Love for the Lucrehulk

I have said it once and I will say it again: my love of Star Wars – especially my love of specific elements within Star Wars – is based in large part on my experiences with the franchise as a kid. That very obvious and totally unnecessary first sentence out of the way, I’m just gonna get straight to the point:

I absolutely love the Lucrehulk-class Battleship.

Growing up, I always had a deep fascination for capital ships in Star Wars, with the Star Destroyer taking the obvious top spot in my list of favorites. While the iconic backbone of the Imperial fleet gets the gold medal from me, other capital ships have never-the-less stolen my heart. And that is precisely the case with the Lucrehulk.

Introduced in The Phantom Menace, the Lucrehulk-class Battleship is the backbone of the Trade Federation fleet. As a 14-year-old Star Wars fan watching Episode I in 1999, seeing the Lucrehulk blew my mind to pieces. Blockading the planet Naboo, the fleet of Federation battleships instantly captivated me and my imagination. Up to that point, at least on the big screen, we had only ever seen two types of Star Wars fleets: the Imperial Fleet and the Rebel Fleet. But this changed in the opening scene of The Phantom Menance with the introduction of the Trade Federation and their own capital ships. Now, a third fleet of ships existed, a fleet that could hold a world hostage over something as trivial as “taxation of trade routes.”

Ever since that first viewing of The Phantom Menace, ever since I encountered the Lucrehulk in the opening of the film, these battleships have held a special place in my Star Wars heart. Aesthetically these vessels were unique, neither having the angular form of the Star Destroyers or the obvious length of ships like Home One (the Rebel Flagship) or the Nebulon-B Frigate (the Medical frigate). Instead, the battleship is massive while also being compact, its circular outer body used for cargo, broken at the front, surrounding a bulbous core. Looking so fundamentally different from other Star Wars capital ships, the Lucrehulk, it’s curious but intriguing design, invaded my mind like the Federation invading Naboo, taking over without any resistance.

On a rational level, there is no reason the Lucrehulk should captivate me in the way it does. There are other ships that one could argue deserve more attention, and perhaps they are right. But then again, I’m not arguing from a place of rationality. My love for the Lucrehulk is entirely nostalgic, going back (at this point) 19 years to a formative moment in my youth. This is precisely why, while I DO have rational reasons for some aspects of Star Wars I love, and those that I don’t, I would never impose my rationality on the formative nostalgia of others. Someone very well might hate the Lucrehulk. They might hate the design, hate the Trade Federation, even hate The Phantom Menace. I won’t argue with them because I flipping love the Lucrehulk and that is all that matters to me.

And so, to articulate in some other way just how profound my feelings are when it comes to this vessel, consider this: I have watched and rewatched The Clone Wars episode “Storm over Ryloth” an absurd number of times because a Lucrehulk is the center piece of the Confederate blockade of Ryloth in that episode. This isn’t to say the battleship is the only reason I enjoy this episode of The Clone Wars animated show, but I constantly drawn back to “Storm over Ryloth,” at least in part, by the imposing circular giant in orbit over the Twi’lek home world. Besides, it looks really REALLY cool when Anakin crashes his Jedi Cruiser into the battleship.

Battle of Ryloth
A burning Jedi Cruiser (foreground) speeds towards the flagship of the Confederate blockade over Ryloth, a Lucrehulk-class Battleship (distant).

Photo Credit – Star Wars The Clone Wars (Season 1, Episode 19), “Storm over Ryloth”

Reflections on The Last Jedi

I can say, with little remorse, that I have not yet purchased The Last Jedi. This isn’t to suggest I never will. The need – not a want, a need – to place the film next to the other Star Wars films on my shelf will eventually take over. For now, I can fight that urge, pushing back against the feeling that my shelf looks incomplete. But why am I fighting this feeling? Why not give in and just buy the most recent installment in the Star Wars franchise? I am a die-hard Star Wars fan after all, so why haven’t I gone out of my way to purchase and obsessively watch the film? Good questions.

I don’t review films on this site. I don’t review films on this site because I am not a professional reviewer, a critic trained to offer an appraisal of a piece of work. I am a fan of Star Wars, I have opinions, but those opinions do not give me the authority to offer any truly nuanced or unbiased “take.” I don’t review films on this site, but I am never-the-less, here and now, ready and willing to offer my thoughts and opinions on The Last Jedi, doing so with as little bias as possible. But again, this isn’t a formal review, and I don’t get paid to say these things.

A Smattering of Things I Liked

Paige Tico
Paige Tico
Photo Credit – Star Wars Episode VIII: The Last Jedi

I appreciate aspects of The Last Jedi. The movie has some remarkable moments, and to me none is more remarkable than the moment Paige Tico sacrifices herself to save the small Resistance fleet. Tico, a character who never utters a word, a ball gunner in a Starfortress Bomber blasting away at First Order TIE Fighters. In a desperate moment, with everything on the line, Paige climbs out of her gunner’s chair and performs an act of sacrifice heroism, unleashing the bombs that destroy a First Order Dreadnaught. The action saves the fleet; the action takes her life.

I appreciate aspects of The Last Jedi, and I genuinely appreciate the acting of Kylo Ren actor Adam Driver. I was captivated by Driver’s portrayal of Kylo in The Force Awakens. I was swept away by his portrayal in The Last Jedi. Kylo Ren is not just a villain in The Last Jedi, he truly is the “monster” Rey calls him. The Dark Side isn’t just strong in him, it consumes him in a flame that burns hotter than Mustafar. He is ready and willing to destroy everything to prove himself, to be like his grandfather, to be his grandfather, to be greater than his grandfather. Darth Vader, Lord of Death. Kylo Ren, Supreme Lord of Darkness. Redemption isn’t even on this guys radar. Only death, only destruction, only darkness, only power.

I appreciate aspects of The Last Jedi, and there are smattering of moments and characters and events I really enjoyed. I loved the design of the Resistance Bombers, the First Order Dreadnaught, the AT-M6 Walkers, the Resistance capital ships. I liked the geography of Crait, and the fact that Caluan Ematt is a General leading the Resistance forces on the planet. Laura Dern is great as Vice Admiral Holdo, although I wish her sacrifice – which is visually incredible – had been saved for Episode IX since it overshadows the sacrifice of Paige Tico. Carrie Fisher’s final portrayal as Leia Organa is  very moving (sans the weird space floating moment) and her final interaction with Luke, even though he isn’t physically present, is quite touching.

KyloRey
Kylo and Rey fighting together is a pretty cool sequence. Watch closely and you’ll notice that Rey should have easily been killed.
Photo Credit – Star Wars Episode VIII: The Last Jedi

I could list other things, other aspects of the film I genuinely liked. But I am not here to just list things, and I don’t think you want to read a list. The truth is, those aspects of the film I just listed – and a few others here and there – are all I can muster when it comes to this film. I can identify “things” about The Last Jedi I liked and that is all. I envy those who have been so moved by this film, who have elevated it into top place in their Star Wars rank lists. I wish I could do the same – it wouldn’t supplant The Empire Strikes Back in my list but #2 is a fluid spot – but sadly I cannot. I am a life-long Star Wars fan and this film just doesn’t move me, it just doesn’t feel right. There are a handful of profound moments but this movie just isn’t very profound.

