As new trailers arrive for The Last Jedi, I will add them to this post.
As new trailers arrive for The Last Jedi, I will add them to this post.
Star Wars: The Visual Encyclopedia, co-authored by Tricia Barr, Adam Bray, and Cole Horton, is at one and the same time intensely fascinating and slightly overwhelming. This latest addition to the catalog of Star Wars reference books contains a veritable mountain of images and information broken into five distinct chapters, each chapter having a handful of subsections. The breadth and depth of Star Wars knowledge in this book will certainly keep the more “die-hard” fan occupied for long periods of time, but might also leave the more casual fan feeling somewhat dizzy by the scope of what Star Wars has to offer. Even as a self-proclaimed die-hard fan, I readily admit that I felt a bit overwhelmed at times by all The Visual Encyclopedia has to offer. Still, this was and is hardly a reason not to explore the book. In fact, I encourage Star Wars fans of all types to do so, patiently and methodically working through the book so as to savor the journey to the summit of the Star Wars mountain.
So what exactly does this particular mountain of Star Wars knowledge contain? In the book’s foreword, Dennis Muren (Senior Creative Director, Industrial Light & Magic) notes that, “In this title you’ll see firsthand the thousands of objects that are inspired by our world, but are uniquely Star Wars.” And right he is, as this reference source presents through countless images and bits of information how the galaxy far, far away is derived from concepts and ideas that we are all familiar with on some level. Identifying specific categories of inquiry, the authors, as I already mentioned, organize the the Encyclopedia into five chapters: Geography, Nature, History, Culture, and Science and Technology. In this way, the book’s organization invites readers to begin in a chapter of their own choosing, beginning an exploration based on one’s personal interests in the real-world or Star Wars universe. Of course, one can also start on page one and simply go from page-to-page, but know that this isn’t required to grasp all the Encyclopedia since it is not set-up in narrative form.
For me, going through the book page-by-page, skimming through the images and info, gave me my initial bearings before really digging into anything concrete. From there, I worked through the book in non-linear fashion, very slowly jumping to different pages based on momentary interests and personal inquiry. During one reading I found myself enamored by the chapter on Nature, discovering new things about the various creatures and alien-species in Star Wars. I never knew, for example, that two types Mustafarians existed, Southerners being stocky while their Northerner counterparts are tall and thin (see image above). In turn, as I explored the chapter on Culture, I was struck by the vast array of royal outfits that Queen Padmé Amidala of the Naboo wore in The Phantom Menace. Fashion in Star Wars has never been a personal point of interest for me (I don’t do any form of cosplay) but the images of Amidala’s outfits, and the explanation that her “elaborate gowns reflect their [Naboo’s] culture,” left me intrigued and reflecting upon other forms of royal and political attire in Star Wars.
To this point about personal interest, the majority of my time spent in The Visual Encyclopedia thus far has centered on the Science and Technology chapter. Of the five, it is the longest chapter, having the most subsections arranged into categories ranging from binoculars, equipment, and medical technology to blasters, warships, all forms of land vehicles, plus a whole lot more. For the sake of brevity I won’t go into detail about everything I found so fascinating about this chapter, but I will note that I was particularly happy to encounter two specific land vehicles that I have always desired to see more of in Star Wars: the UT-AT “Trident” tank and the AT-OT Walker. While the Encyclopedia only has a picture of these two war machines accompanied by their respective names, it is never-the-less reassuring to know that there are Star Wars writers/authors keeping the lesser known vehicles (among other things) in mind.
The Star Wars universe is exceedingly vast and The Visual Encyclopedia does a nice job of covering a great deal of the expanse, the UT-AT and AT-OT being a clear example of just that. Still, the reference book does have its limitations, hardly a shock since Star Wars is far too great to be encapsulated in only 199 pages. Since the Encyclopedia is rooted primarily to the Star Wars movies and television shows, one will be disappointed if they enter the book hoping to encounter a wealth of information and images from the array of Star Wars novels, comics, and games. Further, the book does contain a handful of notable absences. While he is quoted, and his unique shuttle Delta-class shuttle is depicted, there is no image of Director Orson Krennic, the antagonist in Rogue One. One will find Rogue One protagonist Jyn Erso in the book, but her father Galen Erso, who developed the Death Star’s planet-killing weapon, and her mother Lyra are no where to be found. And speaking of parents, perhaps the most disappointing absence is that Anakin’s mother, Shmi Skywalker, does not receive an image in the Encyclopedia, just another reminder that she continues to be an unfortunate afterthought in the Star Wars canon.
Limitations and curious absences aside, Star Wars: The Visual Encyclopedia is never-the-less an enjoyable reference book that will leave an interested Star Wars fan occupied for quite a while. Try to take in all it offers in a single sitting and one very well might abandon the effort with feelings of being overwhelmed. But fortified with the patience of a Jedi Master and an eager willingness to savor the journey, and one will surely end up expanding their personal knowledge and understanding of the Star Wars universe.
Thanks to DK Publishing for providing me with an advanced copy of Star Wars: The Visual Encyclopedia.
“Two must lift these stones, no more, no less. That is the way of the Sith.” – Maul
In the Season 2 finale of Star Wars Rebels – “Twilight of the Apprentice” – Kanan Jarrus, Ezra Bridger, and Ahsoka Tano travel to the planet Malachor in order to gain knowledge which will help them defeat the Sith and Inquisitors. As we discover in the episode, Malachor was a planet of legend among the Jedi, a world off-limits to members of the Order. And rightfully so. Arriving on the planet, the three companions discover an ancient Sith Temple hidden on the planet, along with the scorched remains of bodies and discarded lightsabers scattered among the ruins, signs of The Great Scourge of Malachor, a historic battle between the Jedi and Sith. Taking place thousands of years in the past, The Great Scourge of Malachor was first named in The Force Awakens Visual Dictionary, a small snippet in the reference book explaining that Kylo Ren’s unique, cross-guard lightsaber hails from the time period of the forgotten and catastrophic fight. And, as luck would have it, Bridger finds and briefly ignites one such lightsaber as he scours the desolate ruins.
As someone who has always been deeply fascinated by the Sith and the Dark Side, not to mention all things relating to ancient history in the Star Wars universe, “Twilight of the Apprentice” really struck a cord with me. In turn, the more I have watched this episode, the more curious I have become by the fact that the Sith Rule of Two is a subtle, but central, aspect of the Temple structure. One will recall that the Rule, enacted by Darth Bane, holds that there can only be two Sith at a time: a Master and an Apprentice. As we learn early on in “Twilight” from Maul, himself a former Sith Lord, the Temple is bound to this central Sith philosophy. Relying on a far-to-trusting Ezra Bridger, Maul is able to open the doors of the Temple with the teen’s eager assistance. Maul could not do it alone, rather he needed a second – an “Apprentice” – to work with him. Later, the “elevators” that carry individuals to the higher recesses of the Temple are also bound to the Rule, two and only two being needed/allowed for the lifts to work. Finally, and perhaps most importantly, when the Sith Holocron that plays a central role in “Twilight” activates the Temple (we discover, as does Bridger, that the Temple is a massive superweapon), Ezra is only able to pull the Holocron away from the (for lack of better terms) “activation spot” when he recalls that he cannot do it alone. With the help of Kanan Jarrus, the two are able to pull the Holocron away, shutting down the Temple structure before the weapon can be used by Maul.
