Favorite Star Wars Music (by Film)

A long time ago…in 2017…I wrote a piece detailing why “The Imperial March” is my absolute favorite musical score in the Star Wars franchise. This admission came as little surprise to many of my trove of followers/readers as I have often professed my cultish admiration for The Empire Strikes Back (ESB) on this site. It stood to reason that The Imperial March would top my list considering the fact that the iconic anthem for the Galactic Empire/Darth Vader was first introduced in Episode V. Plus, given my “Casterfoian” obsession with the Empire, it stood to reason that I would likewise adopt the score as my all-time favorite.

While my unadulterated affection for all things ESB stands firm, and “The Imperial March” continues to receive constant replays on my Spotify account, there are never-the-less many other pieces of Star Wars music that have been elevated to the top of my musical mind. Hardly a shock – I am positive you can say the same if you happen to be a Star Wars fan – I wanted to take the opportunity to share a musical composition from each Star Wars film that I hold near and dear to my heart. For the sake of brevity, I have only chosen one from each film and decided to forgo long-winded explanations detailing why I love each piece, in large part because music is so damn personal it would take some of the fun out of it. Still, I may do a post for each at some point if the Force moves me to do so. We shall see.

Enjoy and be sure to comment with your own “faves” list!


A New Hope  “Tales of a Jedi Knight/Learn About the Force”


The Empire Strikes Back – “Yoda’s Theme”

While my heart will always be dedicated to “The Imperial March,” I decided to share another score from ESB in this particular list to mix things up a bit.


Return of the Jedi – “Leia’s New/Light of the Force”


The Phantom Menace – “The Droid Invasion and the Appearance of Darth Maul”

**Surprise! You were expecting “Duel of the Fates” weren’t you? Here is the deal: I love “Duel of the Fates” with a crazy passion but I likewise love “The Droid Invasion and the Appearance of Darth Maul.” I had to pick one and so I went with my gut. Besides, just listen to how the piece shifts when Maul is introduced! Holy frick that is haunting!!!!


Attack of the Clones – “Across the Stars”


Revenge of the Sith – “The Birth of the Twins and Padmé’s Destiny”


The Clone Wars – “Battle of Christophsis”


The Force Awakens “The Jedi Steps”

**I don’t care much for sentimentality but I readily admit that this piece gives me the feels. Like “Tales of a Jedi Knight/Learn About the Force”, “The Jedi Steps” packs an emotional punch by forcing me to imagine the Jedi Order, now a dying remnant, who once served and protected the galaxy far, far away. Between hearing this piece, and watching Rey literally walk the steps of the ancient Jedi, I was brought to tears in my first viewing of The Force Awakens.**


Rogue One“Your Father Would Be Proud”


The Last Jedi – “The Spark”


Solo: A Star Wars Story – “Savareen Stand-Off”

*Leave a comment with your thoughts about my list or share your own favorites!!!*

The Fate of Master Sinube

Admittedly, writing a piece about “the fate of Master Sinube” is a rather straightforward endeavor. Barring some freak accident or a natural death, Tera Sinube – the elderly Jedi Master who assists young Ahsoka Tano track down lightsaber in The Clone Wars episode “Lightsaber Lost” – most certainly died during the Jedi Purge, his fate sealed when Order 66 was put into effect. In fact, we can probably be even more specific and say that he died in the Jedi Temple, perhaps shot by clone troopers or struck down by the blade of Darth Vader. True, he may have escaped the Temple on that fateful day, much like Jocasta Nu, perhaps fleeing individually or with other Jedi, but that also seems unlikely. No, I believe it is safe to say that Master Sinube encountered the same fate as most of the Jedi that day, meeting his end in a tragically violent way.

Sinube and Tano
Ahsoka Tano walks with Master Sinube.

Photo Credit – The Clone Wars Season 2, Episode 11: “Lightsaber Lost.”

While we may surmise that Sinube met his end on that fateful day, a question never-the-less persists in my mind: what were his final moments like? Where in the Temple was the elder Jedi and, like others in the Temple, did he put up any form of resistance? Personally, I like to believe he did. Elderly he may have been, his actions in “Lightsaber Lost” demonstrate that he was far from needing geriatric care. Master Tera Sinube most certainly did not go down without an act of resistance. In fact, we might take this thought a step further, extending the faculties of the imagination with a bold suggestion: on that horrible day, Master Tera Sinube stood his ground first against clone troopers, and then against Darth Vader.

Wisdom of a Jedi Elder

It is easy for me to believe that as the Temple came under attack, Sinube took it upon himself to safeguard Jedi younglings against the onslaught, perhaps even rallying a handful of Knights to lead the younglings away from the fray. I can picture Sinube giving orders, demanding that these Knights seek out one of Sinube’s contacts in Coruscants criminal underworld. Master Sinube was, after all, an expert on the underworld, and surely would have known a contact willing to help the Jedi flee the world. Implored by the younglings and Knights to join them, Master Sinube would have been reassuring but firm: “The Cosmic Force beckons me to return home. Go, I will hold off your pursuers.”

Clearly, there are any number of ways to imagine how Sinube’s final moments of life played out. Even as I write these words, the possibilities abound, the imagination running in numerous directions. But what my heart tells me is this: Master Tera Sinube did not even draw his lightsaber, instead leaving it confined in his cane. Wouldn’t this very contradict what I said in a paragraph about, that Sinube most certainly resisted the clones and Vader? Only if we assume that resistance must involve violence. 

A wellspring of Jedi wisdom and knowledge, thoughtful and patient in his actions (as we see in “Lightsaber Lost”), I believe Tera Sinube confronted his clone attackers that fateful day with only the Force as his ally. As the clones burst into the room, DC-15 blasters blazing away at an easy target, Sinube would move quickly, not harming but disarming his assailants. With care and precision, fully attuned to the Force, the Jedi Master systematically incapacitated the clone soldiers, debilitating but not killing, doing so with the gentle touch of the Light Side. 