Wading into the Shallows

I am well-aware that those who love The Last Jedi see incredible depth in it, that they believe this film has done something to Star Wars that is magnificent, breathtaking, groundbreaking. I understand what they are saying, I even understand how they are thinking. I just don’t agree. The common refrain I run into is that the writer/director Rian Johnson has “let the past die,” jettisoning aspects of the Star Wars saga – even aspects of The Force Awakens – to tell a unique and different type of Star Wars story. Perhaps nothing points to this more clearly than by Rian Johnson’s depiction of Luke Skywalker as a broken shell of a Jedi, a man determined to die in-exile.

Heading into the film I knew Luke Skywalker was going to be broken in some form and I was perfectly fine with that reality. “Luke Skywalker has vanished” the opening crawl to The Force Awakens tells the audience in the very first line and to its credit The Last Jedi shows us that the line is not solely about being geographically lost. Heck, the film could have been titled “The Lost Jedi” because Luke Skywalker has completely lost touch with who he was when we last saw him in Return of the Jedi. “I am a Jedi like my father before me,” young Skywalker once proudly declared to the Dark Lord Sidious in the single most important moment in the Original Trilogy. “I’m ending all of this. The tree, the texts, the Jedi. I’m going to burn it all down,” he now tells Master Yoda (who appears as a Force ghost). Damn, the Luke Skywalker we knew really has vanished!!! It’s no wonder so many older fans of the franchise have lamented that this isn’t the Luke they remember…

Is This REALLY Luke?

In a guest post on this site – An Ignoble End to the Skywalker Saga – my friend Nancy  succinctly notes that the Luke Skywalker we experience in The Last Jedi “…could not cope with the crushing disappointment of Kylo’s turn towards the dark side and the guilt he felt towards letting Leia and Han down.” To this we can add that he feels equally guilty for Ben Solo’s ultimate turn to the Dark Side. You know, that moment when he stood above his sleeping nephew, ignited his green lightsaber and contemplated, momentarily, ending the boy’s life. When he recalls the event, Luke initially lies to Rey about what happened. Or rather, he offers a “Kenobian” point-of-view to his new protégé. But I digress. Ben Solo, frightened as he wakes and looks up at his uncle holding the blade, defends himself. Who wouldn’t? But then the young Solo does more, tearing down the Jedi Academy that Skywalker had built, killing the students (with the help of other students who had dark feelings?) and fleeing to the warmth, love, and manipulation of Supreme Leader Snoke.

That Ben Solo-turned-Kylo Ren destroyed everything Luke had painstakingly built in the years after Return of the Jedi makes sense. It was the story I expected after watching The Force Awakens. The surprising bit is that Luke Skywalker took a completely non-Luke Skywalker action which was the catalyst for Ben’s final step into the Dark Side. With the momentary ignition of his green lightsaber as he stands above his sleeping nephew, the scene from Return of the Jedi where Luke cast aside the exact same blade, refusing to kill his father, is itself thrown aside.

“This is not going to go the way you think,” Skywalker declares to Rey at one point in the movie. “Let the past die, kill it if you have to.” Kylo Ren tells Rey at another point in the film. Over and over again, The Last Jedi champions what it is doing: tearing down the foundations of Star Wars with something new and radical. The movie spends a lot of time self-referencing with quotes and metaphors (a building literally crumbles, burying Luke, when Ben defends himself) to prove this is the case, to make us believe we are watching a radically new and fresh version of Star Wars. The thing is…

I don’t buy it. From my vantage point, the self-references and metaphors – and the shallow depth of the film – are just clever tricks distracting us from the obvious. Namely, that we have seen this story once before:

A teacher takes on a gifted, young student who has incredible power. The teacher trains the student, but the student has dark thoughts and feelings, and those thoughts and feelings grow like a virus in the mind. Eventually, the teacher must confront the student, and the student fights back. While the teacher chooses not to kill the student, the damage is already done. The teacher is left feeling guilty and flees into exile. The student puts on a mask that represents their dark turn. Years later, the two finally confront one another again. The teacher is aware of their own shortcomings, that they failed the student. The student believes they are the more powerful now, but little do they know that their teacher is truly more powerful than the student can possibly imagine. Their final battle ensues, and in a critical moment, the student slashes a red blade through their former teacher…only to be left stunned and confused by their former teacher’s final lesson.

Obi-Wan Kenobi and Anakin Skywalker?
Luke Skywalker and Ben Solo?
Rey and *insert the villain from Episodes X, XI, XII*

LukevsKylo
Luke Skywalker and Kylo Ren face off on Crait.
Photo Credit – Star Wars Episode VIII: The Last Jedi


We Need to Talk about Rey

Speaking of Rey, for being the heroine of this new trilogy, The Last Jedi goes to ridiculous lengths to build her up through Acts I & II only to have her be a non-factor in Act III. Her story is an interesting one and I genuinely like Rey, but for all of her training with Luke, her Force connection with Kylo Ren, and her (brash) decision to run off and try to save Ben from the monster within him, her story is effectively set aside in the Final Act. Why? Because this film isn’t about Rey. It is really about Luke Skywalker and Kylo Ren. Don’t get me wrong, Rey has a lot of cool character development and some intriguing bits happen to her. Never-the-less, from my vantage point, Rey is ultimately set aside in what is supposed to be her own story. 

Of course, one could argue that Rey’s connection with Kylo Ren is the most fascinating aspect of the movie. In fairness, I wouldn’t entirely disagree. The relationship between Kylo Ren (Dark Side) and Rey (Light Side) is where a lot of the philosophical “depth” in The Last Jedi comes into play. This depth is certainly interesting, but it is a depth that is knee deep at best. For all of the Ontological-meets-Ethical Dualism which Rey and Kylo Ren represent, specifically as it relates to the “Balance of the Force” (whatever the hell that even means at this point), any opportunity to truly dive into the mysterious abyss of the Force never really happens. An opportunity certainly existed, one where Luke  could have helped Rey work through her connection to Kylo (and vice-versa with Snoke helping Kylo work through his relationship with Rey). This would have been a prime opportunity to highlight Luke (and Snoke) as mentors, while shedding light on this intriguing and new conception of the Force. Instead, the movie gives us only fleeting glimpses of these deeper philosophical undertones while simultaneously distracting us from them (i.e. – Kylo being shirtless; the two awkwardly touching hands; Rey running off to save Ben). Then again, I’m not sure the film even knows how to take things into the deep end of the pool. In fact, I would liken it to this: The Last Jedi (and Rian Johnson) give off the impression of a college freshman who took Introduction to Philosophy, read snippets from the I Ching, the Avesta, the Gathas, and The Jedi Path, and is now acting like a pretentious know-it-all who has minimal grasp on what they are saying. Which leads me to this…

“Getting” The Last Jedi

As Nancy and I were chatting recently about the film, she mentioned that “…there is this attitude that if you didn’t like Rian Johnson’s vision then you weren’t smart or deep enough to ‘get’ The Last Jedi.” In other words, it is as if one must possess a gnostic knowledge to truly “understand” the esoteric depth at the core of this movie. If only Nancy, or myself, or others who do not love and worship the film as a gift to Star Wars had the special knowledge to understand it, we would finally see just how profound The Last Jedi truly is. But like I said earlier, I really don’t think it is very profound.