On the surface of things, the use of the Rule of Two in the episode is not very surprising. In an episode of Rebels that was a bit chaotic – not in a negative way, just in the sense that a lot happens in a short amount of time – the Rule of Two otherwise blended into the background, playing an important role at critical junctures while not being a central aspect of the show. Since Ahsoka Tano and Darth Vader have their long-anticipated showdown in “Twilight of the Apprentice,” it is hardly surprising that the use of the Rule of Two is ultimately an unremarkable afterthought in the episode. Still, during my first and subsequent viewings of “Twilight,” I have continue to be utterly perplexed by the Rule’s appearance in the episode because the Sith Temple on Malachor really should not be tied to the Rule for one very simple reason: the Rule of Two was not enacted until long after the Temple was built.
As I already mentioned, it is (former Darth) Maul who, early in the episode, describes this central philosophy of the Sith Order and its connection to the Temple. Maul states to Bridger, “Two must lift these stones, no more, no less. That is the way of the Sith.” While Maul is not incorrect in noting that the Sith are guided by the Rule, but again, the Rule went into effect thousands of years after the Temple was constructed. So where does this leave us? How do we make sense out of a seemingly obvious canonical contradiction in “Twilight of the Apprentice”? I have wrestled with this for some time, allowing possible explanations for this curious connection between the Temple and the Rule to bubble up in my mind. That being the case, I have come up with a handful of possible explanations that I have decided to share…
Possible Explanations (The Operative Word being “Possible”)
Possibility #1: Darth Bane did not create the Rule of Two, instead he adopted a concept that dates back, at the very least, to the time when Sith Temple on Malachor was constructed. In other-words, as Bane sought to change the Sith Order so that it would survive, he went in search of knowledge from the ancient Dark Lords such as the female Sith who built the Temple on Malachor. Finding that Sith Lords like her and others believed a “Master-Apprentice” relationship created the strongest connection to the Dark Side (one to hold the power, the other to crave it), these ancient Sith tied the workings of their own Temples, Holocrons, Rituals, etc. to their own de facto “Rule of Two.”
Possibility # 2: Darth Bane actually lived long before the Sith Temple was constructed. The idea that Bane lived in the very distant past is actually something I suggest in another post for a separate reason (you can check it out HERE). Basically, this possibility opens the way for the Rule of Two to have been implemented before the Temple on Malachor was constructed, thereby ensuring that the Temple would be tied to the Rule.
Possibility # 3: When Sith Philosophy changes, such as when Darth Bane enacted the Rule, everything about the Sith changes. Admittedly, this is a rather odd possiblity as it would require some very deep, metaphysical connection between the Sith and their artifacts. This is not necessarily outside the realm of possibility, after-all we know that Darth Sidious could use the Dark Side across great galactic distances. However, I am unsure exactly how, when Darth Bane enacted the Rule of Two, this would also change the structural operations of the Sith Temple on Malachor. Would/Could Bane simply engage in some type of ritual to unify all things Sith to his Rule? Maybe? Perhaps? I dunno. It is an interesting idea but also an unnecessarily complex one that could get confusing really fast.
Possibility # 4: This is just a straight-up error on the part of the Star Wars Rebel show-runners and/or Lucasfilm Story Group. While my inclination is not to lay blame on those who work for Lucasfilm and know far more about the Star Wars universe than myself, I cannot help but wonder if the Rule of Two found its way into “Twilight of the Apprentice” without much forethought. I absolutely do not think tying the Rule to the Temple structure was nefarious or purposefully misleading. Rather, since the Rule of Two plays such a central role in Star Wars lore involving the Sith, the Rule of Two was probably just an easy tool the show-runners could utilize in the episode, especially using it with Maul as he manipulates Ezra. In fact, on this point…
Possibility # 5: …it might be that the Temple is not actually tied to the Rule of Two, or any de facto “Rule of Two.” Perhaps Maul is just lying to Bridger when he says “two must lift these stones,” doing so to convince Ezra to trust him and, more importantly, to work in tandem with him. If so, then the use of the Rule of Two in the episode may not be a mistake. Instead, it could be an intentional plot device that allows Maul to lie his way into Ezra’s trust. Then again, even if it isn’t intentional – if the show-runners/Story Group did, in fact, make an error – I think the possibility that Maul is lying to Ezra could still work.
And there you have it. Five possibilities that could explain why the Rule of Two is tied to the Sith Temple on Malachor. If you can think of any possibilities or ideas of your own, or if you want to offer your thoughts on my own explanations, leave a comment!
I have to be frank:
When Young Snips was introduced
I did not like her.
Regarding the last poem,
I’m now fond of her.
was basically Padmé and
Ani’s first child.
Scene: on Christophsis;
A youngling is sent to war
by Jedi Masters.
Does anyone know
why Ahsoka went off to
fight without armor?
Outranking Clone Captain Rex
Both child soldiers.
The Battle of Teth:
Tano fights for access to
Hutt hyperspace routes.
destroys Master Plo Koon’s fleet.
Tano will save him.
In Resolute bay,
Ahsoka complains about
being a gunner.
“I feel it,” she says.
“A disturbance in the Force.”
A duel with Grievous
unfolds in Ruusan moon’s sky.
Snips barely escapes.
Blue Shadow Virus!
Ahsoka is infected!
Oh no, Padmé too!
Scene: over Ryloth;
Tano uses Marg Sabl
in battle with Seps.
rash Ahsoka continues
fight for Felucia.
Jedi Padawan and the
best library guard.
Held hostage by Bane,
Anakin must choose how to
save his padawan.
Ani and Tano
bicker while battle rages.
“Another fine mess…”
Tano and Offee “die” so
that others can live.
“Kill me” pleads Barris,
brain worms infecting her mind.
Can Snips kill her friend?
Conqueror of Kalinga.
Whoops! That’s Ashoka.
helps Ahsoka look for her
Mon Gazza podrace,
Ahsoka gets a “Crash Course”
in high speed flying.
Two Jedi track Fett
from Coruscant to Florrum.
Will they find the boy?
I have to be frank:
Pics of sexy Ahsoka
are really creepy.
Seriously, she’s a kid,
not a sex object.
Tano with Chuchi;
Just two friends hiding on a
Padmé in danger!
Ahsoka senses a threat,
but could she be wrong…?
Scene: on Mandalore;
Ahsoka helps some kiddos
Young Ahsoka speaks
with her older self in the
With his dying breath,
Piell imparts Nexus Route
upon young Tano.
Ahsoka and use her as
prey to be hunted.
I can’t figure out
why Ahsoka came with the
Ahsoka was not in the
Battle in the deep.
Ahsoka protects Lee-Char,
King of Mon Cala.
Ahsoka and Lux,
sitting in a tree, K-I-
Tano is all like
cray jelly that dreamy Lux
likes that chick Steela.
A padawan framed!
Ahsoka flees into the
“I’m not coming back.”
Ahsoka Tano leaves an
Order in chaos.
I have to be frank:
I don’t like that she leaves but
sees Ani again.
Siege of Mandalore.
Tano duels a tattooed foe.
Rex will spring the trap.
Review: started strong but the
climax was just meh.
Scene: moon called Raada;
A mechanic named Ashla
lends aid to farmers.
Lets all just agree
that Team Ahsoka is the
best Tano fan site.
Snips turned fifteen on
Hidalgo figured this out
so go talk to him.
