As more trailers are revealed I will add them to this post. For now, enjoy the teaser and leave a comment with your thoughts about it!
As more trailers are revealed I will add them to this post. For now, enjoy the teaser and leave a comment with your thoughts about it!
There is a line in Star Wars: A New Hope which often gets lost in the greater scope of the film, a quote which points to the toughness of the movie’s lone female protagonist, Princess Leia. It comes when Darth Vader, the movie’s villain, speaks to Grand Moff Tarkin, the secondary villain in the film. Pacing back and forth as if annoyed, Vader admits that, “Her [Leia’s] resistance to the mind probe is considerable. It will be some time before we can extract any information from her.” Prior to this admission, we saw Vader enter Princess Leia’s prison cell with an interrogation droid floating behind him, a needle protruding from the droid and Leia’s face giving off subtle apprehension. Now, Vader states that it was for not, that the Princess has resisted this “mind probe” and that breaking her will take more time.
I have always loved this line; it has always resonated with me because it points directly to the fearless resolve which resides in the heart of Princess Leia. Even before Vader utters these words, we know that Leia is a force to be reckoned with, a whirlwind of confidence capable of holding her own. After all, it is Leia who was leading the mission to Tatooine to find Jedi General Obi-Wan Kenobi at the film’s outset. When the ship fell under attack, Leia created a new plan to secure Kenobi’s help EVEN AS IMPERIAL SOLDIERS STORMED THE VESSLE! Dispatching the droid R2-D2 to Tatooine’s surface, Leia awaited her inevitable capture, and even shoots/kills an Imperial stormtrooper before she is apprehended.
Captured by the Empire’s white-armored soldiers, Princess Leia is escorted before Darth Vader, the nefarious and imposing villain we were JUST formally introduced to as he lifted a man by the neck and crushed his windpipe. The black-clad Vader towers above the petite, white dressed Princess, an obvious visual meant to represent the power of the evil Empire towering over the small, fledgling Rebellion. But Leia is far from intimidated. Oh no, not only does she stand tall next to this masked monster, she speaks first AND is the one who chastises him with palpable disdain!!!
In just a few frames, Leia presents herself as competent and fearless, especially under pressure. Rather than quivering and backing down, she boldy stands her ground against imposing odds. It is no wonder then that later, when Darth Vader assaults Leia, probing her mind for the “location of the Rebel base”, her resistance is “considerable.” Princess Leia is the embodiment of fearless resolve, the very heart and soul of the small Rebellion against an Empire which spans a galaxy. There was never a chance the mind probe would work, it was always going to be an act of futility on the part of Vader.
An Alternative Form of Persuasion
It is Grand Moff Tarkin who chooses a new tactic to extract the information they seek following the failure of the mind-probe. Rather than probing her mind, Tarkin gives Leia a choice: give up the location of the Rebel base OR watch as her home planet of Alderaan is destroyed by the Death Star superweapon. It is a brilliant move on Tarkin’s part, one that catches Leia off-guard. Pleading with him, the Princess turns into a supplicant as she tells the Grand Moff her planet is “peaceful” and has “no weapons.” Tarkin, of course, does not care and, presenting the question again, demands to know where the Rebel base is located. It is now that Leia gives in: “Dantooine. They’re on Dantooine.”
That Leia gives in to Tarkin is shocking, but all the more painful as Leia must continue to stand and watch as Alderaan is destroyed. This is an unsurprising move on Tarkin’s part, an obvious example being made to the whole galaxy (and the Princess) that no one, not even “peaceful” worlds, are safe from Imperial military might. Now, the fearless young woman who stood her ground at the film’s opening, who chastised Vader and resisted his mind probe must steel herself as she watches her home world and her family perish in a ball of fire.
And yet, what we do not realize in this moment is that Leia has tricked Tarkin. Presented with the choice of Alderaan being destroyed OR the Rebellion being destroyed, the quick-thinking Princess chose a different route: an open-ended lie. We do not discover this right away, not until an Imperial officer informs Tarkin that scout ships discovered a deserted Rebel base on Dantooine. Furious, but more importantly humiliated, the Grand Moff orders the immediate execution of the Princess.
That Leia lies about the location of the Rebel base is brilliant, a narrative misdirect that leads Tarkin and the audience alike to THINK this strong-willed woman has caved under pressure. It is easy to forget this, as later we DO discover the real location of the Rebel base. But in this instance, we are led to believe Leia has given it up, that Dantooine is, in fact, the location. Instead, what we discover a few scenes later is that Princess Leia was in control the entire time, and while her plea to the Grand Moff that “Alderaan is peaceful” is certainly genuine, it, too, was also part of her quick thinking plan to save both Alderaan AND the Rebellion.
Awaiting Tarkin’s Fury
Knowing she has lied to Grand Moff, we can surmise that after being returned to her cell that the Princess sat and waited for Tarkin’s fury. Surely, too, she sat there in mourning, the loss of her world and family weighing heavily on her heart. One could hardly criticize the fearless female if she did break down and cry, although it is hardly necessary to know whether she did. The imagination is enough in this case.