For over two hours, I watched a film I had already seen before. Or rather, I watched a film that took thematic elements from a handful of films that I have already seen before. Don’t get me wrong, there ARE things in this film that are new, and things in this film that are intriguing. I mean, I have NEVER seen the aliens in the Canto Bight Casino before (but I have been confronted by never-before-seen aliens in a casino/cantina-esque setting before). Yet, for all the new stuff in this film, as a whole it just came off as an amalgamation of ALL the Star Wars films, pretending to be something radical and fresh while simultaneously offering philosophical possibilities that are never really teased out.

I envy those who have experienced The Last Jedi as this new and fresh dive into the Star Wars universe. Truly, I do. I wish I had the gnosis they possess and the connection tot he film that leads them to see it as philosophically deep and spiritually mystical. Then again, I don’t really believe there is any there “there,” or at least not enough to elevate The Last Jedi to the top of the Star Wars pantheon. Rather, The Last Jedi is just a film masquerading as something truly special, a “child in a mask” playing Star Wars dress up. Does it attempt some intriguing things, even getting away with a handful? Of course it does. But the thing is, if I want to really experience Star Wars, I will watch the Original six films. Hell, I’ll even watch The Force Awakens – which is also a derivative amalgamation but is at least AWARE it is – and I will definitely watch Rogue One – which woefully lacks women but is never-the-less a stellar homage to A New Hope. On the flip side, if I feel like watching something that is “technically” Star Wars but that thinks it is way smarter and self-important than it really is, I’ll watch The Last Jedi. Granted, I’ll need to buy it first, and right now I have better things to spend my money on.

Haikuesday: Coruscant

Traffic and Traffic
and Traffic and Traffic and
Traffic and Traffic

Traffic and Traffic
and Traffic and Traffic and
Traffic and Traffic

Traffic and Traffic
and Traffic and Traffic and
Traffic and Traffic

Traffic and Traffic
and Traffic and Traffic and
Traffic and Traffic

Traffic and Traffic
and Traffic and Traffic and
Traffic and Traffic

Traffic and Traffic
and Traffic and Traffic and
Traffic and Traffic

Traffic and Traffic
and Traffic and Traffic and
Traffic and Traffic

Sorry for the wait,
I’ve been sitting in traffic
for-flippin-ever!

Was gonna write these
at home but I have time now
since we aren’t moving


Rakata Owners.
30,000 BBY.
Legends are the best.


Planet: Coruscant.
From: Heir to the Empire.
Lucas liked the name.


Entire planet,
an Ecumenopolis,
“just one big city.”


Traffic and Traffic
and Traffic and Traffic and
Traffic and Traffic


An onscreen debut
in Return of the Jedi
Special Edition.


A distant Temple.
Crowds pack streets celebrating
an Emperor’s death.


The Phantom Menace.
The Republic Capital.
Corruption Galore!


Corellian Run
and Perlemian Trade Route.
Region: the Core Worlds.


Places you should see:
The Senate building of course!
Jedi Temple, too.


Manarai Mountains.
NOT an urbanized landscape.
Still canon to me.


Need something to eat?
You should try Dex’s Diner.
Tasty Jawa Juice.


Traffic and Traffic
and Traffic and Traffic and
Traffic and Traffic


I wonder what the
planetary accident
rate happens to be.


Zillo Beast Terror!
Malastare to Coruscant.
Palpatine’s problem.


Honor Salima,
Coruscant Home Defense Fleet.
She is in command.


Coruscant below,
a Venator on patrol
as fire rages.

Seppie Invasion!
The Battle of Coruscant.
Massive engagement.

Invisible Hand:
Grievous’ dreadnaught, flagship.
Anakin “lands” it.


Republic dissolved.
Galactic Empire born.
Capital remains.

Official name change.
 Now: Imperial Center.
Thanks to Palpatine.


Super construction.
Buried beneath big buildings.
Dreadful Lusankya.


Deadly Krytos trap!
Isard unleashes virus
after the Rogues win.


Great Hyperspace War!
Sadow attacks Coruscant.
The Jedi rally.


Yuuzhan Vong control,
27 ABY.
Time to terraform!


The Jedi Temple,
sitting on a “Sithy” spot,
says James Luceno.


Traffic and Traffic
and Traffic and Traffic and
Traffic and Traffic


Hold up for a sec:
Do we ever see the dark
side of Coruscant?


The Koros Trunk Line,
from Koros to Coruscant.
Grievous and Sadow.


Grand plan: Asteroids.
Thrawn lays siege to Coruscant
using some space rocks.

Haiku Addendum:
The rocks are invisible.
Damn, Thrawn is brilliant!


Coruscant terror!
Grievous sends cleaning droids armed
with bombs to the world.


Sheev and Anakin.
Galaxies Opera House.
Performance: Squid Lake.


Clone Commander Fox
leading the Coruscant Guard
during the Clone Wars.


Darth Krayt’s Empire.
Capital for the One Sith.
Hardly a surprise.


Rising First Order.
Hosnian Cataclysm.
Lucky Coruscant.


Traffic and Traffic
and Traffic and Traffic and
Traffic and Traffic


The Outlander Club.
Kenobi and Skywalker
track an assassin.


Thrawn, Ciena,  Eli,
Nash, Thane, Kendy. Jude, Kallus.
Academy grads.


Coruscant rebels.
The Anklebiter Brigade.
CoCo born youngsters.


Ahsoka and Plo,
descent to the underworld.
Mythic adventure.


Coruscant haiku.
Dizzying, overwhelming.
Just like the city.


Traffic and Traffic
and Traffic and Traffic and
Traffic and Traffic

Traffic and Traffic
and Traffic and Traffic and
Traffic and Traffic

Traffic and Traffic
and Traffic and Traffic and
Traffic and Traffic

Traffic and Traffic
and Traffic and Traffic and
Traffic and Traffic

Traffic and Traffic
and Traffic and Traffic and
Traffic and Traffic

Traffic and Traffic
and Traffic and Traffic and
Traffic and Traffic

Traffic and Traffic
and Traffic and Traffic and
Traffic and Traffic

Traffic and Traffic
and Traffic and Traffic and
Traffic and Traffic

Ugh, seriously!!!!!!!!
They should rename Coruscant
“Stuck in Traffic World”

Why did I move here!?!?!
I spend my time sitting in
these jam packed sky lanes.

Screw it, I’m moving.
I’ll find some backwater world
and settle down there.

Coruscant is the
bright center but I’ll find the
planet farthest from.

Traffic and Traffic
…if I can get home and pack…
Traffic and Traffic


Haikuesday is a monthly series on The Imperial Talker, a new post with poetic creations coming on the first Tuesday of each month. The haiku topic is chosen by voters on Twitter so be sure to follow @ImperialTalker so you can participate in the voting. Now, check out these past Haikuesday posts:

Droids (February 2017)

Ahsoka Tano (March 2017)

Darth Vader (April 2017)

The Battle of Scarif (May 2017)

The Truce at Bakura (June 2017)

Queen Amidala (July 2017)

Ryloth (August 2017)

Cloud City (September 2017)

General Grievous (October 2017)

Millennium Falcon (November 2017)

Poe Dameron (December 2017)

The Battle of Umbara (January 2018)

Hondo Ohnaka (February 2018)

Jyn Erso (March 2018)

Introduction to Star Wars

When George Lucas released the Star Wars Prequel Trilogy, it created a bit of a conundrum: what viewing order should a Star Wars fan use when introducing the films to someone who has never watched Star Wars? On the one hand, the films could be shown to a newbie in “Release Order” with the Original Trilogy first and the Prequels second. On the other hand, the movies could be shown in “Chronological Order” beginning with Episode I (The Phantom Menace) and ending with Episode VI (Return of the Jedi)? Plus, while the “Release Order” and “Chronological Order” are the most obvious options, there are a number of other viewing orders that have been suggested (“Machete Order” being the most popular).

