – I am positive you can say the same if you happen to be a Star Wars fan – I wanted to take the opportunity to share a musical composition from each Star Wars film that I hold near and dear to my heart. For the sake of brevity, I have only chosen one from each film and decided to forgo long-winded explanations detailing why I love each piece, in large part because music is so damn personal it would take some of the fun out of it. Still, I may do a post for each at some point if the Force moves me to do so. We shall see.

Enjoy and be sure to comment with your own “faves” list!


A New Hope  “Tales of a Jedi Knight/Learn About the Force”


The Empire Strikes Back – “Yoda’s Theme”

While my heart will always be dedicated to “The Imperial March,” I decided to share another score from ESB in this particular list to mix things up a bit.


Return of the Jedi – “Leia’s New/Light of the Force”


The Phantom Menace – “The Droid Invasion and the Appearance of Darth Maul”

**Surprise! You were expecting “Duel of the Fates” weren’t you? Here is the deal: I love “Duel of the Fates” with a crazy passion but I likewise love “The Droid Invasion and the Appearance of Darth Maul.” I had to pick one and so I went with my gut. Besides, just listen to how the piece shifts when Maul is introduced! Holy frick that is haunting!!!!


Attack of the Clones – “Across the Stars”


Revenge of the Sith – “The Birth of the Twins and Padmé’s Destiny”


The Clone Wars – “Battle of Christophsis”


The Force Awakens “The Jedi Steps”

**I don’t care much for sentimentality but I readily admit that this piece gives me the feels. Like “Tales of a Jedi Knight/Learn About the Force”, “The Jedi Steps” packs an emotional punch by forcing me to imagine the Jedi Order, now a dying remnant, who once served and protected the galaxy far, far away. Between hearing this piece, and watching Rey literally walk the steps of the ancient Jedi, I was brought to tears in my first viewing of The Force Awakens.**


Rogue One“Your Father Would Be Proud”


The Last Jedi – “The Spark”


Solo: A Star Wars Story – “Savareen Stand-Off”

*Leave a comment with your thoughts about my list or share your own favorites!!!*

The Talker Toy Challenge Strikes Back

A long time ago in a galaxy far, far away…

Episode V

The Talker Toy Challenge Strikes Back

It is a dark time for the Star Wars fandom. Although December is approaching, DISNEY will not be releasing a new Star Wars film for another year, instead assaulting fans with a new cartoon show, a legion of mediocre comic books, and toys, lots and lots of toys.

Evading the dreaded lack of a Star Wars film, a group of bloggers led by THE IMPERIAL TALKER have struck back with a new version of THE TALKER TOY CHALLENGE, encouraging fans of the franchise to buy Star Wars toys and donate them to children who are in need this holiday season.

The DISNEY CORPORATION, obsessed with selling merchandise and increasing stock value for their shareholders, has dispatched thousands of new Star Wars products into the far reaches of the globe. Little does DISNEY know that THE IMPERIAL TALKER is ridiculously good at never paying full-price for merchandise, finding troves of fantastic Star Wars toys on sale and on clearance…


Participating in The Talker Toy Challenge is easy!!!! Just follow these steps.

Step One: Purchase Star Wars toys.

Step Two: Donate said Star Wars toys to children who are in need. I bring the toys I collect (see the featured image above) to a local Toys for Tots drop-off site. 

Step Three: Encourage others to do the same by promoting The Talker Toy Challenge on your blog, podcast, social media, etc.!!! Be sure to use #TalkerToyChallenge when you do!

Step Four: Repeat Steps One, Two, and Three.

Leave a comment and let me know if you participate!