Regardless, when we next see Leia she is reclining on the hard bench in her detention cell. Luke Skywalker, wearing stormtrooper armor, barges in to the rescue and, without missing a beat, the reclined Princess – certainly suspecting Tarkin’s fury has arrived – directs a shot of insulting sarcasm at the soldier: “Aren’t you a little short for a stormtrooper?” While Vader’s comment about her resistance to the mind-probe directly points to Leia’s strong-willed personality, this shot of sarcasm – coupled with the sarcasm she throws at Tarkin earlier (see video clip) – highlights her constant disposition towards her Imperial foes. Basically, Leia is always ready to level an attack against the Empire, even if that attack is in the form of words alone.
But she is also more than happy to criticize her own allies, in this case her rescuers: Luke Skywalker, Han Solo, and Chewbacca. Cornered by Imperial soldiers in the detention center, the Princess chastises the films heroic men, noting that it “Looks like you managed to cut off our only escape route.” What makes this all the better is that the quick-thinking Princess – who, we should remember, was not anticipating a rescue – immediately comes up with a plan and puts it into action. Taking the blaster from Skywalker, Leia blasts open the wall across from her and demands that everyone jump into the garbage chute. Before objections can be raised, Leia is already on her way into the depths of a Death Star trash compactor.
To be perfectly honest, this has always been my favorite “Leia Moment” in A New Hope. On one hand, her action makes the film’s heroes – Luke and Han – look incredibly foolish for not actually thinking about HOW they should go about completing their rescue mission. On the other hand, and more importantly, this moment demonstrates a clear reversal in fortune for the Princess. When the film begins, and her ship falls under attack, the protocol droid C-3PO tells R2-D2, “There will be no escape for the Princess this time.” True in that moment, C-3PO is ultimately proven wrong as Leia not only escapes, but does so by taking control of her own rescue when she and her allies are quite literally backed into a corner.
But there is an additional element of control which Leia brings to her escape: her decision to travel directly to the Rebel Base on Yavin 4. Why, if Leia knew the Millennium Falcon was being tracked, would she willingly lead the Empire to the Rebel Base, the location she resisted sharing with Vader and Tarkin? For some time, I felt this was a curious move on her part, a clear flaw in her thinking. Yet, the deeper I have considered it, the more I have realized that it is the safest choice given the stakes. With Alderaan destroyed and Obi-Wan Kenobi dead, Princess Leia is left with the only choice that makes any sense: getting the Death Star schematics stored in R2-D2 to the Rebel High Command as quickly as possible. A detour to another world, or a stop to acquire a new ship, runs the risk of Imperial capture, while traveling directly to the Rebellion ensures that the Death Star information (not to mention her own life) is protected. Besides, the sooner the schematics are delivered, the sooner the Rebellion can craft a plan of attack to destroy the planet-killing superweapon.
A Beacon of Hope
Once Leia and company arrive at the Rebel Base on Yavin 4 her role in the film becomes primarily observational. While Luke Skywalker will jump into an X-Wing to participate in the impending engagement, and Han Solo will get a reward and leave before the fight begins, Leia will stand in the Rebel Command Center watching the battle unfold on display screens. Admittedly, it is a bit odd that with the Death Star approaching and preparing to destroy the Rebel Base, Leia (along with others) choose to stand-around watching rather than evacuating. On some level, this sorta gives away what we know the inevitable outcome of the battle will be: the Rebels will win and the Death Star will be destroyed.
On another level, though, that Leia remains in the Command Center puts the final stamp of bravery on her fearless nature. With the Death Star approaching and preparing to destroy Yavin 4, it is conceivable that the Princess was asked (perhaps even ordered!) to evacuate before the battle begins, her safety and importance to the Rebellion being tantamount. Instead, by remaining, Princess Leia reveals once more that she is the very heart of the Rebel cause, a beacon of hope for the Rebel soldiers fighting the Imperial war machine. She may not be in an X-Wing or Y-Wing fighting the battle, nor giving orders as a General, but Leia’s stoic presence in the face of imminent death testifies not only to her personal resolve, but also the resolve of the Rebel Alliance.
Given her status and importance to the Rebellion, it is unsurprising that Princess Leia is the one to bestow medallions upon Luke Skywalker and Han Solo following the Battle of Yavin. With the Death Star destroyed, the two men (accompanied by Chewbacca) will march down the center of a great hall, flanked on both sides by the entire assembly of Rebels on Yavin 4. Arriving at the bottom of a staircase, the trio ascend the steps until they are standing before, albeit slightly below, the magnificently dressed Leia. This is the only point in the film in which Leia has changed clothing, and she is now without the iconic hair “buns.” Wearing a gown, with her hair in a braided updo and jewlery drapping her neck, Leia now, officially and formally, looks like a Princess. Never-the-less, while she is resplendent in her royal attire, we also know that there is far more to her than meets the eye, and that what makes Princess Leia truly regal is her considerable fearlessness and capacity for hope in the face of overwhelming odds.
I’ve joined forces with some other exciting bloggers and YouTubers – Nancy and Kathleen of Graphic Novelty2, Rob of My Side of the Laundry Room, Kiri of Star Wars Anonymous, Kalie of Just Dread-full, Mike of My Comic Relief and Green Onion of The Green Onion Blog – for a little salute to “Fiction’s Fearless Females.” Starting on International Women’s Day and going forward over the next couple months, a different contributor will offer their take on a favorite female who harbors a fearless spirit. Click on the links below to read about the other women being profiled.