Ignoring, for the moment, that there now exists a Sequel Trilogy, stand-alone films, and television shows (not to mention novels, comics, games, and more), I have always felt that Star Wars should be introduced to a newcomer in “Release Order” and not “Chronological Order.” This belief is entirely predicated on my own interactions with Star Wars from youth to adulthood. I watched the Original Trilogy when I was a kid, and the Prequel Trilogy as a teen/young adult. But, that fact also makes me biased, and my suggestion to someone to start with A New Hope, while grounded in the fact that it was the first Star Wars film, is also grounded in my personal journey with Star Wars. Someone can have entirely different reasons for suggesting the “Release Order” or “Chronological Order” to a newcomer and that is perfectly fine by me. 

Actually, as a life-long Star Wars fan my only real responsibility is to offer suggestions, not to implement rules, and that goes far beyond the confines of the “Release Order” vs “Chronological Order” debate. Since A New Hope came out in 1977 (I was negative eight years old at the time), Star Wars has become a multi-headed beast, a hydra masquerading as an epic space fantasy. Which is to say this: Star Wars has so many stories across so many mediums that the whole “Release Order” or “Chronological Order” conundrum seems rather small. The films might be the natural starting point for most Star Wars fans – there are certainly those who have come to the franchise by another route – but the question of “where do I go from here?” is a far more difficult question I have been asked by a lot of people who are curious about exploring the depths of the Star Wars franchise after they have watched one or more of the films.

Thrawn Trilogy
“Heir to the Empire”, the first novel in The Thrawn Trilogy. Photo Credit – Bantam Spectra

Like the first world problem of cinematic watch order, I only have suggestions and no definitive answers for people who are eager to be introduced to Star Wars beyond the films. Naturally, I am predisposed to reduce my answer to the least common denominator – my own personal preferences. Shocking! Here is an example: I am a huge fan of The Thrawn Trilogy by author Timothy Zahn, and absolutely love the Imperial Grand Admiral Thrawn who was introduced in the series. But just because I am a fan of Thrawn doesn’t mean anyone I encourage to read the trilogy will inevitably love it. Then again, perhaps they will enjoy it but for completely different reasons than I do. But isn’t that just the bare bones truth of Star Wars anyway, everyone loving certain aspects of the franchise motivated entirely by their personal tastes? Don’t answer that, it’s a rhetorical question.

So, where do we go from here? Oish, I have no idea. Like I said with my neat “Star Wars is a hydra” metaphor, the franchise is just too big at this point to really offer one direction, one way of “doing” Star Wars. I am going to punt on offering some really profound “Introductory” approach to Star Wars. Instead, I will just offer this all-encompassing suggestion for people who are interested in exploring Star Wars:

Start with A New Hope – it was the first Star Wars film after all so it just feels right to start there – and then just make it up as you go. Actually, just treat Star Wars like a big and exciting choose your own adventure, and no matter what you choose, you are doing Star Wars right. And, if you get confused along the way, or want more personalized suggestions, feel free to message me (I have a contact page). I am happy to offer my thoughts. Just, ya know, don’t be surprised when I start talking about Thrawn.

Haikuesday: Jyn Erso

Rogue One: The Movie
Rogue One: The Rebel Call Sign
Rogue One: Jyn Erso


First year of Clone Wars.
Separatist world of Vallt.
Jyn Erso is born.


Mission on Alpinn.
Jyn travels with her mother.
Has and Nari, too.


Hiding on Lah’mu,
eight-year old Jyn Erso with
her loving parents.


“Koodie” the Tooka.
“Stormie,” “Wuzzwork,” and “Tinta.”
Some of young Jyn’s toys.

Star Wars Trivia:
Tookas are a subspecies
of the Loth-cat. Neat!

Stormie – stormtrooper.
Wuzzwork – looks like a Wookiee.
Tinta – a Tauntaun.


To Jyn: “Trust the Force.”
To Jyn: “I love you Stardust.”
Lyra and Galen.


Lyra’s sacrifice.
Jyn watches her mother die.
She runs and she hides.


A lonely bunker.
Jyn waits for a friendly face.
Reb: Saw Gerrara.


Age: eight to sixteen.
In the care of Gerrara.
Partisan Rebel.


Scene: planet Garel.
“Pick on someone your own size,”
Jyn tells some troopers.

A Heart of Kyber.
Erso rescues a Loth-cat
for a little girl.

Sabine runs into
an accidental ally.
Yup, it’s Jyn Erso!!!

I wonder why Jyn
was just hanging around on
the planet Garel.


Water drips. drips. drips.
Imperial prison cell.
A Rebel Rises.


Droid: K-2SO
A painful introduction.
“Congratulations.”


Liana Hallik?
Nope, that isn’t her real name!
She is Jyn Erso!!!


“The luxury of
political opinions,”
Jyn has never had.


Mission to Jedha.
Cassian, Jyn, and K-2.
An occupied world.


Standing in a crowd.
Chirrut Îmwe can see Jyn
even though he’s blind.


Pendra Siliu.
Crying, caught in a battle.
Rescued by Erso.


Kicking trooper ass,
Jyn turns, shoots a KX droid…
…it’s not K-2. Phew!!!


Saw’s paranoia.
Convinced of Jyn’s betrayal.
Momentarily.


Eadu Extraction.
Jyn and Galen reunite
as tragedy strikes.


Pleading for action:
“Rebellions are built on hope.”
Turned down by Rebels.


Rallying the troops.
Jyn leads a mission to steal
dreaded Death Star plans.


Scarif bound shuttle.
Jyn grasps her Kyber crystal.
The Will of the Force.


Citadel Tower.
With Cassian and K-2,
Jyn nears infamy.


How do they get in?
Clever disguises of course!
Jyn the Technician.


Hyperspace Tracking.
Navigational Systems.
Stardust, that’s the one.

Stardust discovers
that Project Stardust will turn
Death Star to star dust.


Warrior Daughter.
Jyn, standing before Krennic,
declares who she is.


Mission Accomplished.
Plans transmitted to the fleet.
A Heart of Kyber.


Scene: on Scarif beach.
Your father would be proud, Jyn.”
Two friends embrace death.


From a hidden base,
Rebels led by Jyn Erso
kicked ass and stole plans.

Star Wars: A New Hope
“Rebellions are built on hope.”
Jyn embodies hope.


Haikuesday is a monthly series on The Imperial Talker, a new post with poetic creations coming on the first Tuesday of each month. The haiku topic is chosen by voters on Twitter so be sure to follow @ImperialTalker so you can participate in the voting. Now, check out these past Haikuesday posts:

Droids (February 2017)

Ahsoka Tano (March 2017)

Darth Vader (April 2017)

The Battle of Scarif (May 2017)

The Truce at Bakura (June 2017)

Queen Amidala (July 2017)

Ryloth (August 2017)

Cloud City (September 2017)

General Grievous (October 2017)

Millennium Falcon (November 2017)

Poe Dameron (December 2017)

The Battle of Umbara (January 2018)

Hondo Ohnaka (February 2018)

Women of the Jedi Council

The Jedi High Council: the ruling body of the Jedi Order for millennia until the Order’s downfall at the end of the Clone Wars. Consisting of twelve Masters, these experienced and wizened Jedi deliberated the best direction and course of action for the Order they were tasked with leading. At the head of the Council was a Grand Master, and during the last years of the Old Republic – years we see unfolding in the Prequel Trilogy, The Clone Wars animated show, and through other storytelling mediums – that title/role was occupied by Yoda, the mysterious Jedi introduced in The Empire Strikes Back. But while Yoda may have been the oldest and wisest of the Jedi, commanding infinite respect, and his opinions on Jedi matters carrying incredible weight, he was surrounded by Masters gifted in their own particular ways.