Star Wars: Last Shot (An Imperial Talker Review)

There are few things I like and a lot of things I dislike about Star Wars: Last Shot by first time Star Wars author Daniel José Older. In fact, the bad so significantly outweigh the good that it is a little overwhelming to figure out where to begin. Perhaps the most obvious place is to just say that this story is entirely inconsequential to the Star Wars universe. While the book centers on Han and Lando coming together three years after the events of Return of the Jedi to stop a maniacal Pau’an who has plans to cause a violent, galaxy-wide droid uprising, the story never truly convinced me of its necessity, or that it was providing the Star Wars universe with any greater meaning. There are certainly a number of Star Wars elements in Last Shot. There are Star Wars places – Takodana, Utapau, Bespin, Kashyyyk – and Star Wars species – Twi’leks, Ewoks, Gungans, Ugnaughts – and a cast of familiar Star Wars characters – Han, Lando, Leia, Chewbacca, Maz Kanata – but as a whole these elements never truly coalesce into a Star Wars story with gravitas.

To save you time, I will just come right out and tell you what happens: Han and Lando survive, the bad guy (Fyzen Gor) dies, and the galaxy is once again saved by everyone’s favorite scoundrels. Thus, we are left with an altogether generic, run-of-the-mill Star Wars novel that is easily forgettable. But what is truly disappointing is that the opportunity for some memorable moments with incredibly profound consequence do exist within Last Shot. When, at the end of the novel, Lando must choose between saving himself or the galaxy at large, he chooses the latter. This IS a profound move, a “holy crap” moment in a book that really REALLY needed one. Yet, Lando’s moment of altruistic sacrifice is undercut when he is saved by a laughable plot device: the offspring? of his former droid L3-37 (who shows up in the novel in flashbacks) known as the “Elthree Assault Team.”

L3-37
L3-37
Photo Credit – Solo: A Star Wars Story

Had Lando died, the Star Wars galaxy would have been shaken to its core. Why isn’t Lando in The Force Awakens or The Last Jedi? Answer: because he was atomized in an explosion in the Mesulan Remnant. Instead, he is saved by a contrived group of vigilante droids made in the image of L3-37 and goes on to live happily ever after with the Twi’lek woman known as Kaasha, wanting to finally (sort of) settle down after years of galactic promiscuity. And who is this Kaasha you ask? I can’t tell you because she is given little development. She is ultimately in the novel because the author needed a sexual/romantic foil for Lando. Their backstory together goes to the Galactic Civil War when they found comfort in each others arms during the battle of…who knows, I can’t remember. She was smitten by the General, has sought him out, and joins him (and Han) on their adventure. While she is given glimpses of agency – she can communicate with their Ewok companion and she aids Han as he attempts to retake a ship during the novels climax – Kaasha is a Twi’lek woman otherwise beholden to the whims and feelings of a man. Shocking!

Kaasha is not the only new character appearing in the book. A human from Alderaan, and the pilot whom Han and Lando hire to assist them, Taka is a gender-neutral character and is referred to as “they” throughout the book. If there is one truly good thing about Last Shot, Taka is it. I appreciate and applaud that Older chose to include such a character in the Star Wars universe, especially since Taka’s gender-neutral status is so banal. I certainly hope more characters like Taka emerge in Star Wars as their inclusion paves the way for more gender-boundaries to be broken. And, I hope Taka shows up again in Star Wars because they are an interesting and fun. Plus, Taka goes out of their way to annoy Han with heavy metal music which is a pretty funny moment in the book.

Taka is one of the few bright spots in Last Shot, and if I were to chose another it would be the inclusion of 2-year-old Ben Solo. Now, I should note that Ben’s appearance(s) in Last Shot primarily serve Han’s story, specifically the smuggler’s inner turmoil about whether he is a good father (I’ll get back to Ben in a moment). Han’s fatherhood questions are dragged out to the very end when, finally, Han talks to Leia and she reassures him that “no one knows how to be a parent before they are one…” (pg. 340). That it takes the entire book for Han and Leia to have the “parenting is hard” conversation is pretty ridiculous (it is a convo he could have had with Leia without going on a galactic mission) but given that this is the core of Han’s character development it is hardly surprising. I don’t begrudge this particular angle on Han, though. We know from The Force Awakens that he and his son had a rocky relationship, so incorporating little bits of that relationship – in this case whether Han feels like he can do the parenting thing – is a fine angle to take. What is truly disappointing, though, is that there was a massive missed opportunity for Han to learn the importance of the parent-child relationship from Taka.