Fiction’s Fearless Females
My twelfth birthday party was a Star Wars celebration. Just ten days before I turned the big “one-two” (March 24, 1997) the Special Edition of Return of the Jedi was released in movie theaters. So on the Sunday before my birthday, a handful of friends and I were dropped off at the local theater to see Episode VI/
While there are plenty of gripes to be had with the Star Wars Special Edition – George Lucas’ re-mastered/edited Original Trilogy – as a kid I really had no issue with them. At the time, what got me excited was seeing Star Wars on a big screen, plain and simple. Besides, the Original Trilogy Special Edition were not just another set of films. Oh no, they were the pinnacle of cinematic brilliance in my young mind, a new way of experiencing Star Wars in a shape and form I had never imagined possible. Coupled with the knowledge that Lucas was, at the time, working on a new Star Wars trilogy, the Special Edition was, in many respects, my first step into a fundamentally different way of being a Star Wars fan.
I am unable to remember every detail about my twelfth birthday. Today, twenty-two years removed, many of the details are a blur. I can recall which friends I went with, but I do not remember what we talked about as we sat and waited for Return of the Jedi to begin. I am sure our conversation was brilliantly nerdy and immaculately adolescent. I would expect nothing less from almost 12-year-old me. Likewise, my memory of watching the film on that Sunday afternoon is spotty, and I am just not able to bring forth the emotions/feelings I had as the movie played.
Except, that is not entirely true. While memories fade as time moves on, I CAN recall precisely how I felt at the end of the film. Etched into my mind is the sheer joy, hope, and wonder of seeing the various celebrations which took place across the Star Wars galaxy following the Battle of Endor. While the original cut of Return of the Jedi ONLY included the Rebels celebrating with the Ewoks after the battle, in this new Special Edition of the film George Lucas inserted brief shots of galactic citizens flooding streets and celebrating together. As I sat there watching these Star Wars celebrations unfolding on Bespin, Tatooine, Naboo, and Coruscant, I was left feeling dizzy with excitement. Even now, as I think of that moment in the theater, the memory is visceral, I am still dizzy and overwhelmed.
But why? Why, after watching two hours of Return of the Jedi, would the end, and the inclusion of these celebrations, resonate with me so deeply? Honestly, the answer is so dang obvious that it is almost underwhelming: it’s because humans and aliens across the galaxy were coming together to celebrate the downfall of the Galactic Empire.
I always enjoyed the original celebration at the end of Return of the Jedi, where the Ewoks and Rebels are dancing/singing together (and Lando is awkwardly clapping along to the “Ewok beat”) following their victory at Endor. But this Star Wars celebration was always small scale and localized, it was JUST the participants from the battle who were rejoicing. In the Special Edition, what we end up seeing is the news of the Endor victory cascading across the galaxy: another Death Star destroyed, the Imperial fleet in tatters, and most importantly, the Emperor dead. On Coruscant, in the heart of the Imperial capital, fireworks were launched and statues torn down. On Naboo, Gungans danced and shouted “Wesa free!” Seeing these celebrations taking place on different planets expanded the impact of what the Rebellion had accomplished not for themselves, but for the galaxy writ-large. In that moment, as I sat transfixed by the sights and sounds of these Star Wars celebrations, I was transported across the vast expanse of the Star Wars galaxy and was given the chance to truly experience just how important the Rebel cause, and victory, was for average people.
George Lucas gets a lot of flak for choices he made with the Special Edition but to this day I am incredibly grateful – as a Star Wars fan and a person – for the addition of these celebrations at the end of Return of the Jedi. On a day I was having a Star Wars celebration of my own, getting to witness the joy of individuals within Star Wars celebrating the defeat of the Empire was truly special.
I recently came across a quote from Frank Oz – the man who brought Yoda to life – where he gave his very direct opinion regarding Star Wars fans who disliked The Last Jedi. Speaking at a SXSW event, Oz states that,
“I love the movie [The Last Jedi]…All the people who don’t like this ‘Jedi’ thing is just horse crap. It’s about expectations. The movie didn’t fill their expectations. But as filmmakers, we’re not here to fulfill people’s expectations.”
How could I, or anyone else, NOT consider what Frank Oz has to say on this point? He is a gifted filmmaker with a perspective and understanding of storytelling which I can only dream of reaching. For a number of days I allowed Oz’s point to marinate in my mind, bouncing around my brain as I reflected on my own expectations for Star Wars, not to mention the expectations of the entire community of Star Wars fans. Of course, I am in no position to speak for the entire Star Wars “fandom.” It is so massive, so diverse, and so damn opinionated that it would be folly to even try to provide any “grand unified theory” to sum-up Star Wars fans. In fact, the ONLY thing that can be said is that Star Wars fans are “unified” around Star Wars, but what Star Wars means for each fan is subjective. It is personal. And because of this, I think Frank Oz is absolutely correct: some fans certainly disliked The Last Jedi because the film did not meet the very personal and deeply held expectations they may have had going into Episode VIII.