It is at this point, though, that I must acknowledge my intention for this post. Rather than trying to weave a path towards my conclusion, highlighting all of the Masters and the way their stories have been woven into the fabric of Star Wars, it is far easier to be direct. In short, this piece is titled “Women of the Jedi Council” because, upon reflection, I found myself shocked that there are not MORE women on the Council.

Introduced in The Phantom Menace, the Jedi Council of the first Prequel film has only three female characters:

Yaddle
Adi Gallia
Depa Billaba

In Attack of the Clones, the Council again only has three women:

Shaak Ti  (who replaced Yaddle)
Adi Gallia
Depa Billaba

And, in Revenge of the Sith, the Council only has two women:

Shaak Ti
Stass Allie (who replaced Adi Gallia)

Over a 13 years period, from The Phantom Menace to Revenge of the Sith, the Jedi High Council only has five different women. And, one will notice from the small lists above that none of the women in The Phantom Menace are on the Council when we get to Revenge of the Sith. On the flip side, the male representation on the Jedi Council remains steady. The breakdown is as follows…

The Phantom Menace:

Yoda
Mace Windu
Plo Koon
Ki-Adi-Mundi
Saesee Tiin
Even Piell
Oppo Rancisis
Yarael Poof
Eeth Koth

Attack of the Clones:

Yoda
Mace Windu
Plo Koon
Ki-Adi-Mundi
Saesee Tiin
Even Piell
Oppo Rancisis
Coleman Trebor (who replaced Yarael Poof)
Eeth Koth

Revenge of the Sith:

Yoda
Mace Windu
Plo Koon
Ki-Adi-Mundi
Saesee Tiin
Obi-Wan Kenobi (who replaced Even Piell)
Anakin Skywalker (who replaced Oppo Rancisis)
Kit Fisto (who replaced Coleman Trebor)
Agen Kolar (who replaced Eeth Koth)
Coleman Kcaj (who replaced Depa Billaba)

Like I said, the male representation on the Council remains steady throughout, particularly among the first 5 male Masters in each list. In turn, whereas there are only 5 different women on the Council over the 13 year period, there are a total of 15 different men (a 3:1 ratio of men to women). Plus, there are three other curious things to consider about this male-female breakdown:

  1. While we do hear women who sit on the Jedi Council speak in The Clone Wars animated series (Adi Gallia and Shaak Ti), a woman NEVER speaks during a Council session in any of the three Prequel films. Notably, the only Jedi woman who speaks in the Prequels is the Jedi Archive librarian Jocasta Nu, but she is not a member of the Council.
  2. A woman NEVER replaces a man on the Jedi Council. In fact, the opposite is true, with Coleman Kcaj replacing Depa Billaba. 
  3. More men (6) are added to the Council over those 13 years than the total number of women (5) who sit on the Council over that same period.

So, what gives?

Well, first and foremost, I will return to my initial admittance: as I reflected on the Jedi Council I was shocked that women are so underrepresented, and I am guilty for not recognizing this sooner. While I was growing up when the Prequel Trilogy films came out (the years 1999, 2002, 2005), and was not prone to deeper reflections on the franchise I loved at that time, as an adult I can say I am disappointed in myself for not recognizing this woeful disparity and lack of female voices sooner. Better late than never, though.

Secondly, while I do not have direct insight into the thought processes of Star Wars creator George Lucas, the writer/director of the Prequel Trilogy, I am never-the-less left to wonder why it is he did not recognize this paucity of women on the Council. As he worked on the Prequels, Lucas clearly took for granted the uneven representation, the lopsided ratio of men to women. Perhaps if he, or others around him, had noticed it then something would have changed with more women added, fewer men speaking, and so on. Or maybe it was pointed out and he just didn’t care. Frankly, I cannot say. But what I can say is that, at least for me, this is glaring red mark against the Prequel Trilogy, and it is incredibly unfortunate that more attention was not given to creating a Jedi Council with equal representation. Which leads me to my third point…

…what does this imbalance of the sexes say about the Jedi Council? In some respects, I suppose it isn’t all that surprising. If art imitates life, then the Jedi Council imitates many corporate board rooms where men still outnumber women. Or, since the Jedi are a religious order, we can think of religions around the world which place greater emphasis on the voices/actions of men (the hierarchy of the Catholic Church being one example). But just because it isn’t surprising that the Jedi are governed predominantly by men doesn’t mean it isn’t disappointing. The Jedi Order is supposed to be built around principles of egalitarianism and, as such, one would presume that the High Council would strive for a balance of the sexes. In fact, I cannot help but wonder: if more women – and newer voices in general – had been present, would they have stopped the march to war in Attack of the Clones which was led by the Council’s longstanding (male) Masters, Yoda and Mace Windu in particular?

Shohreh Aghdashloo
Iranian-born actress Shoreh Aghdashloo as Chrisjen Avasarala in The Expanse.
Photo Credit: SyFy

This is certainly not the only question one could ask, and there are any number of answers that are possible. Yet, my intention is not to dig into every single question, or find every answer. Instead, in presenting what I believe is a truly unfortunate reality about the make-up of the Jedi High Council, the lack of women and their voices on that Council, I want to end with a suggestion. As the Star Wars franchise moves forward, with more films being added over time, my hope is that if a film is set in the days of the Old Republic, long before the events of the Prequel Trilogy, that the Jedi Council (if included in the film) feature a perfect distribution of 6 women and 6 men. To this, I would add my desire that the Grand Master of the Jedi Council also be a woman. If left to me, the actress I’d place in the Grand Master’s seat would be Iranian-born actress Shohreh Aghdashloo, a woman with an incredibly commanding presence in SyFy’s show The Expanse. I am of the opinion that Aghdashloo is a natural fit for the Star Wars universe, and could be a remarkable Jedi Grand Master if given the opportunity. That said, there are many actresses who’d make great Jedi Masters if given the chance, and I hope the day it is not far off when we see them on the High Council and helping to lead the Jedi Order.

Haikuesday: Hondo Ohnaka

HELLOOOOOO FRIENDS! It is I, Hondo Ohnaka, businessman and sometimes pirate extraordinaire! Perhaps you have heard of me and my legendary exploits – battling Sithy Lords and clanking generals, running an honorable enterprise in the Outer Rum, throwing great parties for my Jedi friends!  One time, I even rescused Jedi kiddies who were in trouble, swooping in to save the day in glorious fashion when they fell under attack by…

Ummmmm Hondo, it’s me, The Imperial Talker. I thought I would interrupt you and remind you that you were actually the one who attacked the Jedi kids and put them in harms way.

WHAT!?!?! Oh how dare you accuse me of such horrific crimes! You will pay for such insolence, Imp….

Time out, did you just say I am being insolent? Because that is exactly what Darth Maul accused you of that time on Florrum. Remember, he called you insolent and you said you didn’t know what that word meant because you are a pirate?