Aiding the Lothal Rebels.
Who is this Fulcrum?
Rex and Ahsoka
are finally reunited.
It’s pretty damn cool
when Ahsoka schools the two
“You abandoned me!”
“Do you know what I’ve become?”
“No. No!” she cries out.
Scene: on Malachor;
“I am no Jedi,” she tells
her former Master.
Did Ahsoka live?
Or did she die in the duel?
There’s no wrong answer.
Ahsoka theories don’t suck,
nor do Snoke theories
If left up to me,
in The Last Jedi I’d have
Luke chat with Tano.
Haikuesday is a monthly series on The Imperial Talker, a new post with poetic creations coming on the first Tuesday of each month. The haiku topic is chosen by voters on Twitter so be sure to follow @ImperialTalker so you can participate in the voting. Now, check out these past Haikuesday posts:
Droids (February 2017)
Darth Vader (April 2017)
The Battle of Scarif (May 2017)
I spend a lot of time pondering the internals of the Star Wars universe – the characters, events, factions, spaceships, philosophies, etc. – but I also spend quite a bit of time thinking about the Star Wars franchise in general. These days, it’s hard not to think about the trajectory of the franchise since Disney – which purchased the franchise from the original creator/owner George Lucas in 2012 – has been announcing and releasing new content left and right. Movies, TV shows, novels, comics, video games, and more are adding to the already rich trove of stories that populate the universe, while an endless line of new merchandise in every shape and form pops up on a seemingly daily basis. Plus, Disney is building two different Star Wars-themed lands where fans can enjoy “being in” the Star Wars universe.
As a lifelong fan of Star Wars, the fact that the franchise is going strong definitely makes me happy, but this also comes with a catch – too much of a good thing isn’t always great. While I am excited there are new Star Wars stories being told and merchandise being sold, there is also a certain amount of burn out that also comes with all of this. Admittedly, it is a bit odd for me to say this since I maintain this site devoted to Star Wars, but it is also the truth – at times, being a Star Wars fan can be utterly exhausting.
Some of this Star Wars exhaustion is a natural symptom of over-indulgence, a symptom which necessitates moving away from the franchise for a while so I can enjoy it more fully another day. Having a site like this where I write about Star Wars certainly adds to this particular form of burn out, and at times, I have to step away from the computer or notebook, giving myself time and permission to not even think about Star Wars.
On the other hand, some of this burn out is just a general fatigue associated with having to maintain interest in such an expansive franchise, one that is not going to stop growing anytime soon. Just as I look up at the night sky and have difficulty processing the vastness of space, a similar feeling of being overwhelmed hits me when I think about the vastness of the Star Wars franchise, a vastness that encapsulates past, present, and future. While I can appreciate all that Star Wars has to offer, providing fans of every type with something they will love, on a personal level, the more Star Wars grows, the more exhausted I’ve become trying to keep up with it.
And so, I have found myself trying to reconcile my lifelong exploration of the “galaxy far, far away” with the continued growth of the franchise and the gambit of ways it is making me feel: overwhelmed, exhausted, burnt out, and at times even uninspired and bored. In other words, I have found myself for some time now in the rather peculiar position of trying to decide how I will continue being a fan of the franchise (talk about first world problems). What do I mean by this? Well, it means I have spent a lot of time reflecting on my relationship with the franchise in general, and the content of the Star Wars universe in particular. It means that because I do not have an endless supply of time, energy, and money – especially money – to devote to a fictional universe that will probably still be growing when I am on my death bed that I have to decide which aspects of Star Wars I will continue to participate in/enjoy and which parts I am just uninterested in/do not feel are worth the effort.
In truth, this isn’t an entirely new approach to the way I engage with Star Wars. We all have our personal preferences and gravitate towards certain things, and I have always been the type of person who likes parts of Star Wars more than others. Even before George Lucas sold the franchise to Disney I was selective about how I participated in the franchise, what merchandise I bought, and yes even which stories I gravitated towards. For example, I can honestly say that while I am well versed in the stories of the now Expanded Universe (EU; now officially called Legends…bleh), there are some Expanded Universe stories I have never touched and know almost nothing about. Case in point: The Old Republic online game. Perhaps one day I will get around to playing The Old Republic or checking out those EU stories I haven’t read, or maybe I won’t.
Like the Expanded Universe I am already treating the “new Expanded Universe,” the Disney Canon, the same way. While I have done my best to keep up with all of the stories being released, it became very apparent early on that it just wouldn’t be possible to do so. This hardly means I haven’t tried my best, but it does mean that I am well aware there are tales I have missed and probably will never experience. Since I have no interest in subscribing to Star Wars Insider magazine, I miss out on the short-stories that appear in each edition. I have certainly read a few here and there, but otherwise I’ve missed most of them and am not rushing out to read them. This is also true of the discontinued Star Wars Rebels magazine, each issue containing a story in the form of a comic. I’m sure those comics are quite fun, and perhaps I will check them out at some point, but for now I’m just not that interested in going out of my way to read them.
In turn, even of the new stories I have encountered in the Disney canon (and this goes for the EU as well), I’ve absolutely loved some, really disliked others, and have otherwise mixed emotions about a handful. I thought Kevin Hearne’s novel Heir to the Jedi was rather bland, have been underwhelmed by the novels in Chuck Wendig’s Aftermath series, felt the Chewbacca comic series left a lot to be desired, and walked out of my first viewing of The Force Awakens asking myself what the hell I had just watched. On the flip side, I really enjoyed playing the now discontinued Star Wars: Uprising video game, absolutely love the Princess Leia and Lando comic series, was blown away by Christie Golden’s novel Dark Disciple and James Luceno’s novel Tarkin, and have really enjoyed the rich layers being added to the canon thanks to the animated show Star Wars Rebels.
But just because I love one particular story or dislike another doesn’t mean I find perfection/imperfection in everything. I might not love Heir to the Jedi but there are some very good moments in the novel, The Force Awakens has grown on me over time, the Uprising game was fun but also incredibly tedious, and even though I am really loving Star Wars Rebels I’ve been a vocal critic of the overuse of the Jedi and the Force in the series. For me, being a fan of Star Wars is not a zero sum game, a matter of either love or hate. Rather, more often than not it boils down to shades of gray, the acknowledgment that stories that I feel are wonderful still have flaws, and those I believe fall short do have some redeeming qualities.
None of this is to say that my particular reactions/thoughts on each Star Wars story, or my moments of exhaustion, boredom and dispassion with the franchise as a whole, must be globally accepted. My personal fandom is no more or less important than any other fan, and my subjective experiences of Star Wars need not dictate the experiences others have. Besides, I can think of nothing more absurd than being a fan of Star Wars and lording my fandom over others. No, I am far more interested in sharing aspects of my fandom with others, engaging people in rich conversation about Star Wars. By maintaining this site, my hope is to always do just that: share aspects of Star Wars that stand out to me – the good and the bad, inspirational and discouraging – and open the floor for conversation.
And that being the case, I have to ask: what are your feelings and opinions on the current state of the Star Wars franchise? Am I the only one who has moments of Star Wars fatigue and boredom, or are there others like me who are out there? If you care to share your thoughts and feelings, leave a comment.