Unable to break through the stalwart defense of their elderly opponent, comrades falling left and right – some getting back up to rejoin the struggle only to be knocked down again – eventually the word would spread through the Temple that the clones needed reinforcements to break through Sinube’s defense. And a reinforcement would arrive, not in the form of more clone squadrons, but the shadowy figure of a Dark Lord of the Sith. 

Vader March
Darth Vader marches into the Jedi Temple with his clone soldiers.

Photo Credit – Star Wars Episode III: Revenge of the Sith

Undoubtedly, Master Sinube could sense the Dark presence within the Temple from the very beginning of the attack. Now, as the clone assault on his position waivered once again, he felt the Dark figure moving towards him, and was about to enter the room. But Sinube, I am certain, also knew from the very beginning that the Dark Lord in question was, only recently, a Jedi. When the Sith entered the room, Sinube was calm and unsurprised – he knew he was about to see the face of Anakin Skywalker.

Vader’s blue blade already ignited, the two stood for a moment looking at the other. Suddenly, the blade was extinguished and Vader moved forward until he was but a foot or two from the elder Jedi. Extending his right arm, the Sith wrapped his hand around Sinube’s neck. But before he could squeeze, Master Tera Sinube looked into the eyes of his destroyer and, with peace in his voice, uttered his final words:

“I forgive you, Anakin.”

The Talker Toy Challenge Strikes Back

A long time ago in a galaxy far, far away…

Episode V

The Talker Toy Challenge Strikes Back

It is a dark time for the Star Wars fandom. Although December is approaching, DISNEY will not be releasing a new Star Wars film for another year, instead assaulting fans with a new cartoon show, a legion of mediocre comic books, and toys, lots and lots of toys.

Evading the dreaded lack of a Star Wars film, a group of bloggers led by THE IMPERIAL TALKER have struck back with a new version of THE TALKER TOY CHALLENGE, encouraging fans of the franchise to buy Star Wars toys and donate them to children who are in need this holiday season.

The DISNEY CORPORATION, obsessed with selling merchandise and increasing stock value for their shareholders, has dispatched thousands of new Star Wars products into the far reaches of the globe. Little does DISNEY know that THE IMPERIAL TALKER is ridiculously good at never paying full-price for merchandise, finding troves of fantastic Star Wars toys on sale and on clearance…


Participating in The Talker Toy Challenge is easy!!!! Just follow these steps.

Step One: Purchase Star Wars toys.

Step Two: Donate said Star Wars toys to children who are in need. I bring the toys I collect (see the featured image above) to a local Toys for Tots drop-off site. 

Step Three: Encourage others to do the same by promoting The Talker Toy Challenge on your blog, podcast, social media, etc.!!! Be sure to use #TalkerToyChallenge when you do!

Step Four: Repeat Steps One, Two, and Three.

Leave a comment and let me know if you participate!

What If He Doesn’t Like Star Wars?

What if he – he being my soon-to-be born padawan – does not like Star Wars?

It is a question I have been asked by quite a few people, and I fully understand why it is asked. After all, my obsession with Star Wars is a massive part of my life, of my individual identity and even my experience of the world. While Star Wars does not dictate every aspect of my life, it never-the-less plays such a fundamental role that, even when I set it aside to dabble in other franchises/universes, it always reels me in again. It is as if an invisible force – an energy field! – exists which draws me back to Star Wars over and over again. There is simply no way for me to escape it, and even when I find myself at odds with Star Wars (and I certainly do at times) there is always something in the franchise that I enjoy, something that demands my attention and active participation.

But this short post isn’t really about me…it is about my not-yet-born child and his feelings about Star Wars. Whatever will I, Jeffrey Andrew Cagle – The Imperial Talker, do if my child does not love the galaxy far, far away!?!?!

Answer: I won’t care. Seriously, I truly and honestly will not care. Star Wars is something that I love, but it is not something my child, or any of my children, will have to love. If they do, then I want it to be on their own terms, and not because I have forced them to enjoy it. Naturally, I will introduce them to Star Wars, showing them the Original Trilogy when the time is right and he is old enough to understand it. And, perhaps he will fall in love with it at that time, identifying with it and wanting to dive farther into the franchise on their own. Or, maybe he will love it because I love it, wanting to share and participate in this strange hobby as a way of becoming closer with their dad.

Yet, maybe he just won’t like it, and if that is the case that is fine by me. While I would love for my son to share my interest in Star Wars, I would much rather end up sharing in the interests they have. If my son loves Dr. Who then I shall join him in his Whovian obsession. And if he chooses to become a Trekkie, I will give him the Vulcan salute every day. Or perhaps he will gravitate towards something his mother enjoys – like the movie Pitch Perfect. If he has the “Acaudacity” to sit and watch Pitch Perfect over and over again with his mom then who am I to dissuade him? Besides, that movie flippin rocks! The point is, my kid can enjoy whatever he wants, and if that involves Star Wars, fantastic! But if it doesn’t involve Star Wars I really couldn’t care less. No matter what interests him or captures his attention, he will have my unwavering love and support. 

Then again, I just realized that if he does fall in love with the galaxy far, far away then my perfectly organized LEGO Star Wars collection is in serious danger. Ummmm I think I’m gonna go play the Pitch Perfect soundtrack for him right now… 😉

Going Solo: Contispex I

Contispex I is a character who, although minor in the scope of Star Wars lore, has a story that I find intensely fascinating. Mentioned for the first time in a solitary paragraph in Daniel Wallace’s The New Essential Chronology (2005), with his story being expanded in subsequent reference books, Contispex I was a human and an ancient Supreme Chancellor of the Galactic Republic who, along with his descendants, launched numerous crusades against alien species and their human allies. An adherent of the zealous and extremist Pius Dea religion – a faith which, according to The Essential Guide to Warfare (2012), taught followers that  “…fallen communities should be restored to purity by purging their unredeemable elements…” (27)  – Contispex took the reigns of the Republic in the year 11,987 BBY and set about reforming the corruption of the Senate and government by placing Pius Dea faithful in positions of power.