The thing is, while I agree with Oz, I only do so up to a point. Beyond that, I fundamentally disagree with him. Why? Well, just as I cannot provide a “grand unified theory” of Star Wars fans, Frank Oz is in no position to provide a definitive answer for why people did not like The Last Jedi. It is a generalization to do so, a fallacy stating that a part (those fans who did not have expectations met by The Last Jedi) actually represents the whole (every fan who did not like The Last Jedi). Logic just doesn’t work that way, and it is important to recognize that a great deal of nuance exists within the Star Wars community precisely because individuals have those deeply personal ties to the decades spanning franchise. And this applies to fans who truly loved The Last Jedi and those who absolutely despise the film, as well as all those who fall somewhere in the middle (which is where I happen to land). My point is: some Star Wars fans didn’t like The Last Jedi because it didn’t meet their expectations, plain and simple, while other fans had a more nuanced reaction and didn’t like it for a trove of entirely different reasons.
But beyond this pretty obvious fact, that some fans didn’t like it because of high expectations, the more I thought about what Frank Oz said, the more I was bothered by the implication: that Star Wars fans should have no expectations for the stories which they love. Realistically, how can one NOT have expectations when they go into a Star Wars film (or any film for that matter)? How does one fully set-aside their expectations and experience a story entirely devoid of expectation? Frankly, I do not believe it possible, unless perhaps one ejects every single Star Wars thought from the mind. But going into a Star Wars movie with a “tabula rasa”, a blank slate, is just not possible, at least for me. Maybe someone out there can show me how to do it, how to just sit down with popcorn, Junior Mints and an oversized cup of Diet Coke and watch Star Wars for what it is – just another movie. Me, I cannot set aside my thoughts, and feelings, and ideas about Star Wars because the franchise has seeped into my bones. I live Star Wars, I breathe Star Wars, it infects me like a damn virus. For me, Star Wars is NOT “just another movie,” it is a way of life. And as a result, I am guilty of the sin of expectation, I demand greatness from Star Wars and yes, sometimes, I even expect it to acquiesce to my expectations.
There were a lot of things about The Last Jedi I didn’t like, and some things I absolutely did like, and I lay a number of these out in my post “Reflections on The Last Jedi.” But I also know, and can easily admit, that I had expectations for The Last Jedi which were not met. I am not ashamed to say it and why should I hide it? For example, I wrote a post titled “The (Mis)Use of Captain Phasma“ where I blasted writer/director Rian Johnson for not utilizing the First Order villain more effectively in the movie. I absolutely expected her to be a greater factor, especially after a novel and a comic series preceding the release of The Last Jedi built her up as a total badass. How could I not expect more?
So yeah, I had expectations for The Last Jedi. But you know what, I also had expectations for The Force Awakens, Rogue One, and Solo. I had expectations for The Phantom Menace, Attack of the Clones, and Revenge of the Sith. I had expectations for The Clone Wars, Star Wars: Rebels, and Star Wars: Resistance. And, going forward, I have expectations for Episode IX, The Mandalorian, Galaxy’s Edge, and every other Star Wars movie, novel, comic, video game, etc. But I am under no illusion that all of my expectations will be met. Are Star Wars filmmakers and storytellers supposed to meet every expectation of “the fans”? Certainly not. They can’t do it. At best, they can only hope to meet one very basic, very simple expectation: that the fan will be entertained. That is, after all, what the entire Star Wars franchise is, a massive form of entertainment. Right? We all expect to be entertained, to be transported to the galaxy far, far away so that through the experience we will find some form enjoyment.
And, as a fan, the best I can do is manage my expectations. I have to willing and able to acknowledge that everything will not line up with how I want it to unfold. But managing expectations does not mean jettisoning expectations. Rather, it means having an open-mind and giving things a chance, even when – no, especially when – things do not immediately line-up with those expectations.
Frank Oz, the voice of Yoda, stated that “…All the people who don’t like this ‘Jedi’ thing is just horse crap. It’s about expectations. The movie didn’t fill their expectations. But as filmmakers, we’re not here to fulfill people’s expectations.” He is right, some fans didn’t like The Last Jedi because it just didn’t meet their expectations; others had more nuanced reasons for their dislike of the movie. And he is correct, filmmakers are not here to fulfill everyone’s expectations; and fans, myself included, do have to manage expectations. However, I am not going to give up my expectations for Star Wars. I am going to continue to demand greatness from it, and yes that means holding the filmmakers and storytellers to a high standard and having expectations for the franchise. And the reason I am going to do this is simple:
Because a long time ago I was mesmerized as I watched a small space ship being chased by a large space ship over a desert planet. From that moment forward, my expectations for Star Wars started to blossom and I can’t change that. So instead, I will live in the sin of Star Wars expectation and, if Frank Oz or anyone else wants to be annoyed with me, I will wear that annoyance as a badge of honor.
Frantic to return to his homestead to warn his family about an impending Imperial raid, Luke arrives too late. Slowing down in his landspeeder, the young man leaps out and calls to his uncle Owen and aunt Beru as black smoke billows from his burning home. Scanning the destruction, Luke locks eyes on the smoldering carcasses of his guardians. Not only was he too late, but the extermination was absolute. Luke may have expected, as he sped closer to home and could see the smoke on the distant horizon, that he would find the limp bodies of Owen and Beru. But he surely did not expect such an abhorrent scene – the grotesque, distorted skeletons of his loving uncle and aunt. One cannot help but wonder -and certainly the thought must go through Luke’s mind – if his uncle and aunt suffered in their final moments of life, tortured by the pain of being burned alive.