At one point in Last Shot, Han happens upon a recording of Taka’s parents. From the recording we learn two things: Taka’s parent loved them unconditionally and Taka’s parents were Alderaanian which means their parents are dead. Later, Han will mention to Taka that he watched the recording and they will tell Han that it is the last little piece of his parents they own. Han clearly sympathizes with Taka, particularly since he reflects on comforting Leia when she feels down abpout the destruction of her homeworld. But what was missed was the chance to unite Han’s parenting woes with the fact that Taka is holding onto a small remnant of their deceased parents. I cannot help but imagine a different version of Last Shot where Han comes to a fuller appreciation of his role as a parent, as a father, as he listens to someone who lost their parents. In turn, the conversation he had with Taka, and the lessons he learned/chose to reflect on, could have easily tied in with the remained of the novel (particularly the conversation with Leia at the end). Instead, Han’s parenting woes culminate in the final moments of the book when he receives cookie cutter wisdom from his wife. Ugh. Let’s just go back to Ben Solo…

Moments that Left Me Speechless

That Ben Solo makes a handful of appearances in Last Shot was certainly a positive aspect of the novel, enabling the reader to experience the sequel trilogy villain as an innocent toddler. In fact, it is two lines about Ben Solo – coming through the inner thoughts of Han – that left me completely stunned early in the book. The child looking up at his father, Older writers:

“Han had no idea how a two-year-old could have such ancient eyes. It was as if Ben had been waiting around for a millennium to show up at just this moment in history.”

Wow! Like, wow! With clarity and brevity, Daniel José Older captures the entire trajectory of the Sith Order which Darth Bane instituted, an Order based on the Rule of Two, an Order which survived for a millennium, an Order which was finally destroyed with the death of Darth Sidious at the hands. Now, as if he had been waiting for the Sith to die out, Ben Solo’s time has finally come, his conception coinciding with the death of Darth Sidious. Ben Solo’s conception and birth are the prophetic sign of a new era of Darkness, a Darkness which has been waiting to emerge for a millennia, a Darkness the boy will one day help to bring about as Kylo Ren. And the “ancient eyes”? Those are the eyes which Han  will sees when his son pushes a red lightsaber through him on Starkiller Base. They will be the very last thing Han ever sees, and perhaps in that moment he will think back to that moment he saw the “ancient eyes” in his two-year-old son.

Han and Ben
Kylo Ren (Ben Solo) looks at his father with “ancient eyes.”
Photo Credit – Star Wars Episode VII: The Force Awakens

That Han’s small reflection on Ben came early in the novel left me hoping more moments would pop up that packed a punch. But there are really no other Star Wars gems in the book on par with Han’s reflection on Ben. Instead, the opposite is true, with two other lines showing up which left me dumbfounded and at a loss. They are (and I can’t believe I am about to type this):

“Tight enough for a bulge and the insinuation of an ass…” (pg. 41).
“Like a droid orgy of some kind, but with astromechs and those old battle droids from the Clone Wars?” (pg. 335) 

My problem with references to “a bulge” and “an ass” and a “droid orgy” is pretty straight forward: they don’t add anything of value to the novel. Unless, that is, one counts shock value, which, in this case, I don’t. There is a time and place in a story to really shock the audience, to authentically catch the reader off-guard with something that comes out of left field. Lando choosing to sacrifice himself for the greater good is shocking, and if he actually died in the process would have been even more shocking. But “a bulge” and “an ass” and a “droid orgy”, these sexually-charged references caught me off-guard and shocked me in a way that left me thinking only one thing: this book is really bad.