What was, at first, a small religion dedicated to the worship of a Goddess and confined to the shadows of Coruscant where it began, Pius Dea quickly exploded into galactic prominence thanks to Contispex. Referred to as the Pius Dea Era  (ca. 12,000 – 11,000 BBY) in the Star Wars Expanded Universe, the millennia of Pius Dea rule which Contispex I instituted would see galactic purges, imprisonments, forced conversions, inquisitions and executions justified under the rallying cry that “The Goddess Wills It!” But it is the 30+ crusades of Contispex I and his successors which truly stand out, crusades that were launched to rid the galaxy of the scourge of alien civilizations. In 11,965 BBY the first crusade was directed by Contispex, a “pre-emptive strike against the Hutts beyond the Rim” according to The Essential Guide to Warfare (27). Subsequent crusades would be directed against other alien species: the Bothans, Lanniks, Zabraks, Herglics, and more.

Notably, during the Pius Dea Era the Jedi Order abdicated its responsibilities as peacekeepers and protectors, instead choosing to renounce its affiliation with the Republic. While individual members of the Order chose to challenge Pius Dea rule, as a whole the Order was “unwilling to take up arms against the civilization they had safeguarded” (27). This would change after almost 1,000 years had passed when the Jedi Order allied itself with oppressed species to overthrow Contispex XIX, arresting him and installing Jedi Grand Master Biel Ductavis in the Chancellorship (27).

While Contispex I truly is a minor character in the grand scope of Expanded Universe lore, as is the era of Pius Dea rule, I never-the-less find him intensely fascinating precisely because his story opens a vast window to the imagination. As someone who studied religion/theology in college and graduate school, the idea that the Old Republic succumbed to zealous theocratic rule in the name of “The Goddess” for nearly a millennia intrigues me and leaves me wanting to know more. Of course, at this point I have soaked up everything I can about Contispex I and the Pius Dea religion, having mined the tomes of Star Wars reference books for every morsel of information.

In fact, it was one very small morsel in a Star Wars reference book which led me to write this piece, a reference to Contispex I in Solo: A Star Wars Story – The Official Guide. Contained within The Official Guide to Han Solo’s standalone film is a page that is dedicated to the vast collection of rare treasures which Dryden Vos, leader of the Crimson Dawn crime syndicate, displays in the study aboard his star yacht. And, as The Official Guide notes, among this impressive collection of artifacts are “…arks that hold the ashes of Chancellor Contispex I…”

Contispex I
Image Credit:
Solo: A Star Wars Story – The Official Guide

As I said, a very small morsel indeed, but one that immediately caught my attention given my interest in Contispex I. On the one hand, what makes this nod to Contispex I important is that it re-affirms his place in the Star Wars canon. A minor character in the Expanded Universe, Contispex I is now, also, a minor character in Disney’s Alternate Universe. On the other hand, this is hardly surprising. While I was NOT expecting a reference to Contispex I in The Official Guide to Solo, that author Pablo Hidalgo – a member of the Lucasfilm Story Group – found a way to incorporate Contispex I into the book makes perfect sense. With Vos’ study populated by rare and ancient artifacts, Hidalgo could easily mine the ancient history of Star Wars confined within the Expanded Universe and provide readily available information about the artifacts without entirely having to re-create ancient Star Wars lore.

In fact, Hidalgo not only identifies the ashes of Contispex I in The Official Guide but he also attaches other elements of Expanded Universe lore to items in Dryden Vos’ study. A “crystal masthead” is identified as that of Xim the Despot while a dataplaque is noted as containing the location of the Xim’s long-lost treasure ship, the Queen of Ranroon. For those of you who are unfamiliar with Xim the Despot, he was first mentioned in the novel Han Solo and the Lost Legacy while the Queen of Ranroon received it’s first mention in Han Solo’s Revenge. As well, a carver set is noted to be that of Noghri origin, the species first appearing in Timothy Zahn’s popular novel Heir to the Empire, while a set of wraith boxes come from the long-extinct Rakata, a technologically superior civilization which was originally created for the Knights of the Old Republic video game.

While I highly doubt that Contispex I, the Pius Dea era, or other elements of the Expanded Universe which have crept into the Disney Canon will be teased out in greater detail, I am never-the-less pleased by the fact that these legendary aspects of Star Wars continue to have relevance. More importantly, these elements bring with them pre-crafted stories which need-not be reconstructed. Rather, they unify the Expanded Universe and Disney’s Alternate Universe in small, subtle ways. Contispex I may only ever have this one, small reference in The Official Guide to Solo: A Star Wars Story, but that reference is packed with the already rich story about Contispex and the tumultuous era of Pius Dea rule. As far as I am concerned, unless Contispex I receives a brand new tale which changes his narrative – a highly unlikely prospect – I will move forward with my enjoyment of Star Wars knowing that he, and the Expanded Universe I love, continue to add depth and meaning to the galaxy far, far away.

The Mighty Chewbacca in the Forest of Fear! (An Imperial Talker Review)

Absolutely delightful. That is the easiest way I can describe my feelings about author Tom Angleberger’s junior novel The Mighty Chewbacca in the Forest of Fear! From start to finish, I could not help but enjoy myself as I read about Chewbacca’s mission to the planet Ushruu. Accompanied by a young woman named Mayv, the rebel droid K-2SO (masquerading as a cargo droid), and a cadre of adorable tooka cats, Chewbacca and his companions set out on a perilous adventure to retrieve a Dark Side artifact from the depths of Ushruu’s terrifying forest.

At first believing his job is to deliver the mischievous tooka cats to one of Coruscant’s moons, Chewbacca quickly discovers that he has been set up by Alinka Aloo, the daughter of Sim Aloo, a high ranking Imperial official – an official who hopes to gift the artifact in question to the Emperor. With his friend Han Solo held captive by Alinka, our favorite Wookiee must face the deadly forest on Ushruu and find the artifact in order to save Han’s life. But he is not the only one who has been forced into this mission. Young Mayvlin Trillick must also confront the danger’s lurking on Ushruu so that, upon her return, Alinka will return to her a book containing the cultural history of the planet Oktaro, May’s home world. Quickly becoming friends, Chewbacca and Mayv find ways to work together – along with the help of K-2 and one very friendly tooka named “Goldie” – so that they will achieve success.