This short but disturbing moment in A New Hope is one that never fails to move and pain me. Admittedly, the event is a narrative necessity, albeit a disturbing one, a way of jettisoning Luke from the confines of his childhood connections into a larger world. Seeking adventure and desiring to leave home, even petitioning his defiant Uncle at dinner the night before to allow him to leave, Luke’s adolescent dreams can not be fulfilled. There is no longer any resistance standing in his way and he can join Obi-Wan Kenobi on his valiant quest to defeat the Empire.
And yet, as the scene concludes with Luke standing there in the quiet desolation of his childhood as the smoke billows and the carcasses continue to smolder, I have always wondered: what did Luke do next?
This is not a question that demands a definitive answer. In fact, I would be furious if the Lucasfilm Story Group was to provide an “official” or “canonical” account regarding Luke’s actions (or his thoughts/feelings) when the scene concludes. On one level, this is because this scene in A New Hope, which we can link with Luke’s sad return to Obi-Wan and his admission that he can now join the Jedi Master’s journey, work with seamless fluidity even though they are separated. We do not need to be told what Luke did in the interval because the narrative intention in A New Hope is to move Luke from one stage of life to the next. The innocence of his childhood is literally destroyed and he will now venture forth into the responsibilities of adulthood.
On another level, any “official” explanation would usurp the imaginative faculties of fans, taking away the opportunity for one to insert their own thoughts and feelings into the heart-wrenching moments before, during, and after Luke arrives. Not knowing what Luke does, or the emotional turmoil he experiences, is in many respects what makes the death of Owen and Beru so powerful. Without explanation, other than the pained look on young Skywalker’s face as he views the carnage of his familiar surroundings, we are left to fill in the gaps, all of which enables our own, individualized connections with Luke, and the film, to flourish.
And so, the question – what did Luke do next? – percolates in my mind precisely because my imaginative faculties, aided by the emotion which the scene evokes inside of me, consistently arrives at a number of possible explanations. Just as I can believe Luke simply turned around, walked back to his speeder and left his home, I can just as easily imagine that Luke feel to the ground and broke down in tears. Or maybe Luke dropped to his knees and screamed, bellowing out the agony and guilt of not being there to protect his loving family.
Perhaps Luke sprung into stoic action, choosing to carefully bury the bodies as he internally contemplated the loss of his innocent and simple life. Digging graves next to those of his great uncle Cliegg and great aunt Shmi, Luke placed the wrapped bodies of uncle Owen and aunt Beru in graves he methodically dug. The burial complete, Luke returned to his land speeder and drove off into the Tatooine desert, taking nothing but the memories of his family, his home, and his youth with him.
A long time ago…in 2017…I wrote a piece detailing why “The Imperial March” is my absolute favorite musical score in the Star Wars franchise. This admission came as little surprise to many of my trove of followers/readers as I have often professed my cultish admiration for The Empire Strikes Back (ESB) on this site. It stood to reason that The Imperial March would top my list considering the fact that the iconic anthem for the Galactic Empire/Darth Vader was first introduced in Episode V. Plus, given my “Casterfoian” obsession with the Empire, it stood to reason that I would likewise adopt the score as my all-time favorite.
While my unadulterated affection for all things ESB stands firm, and “The Imperial March” continues to receive constant replays on my Spotify account, there are never-the-less many other pieces of Star Wars music that have been elevated to the top of my musical mind. Hardly a shock – I am positive you can say the same if you happen to be a Star Wars fan – I wanted to take the opportunity to share a musical composition from each Star Wars film that I hold near and dear to my heart. For the sake of brevity, I have only chosen one from each film and decided to forgo long-winded explanations detailing why I love each piece, in large part because music is so damn personal it would take some of the fun out of it. Still, I may do a post for each at some point if the Force moves me to do so. We shall see.
Enjoy and be sure to comment with your own “faves” list!
A New Hope – “Tales of a Jedi Knight/Learn About the Force”
The Empire Strikes Back – “Yoda’s Theme”
While my heart will always be dedicated to “The Imperial March,” I decided to share another score from ESB in this particular list to mix things up a bit.
Return of the Jedi – “Leia’s New/Light of the Force”
The Phantom Menace – “The Droid Invasion and the Appearance of Darth Maul”
**Surprise! You were expecting “Duel of the Fates” weren’t you? Here is the deal: I love “Duel of the Fates” with a crazy passion but I likewise love “The Droid Invasion and the Appearance of Darth Maul.” I had to pick one and so I went with my gut. Besides, just listen to how the piece shifts when Maul is introduced! Holy frick that is haunting!!!!