Ahhhh I see that you have been following my glorious exploits Mr. Talker! I knew you were the right person to write tear-jerking poetry about me for Haikondoesday! Tell me, what grandiness of mine have you captured in syllabical fashion!?!?!

Well, one haiku…

AHEM!

Sorry, one “haikondo” is references that time you raided a village on Felucia and tried to…

My my look at the time Mr. Imperial! It is time your readers get to reading about the wonders of Hondo. It is also time I go find my dear friend Bridger and encourage him to join me on another fun-filled and not dangerous at all adventure! Oh, and Mr. The Talker I will bill you later for using my name to promote “Haikondoesday.”

Wait a minute!!!! I didn’t coin that! You just did! What the heck…he just ignored me and walked out. Ugh, whatever, I’m going to get a drink. Here are some Haiku about Hondo Ohnaka. 


Wonderful Weequay.
One hell of a gentleman.
Hondo Ohnaka.

He isn’t as young
as he used to be, but he’s
certainly older.

Insolent Hondo.
HAHA! He is a pirate!
INSOLENT!?!?! HAHA!

Stories he could tell,
some of them are even true!
Legends of Hondo.

Morally neutral.
No, morally self-serving.
That’s how Hondo roles.

Scene – planet Florrum:
Hondo tortures two Jedi.
But we still love him.

Scene – on Felucia:
Hondo attacks some farmers.
But we still love him.

Scene – in outer space:
Hondo threatens Jedi kids.
But we still love him.

Scene – planet Florrum:
Hondo is a drug dealer.
But we still love him.

Scene – on Felucia:
“Die Jedi scum,” he exclaims!
But we still love him.

Scene – in outer space:
He tries to kill Jedi kids.
But we still love him.

Scene – on Onderon:
Hondo is an arms dealer.
But we still love him.

Scene – planet Florrum:
Hondo drugs two Jedi Knights.
But we still love him.

Scene – Drazkel System:
He tries to buy a Jedi.
But we still love him.

Here is my question:
Hondo does lots of bad shit…
why do we love him?

It’s his good looks, right?
His legendary exploits?
Perhaps his wisdom.

One hostage is good.
Two are better. And three, well
that’s just good business.

More of his brilliance:
Speak softly, drive a big tank.
Teddy would be proud.

Soft spot for children,
like the youngling Katooni.
Wit captures his heart.

Ezra and Hondo,
Brothers of the Broken Horn.
Adventures galore.

Ezra lies to him.
Hondo is a proud father.
Children learn so fast.

Reklam Station heist.
Stealing Y-Wings with Rebels.
And his Ugnaught pals.

The Ohnaka Gang.
Devious and deceitful.
But mostly stupid.

Maybe we love him
for all of his grandeur and
magnanimity.

I like that Hondo
has an actual flying
saucer as a ship.

Describing his ship:
silvery and round, and it
spins and spins and spins!

Perhaps it’s his sense
of honor, the pirate code
he sometimes follows.

A Sith Lord captured.
Epic fight: cannons, blasters,
glowy thing, voom-voom.

Hondo and Aurra
sitting in a tree, K-I-
S-S-I-N-G.

All the ladies love
Ohnaka, all the men too.
He is so handsome!

If I had to guess,
I’d bet that Maz and Hondo…
…imagine the rest.

Looking for advice?
The Partisan Cantina
runs Hondo’s column.

Ahsoka doesn’t
want to hurt Hondo and he
appreciates that.

Pirate and Jedi.
Ohnaka and Kenobi.
I think they were friends.

Jedi love Hondo!
He is always helping them!
Such a thoughtful guy.

Scavenging downed ships,
a special past time of his.
Find him on Jakku.

Hondo and Solo.
No doubt they met at some point.
Where is that story???

The Book of Hondo,
No! The Gospel of Hondo!
Sagacious Weequay.

Hondo on Florrum,
Brilliant and wise and sexy,
Hallowed be thy name.

Why do we love him?
We love him because he is
Hondo Ohnaka!


Haikuesday is a monthly series on The Imperial Talker, a new post with poetic creations coming on the first Tuesday of each month. The haiku topic is chosen by voters on Twitter so be sure to follow @ImperialTalker so you can participate in the voting. Now, check out these past Haikuesday posts:

Droids (February 2017)

Ahsoka Tano (March 2017)

Darth Vader (April 2017)

The Battle of Scarif (May 2017)

The Truce at Bakura (June 2017)

Queen Amidala (July 2017)

Ryloth (August 2017)

Cloud City (September 2017)

General Grievous (October 2017)

Millennium Falcon (November 2017)

Poe Dameron (December 2017)

The Battle of Umbara (January 2018)

An Ignoble End to the Skywalker Saga

Guest Talker: Nancy (of Graphic Novelty²)

This is not going to go the way you think.”  No truer words were said, and Luke Skywalker’s words proved to be prophetic as the movie The Last Jedi unfolded.  

I grew up on the original trilogy of Star Wars movies, with Luke being my first crush. Even as a child I was a practical lass, and the bad-boy swagger of Han Solo held no appeal to me. Instead it was humble and heroic Luke who held me enthralled.  Years went by; with the trilogy being the only Star Wars I knew until the late 1990’s when the prequels began. While the prequels have been derided for many deserved reasons, I still felt they were authentic to the Star Wars universe. George Lucas might not write good dialogue, but his vision held true, and there were many strong moments in the prequel trilogy.

When Disney bought out Lucas’s Star Wars movie rights and announced yet another trilogy with other stand alone movies planned, I was apprehensive but hopeful. The Force Awakens combined both the legacy characters and added some intriguing and strong new ones and I was thrilled with the new direction. It honored the past but looked towards the future, as did Rogue One. My first Star Wars movie review post on my blog about Rogue One  (https://graphicnovelty2.com/2016/12/22/rogue-one-movie-review/) said “if this storytelling continues, Disney will have handled the buyout of Star Wars beautifully.” It turns out I spoke too soon.

star-wars-the-last-jedi
Photo Credit – Disney/Lucasfilm

*While I assume at this stage people reading this post will have watched the movie, I do want to warn you that there are spoilers ahead.*

I headed into the movie with incredibly high hopes, but twenty minutes into my first viewing of The Last Jedi, I was whispering angry thoughts about the movie to my husband. By the end of the movie I was seething. I felt it dishonored Luke’s legacy, and I was distraught.

Soon afterwards I contacted Jeff here at The Imperial Talker and Michael at My Comic Relief to vent. Both men are huge Star Wars fans and I wanted to see if I was alone in my thoughts. While I certainly cannot speak as to their reactions to the movie, my conversations with them were enlightening, and I watched the movie a second time on their recommendation. Once all the surprises were gone, I could concentrate more on the movie as a whole and get a more nuanced view the second time.

Afterwards, I gave myself some time to mellow, but then I struggled with writing this post. I hate to be provocative and feared a backlash of other bloggers who would vehemently disagree with me. I’m typically a go with the flow person, who rarely let’s people know if I’m truly upset (except my children- they know when I’m mad). This post was going to make me push my boundaries, and I did some over-thinking before I started to write.