In my last post – The Force Awakens Without Lando – I noted my disappointment that Lando Calrissian did not make an appearance in The Force Awakens while the other main characters from the Original Trilogy were included. I’m not going to rehash that entire post here, but I would encourage you to check it out if you haven’t done so. I will point out that in the post I acknowledged that The Force Awakens was a good movie even though Calrissian was missing from it. And besides, I am hopeful that he will be appearing in Episode VIII and/or IX.
So why, might one ask, am I discussing Lando once again? Is there more to be said about his absence from The Force Awakens? No, not really. Instead, I wanted to extend the conversation on Lando by turning to the 30-year period of time between Return of the Jedi and The Force Awakens. So far, only a handful of stories have taken shape (across various mediums) which have begun to populate this New Republic/Rise of the First Order era. And yet, of those stories that have begun popping up, two characters in particular have been noticeably absent from this era: Luke Skywalker and (you guessed it) Lando Calrissian.
A while back, a guest post from Michael Miller considered Luke’s absence from this era of stories, and I definitely think you should check out what Michael had to say. In the meantime, I’ll cut right to the chase: I find it incredibly odd and definitely confusing that Lando has been such an incredibly minor – and at times blatantly absent – character in the this particular era of the Star Wars timeline. Now, I say this with the full awareness that Lando has popped up in a few post-Endor stories (I’ll come back to these momentarily). Plus, it’s important to note that Lando has been given a great(er) deal of attention in stories that take place before Return of the Jedi. Notably, in the show Star Wars Rebels, Calrissian has made a couple of fun cameos and Lando was the main character in a five-part Marvel comic series aptly named Lando. In fact, I would be remiss if I failed to mention that the Lando series was one of my favorite story-arcs added to the Disney canon, perfectly capturing Lando’s personality, vocabulary, demeanor, and overall style.
Yet, even though Lando is the star of his own comic series and has a spattering of appearances on Rebels, I am left to wonder why he is not a more noticeable and active presence in the stories unfolding in the weeks/months/years following the Battle of Endor. Like I said, he has shown up here and there, but these moments are few in number and relatively shallow.
For example, in Claudia Gray’s novel Bloodline, set 24 years after the events of Return of the Jedi, Lando sends a message of support to Leia as she deals with the fallout of the Galactic Senate learning that she is the daughter of Darth Vader. A kind gesture on Lando’s part, to be sure, but nothing he actually says in the message is detailed, nor does he factor into the novel in any other way.
In the four-part Shattered Empire comic series, set in immediate aftermath of the Battle of Endor, Lando actually appears in Issue #001 and #003. In Issue #001, Lando participates in the battle (flying the Millennium Falcon) and is present for the celebration which immediately follows the Rebel victory, chatting it up with Han Solo and other soldiers. Nothing new or surprising there. On the other hand, in Issue #003, Calrissian leads a New Republic into the Battle over Naboo, stopping the Empire’s operation to destroy the planet. Pretty awesome, I have to admit. Besides, it makes perfect sense that in the days, weeks and months after the victory at Endor, Lando would continue to serve as General in the Rebellion-turned-New Republic. However, his very next chronological appearance on the Star Wars timeline makes a lot less sense…
In July 2016, Lando was part of an update to the game Star Wars: Uprising. While I eagerly welcomed his addition to the game, hoping that his arrival would add a dynamic new layer to the game plot/story, my enthusiasm quickly turned to utter confusion and disappointment. Allow me to explain. When one initially meets with Lando in the Longstar Marketplace on the planet Burnin Konn, Lando lays out his profitable reasons for sneaking into the Anoat sector (which serves as the location for the game and is under Imperial blockade) and is willing to cut you in on the deal. In turn, Lando gives you a job to raid the Imperial base on Nar Hypa, a moon orbiting the planet Mataou, a mission which yields some basic materials, credits, and trophies (which can be used to purchase other goods). Excited to discover what would come after my first “Lando Job,” I quickly became discouraged when I realized Lando was not going to immediately send me on another run. Surely, I figured, if I waited a day a new mission would be ready for me…and I was right! Logging into the game a day later, I was greeted by an in-game message that “Lando has a job for you.” I eagerly scooted over to the Longstar Marketplace, sought out Lando, and was presented with the EXACT SAME MISSION! The same map, Imperial forces spread out in the same places, and a similar payout. Since Lando was introduced into Uprising, his “jobs” are always the same. And, to make things even more ridiculous, Lando just keeps standing around the Longstar Marketplace. One would presume that at some point he’d make his way to the Carbon Score Cantina…
Now, unless one counts some credits and a handful of in-game material as meaningful, Lando’s presence in Uprising is, to put it bluntly, entirely pointless. That is, it is pointless as of right now. While Lando’s inclusion in Uprising currently lacks any significant purpose, I am hoping that his role in the game will be expanded, especially considering the game is set in the days/weeks/months following the Battle of Endor. In short, since a (former?) Rebel/New Republic General was able to infiltrate the Imperial blockade of the Anoat sector, making his way to Burnin Konn, one would think (and hope!) that he would have plans to provide aid to the forces fighting Imperial oppression in the sector. Of course, Lando might also end up indefinitely loitering in Longstar Marketplace, his presence having no outward effect on the overall goal of breaking the Empire’s blockade and freeing the sector. Honestly, at this point, who knows what will happen with Lando in the Anoat sector.
Then again, who knows when or how Lando will show up again in a post-Endor story. I’ll be sure to update this post the next time he does.
Addition: On September 22, 2016, the game developers of Star Wars: Uprising announced that Uprising will permanently shut down in November 2016. As someone who consistently played the game since it came out, I am naturally disappointed although not surprised. The game failed to live up to a number of expectations, and while I enjoyed the lore which it added to the rich Star Wars canon, game play consistently fell short, particularly given its repetitive nature which I detailed (in part) with the “Lando Missions.”
In light of this development, I am left wondering what this will mean for Lando Calrissian, Perhaps, even though Uprising is shutting down, a novel or comic will be written that completes the game’s primary story – the liberation of the Anoat sector – with Lando taking on a larger, more central role. Or, perhaps he will simply be stuck in limbo, continuing to stand around the Longstar Marketplace on Burnin Konn while the New Republic defeats the remnants of the Empire at Jakku. I suppose only time – and more stories – will tell what Lando’s role will end up being.
Having recently finished reading Chuck Wendig’s novel Life Debt, the latest addition in his Aftermath trilogy which chronicles events taking place after the Battle of Endor, I felt compelled to write a reaction to the novel. Or rather, I felt compelled to write a reaction to a particular element in the novel, namely, the way(s) in which Wendig masterfully describes the suffering of the Wookiees and their home-world of Kashyyyk. Momentarily, I will share some of these details with you, and in doing so, I hope I am able to paint an equally worthy picture of devastation and enslavement.
But before I begin, I want to note two things. First, if you have not yet read Life Debt and do not want it to be spoiled, I would encourage you to stop reading and check it out. While I do not intend to provide a great deal of spoilers, they will never-the-less be present in the post.
Secondly, and perhaps most importantly, what I am presenting about the imagery in Life Debt is also going to lead to a rather embarrassing continuity issue (hence the name of the post). While I recognize it is slightly annoying for me to say this and not tell you what that issue is right here and now, I promise that the reason I am making you wait is worthwhile. Read on and you will see what I mean.