While I dare not spoil the book, and will keep some of the major moments for you to discover if you choose to read it, I will note that I particularly enjoyed the way the book is narrated. It is rare, in Star Wars books, to find a narrator who speaks so directly, and at times informally, to the audience. In a book with an older target audience this narrative style would probably be hard to stomach. But in The Mighty Chewbacca in the Forest of Fear! the playful narration helps create a more vivid and humorous story, a story which young Star Wars fans will undoubtedly enjoy thanks to this more casual narrative style.

Offering a number of asides and tangential statements throughout the novel, the narrator clarifies aspects of Star Wars lore, ensuring they and the reader are literally on the same page. Likewise, the narrator swings back-and-forth between telling the story and offering their own thoughts about situations and moments. For example, the entirety of Chapter 5 is an aside in which the narrator lets the reader in on a secret they just HAVE to get off their chest right then (lest we find out later and are upset). More often though, the narrator injects him/herself into the story with a line or two here and there, offering a little quip or thought about something in the moment.

This is especially the case whenever Chewbacca speaks since the narrator must provide the reader with some insight into what Chewie is saying. Given that none of us know what Chewbacca is saying anyway when we watch Star Wars, the narrator does their best to ensure we have some basic understanding of what Chewbacca is talking about. The thing is, the narrator doesn’t offer a word-for-word translation. Instead s/he primarily offers the basics, a general sense of what Chewie is getting at and even presumes a handful of times that no translation is required. 

Actually, there are quite a few times throughout the novel when the narrator just skips any translation at all, especially when Mayv, who begins to “understand” Chewie as the book progresses, is speaking with the Wookiee. That the narrator chooses not to translate every garbled statement Chewbacca makes in his native Shyriiwook is important. Just as Mayv begins to “understand” the basics of Chewbacca’s thoughts, we start doing the same (well, I did at least). While the reader cannot hear the inflection in the Wookiee’s voice, nor perfectly translate the difficult Shyriiwook language, like Mayv we are – thanks to context – capable of gleaning what Chewbacca is trying to get across. Plus, it helps that we can understand Mayv when she is talking to Chewie.

Speaking of Mayv, she is another big reason I found this novel so delightful. Resourceful, capable and funny, Mayvillin Trillick provides young readers with a role-model choosing to put herself in harm’s way as she seeks to return the Mola Oktaro – the aforementioned book containing the cultural history of her planet – to her people. Forced to make the deadly journey to Ushruu by Alinka Aloo (who is in possession of the Mola Oktaro), young Trillick quickly befriends the Mighty Chewbacca early in the journey, the two sharing in the pain of losing their worlds to the Imperial war machine. Further, Mayv’s pursuit of the Mola Oktaro is amplified by a curious cultural habit she engages in: painting symbols on her forehead which have different meanings. In one instance, for example, as Mayv and company are about to climb higher into the trees on Ushruu, Mayv paints the symbol for “gracefulness” on her forehead figuring that “it couldn’t hurt when I’m this far off the ground!” In response, the narrator offers younger readers an important lesson: “Whether this symbol – or any of them – worked, I can’t say. But Mayv believed, and maybe that was all that mattered.” Then again, that is a pretty good lesson for adults, too. 

Truthfully, I would really like it if Mayv Trillick was to pop-up again in another Star Wars story. While I won’t be holding my breath, knowing that the likelihood of her re-emergence is small, I’ll never-the-less be holding out hope because she really is a fascinating character. Besides, given her fearless determination and dislike of the Empire, Mayv would make a great Rebel were she to join the Alliance. Who knows, maybe Chewbacca will recruit her into the cause at some point. Fingers crossed.

Finally, I will acknowledge that I was slightly skeptical about K-2SO being in the book, primarily because I thought the irreverent droid from Rogue One would be out of place. I was wrong. Dead wrong. Without K-2SO this book would have been wonderful. With K-2SO, it is absolutely fantastic. Angleberger brilliantly captures the voice of K-2SO, the droids sarcasm and dry-humor bleeding off the page whenever he speaks (especially in those moments when he forgets that he is pretending to be a cargo droid). And why is K-2 present you might ask? Well, he is on a mission for the Rebellion of course! But if you want to know more about that – and if you want to discover who makes a special, surprise appearance late in the story – you’ll just have to pick up The Mighty Chewbacca in the Forest of Fear! Trust me, you won’t be sorry. In fact, I guarantee you will be delighted. 

Ahsoka Tano Sexy

If you are thinking to yourself “Wow, that is a really provocative and uncomfortably disturbing title for a Star Wars post” you would not be wrong. I have lured you into this post with this title so I can address how completely and utterly messed up it is that people do google searches for “Ahsoka Tano Sexy.” You see, every now and again WordPress will inform me of the specific search terms that were used to find The Imperial Talker. More often than not, those search terms are pretty banal and run-of-the-mill. People have found my site by googling “Padme funeral,” “Dooku’s face when he dies,” “Yularen,” and “did Luke use the Dark Side in Return of the Jedi.” But every now and again, someone will stumble upon The Imperial Talker by searching for “Ahsoka Tano Sexy” or some other combination of Ahsoka Tano and Sex. Since my site was recently frequented by another individual seeking gratification looking for “Ahsoka Tano Sexy” on the internet, I figured I should just go ahead and commandeer the search term by turning it into a title.

That some people find my site by searching for sexy images (or even stories) of Ahsoka Tano is grossly unfortunate, although entirely unsurprising. Since her introduction in The Clone Wars movie/series, there has been a trend on corners of the internet to sexually objectify Ahsoka. While the sexualization of characters in Star Wars is hardly shocking , what sets Ahsoka apart is that she is not an adult in The Clone Wars, she is still child.

ahsokaintro2
Ahsoka meets Anakin and Obi-Wan for the first time.
Photo Credit – Star Wars: The Clone Wars

A while back, I wrote a piece titled Ahsoka Tano, Child Soldier which considered the stark reality that when she is sent to the front lines of the Clone War, Ahsoka is only fourteen years old. While it is easy to view Ahsoka as older and more mature than her age, given some of the deadly situations and difficult decisions she is forced to make, the fact remains that throughout the entire animated series Ahsoka is a post-pubescent childhood who has not yet arrived at adulthood. As such, her participation in warfare is problematic in and of itself, an ethical dilemma that should have given the Jedi Order pause. Likewise, that she is a child, and is overtly objectified by pockets of Star Wars fans, is also incredibly problematic.