But here we are, so let’s get into WHY this movie affected me so negatively. There were several smaller issues such as: Leia’s use of the Force, which was visually comical, Rose’s part, which ate up time that could have been given to already established characters, Chewbacca being treated as a pet/afterthought and the Rey/Kylo scenes (don’t even get me started on the connection through time and space!). On the other hand, there were many memorable moments, one of my favorites being when Poe is schooled on long-term strategy by General Organa and Admiral Holdo. I enjoyed the overriding idea that the rebellion is for everyone and that a small spark can ignite a winning rebellion.

But that’s not what upset me the most. It was Luke, all Luke.

As Star Wars has been around since 1977, there are now several generations of fans who have come into this franchise at different times.  So you have fans like me who grew up on the original, fans such as my children who watched the Prequels as they came out in the theatres, and now a new generation who will grow up loving the newest set of characters. You can even argue, as my oldest son observed, that I am a “purist,” for although I have occasionally read some of the Expanded Universe (now called Legends) books, the movies are really my only touch stone to the Star Wars universe.

Luke in yellow
Luke Skywalker at the end of A New Hope.
Photo Credit – Star Wars Episode IV: A New Hope

As such, I have always viewed Luke as the true hero of the movies. Whereas Anakin, Ben Kenobi and certainly the Jedi Council from the Prequels let pride, power or shame affect their judgment, Luke was pure. He came from a humble background, not knowing of his true parentage yet, and with little training was able to defeat Darth Vader and bring balance back to the Force.

This new movie gave us a nihilistic Luke, who years later, was filled with so much remorse and regret that he refused to leave his island where he had banished himself to wallow in misery. When the actor Mark Hamill, who has embodied Luke and will be forever connected to the role, tells Rian Johnson, “I think I fundamentally disagree with everything you’ve decided for me” that is telling as to how Luke’s hero arc was going to play out. Now I know there has been further clarification that MH has shared about this quote, and he supposedly stands behind RJ’s version…but, if his first thought was unhappiness, as was mine when I first watched it, then this viewpoint cannot be discredited.

Now this is where another quote can be used to explain the movie’s direction. “Let the past die. Kill it, if you have to,” says Kylo Ren to Rey. I understand if Star Wars is to be a viable movie franchise, it needs to grow and change. Han Solo left us in The Force Awakens, and Carrie Fisher’s death meant that Leia’s arc was going to end earlier than expected. That left Luke. He was to be the torch bearer to Rey and the new Rebels. So why did his destiny need to end so ignobly?

In this role, Luke could not cope with the crushing disappointment of Kylo’s turn towards the dark side and the guilt he felt towards letting Leia and Han down. Yes, I understand that he helped the rebellion when he sent an astral projection of himself to the planet Crait and was able to distract Kylo and send his sister and the other rebels to safety. I even understand that he used his hard won wisdom to help and wasn’t the impetuous youth who left his training with Yoda early to help Leia and Han. On one level- I get it- but I didn’t like it.

Luke & Leia
Photo Credit: Vanity Fair

Luke’s and Kylo’s flashbacks to the night that Kylo destroyed the new Jedi Academy are what truly turned me against this version of Luke and led me to feel that he was dishonored in director Johnson’s interpretation. My Luke never would have considered killing his nephew. He put his lightsaber down in front of Darth Vader, and never gave up hope that his father still had a remnant of love left in him (Jeff’s post Luke Skywalker: A Farewell To Arms beautifully describes this moment). A wiser and older Luke would have tried anything to prevent Kylo from joining Supreme Leader Snoke. Killing him would not have been an option. I believe the quote “You were the Chosen One!” that Obi-wan Kenobi shouts at Anakin in Revenge of the Sith, is in fact a better one to have used to describe Luke. His entire character was crucified in this latest movie, and he deserved better.

In real life, there are times when things go to hell. Our lives do not turn out the way we envisioned. A great success can be eroded away with failures later in life, and becoming disillusioned can be a sad reality for some. Taking all that into consideration, Luke should have gone out as a battle-worn but still dignified warrior. I wanted him to have a loving goodbye to his twin (as I wrote about in this post: https://graphicnovelty2.com/2018/01/24/star-wars-comlinks-favorite-tlj-scene/ ) and for him to have been a mentor to Rey. This lack of a proper conclusion to Luke’s story arc was not a fitting end to the Skywalker saga.

20171231_170859
I laughed at this meme about Luke, Ben and Yoda, for despite my opinion about the movie, I can see other perspectives!

Guest Talker Bio: Nancy is half of the writing team for Graphic Novelty², a blog that centers around graphic novels and geek life. She is a married mom of three who loves her job as a teen librarian and is a Star Wars & Star Trek aficionado.

No Place For Children

“War is no place for children.” – Toor Snapit, Jedi Scout

Locked in a deadly, all-or-nothing battle with the Sith Brotherhood of Darkness, the Jedi Army of Light is in need of soldiers to keep the fight going and is willing to recruit children into its ranks to do just that. This is the backdrop of Jedi vs. Sith, an Expanded Universe graphic novel written by Darko Macan which begins with young cousins embarking on an “adventure” that ends in tragedy. Hailing from the world Somov Rit, the cousins – Tomcat and Bug – are the first to be identified by the Jedi Scout Toor Snapit, himself sent to recruit force-sensitive children for the war effort. In turn, a third cousin – a young girl named Rain – is also taken by Snapit even though she has (seemingly) minimal Force-abilities.

That Toor Snapit has his doubts about taking children to war is obvious, commenting that “war is no place for children.” And yet, this doesn’t stop the elderly Jedi from taking the cousins from their home-world to battle the Sith on the planet Ruusan.  Nor, for that matter, did it stop him from taking the siblings Sladak and Slatva, twins whom the cousins meet on Snapit’s ship. The cousins (and the reader) only have but a moment with these twins, and as their vessel flies above the Ruusan landsccape, and the siblings express their excitement about their adventure, the ship is struck by Sith weaponry which kills Sladak and Slatva. Stunned, the cousins look on in horror, the excitement about their journey immediately giving way to the reality that has struck. In turn, as she screams that she “does not want to die,” the ship pivots and Rain falls through the hole in the side of the ship where the Sith had struck…

…and all Tomcat and Bug can do is look out the gaping hole with tears streaming down their eyes.

Rain's Fall 2
Tomcat (left) and Bug watch Rain fall from their transport.
Photo Credit – Jedi vs. Sith (Dark Horse Books)

Excitement and adventure are certainly themes in Jedi vs. Sith, but they are themes that highlight the naivete of children and a juvenile belief that war offers a thrilling escape from quotidian life. One can hardly fault children for this naivete, or even for the actions that they are forced to take as the story progresses, killing included. In fact, it is not long after Rain’s fall (spoiler: she survives) that Tomcat and Bug engage in their first skirmish, a skirmish which forces the children to kill a number of Sith soldiers. Neither are trained to fight, neither wears any protective armor, but they must never-the-less kill in order to survive.

Why they are killing – or rather, why they are killing Sith soldiers – is not clearly defined, though. While there is an obvious necessity in the moment to protect themselves, on a larger scale the reason the Jedi and Sith are fighting is never clearly defined. That is, it is not defined in any overarching ethical, moral, or political sense. Rather, the Army of Light commanded by Jedi Lord Hoth and the Sith Lord Kaan’s Brotherhood of Darkness are fighting because, quite frankly, that is what the Jedi and Sith do. And, in this sense, it really does not matter who holds the moral or ethical high-ground in this struggle. The Battle of Ruusan is about the Jedi vs. Sith, but which side one fights for is utterly pointless. Jedi or Sith, both sides are in the wrong because both sides are hellbent on one goal: destroying the other.