A Vibrant World, Enslaved
To begin, it’s worth noting that Wendig goes to great lengths in Life Debt to provide an image of life on Kashyyyk before the Empire, often doing so in subtle ways to help the reader recognize that the world was once a lush and thriving place. As a reminder, we see the vibrant Mid-Rim world for ourselves in Revenge of the Sith when the Separatists invade and Master Yoda leads the Republic’s 41st Elite Corps in defense of the Wookiees. Wendig wonderfully captures the same imagery we see in the film, expanding and adding new dimensions to it. When, for example, Han Solo and his allies approach Kashyyyk, it is described as “a green, verdant planet” with “snowcapped mountains and snaking rivers leading to oceans of dark water.” Most notably though, the forests of Kashyyyk particularly stand out to the characters in the book, “the clouds swirling above the atmosphere” having “to swirl around and through the [giant wroshyr] trees.”
Of course, the planet is not only described from a distance, but also when the characters arrive there and start working towards freeing prisoners and liberating the world. Added to the imagery, then, is a world that was once teeming with life, specifically Wookiee life Incredible Wookiee cities, such as the city of Awrathakka, are depicted as being built in and around the “skytower-like wroshyr trees – trees whose trunks are of an unimaginable circumference.” Further, the symbiotic relationship the Wookiees had with these trees is noted, a “sacred and biological” bond grounded in care. The trees provided nourishment and shelter, enabling the arboreal lifestyle of the Wookiees. In return, the creatures tended to the life of the trees, building their cities in a way that followed “the bends and turns of the trunk,” a clear sign of the respect the Wookiees showed the magnificent lifeforms.
Sadly, Life Debt describes in even greater detail the devastation Kashyyyk and its Wookiee inhabitants have endured under Imperial rule. Under the protection of an Imperial blockade, Kashyyyk – classified G5-623 by the Empire – is “an occupied world,” “a prison planet.” The Wookiees, we learn, were corralled into labor camps and used as slaves, their impressive size and strength a valuable resource for the Imperial war machine. In fact, in the first Aftermath novel, we learn from Han Solo that the Wookiees were utilized in the construction of both Death Stars. A sad but unsurprising discovery. While Wookiees are shipped off-planet to work on military projects around the galaxy, the vast majority were kept in the camps on planet, forced to participate in the slow destruction of their native world.
One camp in particular is depicted in Life Debt, Camp Sardo. Home to 50,000 Wookiee slaves, the camp is built at the base of the wroshyr tree to which Awrathakka clings. There, like so many other camps that litter the planet, the prisoners toil under the harsh yoke of the Empire, digging into the roots of the tree for its wood and harvesting crystals from its fungal nodes. Additionally, Wookiees in this and other camps are also forced to grow food for the Empire, to fight for entertainment, are bred to keep up the labor population, and even subjected to chemical and medical experiments.
Moreover, we also discover that the Wookiees are kept in check with the use of inhibitor chips placed on the back of their necks, devices which keep them docile. These chips give a powerful shock to any Wookiee attempting to escape a camp, a shock that could prove to be fatal. Plus, since the Wookiees are family-oriented, any disobedience may harm not just the individual, but members of their family as well. In these ways, the Empire keeps their slaves from revolting.
Still, we know that at least one Wookiee revolt took place about four years prior to events in A New Hope. This is not mentioned in the novel, but rather is an incident detailed in a short HoloNet News report. In it, the reporter explains that a Wookiee revolt was quelled by the 212th Attack Battalion, with tighter restrictions on travel to the planet being put into place by the Imperial overlords. Of course, the report is an obvious form of propaganda, making it difficult to say if the newscaster is telling the entire truth. Still, we can presume that whatever happened would have forced the Empire to use even harsher measures against their slaves (perhaps this is when the use of inhibitor chips began) and Life Debt makes it clear that eight years later, any chance of another Wookiee revolt has been ended.
A Crisis of Continuity
As I said at the outset, Wendig paints a fantastic, albeit incredibly bleak picture of the Wookiees and their beloved Kashyyyk. A world that was once vibrant – vibrancy we can actually see in Revenge of the Sith – is all but devastated. The barest glimmer of life still clinging to the branches of the splintering wroshyr trees; the native Wookies, “slowly being ground to dust” as Princess Leia declares in the novel. As I read Life Debt, I was profoundly moved by this imagery, saddened by the Empire’s flagrant destruction of Kashyyyk, disturbed by the harsh and murderous treatment the Wookiees must endure. In this way, Life Debt did what good storytelling should do, forcing one to dig deeper and mine the depths of their own being, thinking about ways that in our own world we might alleviate the suffering of others. The Wookiees and their world might be fictitious, but their plight should motivate us to want to help those who are also in need.
And yet, all of the devastation and plight in Life Debt, the detailed imagery of destruction and enslavement, doesn’t line up with what is depicted in Issue #005 of Marvel Comics Chewbacca series. In fact, to be entirely blunt, not only does the description of Kashyyyk and the Wookiees in Life Debt not line up with what we see in Chewbacca #005, the two canonical sources are just flat-out contradictory.
I won’t provide an overview of the entire plot of the Five-Part Chewbacca series, but I will note that the premise revolves around a personal mission Chewbacca undertakes sometime after the destruction of the First Death Star. In short, Chewie is heading to Kashyyyk so he can deliver an item to a young Wookiee. And, after an adventure on another world, Chewbacca does just that, flying an A-Wing Starfighter right up to his home-world, a world that is clearly NOT under Imperial blockade. Landing safely in a thriving city among healthy looking wroshyr trees, Chewbacca interacts with many Wookiees, all of whom are quite obvious NOT enslaved, no inhibitor chips stuck to their heads. Plus, to top it off, in the very final panel of Chewbacca #005, the Millennium Falcon descends to the planet with quite ease, no Imperial ships in pursuit.
Since finishing Life Debt, I have struggled to reconcile these two disparate versions of Kashyyyk/the Wookiees which have crept into the Star Wars canon. When I have wrestled with continuity issues in the past, I’ve attempted to smooth over the differences in some logical way while staying true to the source material. However, in this case, the powerful depictions of suffering in Life Debt differ so starkly from the warm and colorful panels in Chewbacca #005 that I am at a complete loss. I honestly cannot figure how to make the two versions work together. Then again, coming up with a fix is purely a thought experiment on my part, one that would not carry any weight unless the Lucasfilm Story Group were to adopt my idea(s). And speaking of the Story Group, the body tasked overseeing the content of the Star Wars canon, I have to ask:
How did they miss this continuity issue?
Frankly, I think Star Wars fans deserve an explanation about why two contradictory versions of Kashyyyk and the Wookiees were allowed to enter the Star Wars canon. While I understand that small errors can and will be show up, an inevitable side-effect of having numerous story-tellers adding to a fictional universe, when far more obvious errors like this one appear, then someone on the Story Group (or at Lucasfilm in general) needs to come forward and at least acknowledge the mistake. Plus, as a fan, I want reassurance that the cohesive and unified story being told will not have these problems in the future, particularly since I spend a lot of money on books, novels, games, movie tickets, etc. Otherwise, I have to be honest: if more and more major continuity issues start showing up, my enjoyment of the canon won’t just diminish, but I will seriously consider closing the door on my Star Wars fandom.
Addition: Having conversed with a number of people about this piece, including a member of the Story Group, I am working on a follow-up which will be posted here in the coming weeks. Stay tuned!