In many respects, the way Clone Wars era Ahsoka has been sexualized in images could easily be summed up as a Star Wars version of “jailbait.” For those of you unfamiliar with the term, or lacking a coherent definition, jailbait can be defined quite easily as the sexualized images of minors, specifically tweens and teens. Conducting a basic, safe google search of “Ahsoka Tano Sexy” will result in countless images of Ahsoka as jailbait – scantly clad, presented in seductive poses, and more. Turn off the safe search and things become even more uncomfortable.

That a subset of Star Wars fans either do not see, or willfully ignore, the inherent problem of sexualizing Ahsoka is dismaying. More importantly, it is inexcusable. There is simply no justification for a girl, a child – even a fictional one – to be treated by adults as an object of sexual desire. The American Psychological Association would agree.

In a 2007 report, the APA Task Force on the Sexualization of Girls explored the variety of ways girls are sexualized within our society, likewise examining the myriad of consequences this hyper sexualization reaps on the burgeoning minds of girls. According to the Task Force,

Sexualization occurs when

  • a person’s value comes only from his or her sexual appeal or behavior, to the exclusion of other characteristics;
  • a person is held to a standard that equates physical attractiveness (narrowly defined) with being sexy;
  • a person is sexually objectified — that is, made into a thing for others’ sexual use, rather than seen as a person with the capacity for independent action and decision making; and/or
  • sexuality is inappropriately imposed upon a person.

All four conditions need not be present; any one is an indication of sexualization. The fourth condition (the inappropriate imposition of sexuality) is especially relevant to children. Anyone (girls, boys, men, women) can be sexualized. But when children are imbued with adult sexuality, it is often imposed upon them rather than chosen by them.¹

The way “sexualization” is defined by the APA Task Force is important to this conversation as a whole, but what is critically relevant is the very last sentence: “…when children are imbued with adult sexuality, it is often imposed upon them rather than chosen by them.” This is precisely what has happened to Ahsoka Tano. There is never an instance of Ahsoka being imbued with “adult sexuality” in The Clone Wars. No, in the movie/series, Ahsoka Tano is a self-assured and headstrong young girl, a Jedi padawan who is immature but never-the-less eager to learn, to act, and to adapt to the difficult situations she finds herself in.

ahsoka vs death watch
Surrounded by members of the Death Watch, Ahsoka dispatches them with ease.
Photo Credit – The Clone Wars Season 4, Episode 14: “A Friend in Need”

Moreover, and more importantly, from her first appearance in The Clone Wars movie and onward, Ahsoka consistently demands the recognition of the adults she interacts with: Anakin Skywalker (her Jedi Master), Obi-Wan Kenobi, Clone Captain Rex, Admiral Yularen, and others. She does so not by selling her looks, by being “pretty” or “sexy” but through her persistence, showing time and time again that she has the talents to succeed and a willingness to grow from her mistakes. Plus, it doesn’t hurt that Ahsoka has no qualms speaking her mind and offering an unfiltered opinion, a characteristic which earns her the nickname “Snips,” a nickname which is simultaneously fun and which reminds us of her unrelenting pursuit for respect.

That Ahsoka is a child and is sexualized is disgusting. What is even more pathetic and gross is that this sexualization intentionally strips her of the qualities which make her who she is. Rather than experiencing her, and in turn depicting her, as a strong and confident young girl who serves as a role model for children and adults alike – within the Star Wars universe and among fans – she is instead utterly disrespected by individuals looking to satisfy their perverted sexual fantasies.

Thankfully, among the vast majority of Star Wars fans, Ahsoka Tano is given the respect she deserves. I take solace in this fact, reminding myself each time someone finds this site by searching for “Ahsoka Tano Sexy” that there are far more fans who seek out Ahsoka for who she is – a remarkable girl and extraordinary woman. 


References:

¹American Psychological Association, Task Force on the Sexualization of Girls. (2007). Report of the APA Task Force on the Sexualization of Girls. Retrieved from http://www.apa.org/pi/women/programs/girls/report-full.pdf

Talkerverse: Snoke Goes Solo

In my previous post – Going Solo: Darth Maul – I considered Darth Maul’s (very) brief cameo in Solo: A Star Wars Story. I don’t want to spend a lot of time recapping that post, but I will note that in it I mentioned that his cameo, while certainly intriguing, left open the possibility of confusion for fans who had no idea he had cheated death in The Phantom Menace. I mentioned how in the lead up to his reveal in Solo, I really thought the mysterious figure behind the scenes of the Crimson Dawn criminal organization was going to be Snoke, the Supreme Leader of the First Order. While I was surprised by Maul’s cameo in the film, and otherwise enjoyed it, I cannot help but imagine the possibilities that might have been if Snoke had appeared instead of Maul.

Allow me to paint you a picture with my imagination brush…

Following the death of Dryden Vos, his lieutenant Qi’ra — who is also Han Solo’s friend/romantic interest —  contacts the mysterious figure coordinating the activities of Vos’ Crimson Dawn crime syndicate. Shrouded by a hood, the figure inquires why it is Qi’ra, and not Dryden Vos, contacting him. In reply, Qi’ra responds…

“Dryden Vos is dead.”

“Vos was a fool and deserving of death. Tell me Qi’ra, what of the coaxium?”

“Stolen from Vos by Tobias Beckett.”

“An unwelcome setback.”

Momentarily pausing, the mysterious figure continues…

“I sense conflict within you, young one. There is more to your story.”

“Beckett had an accomplice…someone I knew from my youth.”