Although one could argue that the Sith do hold a sliver of ideological superiority to the Jedi. At the very least, dealing out death and destruction are what the Sith do best. After all, one can hardly fault a Sith for acting like a Sith. Then again, there is one Sith in the story who rises above all others, finding fault with his counterparts: Darth Bane. Scheming throughout the entire story, Bane is hellbent on one goal himself – not the destruction of the Jedi but the destruction of the Sith. Only after the Sith have been purged of their impurities – naemly, everyone but himself – will the Sith truly triump over their hated Jedi enemy. And, as Bane pushes Lord Kaan and the other Sith Lords towards a suicidal end, Bane will also happen upon a child on the battlefield: the girl Rain.

Rain’s Fall

That Rain is allowed to join the adventure of her cousins is shocking, a fact that is punctuated by her seemingly feeble connection to the Force but even more so by her youth. While all  three cousins are still children, Rain is the youngest and seeks to accompany Tomcat and Bug because of her childish desire to be part of the group. The Jedi Tor Snapit, having reservations about bringing children into a war zone, never-the-less acquiesces…and Rain pays the price when she falls from the transport ship.

But thankfully for her, she survives thanks to intervention of Laa, one of Ruusan’s native and sentient Bouncers. While her cousins continue on their journey guilt ridden and believing Rain fell to her death, the girl finds shelter and protection with Laa, traveling the planet with her new friend. Unaware of the deadly struggle unfolding on the world, Rain is once again saved by Laa when the Sith unleash a Force storm across the planet, burning the landscape and immolating other Bouncers in the process. Going crazy with feral rage, Bouncers which survived the destruction begin to attack Sith and Jedi alike, spreading panic among the combatants.

Rain's Fall
Rain attempts suicide but is saved by her powerful connection with the Force.
Photo Credit – Jedi vs. Sith (Dark Horse Books)

Following the devastation, as the battle on the world grows more intense, Laa – having foreknowledge of the future – tells Rain that she will become a Dark Jedi. Distraught, the child attempts suicide by jumping from a cliff, a shocking act and one that the reader can interpret as a continuation of her fall from the Jedi transport. Before her fall from the transport, Rain cries that she does not want to die. Now, confronted by Laa’s foreknowledge, Rain tells her friend that she wanted to die but changed her mind, realizing that she is incredibly strong in the Force and can destroy the Dark Jedi within her without killing herself.

Riding on Laa’s back as they seek out the Jedi, tragedy strikes when a Jedi arrow pierces her Bouncer friend, killing Laa and  sending Rain toppling to the ground (Rain’s fall is finally complete). Grief-stricken and angered by the loss of her friend, Rain unleashes her fury on the Jedi who fired the arrow, using the Force to snap his neck (and the neck of his accomplice). It is immediately after this stunning moment when Darth Bane will come across the child. Intrigued by the powerful girl who killed two Jedi, Bane will question Rain and, in turn, allows her to stay with him.

Seeds of Destruction

While Rain joins Darth Bane on his quest to destroy and reconstitute the Sith Order in his own image – imago Bane – her cousin Tomcat also joins the Sith, albeit earlier in the story. Disenfranchised by the Jedi and believing them weak, Tomcat murders the Jedi General Kiel Charny and agrees to become the apprentice of the Sith Lord Githany. In turn, this decision to join the Sith will set the stage for Tomcat’s fatal showdown with his cousin Bug.

Tomcat and Bug
Bug (blue saber) faces his cousin Tomcat (red saber).
Photo Credit – Jedi vs. Sith (Dark Horse Books)

Thus, the story comes full-circle. In the opening of the graphic novel, the adolescent rivalry of Bug and Tomcat is on display, the two engaging in normal behavior of youth jockeying to one-up the other. Now, the innocent cousin-rivalry gives way to an all-out battle of Cousin vs. Cousin – Bug vs. Tomcat – Jedi vs. Sith. 

It should never have come to this point, to a fatal moment where these opponents, once bound together in kinship, are now locked in a climactic struggle of survival and destruction. Rooted to the belief that they alone are right, the final battle between the rivals begins and ends in the only way possible: suffering and death.

Bug will die, crushed by a rock that falls upon him.

Tomcat will suffer, recognizing his errors when it is already too late to save Bug or Rain.

Rain will survive, not as an innocent young girl but as Zannah, Sith apprentice to Bane.

The cousins should have never been there to begin with. After all, the Jedi Toor Snappit was right, war is no place for children. 

Luke Skywalker: A Farewell to Arms

He hears the command the Emperor, the Sith named Sidious. The Dark Lord tells Luke Skywalker to “fulfill your destiny and take your father’s place at my side.” Young Skywalker, having battled Darth Vader, his father, had finally bested his foe. His “hatred made [him] powerful” and he had unleashed a dark-filled fury against his father, swinging and hacking with his self-crafted green lightsaber until a blow was finally dealt. Vader’s right hand severed, the father of Luke Skywalker lays prostrate, weaponless, and entirely at the mercy of his son.

Luke hears the Emperor’s command, he listens, but his disposition changes. Something within him stirs, a recognition we can see on his face. He is aware that he is on a precipice of falling into a never-ending chasm of darkness (it is little wonder the battle ended with Vader and Luke above an actual chasm, a clear metaphor if ever there was one). In this instance, looking down at the mechanical stump where he severed his father’s hand – and looking at his own mechanical hand, a result of an injury Vader exacted on him a year before – Luke makes his choice.

Turning towards the Emperor, Luke Skywalker will confidently declare to Darth Sidious that “I am a Jedi, like my father before me.” But his words are only a part of this pronouncement, the exclamation point actually coming before he speaks when he willingly disarms himself, tossing away his lightsaber, the “elegant” weapon of a Jedi Knight. This is Luke’s active commitment to the Jedi, a practical statement of faith declaring his dedication to “peace and justice,” to “knowledge and defense, never attack.” It is the zenith of Luke’s story in the Original Trilogy, his narrative trajectory taking him from farm-boy on the desolate world of Tatooine in A New Hope to this decisive moment in Return of the Jedi as he stands in the Emperor’s throne room. 

Skywalker’s intentional disarmament is, in a sense, his Arthurian moment, or rather his reverse-Arthurian moment. While the legendary King Arthur inherited Britain’s throne by pulling a sword from a stone, Luke inherits the title of Jedi Knight not by grasping and brandishing his weapon but doing the exact opposite, ridding himself of it. With this simple but profound action Luke Skywalker fundamentally changes what it means to be a member of the Jedi Order and elevates heroism to an even greater level, a level which requires traversing a path of nonviolence, compassion, and mercy (even for one’s enemies). 

As a child I may not have been able to fully appreciate what Luke does in Return of the Jedi but today I am profoundly moved by Skywalker’s heroic choice. It is a stark reminder to me – and perhaps to you as well – that a farewell to arms is necessary in the pursuit of peace. Even when faced with our enemies and the possibility of death we must set aside our weapons of war with a willingness to sacrifice our lives out of love and not hatred. In this way, I interpret Luke’s act through the lens of Matthew 26:52 where Jesus tells a companion to “Put your sword back in its place…for all who draw the sword will die by the sword” (NIV). Living by the sword, even a lightsaber, is no longer appropriate for a Jedi Knight; now, the only option is to walk the path of peace and justice fortified and armed with the Light Side of the Force.