In Marvel comics Star Wars 009, Luke Skywalker finds himself in dire straits on Nar Shaddaa when he is captured by a towering and oddly muscular Hutt named Grakkus. Knocked unconscious, Luke will wake in the home of Grakkus the Hutt and quickly discovers that this Hutt is a collector of Jedi lore and artifacts. Considering that Luke’s journey to Nar Shaddaa was part of a quest to discover anything/everything about the Jedi Order, it could easily be argued that his capture by Grakkus was the will of the Force. This possibility becomes even more likely when Grakkus commands Luke to use the Force to open a Jedi holocron, giving the young Skywalker until the count of five to do so.
Now, for those who are unaware, a holocron is a small polyhedron that a Jedi (or Sith) uses to store and pass on important information. Activated by a Force-user, once opened a holocron projects a holographic image of the individual who originally recorded it, and this hologram will then provide lessons on the information contained within. When Luke is ordered by Grakkus to open a holocron, Luke’s response comes as little surprise, at least to the reader. He states, “I’ve never even seen one of those things.” Of course, the massive Hutt is unswayed, not caring what Luke has to say. Since Luke admitted his father was a Jedi, carries a lightsaber, and is seeking passage to the location of the Jedi Temple on Coruscant, Grakkus is convinced Luke can open the holocron…
…and the Hutt isn’t wrong.
Having counted to five, Grakkus orders his guards to kill Luke, and it is in this very moment that Luke is able to call upon the Force and open not only the holocron that Grakkus holds, but every holocron in the room. Suddenly, Luke and his captor are surrounded by the holographic images of long-dead Jedi, each of them beginning their teachings.
Needless to say, but there is a lot that could be said about this moment in Star Wars 009, especially in regards to Luke and his burgeoning potential with the Force. The thing is, I’m not really interested in digging into every angle or every thought the scene conjures in my mind, in part because this piece would quickly become a dissertation. Instead, what I really want to share is my “holy shit” reaction to one of the statements made by the image of an unknown Jedi projected by a holocron. That long-dead Jedi states the following:
“Once we were brothers in the Force. But from the Hundred-Year Darkness were born the Sith.“
When I read that line, I immediately stopped reading the comic because I just couldn’t contain my excitement. There are moments when I am experiencing the Star Wars universe (or another universe I love) when I am overcome with joy and have to let it burst out of me. When that happens, I just go with the flow, and in this case, I stopped reading and called a friend to tell him what I had come across in Star Wars 009.
Why did I react this way? Simple: the Hundred-Year Darkness comes straight out of the Star Wars Expanded Universe (EU).
Mentioned by name for the first time in the Dark Horse comic Tales of the Jedi: Dark Lords of the Sith 3: Descent to the Dark Side (published in 1994), the Hundred-Year Darkness was an ancient, century long conflict between Dark Jedi who were experimenting with forbidden alchemy and the Jedi Order which recognized the danger these Dark Jedi possessed. For the sake of brevity, I will spare you all the minute details about the conflict, but in the end, the Dark Jedi lost the war and their survivors – including their leader Ajunta Pall – were exiled from Republic space. In the unexplored regions of the galaxies Outer Rim, these exiles came across a world named Korriban which was inhabited by a primitive civilization known as the Sith. Worshiped as gods, the Dark Jedi were given the title Jen’ari (Dark Lord), becoming the very first Dark Lords of the Sith.
With just one line in Star Wars 009, a momentous event from the EU – an event which leads directly to the formation of the Sith and serves as the preamble to ALL of the Jedi/Sith conflicts – was preserved in the Disney Canon. But how much of it was maintained beyond it’s name and the basic facts we learn from the unknown Jedi? Well, that is the mystery, one I have wrestled with since Luke unlocked the holocron.
In reality, there is no easy way to answer the question, particularly since the mysterious Jedi utters few words about the Hundred-Year Darkness. The first piece of his statement – “Once we were brothers in the Force” – points to a time long before the Hundred-Year Darkness, a time when the Jedi Order was whole. What really makes this line stand out though is that it mirrors a line spoken by the spirit of Sith Lord Marka Ragnos in Tales of the Jedi: The Golden Age of the Sith 2: Funeral for a Dark Lord. Ragnos states “Once we were mighty Jedi of the Republic, brothers in the Force…,” and goes on to describe the formation of the Sith Order. The fact that the two short statements almost perfectly match is, of course, not a coincidence. With the Hundred-Year Darkness first appearing in Tales of the Jedi, Star Wars 009 author Jason Aaron was clearly giving the Dark Horse series a small nod by quoting Marka Ragnos. Admittedly, this raises another interesting question: since the Hundred-Year Darkness has been maintained, does this also mean Ragnos – who lived nearly two millenia after the Hundred-Year Darkness – also exists in the Disney Canon?
Personally, I hope he does. Then again, I also hope Ajunta Pall, whom I mentioned previously, is also maintained in the canon. In large part this is because Ajunta Pall, unlike Marka Ragnos, is an actual participant in the Hundred-Year Darkness and ends up as the very first Dark Lord of the Sith. In my mind, it makes sense not only to preserve the conflict in name, but also specific aspects like characters, battles, and locations. I say this knowing full well that if/when the Hundred-Year Darkness is retold, it will not be exactly the same. This is no more apparent than by the simple fact that the Dark Jedi in the Disney Canon will find their way to the Sith homeworld of Moraband and not Korriban. The planet itself is exactly the same, but the name change ensures that the story cannot perfectly match.
Then again, it doesn’t HAVE to perfectly match. While I would personally love for not just Ajunta Pall but all the Dark Jedi to be returned in the new canon, chances are that just won’t happen. And frankly, that’s okay. In just two sentences in Star Wars 009, the mysterious Jedi establishes the most important facts about the Hundred-Year Darkness, points I have already mentioned. Otherwise, in the Disney Canon, how the Hundred-Year Darkness unfolds is really open ended. For example, whereas the Hundred-Year Darkness ends in the Expanded Universe with the Battle of Corbos (depicted in the featured image), perhaps the final showdown between the two Jedi factions will take place on another world in the new version of the conflict. Honestly, either way is perfectly fine by me; two versions of the Hundred-Year Darkness simply means two versions to enjoy, learn about, and analyze.
Still, it’s certainly possible that the Hundred-Year Darkness never receives a new treatment, at least beyond small references here and there. At the moment, Star Wars storytelling is focused primarily on the period surrounding and following the Original Trilogy, and the galaxy’s ancient history might remain relatively vacant of new stories for years to come. However, the seeds of that ancient history have been planted in small and subtle ways – such as the reference to the Hundred-Year Darkness in Star Wars 009 – and I really hope those seeds end up blossoming into full-fledged stories down the road.
But until those seeds do blossom, and even after they do, you’ll find me continuing to explore and enjoy the ancient history in the Expanded Universe.
Guest Talker: Michael J. Miller
In the months leading up to the release of The Force Awakens, one of the most prominent questions on everyone’s mind was – Where is Luke Skywalker? He wasn’t in any of the trailers. He was shockingly absent from the poster. We only heard his voice, narrating a slightly altered version of what he tells Leia about his family and the Force in Return Of The Jedi. Speculation was rampant. And there were even those (apparently the ones who’d never watched Star Wars or totally missed the point of the whole narrative) who were insistent that Luke had fallen to the Dark Side and perhaps was even Kylo Ren. Now, all those questions have been cleared up. But the most important question for me still remains. And I hope I get an answer worthy of the mythic hero of Star Wars.