“Is that so? And who was this accomplice?”

“A man by the name of Han Solo.”

Removing his hood, the figure in the hologram now reveals himself to be Snoke. Leaning forward, Snoke responds by repeating the name: “Han. Solo.”

“He means nothing to me,” Qi’ra quickly responds. “He is a remnant of my past.”

Snoke’s eyes linger on the woman, pausing to consider her words before he speaks…

“When I found you I saw raw, untamed power, a connection to the Force unlike any I have felt before. I pulled you from the gutters of Corellia, saving your from the life of a scumrat. And yet, my care is rewarded by the naïve feelings of child.”

“The fault is mine, Master. I beg your forgiveness.”

Sitting back in his chair, Snoke replies: “Indeed, the fault is yours. Return to me and I will break the chains of your…feelings…for Han Solo. “

Before delving into the “why” of the conversation I crafted between Qi’ra and Snoke, allow me to point out an obvious thought residing on the surface of my mind. I believe that Snoke should have been the mysterious figure in Solo: A Star Wars Story precisely because he was given no backstory in either The Force Awakens or The Last Jedi. While the need to know every detail of Snoke’s pre-Sequel Trilogy life is not entirely necessary, the desire to know more about Snoke is hard to ignore. That desire is precisely why, following The Force Awakens, individuals started creating theories about Supreme Leader Snoke, attepting to piece together who he might be. Unfortunately, this fun-filled theorizing was met with childish mockery from a the self-proclaimed “elites” of the Star Wars fandom when they chose to insult fan theories with the phrase “Your Snoke Theory Sucks” (I counter this petty derision in my post Your Snoke Theory Doesn’t Suck). But I digress…my base desire, wishing Snoke had appeared in Solo rather than Darth Maul, is a desire to have been given just a small glimpse into Snoke’s backstory, a tiny morsel that fans could run with in their theories.

On this point, Snoke’s presence could have created a connection between Solo: A Star Wars Story and the Sequel Trilogy which “film-only” fans could have more fully understood. As I noted in Going Solo: Darth Maul, the possibility exists (and is true in the case of my neighbors) that fans who only watch the Star Wars films would have a difficult time understanding how Darth Maul is alive since he so obviously died in The Phantom Menace. Instead of this unnecessary confusion, Snoke would have created an enticing connection between Solo and the Sequels Trilogy. Solo: A Star Wars Story could have been even more important, more relevant and necessary, with a brief cameo by the future Supreme Leader of the First Order, a cameo that would have created a connection through presence alone.

But this connection would have been blown wide open with Snoke’s conversation with Qi’ra, especially if the conversation echoed Snoke’s conversations with Kylo Ren. You will notice that in the dialogue I crafted Qi’ra mentions that “Han Solo” meaning nothing to her, an intentional parallel to Kylo Ren telling Snoke that Han Solo, his father, “means nothing to me.” In turn, the same form of parallelism exists in Snoke’s comment that when he found her, he saw raw, untamed power within Qi’ra, a similar statement he makes to Kylo Ren in The Last Jedi. Likewise, he insults Qi’ra, calling her a child, just as he insults Kylo Ren as “a child in a mask.”

Emilia Clarke is Qi’ra in SOLO: A STAR WARS STORY.
Han Solo’s childhood friend/lover: Qi’ra.

Photo Credit – Solo: A Star Wars Story

On one hand, these small dialogical parallels serve to solidify the way(s) in which Snoke manipulates individuals under his guidance, doing so by breaking them down and ensuring they understand that he is in control. But on the other hand, these parallels also, intentionally, link Qi’ra and Kylo Ren as Force-sensitive proteges of Snoke. In this regard, Snoke’s cameo would not have been the only surprise, but it would have included the added shock that Qi’ra can use the Force. In turn, as an added way of tying her to Kylo Ren, Qi’ra could have gone on to become the very first Knight of Ren, the Master of the Knights of Ren. And, in taking the mantle of title of Master for himself, Kylo Ren could have ripped it away from her when he killed her years later. Oh, the possibilities…

But there is one other angle worth considering in regards to Snoke and his imagined cameo in Solo: A Star Wars Story, and that is the fact that Han Solo’s life would play out with Snoke as a presence in the background. Through the manipulation of Snoke, Ben Solo became Kylo Ren and committed an act of patricide, killing Han Solo and freeing himself, albeit only in part, of his familial burden. Snoke’s relationship with Qi’ra could have served a similar fashion, functioning as a catalyst for events in Han’s life which would ultimately end with the smuggler’s death. Consider:

Han and Qi’ra were friends and lovers on Corellia. Han escaped Corellia but Qi’ra did not. Snoke found Qi’ra, freed her from the planet, trained her, and she became the first Knight of Ren. Years later, Ben Solo would become a protégé of Snoke, ripping the title of “Master” away from Qi’ra by killing her and completing his conversion to the Dark Side as Kylo Ren. In turn, as Kylo Ren, the former Ben Solo would end his father’s life on Starkiller Base.

From beginning to end, Han Solo’s fate, his story in Star Wars, would have been pre-determined and framed by the menacing actions of Supreme Leader Snoke.


The “Talkerverse” is my imagined Star Wars canon where I explore different angles on the galaxy far, far away by altering aspects of the Star Wars canon to fit my own wants and desires. Check out these other “Talkerverse” posts to delve even deeper into my Star Wars mind:

Talkerverse: Vader Kills Maul

Going Solo: Darth Maul

Before writing my previous post – Talkerverse: Vader Kills Maul – my intention had been to write this post. Wanting to discuss (spoiler!) Darth Maul’s incredibly brief cameo in Solo: A Star Wars Story, I sat down to write but my brain had other intentions. Acquiescing to my train of thought, I ran with my imagination and wrote about how I think Vader should have killed Darth Maul in Revenge of the Sith. You can go read all about that (click HERE) but for now let’s chat about that surprising Solo cameo…

Soooooo, yeah, Darth Maul makes an appearance in Solo: A Star Wars Story. How about that? I dunno about you, but I DID NOT see that coming. As I watched the film, and it started to become clear that the film’s antagonist, Dryden Vos, was working on behalf of some shadowy figure, I was thinking it would end up being Snoke. Even up to the moment of Maul’s reveal, when he is contacted by Han Solo’s childhood friend Qi’ra, I believed we would be met by the face of the one-day First Order Supreme Leader. Never-the-less, seeing Darth Maul – and actor Ray Park reprising the character he brought to life in The Phantom Menace – definitely caught me off-guard.