Attack of the Clones – “Across the Stars”
Revenge of the Sith – “The Birth of the Twins and Padmé’s Destiny”
The Clone Wars – “Battle of Christophsis”
The Force Awakens – “The Jedi Steps”
**I don’t care much for sentimentality but I readily admit that this piece gives me the feels. Like “Tales of a Jedi Knight/Learn About the Force”, “The Jedi Steps” packs an emotional punch by forcing me to imagine the Jedi Order, now a dying remnant, who once served and protected the galaxy far, far away. Between hearing this piece, and watching Rey literally walk the steps of the ancient Jedi, I was brought to tears in my first viewing of The Force Awakens.**
Rogue One – “Your Father Would Be Proud”
The Last Jedi – “The Spark”
Solo: A Star Wars Story – “Savareen Stand-Off”
*Leave a comment with your thoughts about my list or share your own favorites!!!*
A long time ago in a galaxy far, far away…
The Talker Toy Challenge Strikes Back
It is a dark time for the Star Wars fandom. Although December is approaching, DISNEY will not be releasing a new Star Wars film for another year, instead assaulting fans with a new cartoon show, a legion of mediocre comic books, and toys, lots and lots of toys.
Evading the dreaded lack of a Star Wars film, a group of bloggers led by THE IMPERIAL TALKER have struck back with a new version of THE TALKER TOY CHALLENGE, encouraging fans of the franchise to buy Star Wars toys and donate them to children who are in need this holiday season.
The DISNEY CORPORATION, obsessed with selling merchandise and increasing stock value for their shareholders, has dispatched thousands of new Star Wars products into the far reaches of the globe. Little does DISNEY know that THE IMPERIAL TALKER is ridiculously good at never paying full-price for merchandise, finding troves of fantastic Star Wars toys on sale and on clearance…
Participating in The Talker Toy Challenge is easy!!!! Just follow these steps.
Step One: Purchase Star Wars toys.
Step Two: Donate said Star Wars toys to children who are in need. I bring the toys I collect (see the featured image above) to a local Toys for Tots drop-off site.
Step Three: Encourage others to do the same by promoting The Talker Toy Challenge on your blog, podcast, social media, etc.!!! Be sure to use #TalkerToyChallenge when you do!
Step Four: Repeat Steps One, Two, and Three.
Leave a comment and let me know if you participate!
What if he – he being my soon-to-be born padawan – does not like Star Wars?
It is a question I have been asked by quite a few people, and I fully understand why it is asked. After all, my obsession with Star Wars is a massive part of my life, of my individual identity and even my experience of the world. While Star Wars does not dictate every aspect of my life, it never-the-less plays such a fundamental role that, even when I set it aside to dabble in other franchises/universes, it always reels me in again. It is as if an invisible force – an energy field! – exists which draws me back to Star Wars over and over again. There is simply no way for me to escape it, and even when I find myself at odds with Star Wars (and I certainly do at times) there is always something in the franchise that I enjoy, something that demands my attention and active participation.
But this short post isn’t really about me…it is about my not-yet-born child and his feelings about Star Wars. Whatever will I, Jeffrey Andrew Cagle – The Imperial Talker, do if my child does not love the galaxy far, far away!?!?!
Answer: I won’t care. Seriously, I truly and honestly will not care. Star Wars is something that I love, but it is not something my child, or any of my children, will have to love. If they do, then I want it to be on their own terms, and not because I have forced them to enjoy it. Naturally, I will introduce them to Star Wars, showing them the Original Trilogy when the time is right and he is old enough to understand it. And, perhaps he will fall in love with it at that time, identifying with it and wanting to dive farther into the franchise on their own. Or, maybe he will love it because I love it, wanting to share and participate in this strange hobby as a way of becoming closer with their dad.
Yet, maybe he just won’t like it, and if that is the case that is fine by me. While I would love for my son to share my interest in Star Wars, I would much rather end up sharing in the interests they have. If my son loves Dr. Who then I shall join him in his Whovian obsession. And if he chooses to become a Trekkie, I will give him the Vulcan salute every day. Or perhaps he will gravitate towards something his mother enjoys – like the movie Pitch Perfect. If he has the “Acaudacity” to sit and watch Pitch Perfect over and over again with his mom then who am I to dissuade him? Besides, that movie flippin rocks! The point is, my kid can enjoy whatever he wants, and if that involves Star Wars, fantastic! But if it doesn’t involve Star Wars I really couldn’t care less. No matter what interests him or captures his attention, he will have my unwavering love and support.
Then again, I just realized that if he does fall in love with the galaxy far, far away then my perfectly organized LEGO Star Wars collection is in serious danger. Ummmm I think I’m gonna go play the Pitch Perfect soundtrack for him right now… 😉
Contispex I is a character who, although minor in the scope of Star Wars lore, has a story that I find intensely fascinating. Mentioned for the first time in a solitary paragraph in Daniel Wallace’s The New Essential Chronology (2005), with his story being expanded in subsequent reference books, Contispex I was a human and an ancient Supreme Chancellor of the Galactic Republic who, along with his descendants, launched numerous crusades against alien species and their human allies. An adherent of the zealous and extremist Pius Dea religion – a faith which, according to The Essential Guide to Warfare (2012), taught followers that “…fallen communities should be restored to purity by purging their unredeemable elements…” (27) – Contispex took the reigns of the Republic in the year 11,987 BBY and set about reforming the corruption of the Senate and government by placing Pius Dea faithful in positions of power.