The Bad Outweighs the Good

To be fair, I would say this book is really bad even if it didn’t reference “a bulge” and “an ass” and a “droid orgy.” Here, I will list a handful of other things that are problematic about the book (to go along with things I have already mentioned):

  • The flow of the book is choppy and confusing, the narrative jumping back and forth as it follows four storylines through flashbacks. I am not opposed to flashbacks in general, but the book jumps across timelines far too many times without giving the reader a chance to catch their breath.
  • Speaking of flashbacks, Lando’s storyline (“about 15 years ago”) does not line up with the events of Solo: A Star Wars Story. How do I know this? Because I was paying attention in the 1st Grade and learned addition and subtraction.  But there is a bit more to it: L3-37 was destroyed, and uploaded into the Millennium Falcon, in the Solo movie (which takes place around 10 BBY). However, Lando’s flashbacks in Last Shot take place in 8 BBY and L3-37 is still intact and NOT uploaded into the Falcon. Oh, and let’s not forget that at the very end of Solo, the Millennium Falcon no longer belongs to Lando…
  • The villain, Fyzen Gor, gets his own flashbacks but is completely unconvincing as a bad guy and, even worse, uninteresting. What makes his story all the more confusing is that he is from Utapau, his evil plan involves melding organic body parts with droids, and his evil conversion takes place sometime around 13 BBY, but there is not a single reference to General Grievous!!! At the very least, Gor could have been doing his initial evil organic- droid stuff and reflecting on the droid General who died on Utapau in 19 BBY.
  • The droids Gor activate to kill people literally say “Killlllll.” #facepalm
  • Speaking of those killlllllller droids, when Han and Leia’s kitchen droid is activated and moves to killlllll little Ben, a brilliant opportunity existed for the toddler to destroy the droid with his adolescent connection to the Force. This would have been awesome and a perfect connection the “ancient eyes” moment early in the book. Instead, the droid is activated and then immediately deactivated. Ugh!!!!!!
  • Oh, and what about all of the other droids galaxy-wide that were activated? Even though it was brief, a lot of droids probably killllllllled quite a few organic beings in those moments. And by “quite a few” I mean millions, and by millions I mean tens of millions.
  • Where are R2-D2 and C-3PO? This book is about killllllller droids but the two most famous droids in Star Wars never show up. Were they activated?
    Boss Nass
    “Meeeeeesa don’t lika Aro for being preachy.” – Boss Nass

    Photo Credit – Star Wars Episode I: The Phantom Menace

  • Aro, a Gungan working on Substation Grimdock, gets upset with Han for saying “meesa” and chastises him for assuming all Gungans talk like…like Gungans. I understand what Daniel José Older is TRYING to accomplish here, giving the reader an object lesson in not assuming how individuals speak based on stereotypes. But it comes off as preachy and makes Aro even more annoying than the average Gungan. And besides, there are plenty of Gungans that say “meesa” who do some pretty great things in Star Wars (check out this piece:  The Sacrifice of General Tarpals).
  • Chewbacca doesn’t need to be in the main storyline. Like, at all. He is there…and I know this sounds crazy…just because this novel is partially about Han. Now, to be fair, Older does drum up a reason for Chewie to go on the adventure: young Wookiees being kidnapped by Fyzen Gor for his experiments. However, there is no definitive resolution to this other than Chewie fighting the half droid-half Wookiee abominations. In turn because Chewbacca is “lugging a sack” (pg. 337) following his battle, Han presumes it is full of Wookiee body parts but this is never confirmed. Nor does anyone, at the end, question whether some Wookiees are still being held in some secret laboratory. Oh welllllllllllll….

Here is the deal – if you want to read Star Wars: Last Shot, go for it. It you end up liking it, more power to you. And, if you would like to convince me this book is far better than I have suggested, by all means, leave a comment below. I will gladly give your thought(s) careful consideration. But as of right now, beyond the few things in this book that I actually liked (Taka, Ben Solo, “ancient eyes”) there is just too much stacked against Last Shot for me to give it anymore significant thought. In turn, Last Shot has given rise to an unintended consequence: it has made me less likely to purchase/read Star Wars novels in the future, especially novels by new Star Wars authors. If nothing else, this will (I hope) save me from having Lando’s “bulge” and “ass” shoved in my face again. 


***Page numbers are from the first edition of Star Wars: Last Shot.***