As a die-hard Star Wars fan who has kept up with Star Wars stories across all mediums, it made complete sense that Darth Maul was the shadowy figure who instilled fear in the criminal Dryden Vos. After all, The Clone Wars animated show resurrected Maul from his bifurcated death and elevated him to the status of underworld crime lord. In The Clone Wars, as many of you may know (but some may not), Darth Maul unified a coalition of terrorists and criminal organizations under his authority, in turn using his nefarious organization to take control of the planet Mandalore. Maul’s actions – with the assistance of his brother Savage Oppress – launched him into galactic relevance, making it necessary for the Jedi, and his former Sith Master (Darth Sidious), to take him seriously as a threat. Following The Clone Wars, the four-part Son of Dathomir comic continued his Clone Wars era story-arc, while E.K. Johnston’s Ahsoka novel showed that Maul’s grip on the planet Mandalore was strong even at the wars end. As well, Maul once again re-emerged in Star Wars Rebels, a menace to the Lothal rebels with his life finally coming to end on Tatooine when he confronts, and is killed by, Obi-Wan Kenobi.

maul
A very broken Darth Maul in The Clone Wars. I discuss how he survived his death in my post Cheating Death: The Dark.

Photo Credit – Star Wars: The Clone Wars Season 4 Episode 21, “Brothers”

While I was surprised to actually see Maul onscreen, I was otherwise unsurprised he was the “phantom menace” directing the actions of Dryden Vos. Having kept up-to-date with Maul’s story-arc, and knowing his criminal dealings, it really made complete sense. That being said, following my first viewing of Solo, I could not help but ask myself: for someone who is more of a casual Star Wars fan, who is only interested in the movies, were they surprised, or perhaps even confused, to see Maul? After all, for those individuals, their experience of Darth Maul would have begun and ended with his introduction and death in The Phantom Menace.

Luckily, I was able to ask two of those “movie-only” Star Wars fans, my neighbors, when I got home from my first viewing of Solo. As I stood outside chatting with them, I asked for their thoughts and they acknowledged that they left the movie theater feeling confused by Maul’s appearance. As I explained that the Sith Lord was resurrected in The Clone Wars, and noted that his story has continued beyond that, one of my neighbors (Sara) said something which caught me off-guard: that she is less likely to watch Star Wars movies in the future if the story is just going to be changed in tv shows, books, and comics. 

While her feelings are specific to her experience, I could certainly, sympathize and understand what she was saying. While I really like Darth Maul’s post-resurrection storyline (…with the exception of his demise in Star Wars Rebels…) I can also admit that I was incredibly annoyed by his resurrection in The Clone Wars. Even though Darth Maul is only in a small amount of The Phantom Menace he was never-the-less an exceedingly important part of the story. We knew, in the film, that Maul was serving Darth Sidious, executing the machinations of his Master. While Sidious had to stay behind the scenes – he is “the phantom menace” – Darth Maul revealed himself to the Jedi as a threat they were clearly unprepared to face. And, when he is sliced-in-half by a young Obi-Wan Kenobi – making it pretty damn obvious that Maul was killed – the Jedi are left to wonder: which Sith Lord died, the Master or the Apprentice?

Maul's Death in TPM
The face of a Sith Lord who was just bisected. It’s reasonable to think he just died.

Photo Credit – Star Wars Episode I: The Phantom Menace

As it turns out, neither died.

While I have since grown to appreciate Darth Maul’s post-resurrection arc, and definitely understand his cameo in Solo: A Star Wars Story – knowing as I do all the nuances and baggage that goes with it – I can also understand and appreciate why my neighbor felt confused and unhappy. For her, and certainly for many others, the Star Wars films represent the pinnacle of Star Wars. For them, the movies, and only the movies, are what matter. Period. Full stop. They are uninterested in TV shows, comic books, novels, video games, precisely because Star Wars is a series of films. And, as a result, suddenly seeing a character you thought was dead – without any explanation what-so-ever regarding how he survived being cut in half – is undoubtedly annoying and off-putting. Which leads me to this:

I really believe that cameo should have been Snoke, not Darth Maul. The connections that could have been made between Solo and the Sequel Trilogy with a small cameo by Snoke would have been incredibly profound and forward-thinking, while simultaneously ensuring that movie-only fans like my neighbors were not left scratching their heads. But I will hold off on offering my “Snokey” thoughts in any greater detail for now, and you can just wait for my future post on the topic – Talkerverse: Snoke Goes Solo

Leave a comment and tell me what you think about Darth Maul, his story-arc, and his cameo in Solo: A Star Wars Story. AND, be sure to check out all of my other Darth Maul posts (just put his name into the search bar). 

Talkerverse: Vader Kills Maul

I have always held the opinion that Darth Maul should have survived his confrontation with Obi-Wan in The Phantom Menace, and that his story-arc should have reached its finale in Episode III. Disregarding entirely that Darth Maul DOES survive, that he was resurrected from the dead in The Clone Wars animated series and has since made appearances in a number of post-Prequel stories, my belief that Maul should have been a menacing presence in every Prequel film is built upon a rather simple premise. In short, Anakin/Darth Vader should have been the one to kill Darth Maul.

Allow me to paint you a picture with my imagination brush. Darth Maul is still alive and in Revenge of the Sith, and takes full-command of the Separatist cause after the death of Count Dooku and General Grievous. Safeguarding the leaders of the Confederacy on Mustafar, a small Jedi fighter arrives on the volcanic world and Maul goes out to meet this foe. The Sith Lord instantly recognizes the individual: it is the Jedi Knight Anakin Skywalker. We know the truth – Anakin Skywalker is no more, the man before Maul is the newly minted Sith named Vader and he has been ordered by Darth Sidious, his new Master, to kill the Separatist leaders as well as Maul. It is a test for Vader: kill your rival and take his place, or perish. Vader is up for the challenge.