What was, at first, a small religion dedicated to the worship of a Goddess and confined to the shadows of Coruscant where it began, Pius Dea quickly exploded into galactic prominence thanks to Contispex. Referred to as the Pius Dea Era (ca. 12,000 – 11,000 BBY) in the Star Wars Expanded Universe, the millennia of Pius Dea rule which Contispex I instituted would see galactic purges, imprisonments, forced conversions, inquisitions and executions justified under the rallying cry that “The Goddess Wills It!” But it is the 30+ crusades of Contispex I and his successors which truly stand out, crusades that were launched to rid the galaxy of the scourge of alien civilizations. In 11,965 BBY the first crusade was directed by Contispex, a “pre-emptive strike against the Hutts beyond the Rim” according to The Essential Guide to Warfare (27). Subsequent crusades would be directed against other alien species: the Bothans, Lanniks, Zabraks, Herglics, and more.
Notably, during the Pius Dea Era the Jedi Order abdicated its responsibilities as peacekeepers and protectors, instead choosing to renounce its affiliation with the Republic. While individual members of the Order chose to challenge Pius Dea rule, as a whole the Order was “unwilling to take up arms against the civilization they had safeguarded” (27). This would change after almost 1,000 years had passed when the Jedi Order allied itself with oppressed species to overthrow Contispex XIX, arresting him and installing Jedi Grand Master Biel Ductavis in the Chancellorship (27).
While Contispex I truly is a minor character in the grand scope of Expanded Universe lore, as is the era of Pius Dea rule, I never-the-less find him intensely fascinating precisely because his story opens a vast window to the imagination. As someone who studied religion/theology in college and graduate school, the idea that the Old Republic succumbed to zealous theocratic rule in the name of “The Goddess” for nearly a millennia intrigues me and leaves me wanting to know more. Of course, at this point I have soaked up everything I can about Contispex I and the Pius Dea religion, having mined the tomes of Star Wars reference books for every morsel of information.
In fact, it was one very small morsel in a Star Wars reference book which led me to write this piece, a reference to Contispex I in Solo: A Star Wars Story – The Official Guide. Contained within The Official Guide to Han Solo’s standalone film is a page that is dedicated to the vast collection of rare treasures which Dryden Vos, leader of the Crimson Dawn crime syndicate, displays in the study aboard his star yacht. And, as The Official Guide notes, among this impressive collection of artifacts are “…arks that hold the ashes of Chancellor Contispex I…”
As I said, a very small morsel indeed, but one that immediately caught my attention given my interest in Contispex I. On the one hand, what makes this nod to Contispex I important is that it re-affirms his place in the Star Wars canon. A minor character in the Expanded Universe, Contispex I is now, also, a minor character in Disney’s Alternate Universe. On the other hand, this is hardly surprising. While I was NOT expecting a reference to Contispex I in The Official Guide to Solo, that author Pablo Hidalgo – a member of the Lucasfilm Story Group – found a way to incorporate Contispex I into the book makes perfect sense. With Vos’ study populated by rare and ancient artifacts, Hidalgo could easily mine the ancient history of Star Wars confined within the Expanded Universe and provide readily available information about the artifacts without entirely having to re-create ancient Star Wars lore.
In fact, Hidalgo not only identifies the ashes of Contispex I in The Official Guide but he also attaches other elements of Expanded Universe lore to items in Dryden Vos’ study. A “crystal masthead” is identified as that of Xim the Despot while a dataplaque is noted as containing the location of the Xim’s long-lost treasure ship, the Queen of Ranroon. For those of you who are unfamiliar with Xim the Despot, he was first mentioned in the novel Han Solo and the Lost Legacy while the Queen of Ranroon received it’s first mention in Han Solo’s Revenge. As well, a carver set is noted to be that of Noghri origin, the species first appearing in Timothy Zahn’s popular novel Heir to the Empire, while a set of wraith boxes come from the long-extinct Rakata, a technologically superior civilization which was originally created for the Knights of the Old Republic video game.
While I highly doubt that Contispex I, the Pius Dea era, or other elements of the Expanded Universe which have crept into the Disney Canon will be teased out in greater detail, I am never-the-less pleased by the fact that these legendary aspects of Star Wars continue to have relevance. More importantly, these elements bring with them pre-crafted stories which need-not be reconstructed. Rather, they unify the Expanded Universe and Disney’s Alternate Universe in small, subtle ways. Contispex I may only ever have this one, small reference in The Official Guide to Solo: A Star Wars Story, but that reference is packed with the already rich story about Contispex and the tumultuous era of Pius Dea rule. As far as I am concerned, unless Contispex I receives a brand new tale which changes his narrative – a highly unlikely prospect – I will move forward with my enjoyment of Star Wars knowing that he, and the Expanded Universe I love, continue to add depth and meaning to the galaxy far, far away.
Absolutely delightful. That is the easiest way I can describe my feelings about author Tom Angleberger’s junior novel The Mighty Chewbacca in the Forest of Fear! From start to finish, I could not help but enjoy myself as I read about Chewbacca’s mission to the planet Ushruu. Accompanied by a young woman named Mayv, the rebel droid K-2SO (masquerading as a cargo droid), and a cadre of adorable tooka cats, Chewbacca and his companions set out on a perilous adventure to retrieve a Dark Side artifact from the depths of Ushruu’s terrifying forest.