The answer to this question is important because, to put it simply, Luke is important. Luke Skywalker is the hero of Star Wars. Yes, it’s Anakin’s story but Luke is the force (no pun intended) of redemption that allows Vader to do what must be done. If Anakin is the savior, Luke is the redeemer. And both of them are necessary to bring balance to the Force. So we know where Luke was at the end of Return Of The Jedi – happily celebrating a major victory with his family and friends, while the redeemed Force ghost of his father looks on with Obi-Wan and Yoda. And we know where Luke is at the end of The Force Awakens – doing his mystic hermit thing on a not-so-easily-accessed lake front property in utter isolation. Even R2 was left behind. His hand hasn’t been cared for (presumably), leaving the synthiflesh to rot away and expose the metallic hand underneath.
The question I need answered (the question I am so, so scared won’t be answered with the clarity and detail it absolutely needs) is what has Luke been doing in the thirty years since the Battle of Endor?? One of the major faults I have found with the Disney Canon is that (with few exceptions) it gives us no real worthwhile details. It’s all painted in broad strokes. We are left struggling to fill in almost as many gaps during those thirty years as we had before The Force Awakens was released. Disney seems to perpetually tell stories set between A New Hope and The Empire Strikes Back, stories (more often than not in my opinion) having little to no significant impact on the saga, while ignoring the gaping holes in the timeline Star Wars fans want to know about.
The major exception to this rule would be Claudia Gray’s beautiful and brilliant new novel, Star Wars: Bloodline. This was the first novel I’ve encountered since Disney took over that gave me the thrill I almost always found with the old EU. It gave a detailed look at the Star Wars galaxy. It expanded on what was in the films in a way that made logical sense. And the expansions were helpful and felt necessary. Also, she gave us both a picture of Leia that was organic and dynamic as well as new characters who were exciting and seemed to naturally fit in the Star Wars universe. Ransolm Casterfo is the first new character I’ve found in the Disney Canon who seemed as complex and integral to the Star Wars universe as characters like Pellaeon, Natasi Daala, and Talon Karde did the first time I met them.
The novel also left us with some MAJOR question marks in regard to Luke Skywalker. (If you haven’t read Bloodline yet, this paragraph and the next contains minor spoilers about moments Luke is mentioned in passing in the novel but doesn’t address anything that’s central to the plot of the book.) You see, Bloodline is set six years before The Force Awakens. Granted, we only get glimpses of what Luke’s been up to since Return Of The Jedi. But it doesn’t seem like he’s been doing much. He and Ben Solo are bouncing around the galaxy doing…something.
A discussion in the Senate sees Lady Carise Sindian remark, “Princess Leia spoke of her brother, the famous Luke Skywalker, who has been little seen in the public sphere for many years now.” Then Tai-Lin Garr replies, “Since the Rebellion, Skywalker has lived a private life. He has asked no more of the New Republic than any of its other citizens, nor have we just cause to ask any more of him than the substantial service he has already given.” So the last of the Jedi decided to…retire? He’s road tripping with his nephew? Whaaaat??
Judging from the little information the new Disney Canon has provided us, Luke is apparently completely disconnected from the New Republic and almost entirely cutoff from his family. We can infer then IN THE PRECEEDING TWENTY-FOUR YEARS he didn’t rebuild the Jedi Order. So, I ask again, what was he doing?
The final conversation Luke has with Yoda before his death on Dagobah makes this even more confusing. As Yoda lays down for the last time he tells Luke, “Twilight is upon me and soon night must fall. That is the way of things, the way of the Force.” His final words to Luke are, “Luke…when gone am I, the last of the Jedi will you be. Luke…the Force runs strong in your family. Pass on what you have learned. Luke…there is…another…Skywalker.” The literal final instruction Yoda – the Jedi Master that Kenobi told Luke to find to complete his training – gave Luke was to pass on what he had learned. And the Disney Canon wants us to accept that Luke’s response was, “Nah.” I don’t buy it. It doesn’t make any sense.
Luke wanted to follow in his father’s footsteps. He spends much of the Original Trilogy trying to become a Jedi Knight like his father. In A New Hope, Obi-Wan taught Luke, “The Jedi Knights were the guardians of peace and justice in the galaxy before the dark times, before the Empire.” So he knows that the Jedi were an order who protected people during the Old Republic before Vader and the Emperor wiped them out. He finds Yoda, completes his training, is instructed to pass on what he’d learned, and THEN DOES NOTHING FOR OVER TWENTY YEARS.
Why?? Again, it makes no sense and a legitimate answer must be given.
This story must be told and it must be told with a depth and intimacy to rival Claudia Gray’s depiction of Leia in Bloodline. A few lines of exposition (and maybe a few flashbacks) in Episode VIII aren’t going to cut it for me. Luke Skywalker is too important a character for that! We need to understand why he turns his back on everything he was, everything he did, and everything he was instructed to do.
As I watched Yoda’s death scene in Return Of The Jedi a few more times, I wondered if perhaps Disney wanted us to buy that Yoda told Luke to pass on what he learned to his family alone. You could make the argument, from the phrasing, that Luke could have interpreted it that way. But we know this isn’t the case. In The Force Awakens, Han tells Rey and Finn that Luke was bringing up a new group of Jedi when Kylo Ren cut the order apart and Luke took off. We know that there can’t be that many Skywalkers around. So, in the six years between Bloodline and The Force Awakens, he was (finally!) training new Jedi. But the question remains, why did he wait? What was he doing??
In the Expanded Universe, Luke spent much of his time after the Battle of Endor learning everything he could about the Jedi to rebuild the Order. By seven years after Endor (in Kevin J. Anderson’s “The Jedi Academy Trilogy”) Luke was taking his first tentative steps in recruiting new Jedi and training them on Yavin 4. Yes there were problems. There were ups and downs. But Luke was passing on what he had learned and trying to restore the Jedi to the galaxy. Why isn’t he doing that in the Disney Canon? Why isn’t he advising the New Republic in any role? What could possibly be going on that’s more important than all of this?
All Luke Skywalker, last of the Jedi, does post Return Of The Jedi in the Disney Canon is…fight for shrubbery?? In the (weirdly lackluster) conclusion to Shattered Empire, our first new canon look at life post-Endor, we see Luke Skywalker and Lieutenant Shara Bey infiltrate the highly secure Imperial base on Vetine…to save two trees. They’re important I guess? Luke says of the trees, “These are all that remain of the tree that grew in the heart of the Jedi Temple on Coruscant. The Force is with them.” And they are clearly important enough for Luke to risk his and Shara’s lives by invading this facility three months after the Battle of Endor. But they’re also important enough for Luke to just randomly and spontaneously give one away to Shara so she could plant it in her family garden?? What? So Luke redeems his father, fights for a shrub (a shrub we never hear about again), and then does absolutely nothing.
We’re supposed to believe that the man who destroyed the first Death Star, who became the last Jedi Knight, who learned from Yoda, who redeemed Anakin Skywalker so balance could be restored to the Force just walked away? He did nothing. For over twenty years. He was just sitting around…waiting? Why? WHY?