Darth Maul leaps into action, his double-bladed saber viciously slashing and hacking at Vader. Deflecting the violent blows with his blue lightsaber, Vader is at first caught off-guard by the rage-filled attack. Gathering himself, anger swelling within him, the new Sith Lord goes on the offensive. Now Darth Maul staggers backwards. He has fought and killed Jedi before – Padawans, Knights, and Masters – but Maul has grown complacent throughout the Clone War. He has been such a menacing presence to Jedi that he has left his flank unguarded against a Dark Side for. Darth Sidious knew this, could see that Darth Maul was in need of a true challenger. If he survives this fight, if he kills Vader, then Maul will be a newly sharpened weapon which Sidious can use.

The battle of blades comes to a momentary pause, Maul and Vader alike unable to land a killing stroke. Starring each other down, it is Maul who  speaks first:

“I sense the darkness within you, Jedi. Tell me, has my Master chosen you to test me?”

“I am no Jedi…” Vader responds with scorn “…and he is my Master now.”

Amused and laughing, Maul replies with obvious derision: “You are naïve, young Jedi, if you believe you will replace me.”

Turning his back to Vader, Maul pauses to looks out at the hellish landscape before he speaks again. 

“Do you remember what I did to your first Master? To that fool Qui-Gon Jinn?”

Anger obviously swelling within Vader, rage contorting his face, Maul confidently continues his mocking tone:

“I should have slaughtered him sooner…on Tatooine. I should have slaughtered him…and his Padawan…and you, Ani. And then…”

Reigniting his blue blade, the rage within Vader ready to spill out, Maul speaks one last time:

“….and then I should have slaughtered Amidala.”

Both hands on the hilt of his saber, Vader launches into a vicious assault and Maul greets it head-on. The clash is unlike the choreographed acrobatics of their fight from moments before. There is no twisting of bodies or twirling of sabers. Now, their battle is purely driven by a desire to destroy the other, their blades being used not as elegant weapons but as bludgeons. Hacking and chopping, deflecting and countering, the two raged-infested Sith give no ground, take no footsteps backward. They are locked in a stalemate, unwilling to give an inch, frozen in a battle of wills against the backdrop of a volcanic, smoked-filled landscape.

Frozen, that is, until Vader finally lands a blow, slicing downward across Maul’s face and chest. Staggering backwards, scars glowing from the heat of Vader’s saber, the demonic-looking Zabrak attemps to recover but Vader moves in. Sidestepping and moving past Maul’s desperate strike, Vader reverses the direction of his saber and drives it upwards into Maul’s back, the tip coming out of the Dark Lord’s chest. Lingering for a moment, Vader yanks the blade from his foe, allowing Maul – agony and the recognition of death on his face – to sink to his knees. Turning as his blade is extinguished, Vader kneels behind Darth Maul, leans in, and softly speaks:

“You have been replaced.”

Rising, Darth Vader walks around the dying Sith Lord and, we can assume, towards the facility beyond, on his way to kill the Separatist leaders within. But the camera lingers on Maul – the landscape of Mustafar behind him – and we watch as the Sith Lord slumps forward and dies.

Killing the Devil, Replacing the Devil

There is obvious religious symbolism in Star Wars and perhaps one of the most obvious forms of symbolism is in the form of Mustafar. Essentially, Mustafar is meant to symbolize Hell. When Vader travels to the volcanic world in Revenge of the Sith, he is descending to Hell, a descent which visually captures his internal descent into darkness. While his conversion to the Sith Order took place in the ecumenopolis of Coruscant, he is baptized in this Mustafarian Hell, transformed by eternal fire and subsequently reborn in his iconic suit of armor. And yet, I have always felt one element was missing on Mustafar: the Devil.

Lava on Mustafar
Mustafar = Hell
Photo Credit – Star Wars Episode III: Revenge of the Sith

There is obvious religious symbolism in Star Wars and perhaps one of the OTHER obvious forms of symbolism is Darth Maul. Darth Maul looks the way he does – horned head, red and black face, intense yellow-eyes, black robe – because he is a visual representation of evil. He looks like the Devil because he IS the Devil. And, as such, I have always believed Vader should have descended into Hell with the distinct intention of killing the Devil. While his massacre of the Separatist leaders is violent and shows that he is continuing down his dark path, the added layer of Vader killing the Devil in the Devil’s own lair would have added incredible weight to Anakin Skywalker’s descent into Darkness. 

But this added weight is not solely based on Vader’s killing a character serving as an archetype and personification of evil. Killing the Devil is certainly profound in and of itself but Vader would have also been replacing the Devil, becoming the new archetype and personification of evil. It would not have been out of goodness of heart, or a willingness to safeguard the galaxy, that he traveled into Hell to vanquish the Devil. No, he would have killed the Devil precisely because he wanted to become the Devil. Only by descending into the darkness could he make his ascension, earning his title, position, and power as Dark Lord (of the Sith) by violently ripping it away from his adversary.

That is, after all, the nature of the Sith and the Dark Side of the Force.

Epilogue

Darth Sidious steps out of the shuttle, surveying the Mustafarian landscape. He can sense Darth Vader, feel the pain and agony bleeding off of the badly injured Sith. As he moves down towards the end of the large landing platform, he passes the Jedi Starfighter which Vader had taken tot he world, and the body of Maul comes into view beyond it. Sidious walks up to the body, pauses, and looks down. Reaching out with his right hand, he uses the Force to call the double-bladed saber to him. Now in his hand, he crushes it, the broken pieces falling onto the broken body of Maul. Opening his hand and a red crystal sits on his palm. Laughing to himself, Sidious closes his fist and moves on to find his new Apprentice. 

Later, after Darth Vader has recovered, and is entombed in his suit, Sidious will hand him the crystal and give him a single order: “Construct a new lightsaber.”