At first believing his job is to deliver the mischievous tooka cats to one of Coruscant’s moons, Chewbacca quickly discovers that he has been set up by Alinka Aloo, the daughter of Sim Aloo, a high ranking Imperial official – an official who hopes to gift the artifact in question to the Emperor. With his friend Han Solo held captive by Alinka, our favorite Wookiee must face the deadly forest on Ushruu and find the artifact in order to save Han’s life. But he is not the only one who has been forced into this mission. Young Mayvlin Trillick must also confront the danger’s lurking on Ushruu so that, upon her return, Alinka will return to her a book containing the cultural history of the planet Oktaro, May’s home world. Quickly becoming friends, Chewbacca and Mayv find ways to work together – along with the help of K-2 and one very friendly tooka named “Goldie” – so that they will achieve success.
While I dare not spoil the book, and will keep some of the major moments for you to discover if you choose to read it, I will note that I particularly enjoyed the way the book is narrated. It is rare, in Star Wars books, to find a narrator who speaks so directly, and at times informally, to the audience. In a book with an older target audience this narrative style would probably be hard to stomach. But in The Mighty Chewbacca in the Forest of Fear! the playful narration helps create a more vivid and humorous story, a story which young Star Wars fans will undoubtedly enjoy thanks to this more casual narrative style.
Offering a number of asides and tangential statements throughout the novel, the narrator clarifies aspects of Star Wars lore, ensuring they and the reader are literally on the same page. Likewise, the narrator swings back-and-forth between telling the story and offering their own thoughts about situations and moments. For example, the entirety of Chapter 5 is an aside in which the narrator lets the reader in on a secret they just HAVE to get off their chest right then (lest we find out later and are upset). More often though, the narrator injects him/herself into the story with a line or two here and there, offering a little quip or thought about something in the moment.
This is especially the case whenever Chewbacca speaks since the narrator must provide the reader with some insight into what Chewie is saying. Given that none of us know what Chewbacca is saying anyway when we watch Star Wars, the narrator does their best to ensure we have some basic understanding of what Chewbacca is talking about. The thing is, the narrator doesn’t offer a word-for-word translation. Instead s/he primarily offers the basics, a general sense of what Chewie is getting at and even presumes a handful of times that no translation is required.
Actually, there are quite a few times throughout the novel when the narrator just skips any translation at all, especially when Mayv, who begins to “understand” Chewie as the book progresses, is speaking with the Wookiee. That the narrator chooses not to translate every garbled statement Chewbacca makes in his native Shyriiwook is important. Just as Mayv begins to “understand” the basics of Chewbacca’s thoughts, we start doing the same (well, I did at least). While the reader cannot hear the inflection in the Wookiee’s voice, nor perfectly translate the difficult Shyriiwook language, like Mayv we are – thanks to context – capable of gleaning what Chewbacca is trying to get across. Plus, it helps that we can understand Mayv when she is talking to Chewie.
Speaking of Mayv, she is another big reason I found this novel so delightful. Resourceful, capable and funny, Mayvillin Trillick provides young readers with a role-model choosing to put herself in harm’s way as she seeks to return the Mola Oktaro – the aforementioned book containing the cultural history of her planet – to her people. Forced to make the deadly journey to Ushruu by Alinka Aloo (who is in possession of the Mola Oktaro), young Trillick quickly befriends the Mighty Chewbacca early in the journey, the two sharing in the pain of losing their worlds to the Imperial war machine. Further, Mayv’s pursuit of the Mola Oktaro is amplified by a curious cultural habit she engages in: painting symbols on her forehead which have different meanings. In one instance, for example, as Mayv and company are about to climb higher into the trees on Ushruu, Mayv paints the symbol for “gracefulness” on her forehead figuring that “it couldn’t hurt when I’m this far off the ground!” In response, the narrator offers younger readers an important lesson: “Whether this symbol – or any of them – worked, I can’t say. But Mayv believed, and maybe that was all that mattered.” Then again, that is a pretty good lesson for adults, too.
Truthfully, I would really like it if Mayv Trillick was to pop-up again in another Star Wars story. While I won’t be holding my breath, knowing that the likelihood of her re-emergence is small, I’ll never-the-less be holding out hope because she really is a fascinating character. Besides, given her fearless determination and dislike of the Empire, Mayv would make a great Rebel were she to join the Alliance. Who knows, maybe Chewbacca will recruit her into the cause at some point. Fingers crossed.
Finally, I will acknowledge that I was slightly skeptical about K-2SO being in the book, primarily because I thought the irreverent droid from Rogue One would be out of place. I was wrong. Dead wrong. Without K-2SO this book would have been wonderful. With K-2SO, it is absolutely fantastic. Angleberger brilliantly captures the voice of K-2SO, the droids sarcasm and dry-humor bleeding off the page whenever he speaks (especially in those moments when he forgets that he is pretending to be a cargo droid). And why is K-2 present you might ask? Well, he is on a mission for the Rebellion of course! But if you want to know more about that – and if you want to discover who makes a special, surprise appearance late in the story – you’ll just have to pick up The Mighty Chewbacca in the Forest of Fear! Trust me, you won’t be sorry. In fact, I guarantee you will be delighted.