The cynic in me believes it’s because Lawrence Kasdan remains pissy that Lucas didn’t use the darker ending he wanted for Return Of The Jedi. As is well documented, Kasdan wanted Han Solo dead and Luke, so broken by his ordeal, to fade into the mist like Shane at the end of the famous Western of the same name. Lucas didn’t go that route (in part, I’d argue because he understands the purpose of myth and what lesson Star Wars was supposed to be teaching us) and Kasdan has been open about his displeasure with it. Well now The Force Awakens rolls around and look what happens! With Kasdan helping with the writing duties Han Solo dies (admittedly, in a powerful moment that I feel served the character and the story well) and Luke Skywalker has disappeared only to be found out in the wilderness alone, not unlike a wounded gunslinger haunted by what he’s had to do (something that doesn’t fit his character or the tone of the end of Return Of The Jedi at all).
Cynicism aside, this is still a MAJOR question that needs an appropriate answer. There’s no logical reason Luke Skywalker hasn’t been active in the galaxy since the Battle of Endor. And every instance he’s shown up in the Disney Canon has only served to make his absence and apparent apathy more confusing. So, when the time comes, I hope we get a story that honors who Luke Skywalker is. The relevant question for Episode VIII is no longer Where is Luke Skywalker? but rather What has Luke Skywalker been doing for THIRTY YEARS that is more important than rebuilding the Jedi? The answer, whenever Disney decides to give it to us, better be damn good. Luke Skywalker as a mythic hero, and we as Star Wars fans, deserve nothing less.
Check out these other Guest Talker posts by Michael Miller:
When I saw The Clone Wars movie for the first time, I was profoundly struck by the fact that Jabba the Hutt had a child – Rotta the Huttlet. This unexpected fact immediately added a whole new dimension to the notorious crime lord. No longer was he just the King of the Star Wars underworld, driven only by the desire for profit, power, and prestige. Instead, he was also tender and caring, a parent who loved his Huttlet and would stop at nothing to protect his “pedunkee mufkin” (punky muffin).
When Rotta is kidnapped at the film’s outset, Jabba sends bounty hunters to track down his child and the culprits. When the heads of the bounty hunters are returned without their bodies, a desperate Jabba turns to the Republic/Jedi and Separatists/Count Dooku for help. For Jabba, the return of his son is far more important than the perception of weakness asking for help might create. In turn, one of the most truly genuine expressions of affection in all of Star Wars – at least in my opinion – comes when Rotta is returned to his father. I am always moved by the scene, overcome by Jabba’s voice, his expression, his sheer joy and obvious relief when he sees that his “mufkin” is safe. You can FOLLOW THIS LINK to watch the scene for yourself, and while you might not have the same experience I have, I think you will at least see understand what I am saying about Jabba’s joy and relief. Plus, Rotta is also clearly relieved when he is back in his father’s arms, a happy child with his equally happy father.
So what has become of the adorable Huttlet from the The Clone Wars movie? Well, I have no idea. Since his introduction in the film, Rotta has been an otherwise invisible character in Star Wars. After I saw the movie, I was certain that Rotta would be making a number of appearances throughout the Star Wars canon, that his character would be expanded. Instead, Rotta appears in just one episode of The Clone Wars (“Sphere of Influence”), he received an indirect mention in the episode “Hunt for Ziro,” and has a couple of mentions in a handful of Star Wars reference books. And that is it. I keep expecting him to show up somewhere else in the canon, but as time goes on, my optimism that he will reappear has started to wane.
And this really REALLY bothers me. Rotta is the heir to Jabba’s criminal empire for crying out loud!!! HOW IS THAT NOT A BIGGER DEAL!?!?! Unless Rotta died before the events of Return of the Jedi, the young Hutt HAS to factor into the Star Wars universe again. Period. End of story.
As it stands right now in the post-Return of the Jedi universe, the death of Jabba not only created a power vacuum in the criminal underworld, but it threw the Hutts into chaos. In the novel Aftermath, for example, we learn that although Jabba has been dead for months, the Hutt Council had not yet determined his successor. Given this small fact, it would hardly be surprising if the reason Jabba’s replacement had not been determined was because the most dominant and influential Hutts were fighting among themselves, concerned only for their individual self-interests. The thing is, Jabba already has a successor who can take his place on the Council, which leads me to wonder if the Hutts had not yet “chosen” a successor because they didn’t want to give Rotta the seat. With Jabba dead, it is likely that other Hutts wanted to deny Rotta the power his father had, and keeping him from the Council is one way to do this. Moreover, with the godfather dead, and his son still young, many Hutts would assuredly try to move quickly to assimilate Jabba’s holdings into their own. Again, a way of denying Rotta his rightful power/wealth while bolstering their own.
Of course, I cannot say with certainty how the Hutts have acted after Jabba’s death because there is such little in the canon to work from. Regardless, my point is ultimately that in the wake of Jabba’s demise, no matter what the situation really looks like, Rotta should be the one to step up and take over his father’s legacy. Honestly, think about the potential Rotta offers the post-Return of the Jedi canon. His father dead and the Hutt Clan in chaos, the young Hutt – just a teen in Hutt years – could begin his own rise to power in the underworld, ruthlessly reorganizing the entire Clan. You heard me: ruthless. This wouldn’t be the cute and adorable Huttlet we meet in The Clone Wars movie. Oh no, this would be a Hutt who had started learning the tricks of his father’s trade, who was being groomed to eventually take over the family business – and the family business is deadly. That said, I am picturing a scenario where Rotta orders the execution of the remaining members of the Hutt Council, a way of showing all other Hutts that he is in charge and that you do not cross him. How intensely cool would that be!?!?!
But rebuilding his father’s empire and becoming the top Hutt isn’t the ONLY story worth telling about Rotta. No, there is another layer to this story, a deeper one that could help drive Rotta’s ruthless nature – a desire for revenge, a desire to kill the one called “Huttslayer.” I am referring, of course, to Leia, the term “Huttslayer” being given to her by members of the Nikto species in the novel Bloodline. Since we learn in the novel that a recording of Leia killing Jabba exists, and that the Hutts are in possession of all but one copy, there is every reason to believe that Rotta would have eventually watched the video. In turn, it is hardly far-fetched to imagine a scenario where Rotta seeks to bring Leia to justice – “Hutt justice” – and make her suffer for killing his father. In fact, while I know a lot of people will undoubtedly disagree with this, I am even open to Rotta getting what he wants – the death of the “Huttslayer.” Will that story actually happen? No, of course not, but that doesn’t mean I am closing the door on the idea. Good storytelling needs unpredictable and difficult moments, situations so gut-wrenching that you are not only repulsed but you can’t stop yourself from wanting to know what happens next. To me, that is what Rotta killing Leia would do, it would punch us in the gut, totally changing the trajectory of the Star Wars universe, but we wouldn’t be able to turn away because we would HAVE to know what happens afterwards.
In fairness, I am not saying a story involving Rotta going after Leia would HAVE to end this way. Hell, maybe following the events that will transpire in Episode IX, Rotta seeks justice in a Republic court, bringing Leia to trial for killing his father. The possible outcomes are limitless! Still, my point is ultimately that a story involving Rotta and Leia SHOULD happen, if only as a way to get Rotta back into the Star Wars canon. Then again, Rotta should already be a bigger factor in the canon. Frankly, Rotta’s absence isn’t just confusing, to me it is outright pathetic, a clear sign that after he was invented as a plot device in The Clone Wars movie, no one really knew what to do with him. Well, I know what to do with him. Disney/Lucasfilm can just give me a call and I will get Jabba’s “pedunkee mufkin” back into the fold, following in his father’s footsteps as the King of the Star Wars underworld.
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